MOVIE REVIEW: EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA

Two small-town singers chase their pop star dreams at a global music competition, where scheming rivals, high stakes and onstage mishaps test their bond.

Director: David Dobkin

Cast: Will Ferrell, Rachel McAdams, Pierce Brosnan, Dan Stevens, Demi Lovato

Release Date: June 26, 2020

Genres: Comedy, Music

Rated PG-13 for crude sexual material including full nude sculptures, some comic violent images, and language

Runtime: 2h 3min

Review:

There are a few things that’ll make you much more disposed to enjoying Will Ferrell’s latest farce.  If you’re a fan of Ferrell’s man child shtick and euro pop music you’ll probably find plenty to love in loving send up of the famed singing contest.  The film radiates some strong Zoolander vibes from the start even if it never quite reaches that film’s heights.  It’s a zany vibe from the start and director David Dobkin embraces the silliness which includes things like elves and a charred protector ghost and those aren’t even major story threads.  Unfortunately the film could have used some trimming here and there; it appears to be an issue with Netflix produced films all around.  There’s zero reason this type of film should be 2 hours long and while it only drag in spots it would have benefited from some savvy edits.  As is the film have some really funny portion like an after party that turns into a Eurovision cameo fest and central performance that goes horribly wrong.  Ferrell and McAdams make for a fun duo and both work off each other really well.  This film is right in Ferrell’s wheelhouse so it’s hardly a surprise but McAdams continues to show off some impressive comedic talents which is kind of hard to believe considering her early rom-com film roles.   Both are obviously have a great time but Dan Stevens nearly steals the show as their friendememy.  Eurovision Song Contest: The Story of Fire Sage is kind of escapism lark you need occasionally especially during particular time in history.  It doesn’t bring much new to the table but its funny enough to make for an enjoyable watch.  

B

MOVIE REVIEW: GAME NIGHT

Max and Annie's weekly game night gets kicked up a notch when Max's brother Brooks arranges a murder mystery party -- complete with fake thugs and federal agents. So when Brooks gets kidnapped, it's all supposed to be part of the game. As the competitors set out to solve the case, they start to learn that neither the game nor Brooks are what they seem to be. The friends soon find themselves in over their heads as each twist leads to another unexpected turn over the course of one chaotic night.

Director: John Francis Daley and Jonathan Goldstein 

Cast: Jason Bateman, Rachel McAdams, Kyle Chandler, Billy Magnussen, Sharon Horgan, Lamorne Morris, Kylie Bunbury, Jesse Plemons, Michael C. Hall, Danny Huston, Jeffrey Wright

Release Date: Feb 23, 2018

Genres: Action, Comedy, Crime 

Rated R for language, sexual references and some violence 

Runtime: 1 hr 40 min

Game Night is one of those zany comedies with a simple premise that just works.  Director’s John Francis Daley and Jonathan M. Goldstein craft an efficient and hilarious comedy that moves quickly enough to avoid letting any of the misfires linger very long.  Their biggest asset though is the cast who have great comic timing and chemistry.  Leading the way is Jason Bateman and Rachel McAdams who bounce off each other easily throughout the film.  Bateman does his usual Bateman act which still works after all these years.  Rachel McAdams is equally funny; her comic timing is vastly underrated.  The supporting players are all funny in their own right with each given their chance to shine.  A cavalcade of familiar faces pop up as things get more out of hand.  Game Night’s is a perfect turn your brain off and just laugh type of comedy.

A-

MOVIE REVIEW: DOCTOR STRANGE

After a car accident leaves him with nerve damage that ends his career as a New York neurosurgeon, Stephen Strange (Benedict Cumberbatch) travels to Kathmandu in the hope of finding an otherworldly cure for his injuries. There, a powerful mystic known as the Ancient One (Tilda Swinton) accepts him as her pupil and trains him in the art of sorcery. Eventually, Strange must use his new powers to stop a rival (Mads Mikkelsen) from causing chaos by accessing the Dark Dimension. Rachel McAdams, Chiwetel Ejiofor, and Benedict Wong co-star in this entry in the Marvel Cinematic Universe. Directed by Scott Derrickson (Sinister). ~ Jack Rodgers, Rovi

Director: Scott Derrickson 

Cast: Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Michael Stuhlbarg, Benedict Wong, Tilda Swinton

Release Date: Nov 04, 2016

Rated PG-13 for Sci-Fi Violence and Action and an Intense Crash Sequence 

Runtime: 1 hr. 55 min. 

Genres: Action/Adventure, Sci-Fi/Fantasy 

Review:

Doctor Strange is a visually impressive origin story that’s better than it should be most due to its cast.  That’s not to say that director Scott Derrickson doesn’t do some impressive cinematic gymnastics because he does.  Its just that when you peel back all visual flourishes its plot feels incredibly familiar with magic taking the place of superhero powers.  Thankfully, the film is a generally enjoyable thanks to some strong turns by Benedict Cumberbatch and Tilda Swinton.  Benedict Cumberbatch feels perfect for the roles and he’s clearly having a great time throughout.  The real stand out though is Tilda Swinton who’s generally the most interesting actor on screen throughout.  It’s a bit of a disappointment that the other great actors assembled aren’t given much to do.  Mads Mikkelsen, Rachel McAdams and Chiwetel Ejiofor are all saddled with some terribly underwritten and generic characters.  It’s a shame because they are all excellent actors and with better material this film could have been something truly special.  As is, the film is a solid addition to the ever expanding Marvel Cinematic universe.

B

Cindy Prascik's Reviews of Doctor Strange & Hacksaw Ridge

Dearest Blog: Yesterday it was off to Marquee Cinemas for Doctor Strange and Hacksaw Ridge, two movies that I anticipated about as much as a fork in the eye. (Any 80s metal fans guess what I'm listening to as I write?) Fortunately, one of them had the decency to be better than expected. 

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

First on the agenda: Marvel's latest cinema smash, Doctor Strange. Following a car accident that cost him his career, an arrogant doctor is awakened to a whole new world. Ladies and gents, if I had to describe Doctor Strange in one word, that word would be "trippy." 

 

Of course I'm gonna use a lot more words than that, but...yeah...trippy. I saw it in 2D, but I'll go on record as recommending the 3D unreservedly; I'm entirely convinced it's worth-the-upcharge spectacular. Inception-Meets-Pink-Floyd-Laser-Show special effects are Doctor Strange's primary virtue, but Marvel has hit it out of the park on casting again, as well. 

 

Benedict Cumberbatch is mesmerising as Strange, and make no mistake, he HAS to be. 

 

Strange is the Dr. House of comic books; he's abrasive and needs the right portrayal for fans to warm to him. In Cumberbatch, he's got it. Chiwetel Ejifor and Mads Mikkelsen lead a supporting cast that is almost uniformly terrific. 

 

The movie could have done with more Rachel McAdams and less Tilda Swinton, but Benedict Wong nearly walks off with the whole thing anyway. Michael Giacchino's epic score provides perfect accompaniment to the huge set pieces and fantastic action. 

 

The movie features the requisite Stan Lee cameo and a couple quick reminders that you're supposed to love it because it's from the people who gave you the Avengers. Guys...THE AVENGERS!! 

 

Don't forget now! Marvel's trademark humor occasionally seems shoehorned into situations where it feels awkward, ill-fitting, and inappropriate, but it mostly hits the mark. Story-wise, Doctor Strange is a generic origins tale that dwells too long on certain bits, making it seem bloated even though it's not really that long. It's a movie with some great elements, but hardly a great movie. Doctor Strange clocks in at 115 minutes and is rated PG13 for "sci-fi violence and action throughout, and an intense crash sequence." Doctor Strange never fails to entertain, but, ultimately, it's nothing special. 

 

And if that's not Marvel's corporate slogan...well...it should be. 

 

Of a possible nine Weasleys, Doctor Strange gets seven. 

 

Fangirl points: Benjamin Bratt! Michael Stuhlbarg! 

 

Next up: Hacksaw Ridge. A young man whose faith keeps him from carrying a weapon hopes to serve as a combat medic in World War II. (A.K.A. "War is Hell. Literally.") 

 

Hacksaw Ridge is an inspiring tale that, in someone else's hands, might have made a great movie. In director Mel Gibson's hands, it's two hours of being clubbed over the head with an agenda. Andrew Garfield heads a magnificent cast with zero weak links. 

 

I'd hoped this might be Garfield's step up to a long-deserved Oscar nod, and I'm not sure it's that, but he is brilliant nonetheless. Hugo Weaving is heartbreaking in a scene-stealing turn that'll have you digging for the Kleenex, and Luke Bracey, Sam Worthington, and Vince Vaughn (you heard me) flesh out a memorable supporting cast with excellent chemistry. Sound mixing and editing are spectacular as well. That's the good news. 

 

The bad news is, Hacksaw Ridge has little else going for it. An excessive runtime exacerbates the feeling that it never gets anywhere. The terrible physical toll of war is detailed in such up-close, prolonged excess that it strays into Tropic Thunder territory. War = Bad. We've got it. No need to spend half the film focused on men you can't tell from lunchmeat. 

 

The faith angle gets full marks for its earnestness, but, again, is so unsubtle as to be comical. If I'd rolled my eyes any harder, I'd be writing this out the back of my head. Ultimately, you can't help feeling such an extraordinary story deserved better. Hacksaw Ridge runs 131 minutes and is rated R for "intense, prolonged, realistically-graphic sequences of war violence, including grisly, bloody images." 

 

Hacksaw Ridge is an inexcusably pedestrian telling of an amazing tale. 

 

Of a possible nine Weasleys, Hacksaw Ridge gets four. 

 

Until next time...

Cindy Prascik's Reviews of Southpaw & Pixels

Dearest Blog: The weekend's bad news: The cinema schedule was impossibly awkward, forcing me to stretch my new-release double-bill over two days. The good news: The crappy timing allowed me to sneak in a second screening of Spy yesterday, and extra Statham isn't exactly a hardship.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

On Friday's agenda, the Kurt Sutter-penned boxing drama Southpaw.

A former world champion boxer has to rebuild his life after his wife's murder sends him into a downward spiral.

If I had to describe Southpaw in one word, it would be "intense." I don't think Sutter is a great writer, but he is an exciting writer, and it's to his credit that I was a nervous wreck for the duration of the movie, despite being relatively certain I knew how it'd play out. (In the interest of remaining unspoilery, I won't say whether or not I was correct in that assumption.)

Southpaw's boxing scenes are extremely real, and sometimes difficult to watch. The personal drama is equally so. Performances are superb in roles large and small, and Jake Gyllenhaal is amazing in the lead. Gyllenhaal is frustrating and sympathetic, inspiring and heartbreaking, and ridiculously fit, handling all his own boxing chores in the interest of realism. (My movie popcorn and soda have never, ever made me feel more guilty!) July is hardly a hotbed of awards contenders, but hopefully folks won't forget Gyllenhaal's incredible performance when awards season rolls around.

Southpaw is marked by Sutter's characteristic violence, family angst, and anger issues. The movie is predictable and broadly drawn at times, but it moves at a good clip and has no problem holding your attention right up to the last minute. By the end I was so wound up I was talking to the screen just like I would while watching a real sporting event. (Thank goodness for almost-empty weekday theatres!)
Southpaw runs 123 minutes and is rated R for "language throughout, and some violence."

You don't have to love boxing to love Southpaw; it's a straight-up great film.

Of a possible nine Weasleys, Southpaw gets eight.

On the docket for Saturday, Adam Sandler's comedy/adventure Pixels.

Aliens mistake video of an arcade competition for a threat, and attack Earth in the form of 80s video-game characters.

I make a point of not reading reviews before I write mine, but, being online as much as I am, I couldn't miss the fact that a lot of people think Pixels really stinks. I'm here to ask those folks, in the immortal words of the Slowskys, "Why don't you like fun?"

I do not like Adam Sandler, not even a little bit. On occasion I like a movie despite Adam Sandler, but never because of Adam Sandler. I continue to give Adam Sandler chances to win me over, because I felt the same way about Ben Stiller before Tropic Thunder, and I figure everyone deserves a second, tenth, or 250th chance, right?

I won't pretend Pixels should sweep the Academy Awards or anything. Much as I enjoyed it, I even understand a little bit why critics are bashing it, though I'd bet some of them didn't bother watching it before doing so. I'm pretty sure you lose your Official Critics' Card if you say anything nice about a movie starring Adam Sandler. For the rest of us, though, Pixels has more than a few things going for it.

As with many Sandler vehicles, the nostalgia is laid on thick and heavy. If you're in the 40-60 age range, you're almost guaranteed to love the movie based solely on the musical selections and pop-culture references. The first half of Pixels is consistently laugh-out-loud funny. The second half is more action heavy, and, if the laughs taper off a bit, they're replaced with truly marvelous special effects. Due to time constraints, I saw Pixels in 2D, but you can bet I'm seeing it again in 3D as soon as humanly possible, and I have no doubt it's going to be worth it.

The look of this film is TOP-NOTCH. Pixels isn't going to change your mind about its cast; you'll enjoy the actors you already like, and continue to be annoyed by the ones you don't. To Sandler's credit, he only does one (1) of his trademark stupid voices the whole time, making him at least 95% less irritating to me than he normally is.

Pixels clocks in at a quick 105 minutes and is rated PG13 for "some language and suggestive comments."

It's possible Pixels won't connect with people of a certain age, but young kids are sure to love the action and eye-popping effects as much as we older folks do the tunes and 80s jokes.

Of a possible nine Weasleys, Pixels gets seven.

Until next time...

MOVIE REVIEW: SOUTHPAW

Jake Gyllenhaal stars as troubled boxer Billy Hope in this high-stakes drama from director Antoine Fuqua and Sons of Anarachy creator Kurt Sutter. At the height of his fame and success, Hope is convinced by his loving wife Maureen (Rachel McAdams) to retire from the sport in order to spend more time with the couple's daughter Leila (Oona Laurence). On the night of his retirement announcement, a rival boxer calls out Hope and an altercation breaks out, killing Maureen. Hope's self-destructive behavior worsens, and Leila is taken away by child services. In order to redeem his life and get his daughter back, Hope must return to boxing under the tutelage of hardened trainer Titus "Tick" Willis (Forest Whitaker). ~ Daniel Gelb, Rovi

Director: Antoine Fuqua

Cast: Jake Gyllenhaal, Forest Whitaker, Rachel McAdams, Curtis Jackson, Rita Ora

Release Date: Jul 24, 2015

Rated: R for some Violence and Language Throughout

Runtime: 2 hr. 3 min.

Genres: Action/Adventure, Drama, Suspense/Thriller

Review:

Southpaw can best be described as reverse Rocky.  Billy Hopes riches to rags to riches never really feels fresh just predictable.  Antoine Fuqua’s film mines better boxing films for material so the films plot feels inevitable instead of engaging.  Thankfully Jake Gyllenhaal delivers an engaging performance that carries the film on multiple levels.  His body is transformed into a believable junior middle weight boxer and the boxing sequences are some of the most realistic ever put on screen.  His intensity is ever present and makes the entire thing watch able.  Forest Whitaker joins the film about halfway through its runtime and it’s all the better for it.  Gyllenhaal and Whitaker make for an interesting pair even as the film rolls towards a predictable finale.  Southpaw isn’t the worse or best boxing film I’ve ever seen but it’s a solid mid range melodrama.

B-

MOVIE REVIEW: SHERLOCK HOLMES: A GAME OF SHAWDOWS

ON DVD

SHERLOCK HOLMES: A GAME OF SHAWDOWS



Brilliant detective Sherlock Holmes (Robert Downey Jr.) matches wits with the nefarious Professor Moriarty (Jared Harris) after uncovering a diabolical plot to destabilize the entire Western world in this sequel from director Guy Ritchie. A criminal mastermind without a conscience, Professor Moriarty is Holmes' worst nightmare -- a man who uses his incredible intellect for unspeakably evil purposes. When the Crown Prince of Austria dies and Inspector Lestrade (Eddie Marsan) rules the death a suicide, Holmes steps back to see the big picture. But little does Holmes realize that Professor Moriarty is about to commit a crime that will shock the entire world, and that solving it may be the death of him. Jude Law returns as Holmes' faithful sidekick Dr. Watson in a sequel also featuring The Girl With the Dragon Tattoo's Noomi Rapace and Rachel McAdams. ~ Jason Buchanan, Rovi

Director: Guy Ritchie

Cast: Robert Downey, Jr., Jude Law, Noomi Rapace, Rachel McAdams, Jared Harris

Release Date: Dec 16, 2011

Rated PG-13 for some Drug Material, Intense Sequences of Violence and Intense
Sequences of Action

Runtime: 2 hr. 9 min.

Genres: Action/Adventure, Suspense/Thriller

Review:

Sherlock Holmes: A Game of Shadows is a long walk taken briskly. Guy Ritchie directs his follow up to his 2009 re-imagining of Holmes with the same frenetic energy and visual flair with all the hallmarks of a blockbuster sequel. Everything is bigger, the set pieces are massive and impressive flung at the screen in such a rapid fire motion that there’s rarely a moment to let the plot breathe. It’s fund but kind of mindless at the same time, plot points and details are thrown in as quickly as possible so that we can get back to Ritchie’s Holmes’s style of action. Robert Downey Jr. is again clearly having a blast in his role. Between this and Tony Stark, you’d think Downey Jr. just walks around in a constant state of glee, his joy in these roles shines in such a manner it’s hard to resist. Sadly his rapport with Jude Law this go around, a strong point of the first, feel a tab more forced and uneven. It’s still fun seeing both bounce off each but it lacks the spark from the first film. The supporting players are strong actors who are asked to do very little. Rapace make a fine looking gypsy but serves as noting more than window dressing, her character could appeared or disappeared with nary an issue to the main plot. Stephen Fry should be given more to do but he’s on and off the screen all too quickly. Jared Harris, in the biggest crime, is short changed as Holmes arch nemesis Moriarty. He’s only given one substantial scene with Downey Jr. which is great fun, an intellectual cat and mouse game. It’s a shame more time wasn’t given to his character because he could have been a proper foil to Holmes as he was intended. It’s all still terribly watchable rarely dragging but ultimately soulless.

C

Bluray quality; Video is captivating across the board showcasing the wonderful visuals throughout; Sound is top notch and nearly display quality, extremely active sounds stage.

I was hand-selected to be a member of Blu-ray Elite, a beta program from Warner Home Video which has graciously sent me this free Blu-ray disc.

Movie Reviews: SHERLOCK HOLMES

Friday, December 25, 2009
Movie Reviews: SHERLOCK HOLMES
IN THEATERS

SHERLOCK HOLMES

In a dynamic new portrayal of Arthur Conan Doyle's most famous characters, Sherlock Holmes and his stalwart partner Watson embark on their latest challenge. Revealing fighting skills as lethal as his legendary intellect, Holmes battles as never before to bring down a new nemesis and unravel a deadly plot that could destroy the country.

Cast: Robert Downey, Jr., Jude Law, Rachel McAdams, Mark Strong, Eddie Marsan, Kelly Reilly

Opened ..December 25, 2009..

Runtime: 2 hr. 14 min

Rated PG-13 for intense sequences of violence and action, some startling images and a scene of suggestive material.

Director: Guy Ritchie

Genres: Detective Film, Action, Mystery

Review:

Outside of general knowledge and a few episodes of Star Trek: The Next Generation, yes I’m that nerdy, I have no real knowledge of Sherlock Holmes or any connection to his literary incarnation. As a result, I was a blank slate for Guy Ritchie’s re-imagining of this iconic character and was met with mixed returns. Ritchie’s style and eye work just fine to give this version a visceral hook and freshness lacking form previous versions. He moves the film along at a brisk pace even if some portions feel like they could have been left on the cutting room floor. His biggest advantage is showcasing Downey and Law’s palatable on screen chemistry as Holmes and Watson. The two play off each other incredibly well and give the audience a real sense of their camaraderie. Downey, with an excellent British accent that borders on unintelligible at times, brings a fun bit of manic energy mixed with eccentricity all the while maintaining Holmes’s keen power of detection. He’s like an 18th century Batman sans the mask. Law’s work as Watson is a nice updated and he gives the character depth that isn’t written into the script. Eddie Marsan does strong work in a small role as Inspector Lestrade. Not faring nearly as well is Rachel McAdams and Mark Strong. McAdam’s feels miscast and her character isn’t really much use to the overall story aside from a movie long set up for a possible sequel. The script doesn’t do her character any favors; instead the romantic relationship feels forced and unconvincing. Mark Strong’s role suffers a similar fate as he isn’t required to do much except look villainous and utter dialogue in a monotone voice. Both roles are examples of the main issue with this film in general. The script is convoluted mess, the crux of the main mystery is something about a Masonic like group mixed with supernatural elements, and it’s not nearly as engrossing as it should be for its sometime laborious 2 hours plus runtime. The finale feels hallow as it seems more interested in setting up the sequel than wrapping up this film’s plot points. Even with these issues it’s a fun film that is saved by Downey and Law’s strong work.

C+