MOVIE REVIEW: WEAPONS

 

When all but one child from the same classroom mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance.

Director: Zach Cregger

Cast: Josh Brolin, Julia Garner, Cary Christopher, Alden Ehrenreich, Austin Abrams, Benedict Wong, Amy Madigan

Release Date: August 8, 2025

Genre: Horror, Mystery 

Rated R for strong bloody violence and grisly images, language throughout, some sexual content and drug use.

Runtime: 2h 8m

Review:

Zach Cregger's sophomore film, Weapons, is a Pulp Fiction style maze that's equal parts unnerving and hilarious, powered by stellar turns from Josh Brolin and Julia Garner.  Cregger's film is visually potent from the start, and he delivers a series of shocks that are sure to leave an impression long after you leave the theater.  That shouldn't come as a surprise after his debut film, Barbarian, which was populated with more than enough nightmarish imagery but here he uses structure to slowly unfurl the central mystery from different points of view.  It keeps everything off balance and unpredictable, particularly in the first half of the film before it shows its hand.  Its grabs and holds your attention for the majority of the film but it might lose some more hardcore horror aficionado once it reveals the game Cregger is playing since it blends more than a few genres with its twisted sense of humor.  The characters are all damaged individuals that are dealing with variety of issues that makes them feel more three dimensional than you'd expect from most horror films.  It helps that his cast is fully committed to his brand of madness and deliver strong performances across the board.  Julia Garner leads the way with a multilayered turn that really shows off her immense talent in a way the other films she has been part of this year have not.  Her alcoholic, obsessive teacher is a treasure trove of complexity and imperfections even before her class goes missing.  She's traumatized and ostracized by the event but Garner is still able to give her an authentic sense of caring about the kids and what happened to them.  Josh Brolin's character is obsessive, to a fault, about finding out what happened to his child and aims his ire at Garner's character initially.  Brolin brings the appropriate sense of misguided parental intensity that just comes through the screen especially early on.  Alden Ehrenreich's recovering alcoholic cop who's involved in affair with Garner's character is a bit more straightforward and one dimensional with his subplot being used more as connective tissue for the overall narrative as opposed to a fully formed character.  Cary Christopher, Austin Abrams and Benedict Wong are solid in smaller supporting roles even though their character could use a bit more depth before the wheels start to fly off in Weapons rather nutty finale that's sure to be contentious with some people. 

B+

MOVIE REVIEW: THE NAKED GUN

 

Following in the footsteps of his bumbling father, Detective Frank Drebin Jr. must solve a murder case to prevent the police department from shutting down.

Director: Akiva Schaffer

Cast: Liam Neeson, Pamela Anderson, Paul Walter Hauser, Kevin Durand, CCH Pounder, Danny Huston

Release Date: August 1, 2025

Genre: Action, Comedy, Crime

Rated PG-13 for crude/sexual material, violence/bloody images and brief partial nudity.

Runtime: 1h 25m

Review:

The Naked Gun series springs back to life with a barrage of visual gags and word play jokes that recapture the comedic energy of the original Abrahams/Zucker productions starring Leslie Nielsen.  Director Akiva Schaffer does a strong job of recreating the goofy energy that permeated the older film right from the start and he rarely lets the foot off the gas.  The throw everything at the wall approach works incredibly well as jokes and gags fly at such a fast pace that it never lets the audience linger too long on anything.  The jokes that land and those that don't are thrown onscreen in steady succession with the cast being more than game to roll with it.  Liam Neeson is the linchpin to it all as he takes the reins of the legendary Leslie Nielsen with incredible ease.  Neeson extended stay as onscreen tough guy works wonderfully here as he's clearly having a blast embracing the absurdity of the script and action playing out in front of him.  There’s something about his gravelly voice delivering some of the most inherently silly lines of dialogue that recalls Nielsen's pitch perfect deadpan delivery.  It helps that he shares strong comedic chemistry with Pamela Anderson who displays some impressive timing.  They clearly are having a ball onscreen together and that energy comes through the screen.  The supporting players don't get as much time to shine with Paul Walter Hauser, Kevin Durand, CCH Pounder and Danny Huston doing the most with their limited screentime.  Huston in particular seems to be channeling Ricardo Montalban from the 1988 film which the film should have used to a greater extent.  His character's masterplan seems lifted from the original Kingsman film which makes the last act a bit clunkier than what came before it.  Still, it’s hard not to appreciate how well 2025’s The Naked Gun revives this particular style of comedy.

B+

MOVIE REVIEW: THE FANTASTIC FOUR: FIRST STEPS

 

Mister Fantastic, Invisible Woman, Human Torch and the Thing face their most daunting challenge yet as they defend Earth from Galactus and Silver Surfer.

Director: Matt Shakman

Cast: Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, Joseph Quinn, Julia Garner, Sarah Niles, Mark Gatiss, Natasha Lyonne, Paul Walter Hauser, Ralph Ineson

Release Date: July 24, 2025

Genre: Action, Adventure, Sci-Fi

Rated PG-13 for action/violence and some language.

Runtime: 1h 55m

Review:

The Fantastic Four: First Steps retro futuristic aesthetic instantly gives Matt Shakman's film a distinctive look paired with strong chemistry from its core cast makes it easier to overlook some of the script's deficiencies.  Shakman decision to go with more of a period setting works wonders for the film especially as we are introduced to the titular team through a series of montages of their previous exploits.  It gives the film a fun energy from the start that it tries desperately to maintain throughout.  The action thrown on screen is fun with its more sci-fi leaning story opening up the action to space set sequences which work incredibly well such as the team’s first encounter with Galactus.  There are slivers of Kubrick's 2001 visually referenced here and there for good measure as we follow Marvel's first family.  Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach and Joseph Quinn are solid across the board with their familial connection and interactions coming off as sincere and naturalistic.  Vanessa Kirby's striking appearance and strong screen presence gives us the most fully realized version of Sue Storm as there is little question that she serves as the backbone of the family and film as whole.  She adds an impressive level of depth to the character that really shines through during a speech she delivers about halfway through the film.  Pedro Pascal is a bit more of a mixed bag because his sincerity fits the role well, but his usual everyman charm works against him here since we're supposed to believe he's one of the world's smartest people.  He proves more than capable of pulling off the emotional side of the role, but he just can't pull off the analytical side believably especially since his character is wrong numerous times throughout the film.  Thankfully, Pascal and Kirby work well together onscreen, which makes it easier to overlook him being miscast here.  Ebon Moss-Bachrach and Joseph Quinn are better suited to their roles, but the characters feel a bit short changed by the script as they're never really fleshed out and only given a few distinguishing characteristics.  Moss-Bachrach in particular seems ready and willing to add some real pathos to his character if given the chance.  Julia Garner and Ralph Ineson are both talented performers, but they're terribly underused as paper thin villains which never takes advantage of their skills.  Missteps like that keep The Fantastic Four: First Steps from being something truly special even though it will still rank as the best onscreen iteration of these characters outside of The Incredibles. 

B

MOVIE REVIEW: TOGETHER

 

After moving to the countryside, a supernatural encounter starts to transform a couple's love, their lives, and their flesh.

Director: Michael Shanks

Cast: Dave Franco, Alison Brie, Damon Herriman, Mia Morrissey

Release Date: July 30, 2025

Genre: Comedy, Horror, Romance, Sci-Fi

Rated R for violent/disturbing content, sexual content, graphic nudity, language and brief drug content.

Runtime: 1h 42m

Review:

Together is devilishly funny bit of body horror sprinkled with bits of rom-com which works better if you don't think about the story too much and focus on stellar turns from Dave Franco and Alison Brie.  Writer/Director Michael Shanks leaves quite an impression in his directorial debut by delivering an equal balance of visceral frights and relationship humor that hits more often than not.  He judiciously utilizes a series of well timed jump scares scattered throughout to give you a sense that something horrific could be lurking in the deepest recess of your nightmares.  Long overhead shots take full advantage of the scenic setting but there's something just slightly off that keeps everything unsettling.  Casting real life husband and wife proves to be a masterstroke since Franco and Brie bring an air of authenticity to their relationship.  Their interchanges will likely sound familiar to anyone who's been in a long term relationship.  Alison Brie takes full advantage of her talents here as we get the full spectrum of her character's traits which swing from sweet but mildly passive aggressive to cuttingly acidic in the blink of eye.  Dave Franco is equally impressive as her boyfriend, who's clearly used to be overshadowed and domineered by the time we meet him. Their relationship reeks of the worst kind of toxic codependency with neither being able to take the final step and just leave.  Even as things get increasingly insane there's something relatable about their endless cycle of arguments and reconciliations that leaves neither happy.  The allegory here is about as blunt as they come as they literally become unable to leave each other as we witness a series of increasingly grotesques encounters.  The script doesn't concern itself too much with why this has happened to them which feels like Shanks might have painted himself into a corner, ultimately deciding to just avoid a  tangible of explanation altogether.  It’s, ultimately, a minor complaint because Together works on so many levels thanks to strong direction and performances from its central duo. 

B+

MOVIE REVIEW: 40 ACRES

 

Surviving on an isolated farm after a series of plagues and wars, a former soldier and her family make one last stand against a vicious militia that wants to take their land.

Director: R. T. Thorne 

Cast: Danielle Deadwyler, Kataem O'Connor, Jaeda LeBlanc, Michael Greyeyes, Milcania Diaz-Rojas, Leenah Robinson

Release Date: July 2, 2025 US/August 1, 2025 UK

Genre: Action, Drama, Sci-Fi, Thriller

Rated R for strong bloody violent content and language.

Runtime: 1h 53m

Review:

R.T. Thorne's debut film, 40 Acres, is a lean mean apocalyptic thriller that delivers impressive action along with plenty of thematic allegory, powered by a steely turn from Danielle Deadwyler.  Initially, there's a sense of familiarity to the proceeding with portions of it echoing the bleakness of 2009's The Road.  The family unit here though is a seasoned team ready to defend their land at a second’s moment thanks to the leadership of Danielle Deadwyler's tough as nails Hailey Freeman and Michael Greyeyes Galen's both of whom were former soldiers before becoming a couple after the end of the world.  Their relationship is a steady balance of carrots and stick as they prepare their kids to survive in this brutal landscape.  They are both overprotective to a fault but it’s all a means to an end to give their offspring the best chance to endure in the future.  Deadwyler's hardened stare barely breaks throughout as she serves as a stoic taskmaster for the adopted family.  Greyeyes provides a bit more tenderness as a counterbalance to her with book loads of history shared via unspoken looks which gives their relationship an air of realism.  The film allows us plenty of time to get to know each of the younger family members with Kataem O'Connor and Leenah Robinson getting the most screentime.  O'Connor is solid as the eldest teenage son, full of angst and ready to rebel by exploring beyond the limits imposed by his parents.  He brings the right amount of resentment for his mother which is revealed to extend further into the past.  On the other side of the coin, Leenah Robinson and Michael Greyeyes have a much more congenial, loving daughter/father relationship with some of their interchanges providing some much-needed moments of warmth.  The film methodically establishes the setting and characters before building to its more action heavy finale which boasts a series of well-constructed action sequences highlighted by a moment in a darkened house that's sure to leave an impression.  Once it's all said and done, 40 Acres brings together its themes of family, legacy and perseverance in an impressive manner especially since it’s packaged in such a familiar package.  

B+

MOVIE REVIEW: EDDINGTON

 

During the COVID-19 pandemic, a standoff between a small-town sheriff and mayor sparks a powder keg as neighbor is pitted against neighbor in Eddington, N.M.

Director: Ari Aster

Cast: Joaquin Phoenix, Pedro Pascal, Luke Grimes, Deirdre O'Connell, Micheal Ward, Austin Butler, Emma Stone

Release Date: July 18, 2025

Genre: Comedy, Drama, Western

Rated R for strong violence, some grisly images, language, and graphic nudity.

Runtime: 2h 25m

Review:

Ari Aster's Eddington is aggressively overstuffed as he tries to capture the general insanity of the summer of 2020 through the lens of the fictional town with Joaquin Phoenix doing the majority of the heavy lifting onscreen.  The film is a measured, slow burn as we watch real world external events and the story threads thrown onscreen move toward their unavoidable intersection.  Aster takes his time setting the table with the assorted collection of characters that inhabit the town, establishing them more as types than anything else.  Joaquin Phoenix's mask adverse Sheriff, Joe Cross, is a sad sack of a man when we meet him, finding some sliver of empowerment by taking up the cause of personal freedom that leads him to run for mayor against Pedro Pascal's Ted Garcia, Eddington's incumbent mayor.  Phoenix plays the character as a lonely, emasculated man that's in a position of power but totally inept until he grabs hold of his cause.  His wife Louise serves as little comfort as she has issues with physical contact leaving both isolated even when they are together, a recurring theme that serves as an undercurrent to the entire film.  Emma Stone looks appropriately disheveled and bizarre with one moment giving off some strong Carrie vibes as her character falls under the influence of Austin Butler's cult leader.  There's some fertile ground that's left untended with their relationship as both Stone and Butler are underutilized with both popping on and off screen far too quickly.   Louise's conspiracy obsessed mother played effectively by Deirdre O'Connell gets more screentime with an air of sly calculation amid all the insanity she traffics in.  Pedro Pascal's character is more straightforward and less nuanced as he serves a performative counter point to Phoenix's Cross.  He's given precious little time to really flesh the character out which leaves him coming off far more one dimensional than Cross.  Likewise, a subplot involving local BLM protest and a love triangle involving Cameron Mann, Matt Gomez Hidaka and Amélie Hoeferle feels undercooked, serving as little more than a plot device for the final and rather brutal finale which drags out into an unnecessarily long epilogue that leaves more questions than answers.  In the end, perhaps that point Aster is trying to achieve with Eddington serving as a rumination on the isolation that led to the increased insanity of that moment in time with no end in sight.  

B-