MOVIE REVIEW: THE PHOENICIAN SCHEME

 

Wealthy businessman, Zsa-zsa Korda appoints his only daughter, a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.

Director: Wes Anderson

Cast: Benicio del Toro, Mia Threapleton, Michael Cera, Riz Ahmed, Tom Hanks, Bryan Cranston, Mathieu Amalric, Richard Ayoade, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch, Rupert Friend, Hope Davis, F. Murray Abraham, Charlotte Gainsbourg, Willem Dafoe, Bill Murray

Release Date: June 6, 2025

Genre: Action, Comedy, Crime, Drama, Thriller

Rated PG-13 for violent content, bloody images, some sexual material, nude images, and smoking throughout.

Runtime: 1h 45m

Review:

Wes Anderson's latest film, The Phoenician Scheme, finds his esoteric style increasingly refined which is sure to please a long time but it'll do little to bring others into the fold.  Anderson meticulous visuals always give his films their distinctive style with that being true again here.  He toys with more hallucinatory detours that give this film a more spiritual sensibility centered around themes of legacy and redemption of self.  It’s a fascinating subject matter, one that's laced some of his previous films such as The Royal Tenenbaums and The Grand Hotel Budapest, but his approach is even more overt here.  There's a mediative contemplation to it all as we follow Benicio del Toro's Zsa-zsa Korda plan to cement his legacy while attempting to mend his relationship with his estranged daughter played wonderfully by Mia Threapleton.  The overly complex plans sometimes hamper the central themes he's exploring which leaves you wishing he'd chosen something a bit less involved to focus on the father/daughter relationship which drives the film.  Those moments possess the kind of tender, soulfulness that have made some of his best films stand out.  It’s a difficult balancing act that he can't pull off this time around as the film occasionally comes to a screeching halt thanks to an over indulgence on the quirky scenario and cameos which are fun but feel far more superfluous than usual.  Those cameos are peppered with a cavalcade of A listers with each making the most of their screentime with Jeffrey Wright's character sorely begging for more time to shine.  Benicio del Toro and Mia Threapleton make for a strong onscreen duo as two different sides of the same coin even though she may or may not be his biological daughter.  Michael Cera fits right in as the third primary cast member with him easily working himself into Anderson's world, so much so that you're left wondering why they haven't worked together sooner.  The Phoenician Scheme may not land in the upper echelon of Wes Anderson's but that doesn't mean that fans won't find plenty to enjoy in this fanciful excursion.  

B-

Cindy Prascik's Reviews of John Wick Chapter 4 & Captain America Brave New World

 My dear readers: This past week I caught up with a pair of action flicks from franchises in which I was once invested.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my agenda, John Wick: Chapter 4.

Hoping to finally earn his freedom, our hero John Wick is on the run again.

The John Wick franchise seems to blow up its universe pretty much every movie, only to find a way of repeating the same formula with the next outing. JW4 is no real exception, and if the schtick is wearing a bit thin, there's still a lot to like here. Keanu Reeves was born for this role, and there will always be some joy in seeing him play it. Ian McShane elevates any project lucky enough to have him. The cinematography, set design, and fight choreography remain head-and-shoulders above average for the genre, but...maybe there's something to be said for franchises that quit while they're ahead. Chapter 4 is overlong, and the fight scenes, well-done as they are, drag on and on. The movie doesn't manage to hold any real suspense, so ultimately its aesthetic virtues can't save it from being uninspiring.

John Wick: Chapter 4 runs 169 minutes (I'm not kidding) and is rated R for, "pervasive strong violence and some language."

John Wick: Chapter 4 retains some of the assets that make the franchise great, but it might be time to put this one to bed. Of a possible nine Weasleys, John Wick: Chapter 4 gets six.

John Wick: Chapter 4 is now streaming on Peacock.

Next on the docket was Marvel's Captain America: Brave New World.

Sam Wilson officially takes the shield and must foil a nefarious international plot.

In my house, we stan Anthony Mackie, so I was very much looking forward to him taking the top(ish) spot in the Marvel hierarchy. Brave New World gives him a serviceable film with a strong supporting cast and a decent storyline. The movie is almost entirely without the forced humor and convoluted timeline/universe jumping that plague most Marvel output. If the movie is a bit longer than it needs to be, it's not nearly as bloated as most Marvel pictures, and it's well paced enough to (mostly) get away with it.

Captain America: Brave New World clocks in at a pretty reasonable 118 minutes and is rated PG13 for, "intense sequences of violence and action and some strong language."

Captain America: Brave New World is a solid beginning for an iconic hero's new chapter. 

Of a possible nine Weasleys, Captain America: Brave New World gets seven and a half.

Captain America: Brave New World is now streaming on Disney+.

Until next time...

MOVIE REVIEW: BALLERINA

 

An assassin trained in the traditions of the Ruska Roma organization sets out to seek revenge after her father's death.

Director: Len Wiseman

Cast: Ana de Armas, Gabriel Byrne, Catalina Sandino Moreno, Norman Reedus, Anjelica Huston, Lance Reddick, Ian McShane, Keanu Reeves

Release Date: June 6, 2025

Genre: Action, Thriller

Rated R for strong/bloody violence throughout, and language.

Runtime: 2h 5m

Review:

Ballerina is preposterous on multiple levels, but the inventive action and Ana de Armas' laser focused performance makes it far more watchable than it deserves to be.  Len Wiseman is no stranger to directing kick ass heroines, having helmed the Underworld franchise in the early 2000's, so he makes an easy fit for this John Wick spin off.  He's more than capable of emulating the look and feel of the main line films, especially the increasingly outlandish action sequences highlighted by a flamethrower fight in the final act.  There's also a fun injection of tongue in cheek comedy during the barrage of action sequences highlighted by a sequence in a Bavarian Cafe that might have people of a certain age have Three Stooges flashbacks.  It’s a nice way to mix things up for the usual formula along with making a point of Eve having to make up for the strength disparity with the majority of her male adversaries.  That's not to say she doesn't mow through a boat load of people throughout the film's runtime but it’s refreshing to see them get a bit more inventive with the character relying more on knives and bombs in addition to the cornucopia of guns she uses.  Sure, it’s ultimately lip service since her character has a video game style rechargeable life bar which recharges shortly after the assorted injuries she endures throughout.  Ana De Armas is impressively focused throughout, making it all the mayhem and carnage immensely watchable even as it starts to overstay its welcome.  There's also a sense that she's searching for something meatier, character wise, to bite into which is sadly lacking for her and the cast across the board.  The script offers the bares of a story thread, leaning heavily on the established lore while throwing out some interesting ideas like an assassin cult but never really doing anything with it.  If there had been a bit more time and attention given to the story and characters, it would have made Ballerina more than a fun but forgettable detour from the main series.     

C+

MOVIE REVIEW: BRING HER BACK

 

A brother and sister witness a terrifying ritual at the secluded home of their new foster mother.

Director: Danny Philippou, Michael Philippou

Cast: Billy Barratt, Sora Wong, Sally Hawkins, Jonah Wren Phillips, Sally-Anne Upton

Release Date: May 30, 2025

Genre: Horror, Mystery

Rated R for strong disturbing bloody violent content, some grisly images, graphic nudity, underage drinking and language.

Runtime: 1h 39m

Review:

Danny and Michael Philippou sophomore feature, Bring Her Back, is an impressive upgrade on their much talked about debut film with a more engaging story, better fleshed out characters and a tour de force turn from Sally Hawkins.  The twin filmmakers displayed a fantastic eye for visuals in Talk to Me something that's on full display again here as they meticulously frame shot after shot of the increasingly harrowing events.  This is more of a slow burn though as the sense of foreboding and uneasiness builds until it spills out in increasingly graphic spurts of gore.  Those moments of over-the-top body horror feel a tad unnecessary since the less is more approach might have worked better for this particular story.  The psychological aspect of the story makes up the most engrossing angle which would have been better served with some restraint.  Still, it’s hard to really quibble too much about it since those moments will have you winching and squirming in your seat just like the directors intended.  The story itself seems intentionally ambiguous with very few answers provided especially in regards to the ritual being recreated by Sally Hawkins' Laura.  There are just enough breadcrumbs thrown the audience's way to give them an idea of what's going on but never providing a full explanation.  It adds an air of unsettling mystery to the whole that plays into the unsettling nature of the traumatic subject matter played to a perfect pitch by the film's central cast.  Billy Barratt and Sora Wong make for a strong pair of orphaned siblings dealing with the sudden loss of their father.  Barratt brings a strong sense of brotherly protectiveness over his partially blind younger sister.  Underneath it though is a pervading sense of shame that adds a layer of depth to his character that makes him far more interesting.  Sally Hawkins though is the star of the show as the initially quirky foster mother whose becomes increasingly deranged as the film moves on.  She brings so many layers to her broken, crazed character that it’s nearly impossible to take your eyes off her even when she's sporting a Brian May style hair.  The three of them work off each other effortlessly create the kind of familial nightmare that's sure to linger long after Bring Her Back credit's roll.  

   

A-

MOVIE REVIEW: LILO & STITCH

 

Lilo & Stitch is a 2025 American science fiction comedy film directed by Dean Fleischer Camp and written by Chris Kekaniokalani Bright and Mike Van Waes. Produced by Walt Disney Pictures and Rideback, the film is a live-action animated remake of Disney's 2002 traditionally animated film of the same name. 

Director: Dean Fleischer Camp

Cast: Maia Kealoha, Sydney Elizebeth Agudong, Hannah Waddingham, Billy Magnussen, Zach Galifianakis, Chris Sanders, Courtney B. Vance, Tia Carrere, Amy Hill,  Jason Scott Lee

Release Date: May 23, 2025

Genre: Action, Adventure, Comedy, Drama, Family, Fantasy, Sci-Fi

Rated PG for action, peril and thematic elements.

Runtime: 1h 48m

Review:

Lilo & Stitch is a perfectly adequate redux of the superior 2002 original which streamlines certain parts of the story effectively but just never recaptures the chaotic energy of the animated film in spite of the cast and crews’ best efforts.  Dean Fleischer Camp bringing his tender hearted, occasionally soulful approach to the otherworldly hijinks here much like he did with 2021's Marcel the Shell with Shoes On.  He's able to give certain characters in the film more depth, making them more three dimensional than their animated counterpart.  Nani, Lilo's older sister, played with authentic earnestness by Sydney Elizebeth Agudong gets a better realized story arch here as she's given more to do throughout the film.  It’s clear that Camp is trying his best to stake out his out territory here but he's held back by having to recreate a bevy of scenes and sequences from the animated film which just reminds you that like the other live action adaptations there's a cynical money grab driving it all.  There are moments that break free a bit to deliver something new and fresh much like the reworked final act which is revamped to focus more on the emotional connection as opposed to more outright cartoonish action.  Maia Kealoha play the Lilo role a bit sweeter and less chaotic than the original which works better in the back half of the film than it does early on.  Chris Sanders reprises his role as the voice of Stitch barely missing a beat as he easily slides back into Experiment 626's skin.  Billy Magnussen and Zach Galifianakis prove to be welcome additions here as Agent Pleakley and Dr. Jumba Jookiba respectively.  Magnussen talents are perfectly suited as he can play oblivious goofball in his sleep.  Galifianakis reins his usual impulses here to give his take on the character a slightly more sinister undercurrent.  Courtney B. Vance and Tia Carrere's characters split up Ving Rhames Cobra Bubbles character into two separate characters with Mrs. Kekoa serving as social worker side. It doesn't quite work the way it should since both characters feel underserved by the time it’s all said and done.  This iteration of Lilo & Stitch is perfectly suitable family fun with a solid message about the family we're born with and find but it can't shake the fact that the original film did the same thing more effectively.  

 

B-

MOVIE REVIEW: MISSION: IMPOSSIBLE - THE FINAL RECKONING

 

Ethan Hunt and the IMF team race against time to find the Entity, a rogue artificial intelligence that can destroy mankind.

Director: Christopher McQuarrie

Cast: Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg, Henry Czerny, Angela Bassett, Esai Morales, Pom Klementieff

Release Date: May 23, 2025

Genre: Action, Adventure, Thriller

Rated PG-13 for sequences of strong violence and action, bloody images, and brief language.

Runtime: 2h 49m

Review:

Mission: Impossible – The Final Reckoning is massive in nearly every way imaginable from its pair of massively thrilling action set pieces that have to be seen on the biggest screen possible but the whole thing is nearly bogged down by a lore heavy plot that tries to tie together 30 years of the franchise with a noticeable sense of self reverence.  Christopher McQuarrie directs the film with the kind of capable hand you'd expect from somebody who's been playing in this sort of scale for years.  He excels at the rather insane action sequences which have become the hallmark of the series and again delivers the sort of blockbuster insanity that other films can only aspire to.  The submerged submarine sequence is equal parts The Abyss and Titanic with its rotating kaleidoscope of death that's sure to leave a memorable impression.  The much talked about biplane sequence is visceral on every level thanks in large part to Tom Cruise's willingness to put himself in tangible danger to pull off the stunts.  McQuarrie orchestrates it all with impressive ease that you barely notice that both sequences are nearly dialogue free.  There are more noticeable lulls in between those big moments especially when compared to recent entries thanks to an unnecessarily muddled script.  There are plenty of call backs throughout the film with some feeling more natural and organic than some of the more forced moments.  It’s a shame because as nonsensical as the plot is there a sense that if the story had jettisoned some or all of the nostalgia this would have been a leaner more effective send off.  That's not to say there isn't a lot to enjoy here but it’s just not up to the levels of 2018's Fallout or 2023's Dead Reckoning.  Tom Cruise and McQuarrie might just suffer from setting the bar to high at this point by making it nearly impossible to top themselves.  Cruise and his character are practically indistinguishable by this point in the series which shouldn't be much of a surprise even as he spends more time with smaller supporting players than the returning cast.  Hayley Atwell, Ving Rhames, Simon Pegg, Henry Czerny, Angela Bassett and Pom Klementieff all have their moments to shine.  Atwell is earnestly wide eyed throughout while Pegg is given the chance to step up and lead.  Klementieff again makes the most of her screentime leaving her the most memorable supporting character once it’s all said and done.  Esai Morales returns as the main human villain here but much like the last entry there's never a ton of time spent giving him much depth or making him feel like a tangible treat to Cruise's Hunt.  Missteps aside, Mission: Impossible – The Final Reckoning is a solid send off for the series even if doesn't reach the heights of its best entries.

B