MOVIE REVIEW: NIGHT SWIN

 

Forced into early retirement by a degenerative illness, former baseball player Ray Waller moves into a new house with his wife and two children. He hopes that the backyard swimming pool will be fun for the kids and provide physical therapy for himself. However, a dark secret from the home's past soon unleashes a malevolent force that drags the family into the depths of inescapable terror.

Director: Bryce McGuire

Cast: Wyatt Russell, Kerry Condon, Amélie Hoeferle, Gavin Warren, Nancy Lenehan, Jodi Long

Release Date: January 5, 2024

Genre: Horror, Thriller

Rated PG-13 for terror, some violent content and language.

Runtime: 1h 38m

Night Swim has a fun concept paired with strong performances, particularly Kerry Condon, but the execution is little more than a bland, uninspired Amityville Horror knock off with a sprinkle of Cocoon for some reason.   Bryce McGuire's big screen debut, based on his short film, is initially intriguing as we are introduced to the general concept and central family.  A series of well staged jump scares provide the sort of scares you'd expect from a film of this ilk.  The issues start popping up fairly quickly there after as the script struggles to stretch the concept out for a full length feature.  The reveals are fairly uninspired, mostly consisting of well worn horror tropes that we've seen countless times before.  With few twist and turns there are telegraphed so loudly that you'd be hard pressed not to see them coming from a mile away.  Wyatt Russell and Kerry Condon play it deadly serious throughout which works better in the first half of the film before things get progressively more ridiculous as the family battles the evil pool.  Condon brings a level of commitment to the role which speaks to the level of talent she brings to the production even as she confidentially utters some unintentionally funny lines in the film's final act.  Russell is a solid screen partner early on but once he's overtaken by the evil his performance makes Jack Nicholson's Jack Torrance look like a study in subtly.  Amélie Hoeferle and Gavin Warren play the pair's children with both bringing an authentic air of sibling chemistry together which the film would have been wise to use to greater effect especially since there are slivers of interesting character traits for each.  As is, Night Swim will fall into the massive wasteland of utterly forgettable horror films dumped into January.

D+

My 10 Favorite Films of 2023

Now that 2023 has come to an end I can look back at the 79 movies I reviewed during the year and reflect on which ones I enjoyed the most.  This list below is in no specific order and not necessarily reflective of my original letter grade, additionally I’ve missed some critical darlings like Past Lives and Anatomy of a Fall among others.  

Like everything I’ve published, this is all subjective and I could probably be convinced to add and remove certain films which is why I’m terrible at making lists in general.

So, with that, here are my 10 favorite films of 2023.

Infinity Pool

Brandon Cronenberg's latest film is the kind of film that reveals is screwing with your mind throughout its runtime.  It’s gory, grimy but beautiful in a strange, psychedelic way.  Mia Goth turns in another performance that’s cements her status as a rising star in the horror genre. 

The Creator 

The plot of The Creator covers some well-worn territory in the sci-fi genre, but Gareth Edwards direction elevates it above the predictable plot.  Visuals and solid turns from the cast makes this one of the more entertaining sci-fi films in recent memory.  

Beau is Afraid

Ari Aster’s Beau is Afraid isn’t made for everyone and he doesn’t really seem to care.  It’s a behemoth of themes and ideas with some working far better than others during the film’s three-hour runtime.  A committed performance from Joaquin Phoenix as the sad sack who embarks on a cinematic journey that you won’t soon forget.  

Mission Impossible: Dead Reckoning 

In any other year, Mission Impossible: Dead Reckoning, would have been one of the biggest blockbusters of the year.  Tom Cruise’s latest entry into the long-running series is another bit of well-orchestrated, big screen spy madness that keeps upping the game on the genre.     

Barbie 

If you had told me at the start of the year Barbie would be on my year end list I probably would have chuckled and said no.  I didn’t know what to expect from the film or story, but I didn’t expect much so it was a pleasant surprise such a fun, vibrant and heart felt even if some felt the message was heavy handed.    

Oppenheimer 

The other half of the cultural phenomenon that was Barbenheimer was even better with Christopher Nolan’s Oppenheimer delivering a serious, adult blockbuster that was built on performances and dialogue.  Nolan and his cast are laser focused throughout, making the dialogue heavy film feel brisk even at three hours long.

Killers of the Flower Moon

Martin Scorsese’s long gestating epic is a tragic, heartbreaking journey that ponders on a handful of themes buoyed by some excellent turns from its star-studded cast lead by Leonardo DiCaprio.  Lily Gladstone proves to be a revelation as the film’s beating heart fighting through the series of tragedies laid at her feet.

The Holdovers

Alexander Payne’s The Holdovers is a throwback on multiple levels as it evokes memories of dramadies from the 70’s and 80’s.  Paul Giamatti, Da'Vine Joy Randolph and Dominic Sessa each deliver stellar turns as we follow their emotional journeys as part of their pseudo family.

Wonka

Paul King’s prequel, Wonka, proved to be one of the more pleasant surprises of the year.  King brings that same sense of joy and optimism to this franchise that’d he’d brought to his Paddington films.  Timothée Chalamet proves far more capable and endearing than expected, which results in a film that’s sure to leave a smile on the face of even the biggest cynic.  

Poor Things

Yorgos Lanthimos’ unapologetic, gothic fantasy is bold on multiple levels.  Its stark, inventive visuals give it a distinctive style that makes it a visual feast for the eyes.  Emma Stone’s fearless performance makes the whole thing work as she deftly creates a multifaceted character from start to finish.   Mark Ruffalo and Willem Dafoe are just as good in memorable supporting turns.

 

Cindy Prascik's Review of Barbie

 

My dear reader(s): Yesterday I finally had an opportunity to catch up with the year's most talked-about movie, Barbie.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Barbie suffers a crisis and must brave a world outside Barbieland if she hopes to resolve it.

At this point, it feels like poor form to dislike Barbie. Fortunately, I liked it well enough, even if if I'm more "enheimer" than "Barb" in the Barbenheimer sweepstakes.

Pluses start with the divine Margot Robbie as Barbie and Ryan Gosling as Ken. Despite its many other attributes, I believe the movie would have fallen flat had they not leaned into their roles with such gusto. Vibrant costumes and sets team with upbeat music to sell a perfect world...even when it isn't. There's plenty of nostalgia for those of us who loved our Barbies, and some funny (if mean-spirited) digs at other pop culture icons who have fallen into...if not exactly disfavor, at least a perceived lack of coolness.

Barbie is a great deal more than a film about a doll. It's cleverly written and well acted, with an important message about autonomy and empowerment. Heavy-handed delivery of its message is the picture's only real flaw, but it's a pervasive one that kept me from loving Barbie as much as everyone else seemed to. I don't believe beating people over the head with a point faciliates real change; it only makes them tired of hearing about it, and by the end of this I was pretty tired of the word "patriarchy." Still, Barbie is a solid movie that's greatly enhanced by sparkling performances and a sensible runtime.

Barbie clocks in at 114 minutes and is rated PG13 for "suggestive references and brief language."

Barbie is a good movie made great by stellar lead performances, and any shortcomings are easily forgiven once the Indigo Girls start singing. Of a possible nine Weasleys, Barbie gets eight.

Fangirl Points: Kingsley Ben-Adir!

Barbie is now streaming on Max.

Until next time...

Cindy Prascik's Review of The Man Who Invented Christmas

 

My dear reader(s): In my attempt to wallow in holiday revelry until they drag me kicking and screaming back to work on Tuesday, on New Year's Eve I checked out an older (but new to me) holiday flick, the Man Who Invented Christmas.

Spoiler level here will be mild.

Charles Dickens juggles family and artistic struggles while writing a Christmas Carol.

The Man Who Invented Christmas intertwines fantasy with reality, as characters from the story Dickens is writing appear in a real world where he's fighting both family and professional difficulties. Downton Abbey's Dan Stevens leads a cast of familiar faces through the serviceable story. The trailer sells the film as a comedy, which it isn't, but it's entertaining enough despite not feeling very Christmasey until the very end.

The Man Who Invented Christmas clocks in at 104 minutes and is rated PG for "thematic elements and some mild language."

It's not the most festive holiday film around, but the Man Who Invented Christmas is an engaging tale that will help you keep the spirit of the season alive. Of a possible nine Weasleys, the Man Who Invented Christmas gets five.

The Man Who Invented Christmas is now streaming on Prime.

Until next time...

Cindy Prascik's Review of Candy Cane Lane

My dear reader(s): If, like me, you seek a bit of cinematic Christmas cheer, but want to steer clear of holiday-themed horror and romance (some would say they're the same), it can be challenging to find anything that fits the bill. May I invite you, then, to Candy Cane Lane?

Spolier level here will be mild, nothing you wouldn't know from the trailer.

A man obsessed with Christmas goes to imprudent lengths to win a holiday decorating contest in his neighborhood.

Candy Cane Lane is a feel-good family film that doesn't try to reinvent the starlight mint. Eddie Murphy (a favorite in our house since we wore out our VHS copy of Raw!) leads a likeable cast through an adventure that teaches the true meaning of Christmas. The movie features gorgeous and festive sets, cute animation, and some great Christmas tunes. It's more amusing than laugh-out-loud funny, and it even throws proper shade at retailers putting out Valentines before Christmas, one of my particular pet peeves! Candy Cane Lane isn't anything revolutionary, but it's easy, comfortable, and promotes that warm, fuzzy feeling that's perfect for the holiday season.

Candy Cane Lane runs 117 minutes and is rated PG for "language throughout, and some suggestive references."

If you're looking for a fun family movie to close out your holiday break, Candy Cane Lane is just the ticket. Of a possible nine Weasleys, Candy Cane Lane gets seven.

Candy Cane Lane is now streaming on Prime.

Until next time, I wish you all safe celebrations and the happiest of New Years!

Cindy Prascik's Review of Rebel Moon: A Child of Fire

My dear reader(s): Over the Christmas break, my plan was to catch up with some movies.

First on my holiday docket: Zack Snyder's Rebel Moon.

Spoiler level here will be mild, nothing you wouldn't know from the trailers, except the exact second when Charlie Hunnam turns up.

Rebels rise up against an evil space empire. (No, not *those* rebels or *that* space empire.)

Out of the gate, I want to offer a couple disclaimers: First, though I've kicked science fiction fantasy to the curb almost entirely, I like Zack Snyder and I hoped/expected to like this. Secondly, Netflix has some super algorithms, because the Rebel Moon picture on my home page is all Charlie Hunnam, though he doesn't appear until 51:05 and enjoys only sporadic screen time after. Well played, Netflix. Well played.

While almost any story bears traces of tales that came before it, Rebel Moon is nothing but derivative, Star Wars with a Mad-Maxey vibe...if Star Wars and Mad Max somehow managed to become the most boring movies ever made. I fell asleep three times in the first hour and had to keep rolling it back so I didn't "miss" anything.

The acting seems almost universally awful, but the dialogue is so badly written it's difficult to pin blame. The cast is full of well-known faces, most of whom are generally at least decent, so it's possible Meryl Streep couldn't have done anything with this material. Charlie's is a cheeky role that's particularly well suited to him, so he fares better than most. Nice visuals are marred by the odd bad green screen moment. Fight sequences are dull, awkward, and painfully fake-looking. The story, so often (better) told before, doesn't begin to earn its two-hours-plus runtime. A disappointment all 'round.

Rebel Moon clocks in at 133 minutes and is rated PG13 for "sequences of strong violence, sexual assault, bloody images, language, sexual material, and partial nudity."

The fact that Rebel Moon, part two, is coming next year feels more like a threat than a promise. Of a possible nine Weasleys, Rebel Moon gets three.

Rebel Moon is now streaming on Netflix.

Until next time...