MOVIE REVIEW: JOY RIDE

 

When Audrey's business trip to Asia goes sideways, she enlists the help of Lolo, her childhood best friend, Kat, a college friend, and Deadeye, Lolo's eccentric cousin. Their epic, no-holds-barred experience becomes a journey of bonding, friendship, belonging and wild debauchery that reveals the universal truth of what it means to know and love who you are.

Director: Adele Lim

Cast: Ashley Park, Sherry Cola, Stephanie Hsu, Sabrina Wu, Ronny Chieng, Meredith Hagner, David Denman, Annie Mumolo, Timothy Simons, Daniel Dae Kim

Release Date: July 7, 2023

Genre: Comedy

Rating: R, For strong and crude sexual content, language throughout, drug content and brief graphic nudity.

Runtime: 1h 32m

Joy Ride is a raunchy ride that isn't scared to push the envelope at any point during its brisk runtime.  Adele Lim's directorial debut has a sort of chaotic energy from the outset, something she has some difficulty maintaining as the film has some noticeable peaks and valleys during its runtime.  To her credit, Lim keeps the film moving at a steady pace so that when a joke or scene doesn't land it never lingers too long before we move on to the next bit of craziness.  The sequences that work hit that sort of amplified hilarity that these kind of films crave case in point a sequence in a hotel that rotates between all four characters.  There are other moments that are just as funny, but the film's marketing decided to use them in the trailer which lessens their impact.  If you haven't had any of those sequences spoiled there are plenty of laugh out loud moment that gives its ensemble cast plenty of time to shine.  Ashley Park, Sherry Cola, Stephanie Hsu and Sabrina Wu make up the main foursome with each set up as a particular character type.  Park does well as the straight-laced overachiever who's story is the driving force of the film.  Sherry Cola and Stephanie Hsu are clearly having a great time playing the more outlandish and bawdy characters while Sabrina Wu brings an understated sweetness to socially awkward character.  The four of them bounce off each with relative ease which gives them an organic, believable dynamic that works in the film's favor especially as it hits some surprisingly emotional beats in its final act.  It’s a testament to the cast and director that those moments work as well as they do since the film plays like Road Trip or Eurotrip from the early 2000's but it sneakily creates some tangible emotional connections with the characters.  

B

MOVIE REVIEW: INDIANA JONES AND THE DIAL OF DESTINY

 

Daredevil archaeologist Indiana Jones races against time to retrieve a legendary dial that can change the course of history. Accompanied by his goddaughter, he soon finds himself squaring off against Jürgen Voller, a former Nazi who works for NASA.

Director: James Mangold

Cast: Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas, Toby Jones, Boyd Holbrook, Ethann Isidore, Mads Mikkelsen, John Rhys-Davies, Karen Allen

Release Date: June 30, 2023 

Genre: Action, Adventure

Rated PG-13 for sequences of violence and action, language and smoking

Runtime: 2h 34m

Indiana Jones and The Dial of Destiny is a perfectly capable send off for the legendary character even though it does feel like a band on their farewell tour playing all the greatest hits.  James Mangold does his best Spielberg by delivering the kind of action set pieces you'd expect in an Indy feature, the extended opening is well done but the de aging technology still looks a bit odd in extended use.  The film rarely drags except for a few spots here and there that could have been cut to make it a more efficient experience.  It’s all enjoyable but like the script it’s all incredibly familiar on multiple levels.  There are bits about age and regret interwoven throughout the story but none of it is particularly revelatory.  The addition of his goddaughter, played with appropriate spunk by Phoebe Waller-Bridge, feels like a redo of the much-maligned character from Crystal Skull, Indy's son Mutt Williams.  Helena Shaw's character veers closer to being a mirror image of Indy and their interplay is fun thanks in large part to the actor’s natural chemistry together.  Harrison Ford puts the fedora back on with general ease which shouldn't come as a shock to anyone.  Ford's general gruffness works well with the character at this point in his life so much so that you sort of wonder if he's even acting or just being himself.  He clearly enjoys being back in the saddle one last time even though the film doesn't cover any new territory.  Mads Mikkelsen and Boyd Holbrook villainous character are broadly drawn and don't really make for very interesting adversaries.  Mikkelsen, for his part, does what he can with the character but you really get the feeling he was dying for a beefier role.  The same is true of Indiana Jones and The Dial of Destiny as a whole, it ultimately serves as comfort food for long time fans of the character who wanted just one more taste before saying goodbye.    

C+

MOVIE REVIEW: ASTEROID CITY

 

World-changing events spectacularly disrupt the itinerary of a Junior Stargazer/Space Cadet convention in an American desert town circa 1955.

Director: Wes Anderson

Cast: Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Edward Norton, Adrien Brody, Liev Schreiber, Hope Davis, Steve Park, Rupert Friend, Maya Hawke, Steve Carell, Matt Dillon, Hong Chau, Willem Dafoe, Margot Robbie, Tony Revolori, Jake Ryan, Jeff Goldblum

Release Date: June 23, 2023 

Genre: Comedy, Drama, Romance

Rated PG-13 on appeal for brief graphic nudity, smoking and some suggestive material

Runtime:1h 45m

By this point in Wes Anderson's career people should know what they are getting into when they step into the theater to watch one of his films.  His esoteric, meticulous style may not be for everybody but you have to appreciate the level of craftmanship on display in every shot.  This latest entry has all of his quirks and style set to max which a multilevel structure that allow him to explore a wide variety of themes and ruminations on life, love and loss.  Anderson has run through these sort of themes in the past but this is his most densely packed film which is ready made for discussion and dissection. The film follows a very specific pace which might be a bit slow for some since its in no hurry to get anywhere.  Like everything in this film, its measured and calculated and it allows the all star cast really shine in each scene.  It's truly an ensemble piece with everyone getting their moment throughout the film with Schwartzman and Johansson getting slightly more screen time.  Those looking for a straightforward comedy might be disappointed since it's a much more varied beast that has more charm than outright belly laughs.  As the film moves into its final act it also gets more experimental in its structure and overall approach.  Asteroid City proves to be something far more interesting and innovative when its all said and done.  Its an impressive feat from Anderson and his cast but I don't believe this is the type of film that will change people who dislike his singular style into fans.  

A-

MOVIE REVIEW: NO HARD FEELINGS

 

On the brink of losing her childhood home, a desperate woman agrees to date a wealthy couple's introverted and awkward 19-year-old son before he leaves for college.

Director: Gene Stupnitsky

Cast: Jennifer Lawrence, Andrew Barth Feldman, Laura Benanti, Natalie Morales, Matthew Broderick

Release Date: June 23, 2023 

Genre: Comedy

Rated R for sexual content, language, some graphic nudity and brief drug use

Runtime: 1h 43m

No Hard Feelings is a throwback sex comedy that works because of strong turns from Jennifer Lawrence and Andrew Barth Feldman.  Gene Stupnitsky's gives his film a breezy likable tone that makes it easy to like.  Anyone who's seen his previous film, 2018's equally raunchy Good Boys, will have a good idea of what's in store as it delivers the same mixture of raunchiness and sweetness throughout.  The plot uses a deceivingly simple set up to build into something a bit more character focused than you'd expect from this kind of film.  Jennifer Lawrence deserves a lion’s share of the credit as her natural charisma and talent make this film far more enjoyable than it should be.  Lawrence shows off some impressive comedic timing along with a real talent for physical comedy something on full display in one scene that's sure to have plenty of people talking.  Andrew Barth Feldman is more than up to the task as the doe eyed, nerdy introvert who Lawrence is tasked to bring out of his shell.  Together they share some fun, awkward chemistry together which generates the majority of the laughs especially early on as Lawrence sets the sex appeal to ten paired with Feldman's scared turtle.  The May December relationship manages to maintain a certain tenderness and sweetness even as the story takes some fairly predictable turns in its final act where it starts to lose some steam.  The script tries to give the character's a bit more depth but it only partially works since it’s not really fleshed out which makes for a clunker ending that feels a bit too air tight.  That being said No Hard Feelings is an enjoyable romp that brings more than its fair share of adult laughs to the screen.   

B-

MOVIE REVIEW: EXTRACTION 2

 

Back from the brink of death, commando Tyler Rake embarks on a dangerous mission to save a ruthless gangster's imprisoned family.

Director: Sam Hargrave

Cast: Chris Hemsworth, Golshifteh Farahani, Adam Bessa, Olga Kurylenko, Daniel Bernhardt, Tinatin Dalakishvili, Idris Elba

Release Date: June 16, 2023

Genre: Action, Thriller

Rated R for strong/bloody violence throughout and language

Runtime: 2h 2m

Sam Hargrave's follow up to his pandemic hit doesn't offer a lot more in terms of story as it plays fairly close to the original's plot simply switching out targets and adversaries.  The film's main draw is its action sequences and they are taken to another level of coordinated madness that nearly makes you forgot about the incredibly barebones story driving the entire thing.  Hargrave spends very little time explaining how Hemsworth's Rake survived a seemingly fatal wound at the end of the original.  Once that's out of way, a rather intriguing appearance from Idris Elba starts the story in earnest.  The set up is fairly basic as we're introduced to an array of Eastern European bad guys straight from central casting.  They're disposable fodder that serves as nothing more than meat for the grinder.  It quickly leads to the 22 unbroken shot that's impressive in terms of the sheer scale due to all the moving parts involved in coordinating the carnage thrown onscreen.  Its audaciously outlandish and insane but it's hard not to enjoy the action spectacle thrown at the audience in steady succession.  The rest of the film still has plenty of set pieces following the prison escape but that moment is definitely the most memorable of the entire film.  Sadly, the story doesn't get nearly the same amount of attention that the action does since it does the bare minimum to make the character more three dimensional.  The cast, for their part, do their best to make the characters more interesting and engaging than what's written on the page.  Chris Hemsworth's leads the film with the same steely dogged determination that he brought in the original.  The film doesn't ask him to do much more than be a believable killing machine as he dispatches enemy with a impressive gusto, people of a certain age might get flashbacks of 1985's Commando which less quips.  Golshifteh Farahani and Adam Bessa are given far more to do in this entry with Farahani taking full advantage of the expanded screen time.  Hemsworth and Farahani share some great chemistry together, the third film would be wise to take as much time with the characters as it does with the action sequences.  

B-

Cindy Prascik's Review of Renfield

My dear reader(s), this weekend I had the opportunity to catch up with the Dracula-adjacent movie Renfield.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

The eternal sidekick embarks on a journey of self-improvement, putting him at odds with his dark master.

Renfield is a solid horror comedy that's heavy on gore and fairly light on lore. Laughs take the lead, with a beautifully over-the-top Nicolas Cage camping it up as the immortal Angel of Death, and Nicholas Hoult as his downtrodden sidekick. Awkwafina nearly steals the show as an incorruptible police officer whose own quest for vengeance intersects with Renfield's mission. The original premise is its own reward here, but the movie also benefits from nice special effects, well placed humor, and an efficient runtime.

Renfield clocks in at 93 minutes and is rated R for "bloody violence, some gore, language throughout, and some drug use."

If you can stomach a lot (a LOT) of blood and you're in the mood for a new take on an old tale, Renfield is the flick for you. Of a possible nine Weasleys, Renfield gets eight.

Renfield is now streaming on Peacock.

Until next time...