MOVIE REVIEW: INDIANA JONES AND THE DIAL OF DESTINY

 

Daredevil archaeologist Indiana Jones races against time to retrieve a legendary dial that can change the course of history. Accompanied by his goddaughter, he soon finds himself squaring off against Jürgen Voller, a former Nazi who works for NASA.

Director: James Mangold

Cast: Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas, Toby Jones, Boyd Holbrook, Ethann Isidore, Mads Mikkelsen, John Rhys-Davies, Karen Allen

Release Date: June 30, 2023 

Genre: Action, Adventure

Rated PG-13 for sequences of violence and action, language and smoking

Runtime: 2h 34m

Indiana Jones and The Dial of Destiny is a perfectly capable send off for the legendary character even though it does feel like a band on their farewell tour playing all the greatest hits.  James Mangold does his best Spielberg by delivering the kind of action set pieces you'd expect in an Indy feature, the extended opening is well done but the de aging technology still looks a bit odd in extended use.  The film rarely drags except for a few spots here and there that could have been cut to make it a more efficient experience.  It’s all enjoyable but like the script it’s all incredibly familiar on multiple levels.  There are bits about age and regret interwoven throughout the story but none of it is particularly revelatory.  The addition of his goddaughter, played with appropriate spunk by Phoebe Waller-Bridge, feels like a redo of the much-maligned character from Crystal Skull, Indy's son Mutt Williams.  Helena Shaw's character veers closer to being a mirror image of Indy and their interplay is fun thanks in large part to the actor’s natural chemistry together.  Harrison Ford puts the fedora back on with general ease which shouldn't come as a shock to anyone.  Ford's general gruffness works well with the character at this point in his life so much so that you sort of wonder if he's even acting or just being himself.  He clearly enjoys being back in the saddle one last time even though the film doesn't cover any new territory.  Mads Mikkelsen and Boyd Holbrook villainous character are broadly drawn and don't really make for very interesting adversaries.  Mikkelsen, for his part, does what he can with the character but you really get the feeling he was dying for a beefier role.  The same is true of Indiana Jones and The Dial of Destiny as a whole, it ultimately serves as comfort food for long time fans of the character who wanted just one more taste before saying goodbye.    

C+

MOVIE REVIEW: JURASSIC WORLD: FALLEN KINGDOM

Three years after the destruction of the Jurassic World theme park, Owen Grady and Claire Dearing return to the island of Isla Nublar to save the remaining dinosaurs from a volcano that's about to erupt. They soon encounter terrifying new breeds of gigantic dinosaurs, while uncovering a conspiracy that threatens the entire planet.

Director: J. A. Bayona

Cast: Chris Pratt, Bryce Dallas Howard, B. D. Wong, Jeff Goldblum, Rafe Spall, Justice Smith, Daniella Pineda, James Cromwell, Toby Jones, Ted Levine, Isabella Sermon, Geraldine Chaplin

Release Date: June 22, 2018

 

Genres: Action, Adventure, Sci-Fi

Rated PG-13 for intense sequences of science-fiction violence and peril

Runtime: 2h 8min

Review:

Jurassic World: Fallen Kingdom is a fun if forgettable sequel in a franchise that seems to be losing anything new to say.  J. A. Boyona does a fine job directing the film, infusing it with some of his horror sensibilities.  The film is a collection of big set pieces, at times it feels like the film’s plot is merely an excuse to move from one set piece to another.  The story itself is rather silly and the more you think about it the dumber it is.  The new characters and villains are all about as paper thin and clichéd as they come.  Chris Pratt and Bryce Dallas Howard continue to share strong chemistry which is a strong point of the film.  They both have plenty to do this go around so they’re fully engaged even though it’s a bit of a shame that the movie wasn’t slightly better.  The supporting cast is made of strong name actors but the film doesn’t seem interested is using them for anything substantial.  Jurassic World: Fallen Kingdom is one of those sequels that is easily forgettable because it lacks anything memorable about itself which is a shame because there’s clearly talent on hand. 

C+

Cindy Prascik's Review of Anthropoid

Dearest Blog: By now I'm sure everyone's familiar with that big-budget bore of a World War II flick that's gracing US cinemas this week, but what you may not know is there's also a really good World War II flick right at your fingertips via On Demand, digital download, and DVD. I give you: Anthropoid.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers if you saw one (which I didn't).

 

Anthropoid is the true story of a World War II mission to assasinate Hitler's third in command, Reinhard Heydrich.

 

Two WWII movies in a span of three days probably seems like a true test of endurance, and, if not for Cillian Murphy, I admit this one might have passed me right on by. I'm very glad it didn't.

 

 While Hacksaw Ridge dwells on gunfights, explosions, and the gore of war, Anthropoid is a quiet exercise in strategy all the way to its final act; only then are we thrown into the bloody firestorm, and by then we're so invested in every character that it is utterly devastating. Cillian Murphy (the surly one) and Jamie Dornan (the dreamy one) are outstanding as the leaders of the dangerous mission. Murphy is never less, but if you only know Dornan from his unfortunate 50 Shades fame, be prepared to be surprised. 

 

Supporting players include the terrific Harry Lloyd, and the always-reliable Toby Jones. Anthropoid takes its time getting to the actual assasination attempt, maintaining tension throughout as the rebels make their plans and attempt to avoid discovery. 

 

Fear is so palpable as to be almost another character in a film that feels very intimate and personal, in much the same way as Tinker Tailor Soldier Spy.

Anthropoid clocks in at a deliberate 120 minutes and is rated R for "violence and some disturbing images."

 

It may not be loud or flashy enough to have earned wide release in the USA, but Anthropoid is a thoughtful World War II picture that's well worth your time. 

 

Of a possible nine Weasleys, Anthropoid gets six and a half.

 

Until next time...

MOVIE REVIEW: SNOW WHITE AND THE HUNTSMAN

IN THEATERS

SNOW WHITE AND THE HUNTSMAN



The enchanting Snow White (Kristen Stewart) joins forces with the fierce Huntsman (Chris Hemsworth), who was recruited by the diabolical Queen (Charlize Theron) to kill the fair beauty, and together they fight to rid their kingdom of evil in this bold new take on the fairy-tale classic from commercial director Rupert Sanders. Obsessed with being the fairest woman in the land, the Queen learns that Snow White will soon surpass her in beauty, and seeks to achieve immortality by consuming the young girl's heart. But the Huntsman is the only one capable of braving the dark forest to seek out Snow White. Threatened with death should he refuse to follow his order, the Huntsman finds Snow White, and begins training her for the arduous battle ahead. Meanwhile, a handsome prince (Sam Claflin) falls hopelessly under Snow White's spell. Ray Winstone, Ian McShane, Eddie Izzard, Bob Hoskins, Toby Jones, Eddie Marsan, and Stephen Graham co-star as the seven dwarfs. ~ Jason Buchanan, Rovi

Directed by Rupert Sanders

Cast: Kristen Stewart, Chris Hemsworth, Charlize Theron, Sam Claflin, Ian McShane

Release Date: Jun 01, 2012

Rated: Intense Sequences of Action, Brief Sensuality and Intense Sequences of Violence

Runtime: 2 hr. 7 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

Rupert Sanders showy, visually opulent freshman film is occasionally impressive. Sanders knows how to shoot impressive visuals and does so quite a few times, letting you savor the set design and fabulous costuming at work. Unfortunately, his inexperience shows in various ways. The film lacks any sort of dramatic and thematic flow through leaving you emotionally detached as sequences pass by. Even though you are exposed to a few characters, you never really make any connection to any of them. Kristen Stewart, she of the mopiest face around, is blank barely registering throughout the film’s run time. Her acting is terribly underwhelming and the character is strangely underwritten. Chris Hemsworth gets by, play a Thor-lite character, on general screen presence and charisma. Charlize Theron should have just killed this role but instead is allowed to embellish in the worst kind of over the top performance imaginable. Being a fan of hers, it was tough watch her scream insanely throughout the better part of the film. Subtly is entirely thrown out the window, it’s a massive misstep considering she could have nailed this role had she attacked it with more tact. Some strong character actors are used for the dwarfs even if they appear primarily in the 3rd act. A few well directed, if derivative, round out a film which is watch able but never as impressive as it looks.

C

MOVIE REVIEW: THE RITE

THE RITE


Inspired by author Matt Baglio's nonfiction book of the same name, director Mikael Håfström's supernatural thriller traces the experiences of a young seminary student who discovers the true power of faith after being drafted into the Vatican's Exorcism School and confronted by the forces of darkness. ~ Jason Buchanan, Rovi

Director: Mikael Håfström

Cast: Anthony Hopkins, Colin O'Donoghue, Alice Braga, Ciarán Hinds, Toby Jones, Rutger Hauer

Release Date: Jan 28, 2011

Rated PG-13 for Disturbing thematic material, sexual references, language, frightening images and violence

Runtime: 1 hr. 52 min.

Genres: Drama

Review:

Anthony Hopkins’ character asks, early on in this insipid and horribly clichéd film, “What were you expecting? Spinning heads and pea soup?” At that point in the film, that’s exactly what I wasn’t hoping for and with such a garish dismissal of the usual exorcist genre tropes it leaves you wondering if perhaps we’ll see something new and fresh. Sadly, it doesn’t take The Rite long to fall into an all too familiar pattern. A young priest lacking faith, an elder priest who’s been battling the devil for his entire life, standard contortions and demonic sounding voices, etc, etc…. Throw in some shoddy and thoroughly unnecessary CGI just for good measure. So if we don’t get a fresh take on this genre then at the very least the film should frighten us. Even here it fails, using the cheapest of scares while never getting within shouting distance of any sort of tension. The character’s barely register and carry all the emotional weight of a paper bag. Colin O'Donoghue doesn’t bring much to the table and is instantly forgettable. Alice Braga is thoroughly self serious throughout while being given very little to do. Anthony Hopkins seems to sleep walk through most of his scenes only to pull out a faux version of his Lecter character in the final act which borders on parody. Strangely the only actor who brings any level of creepiness is Rutger Hauer who’s in the film for a total of 5 minutes. Director Mikael Håfström tries to dress this all up as much as possible but in the end it’s like putting make up on a hog.

D-