Cindy Prascik's Review of Renfield

My dear reader(s), this weekend I had the opportunity to catch up with the Dracula-adjacent movie Renfield.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

The eternal sidekick embarks on a journey of self-improvement, putting him at odds with his dark master.

Renfield is a solid horror comedy that's heavy on gore and fairly light on lore. Laughs take the lead, with a beautifully over-the-top Nicolas Cage camping it up as the immortal Angel of Death, and Nicholas Hoult as his downtrodden sidekick. Awkwafina nearly steals the show as an incorruptible police officer whose own quest for vengeance intersects with Renfield's mission. The original premise is its own reward here, but the movie also benefits from nice special effects, well placed humor, and an efficient runtime.

Renfield clocks in at 93 minutes and is rated R for "bloody violence, some gore, language throughout, and some drug use."

If you can stomach a lot (a LOT) of blood and you're in the mood for a new take on an old tale, Renfield is the flick for you. Of a possible nine Weasleys, Renfield gets eight.

Renfield is now streaming on Peacock.

Until next time...

MOVIE REVIEW: RENFIELD

 

Renfield, the tortured aide to his narcissistic boss, Dracula, is forced to procure his master's prey and do his every bidding. However, after centuries of servitude, he's ready to see if there's a life outside the shadow of the Prince of Darkness.

Director: Chris McKay

Cast: Nicholas Hoult, Nicolas Cage, Awkwafina, Ben Schwartz, Adrian Martinez, Shohreh Aghdashloo

Release Date: April 14, 2023

Genre: Comedy, Fantasy, Horror

Rated R for bloody violence, some gore, language throughout and some drug use

Runtime: 1h 33m

Review:

Chris McKay's Renfield is a goofy and bloody romp that plays like a weird mash up of John Wick by way of Tim Burton.  The film has an undeniably cartoonish charm that makes it easy to enjoy from the start.  McKay film has a kinetic sort of energy with flourishes of style highlighted early on with a clever use of classic Dracula footage used to give the Cliff's Notes version of Renfied's backstory.  Nicholas Hoult as the titular star is a likable lead as the sad sack that's been in a toxic relationship for centuries.  Hoult's performance is endearing enough to make you care about his predicament which also keeps him from being totally out shone by Nicolas Cage's performance as Dracula.  Cage is entirely in his element in this role as he's given free reign to do whatever outlandish thing he wants to do.  It’s a crazy mixture of just about every iteration of the character condensed into a singular, hilarious performance.  The film works best when it focuses on Cage and Hoult's characters and the gonzo action sequences peppered throughout.  It hits some speedbumps when it falls back on its rather thin plot and romantic subplot.  Awkwafina brings a certain sort of energy which works in small bits, and it would have been more effective if the script had just cut the romantic overtones especially since she and Hoult just don't have that sort of chemistry together.  Ultimately, it keeps Renfield from maintaining its comedic energy consistently enough to make it truly memorable.

B-

Cindy Prascik's Review of Focus

Dearest Blog, yesterday it was off to the pictures for Will Smith's latest, Focus.

After a couple weeks' weather-enforced cinema break, I'd probably have dragged out for a rom-com starring Gwyneth Paltrow and Tyler Perry (*shudder*), but luckily this seemed more promising. (PS: I get royalties when somebody makes that rom-com!)

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Life is a series of scores for a couple con artists, until they cross a dangerous mark.

Getting the bad news out of the way first, the chiefest and greatest flaw of Focus is that it just HAS to be smarter than it is. If we, as viewers, are to buy these two as the world's greatest con artists, then we, as viewers, must be as victims...we can't ever guess what they've got up their sleeves.

Unfortunately, the exact opposite is true...it took me longer to figure out No Good Deed! That's not to say the plot isn't interesting--it's good fun--but if you're waiting for that "A-ha!" moment...well...you're gonna leave the theatre still waiting. For a relatively short movie, it also seems to take very long getting anywhere. I checked the time about an hour in and couldn't believe it wasn't further along.

On the plus side, the movie IS smart enough to lean heavily on the appeal of its two leads, and Will Smith and Margot Robbie have to be among Hollywood's most likeable. Smith, in particular, is just impossibly appealing for me; I root for him no matter what.

This is the sort of role that allows Robbie to run around in all manner of clingy cocktail dress and skimpy swimsuit, and I doubt anyone's got any complaints with that, either. Among the supporting cast, Adrian Martinez plays for laughs, while Gerald McRaney blusters his way through. The movie is thoroughly enjoyable, if never fully engaging.

Focus clocks in at 104 minutes, and is rated R for "language, some sexual content, and brief violence."

It's nothing special, but Focus is a perfectly passable afternoon of entertainment.

Of a possible nine Weasleys, Focus gets five.

Until next time...

What...what? Were you saying something?

MOVIE REVIEW: CASA DE MI PADRE

IN THEATERS

CASA DE MI PADRE



The son (Will Ferrell) of a dead rancher unwittingly gets into a war with a local drug lord (Gael Garcia Bernal) after trying to settle his family's estate in this Spanish-language comedy from Gary Sanchez Productions. Frequent Ferrell collaborator Adam McKay (Step Brothers, The Other Guys) produces, with Funny or Die's Matt Piedmont handling direction duties. ~ Jeremy Wheeler, Rovi

Director: Matt Piedmont

Cast: Will Ferrell, Diego Luna, Pedro Armendariz, Jr., Efren Ramirez, Gael Garcia
Bernal, Diego Luna, Adrian Martinez, Genesis Rodriguez

Release Date: Mar 16, 2012

Rated R for language, Drug Use, Bloody Violence and Some Sexual Content

Runtime: 1 hr. 24 min.

Genres: Comedy

Review:

The joke is simple here and if you enjoy Will Ferrell, you’ll find plenty to find. A cross between Grindhouse and telenovela, Casa De Mi Padre is a very funny if uneven film. Matt Piedmont, SNL and Funny or Die writer turned director, shoots his film with a good sense of fun. The jokes are obvious and overstated each time but then again that’s the joke. Will Ferrell is front and center, his Spanish awkwardly uneven and hilarious. He’s allowed to run wild here and you can almost sense his glee anytime he’s onscreen. The collection of Hispanic actors and actresses, mostly from dramatic background, is quite impressive. Gael Garica Bernal leaves the biggest impression, displaying some impressive comedic chops. The rest of the cast is hamming it up and having just as much fun as Ferrell. There are a few noticeable dead spots that kind of kill it’s momentum but when it hits the right cord it’s a gut busting experience.

B