MOVIE REVIEW: A STAR IS BORN

Seasoned musician Jackson Maine discovers -- and falls in love with -- struggling artist Ally. She has just about given up on her dream to make it big as a singer until Jackson coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jackson fights an ongoing battle with his own internal demons.

Director: Bradley Cooper

Cast: Bradley Cooper, Lady Gaga, Andrew Dice Clay, Dave Chappelle, Sam Elliott

Release Date: October 5, 2018

Genres: Drama , Music , Romance

Rated R for language throughout, some sexuality/nudity and substance abuse

Runtime: 2h 15min

Review:

Bradley Cooper’s directorial debut, A Star is Born, is remarkable on various fronts.  Remakes are typically hit or miss with the majority of them paling in comparison to the originals.  Even more difficult is making an engaging remake of a film that’s been made three times beforehand with the 70’s Kris Kristofferson and Barbra Streisand film being the most recent.  Through strong performances and a steady hand behind the camera, Bradley Cooper pulls off the impressive feat of making this film engaging even though the entire thing feels incredibly familiar.  Cooper’s directorial style is an interesting mix of Clint Eastwood’s naturalism and steady sense of melancholy similar to Mike Figgis Leaving Las Vegas.  It’s a beautiful film to look at but his most impressive accomplishment is bringing out some incredible performances from his cast.  First and foremost, Cooper delivers one of the best performances of his career.  Cooper loses himself entirely in the part not mention he learned how to sing in order to perform the original songs.  Lady Gaga is equally impressive mainly because she turns in a naturalistic performance that feels real throughout even the film is pretty much a musical fairytale.  Gaga and Cooper are incredibly engaging together for the entire runtime but their supporting players that populate the film make the story feel lived in and real.  I expect a handful of people will be surprised by the performances turned in by Dave Chappelle, Andrew Dice Clay and Sam Elliott.  Each has small moments but they are all memorable with Sam Elliott delivering an awards worthy performance.  There are a few hiccups but they are minor.  The film could use a bit of trimming here and there, particularly in the last act, and a few cookie cutter characters which merely serve the plot.  Regardless, A Star is Born is a real achievement for everyone involved. 

A-

MOVIE REVIEW: HELL FEST

On Halloween night, three young women and their respective boyfriends head to Hell Fest -- a ghoulish traveling carnival that features a labyrinth of rides, games and mazes. They soon face a bloody night of terror when a masked serial killer turns the horror theme park into his own personal playground.

Director: Gregory Plotkin

Cast: Amy Forsyth, Bex Taylor-Klaus, Reign Edwards, Tony Todd

Release Date: September 28, 2018

Genres: Horror

Rated R for horror violence, and language including some sexual references

Runtime: 1h 29min

Review:

Hell Fest is a bit of an enigma of a film.  It’s a fairly competent slasher film that’s as forgettable as its cast.  The central plot and setting is fun but it never seems to take advantage of it.  The sets make for some fun sequences but none of it is terribly memorable.  Instead we get a straight forward Halloween / Friday the 13^th clone that lacks any semblance of self awareness.  The cast is made up of terribly bland actors who serve as nothing more than cannon fodder for the killer.  There’s a bit of fun in figuring out who will get killed first but even that’s fairly predictable.  Hell Fest is the type of film that makes for decent Saturday afternoon watching on cable even though you’ll forget you saw it moments after it ends.

C

Cindy Prascik's Review of The House With a Clock in Its Walls

Dearest Blog: Though the weekend cinema offered little of any promise, Friday I headed up to Marquee Cinemas for The House With a Clock in Its Walls.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

A boy comes to live with his uncle in a creepy old house that holds a dangerous secret.

 

Mama always said, "If you can't say anything nice, don't say anything at all." While that might not be *entirely* possible, we'll start with the positives here. The House With a Clock in Its Walls looks gorgeous. The score and cinematography set an eerie, magical tone that briefly gave me hope the film might be better than I anticipated. Cate Blanchett is mesmerizing, even punching well below her weight class, and, though the execution fails, the story itself is reasonably solid. The negatives, starting with the obvious: Kid actors are a crapshoot. Very few are good; more often you just hope they aren't bad enough or featured enough to be distracting. Owen Vaccaro is both bad enough and featured enough to be distracting, and Jack Black is more annoying than quirky or amusing as his oddball uncle. The last quarter of the movie features some inexplicably hokey effects, and, while the humor is rarely crass, a handful of bodily-function jokes aren't funny and certainly don't elevate the whole. The picture hadn’t reached its halfway point before the only clock I cared about was the one that would tell me it was over.

 

The House With a Clock in Its Walls runs 104 minutes and is rated PG for "thematic elements, including sorcery, some action, scary images, rude humor, and language."

 

The House With a Clock in Its Walls represents a sad misfire on what should have become a Halloween-season classic. 

 

Of a possible nine Weasleys, The House With a Clock in Its Walls gets four.

 

Until next time...

MOVIE REVIEW: A SIMPLE FAVOR

A SIMPLE FAVOR, directed by Paul Feig, centers around Stephanie (Anna Kendrick), a mommy vlogger who seeks to uncover the truth behind her best friend Emily's (Blake Lively) sudden disappearance from their small town.

Director: Paul Feig

Cast: Anna Kendrick, Blake Lively, Henry Golding, Andrew Rannells

Release Date: September 24, 2018

Genres: Comedy, Crime, Drama

Rated R for sexual content and language throughout, some graphic nude images, drug use 
and violence

Runtime: 1h 57min

Review:

A Simple Favor is a twisty yet funny mystery that could have easily been written off like a Gone Girl knock off if not for Paul Feig’s style and wit.  Paul Feig has quietly become on of the stronger filmmakers working today.  Feig’s work has a great sense of style and humor that hard to find, in this film he crafts a classic Hitchcockian type of mysteries while satirizing it as well. It’s a delicate balance but he keeps going for the better part of the film even if the major reveal is slightly bungled and losing its impact.  The film’s strength is that it’s so fun and engaging that it barely matters.  Feig is also blessed with a stellar cast.  Anna Kendrick drives the film with a role that could be anymore suited to her talents.  Her and Blake Lively share solid chemistry with each playing off each other perfectly.  Their interactions are some of the best parts of the film.  Henry Golding is solid as the husband but in all honestly this film belongs to Kendrick and Lively.  A Simple Favor is one of the more unexpected cinematic surprises of the year. 

A-

Cindy Prascik's Reviews of The Predator & White Boy Rick

 

 

Dearest Blog: After a two-week hiatus, yesterday it was off to Marquee Cinemas for The Predator and White Boy Rick.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

First on my agenda: The Predator.

 

They're baaa-aaack...

 

I have sometimes been accused of using too many words, so today I'm going to tell you in not very many words, dear readers, that this movie is very stupid and I didn't like it. I love the original Predator. It is the only film in cinema history that has ever actually scared me. The latest entry in the series features hokey effects, lame dialogue, and action sequences that are frequently too dark to see much of anything. The tone feels wrong from the outset, with crass, unfunny stabs at humor. I fell for the entire cast quickly and against expectations, which was enough to provide the occasional briefly-entertaining interlude, but it was far too little to redeem the whole.

 

The Predator runs 107 minutes and is rated R for "strong bloody violence, language throughout, and crude sexual references."

 

The Predator exploits a popular franchise for a cash grab, an all-too-familiar Hollywood tale. Of a possible nine Weasleys, The Predator gets four.

 

Next on the docket, White Boy Rick.

 

In the Just Say No era, a young man from a troubled family says yes.

 

White Boy Rick is the disturbing true story of Rick Wershe, Jr., a Detroit-area teen who, seeing no other escape from his family's dismal existence, begins dealing drugs and ends up an FBI informant. The grimy reality of 1980s Detroit is the perfect backdrop for this depressing tale. It's difficult to watch, but outstanding work by the cast makes it worth your effort. There were some spots where I felt the film moved too quickly (such as explaining Rick's initial acceptance by his gang), but it's a petty quibble with a well-done picture that you'll be thinking about long after you leave the theater.

White Boy Rick clocks in at 110 minutes and is rated R for "language throughout, drug content, violence, some sexual references, and brief nudity."

 

White Boy Rick is a dark tale buoyed by superb performances across the board. 

 

Of a possible nine Weasleys, White Boy Rick gets seven.

 

Until next time...

MOVIE REVIEW: THE PREDATOR

From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe's most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.

Director: Shane Black

Cast: Boyd Holbrook, Trevante Rhodes, Jacob Tremblay, Keegan-Michael Key, Olivia Munn, Thomas Jane, Alfie Allen, Sterling K. Brown

Release Date: September 14, 2018

Genres: Action, Adventure, Horror

Rated R for strong bloody violence, language throughout, and crude sexual references

Runtime: 1h 47min

Review:

The Predators is an odd film that can never figure out what it ultimately wants to be.  Shane Black directs this 6^th screen appearance of the Predator and gives it a strange infusion of comedy.  The violent space hunters face off vs. a ragtag group of misfits who have a quip for every occasion.  The comedy is enjoyable but it feels out of place in the Predator franchise with long sequences veering incredibly close to self parody.  The actors are all fine even though some seems to be hamming it up, like Sterling K. Brown, while others are playing it straight like Boyd Holbrook. It makes for a choppy tone which makes the film just feel off.  It’s a shame because the film has potential particularly if they’d focused on the band of misfits.  The characters are all interesting enough but the film just doesn’t spend much time with them.  Instead we get Oliva Munn who just doesn’t fit in the film; it’s particularly glaring since the film also has Yvonne Strahovski but decides to use her in a throwaway role.  The Predator isn’t the return to form most fans were hoping and with the level of talent assembled you’d be remiss to think if it’s even possible at this point.

C