MOVIE REVIEW: AMERICAN FICTION

 

Monk is a frustrated novelist who's fed up with the establishment that profits from Black entertainment that relies on tired and offensive tropes. To prove his point, he uses a pen name to write an outlandish Black book of his own, a book that propels him to the heart of hypocrisy and the madness he claims to disdain.

Director: Cord Jefferson

Cast:  Jeffrey Wright, Tracee Ellis Ross, Issa Rae, Sterling K. Brown, John Ortiz, Erika Alexander, Leslie Uggams, Adam Brody, Keith David

Release Date: September 8, 2023

Genre: Comedy, Drama

Rated R for language throughout, some drug use, sexual references and brief violence.

Runtime: 1h 57m

Cord Jefferson's big screen debut, American Fiction, is a wonderfully nuanced satire led by a multifaceted performance from Jeffrey Wright.  Jefferson, who also wrote the script, shows a steady, confident hand behind the camera as he delivers a film that's easy to enjoy even as it covers some expansive racial issues and themes.  He allows his actors to shine by giving them plenty of quieter character moments that gives the film and story an impressive level of depth.  His cast is more than up for the task led by Jeffrey Wright who's never been better.  Wright is the kind of actor that's always brings a certain kind of authentic intelligence and pathos to his roles which is tailor made for playing this role.  Wright adds so much nuance and layers playing an incredibly intelligent man who's seething with resentment over his talents being overlooked.  In the hands of a lesser performer, the character could have come off more one dimensional and one note, but Wright is able to make him a complicated, living breathing human being while still deftly handling the more comedic moments.  The supporting cast is no less impressive with each leaving a noticeable impression on the film with stand out performances from Erika Alexander with an endearing turn as the love interest and Sterling K. Brown playing against type as Monk's chaotic and equally complicated brother.  There is a natural chemistry together from the cast as a whole which makes the story and film as a whole connect on another level.  The pacing that hit a slight hiccup in its final act which is I suspect is intentional in order to reflect the complexity of the racial discussions at play which has no easy or straight forward answers much like the film's conclusion.  American Fiction proves to be the kind of film that works on multiple levels either as comedy, drama or dissection of social issues thanks to the collective talent assembled.

A-

MOVIE REVIEW: FROZEN 2

Elsa the Snow Queen and her sister Anna embark on an adventure far away from the kingdom of Arendelle. They are joined by friends, Kristoff, Olaf, and Sven.

Director: Jennifer Lee, Chris Buck

Cast: Idina Menzel, Kristen Bell, Jonathan Groff, Josh Gad, Ciarán Hinds, Sterling K. Brown, Evan Rachel Wood, Alfred Molina, Martha Plimpton, Jason Ritter, Rachel Matthews, Jeremy Sisto

Release Date: November 22, 2019

Genres: Animation, Adventure, Comedy

Rated PG for action/peril and some thematic elements

Runtime: 1h 43min

Review:

The original Frozen was a film I ignored as long as I possibly could.  Once I finally succumbed to the weight of its cultural impact and finally watched the film, I was left shrugging my shoulders.  The film itself is perfectly fine but it reminded me a lot of older Disney films which never really did much for me.  The songs were catchy enough to make the whole thing watchable.  The sequel has a very similar feel with a story that’s adequate if uninspired.  Honestly, the music is the center piece of this animated musical.  The songs are all solid enough but sadly none are nearly as memorable as “Let It Go” from the original.  As such, it’s easier to dissect the fairly routine story that doesn’t hold any sort of tension for anyone over the age of 10.  Pixar has raised the bar so high for children’s films that it’s almost quaint to run into a film that’s perfectly fine just catering to its core audience while leaving very little for the adults in the audience.  It’s a shame the story isn’t a bit more dense because the cast is all impressive with Idina Menzel and Kristen Bell carrying the film with great ease.  Josh Gad’s Olaf still fluctuates between amusing to annoying and his character is given a bigger role in this sequel.  Ultimately, this sequel checks all the boxes to keep the younger kids entertained but I doubt anyone will look back on this entry with sort of great fondness or affection. 

B-

MOVIE REVIEW: THE PREDATOR

From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe's most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.

Director: Shane Black

Cast: Boyd Holbrook, Trevante Rhodes, Jacob Tremblay, Keegan-Michael Key, Olivia Munn, Thomas Jane, Alfie Allen, Sterling K. Brown

Release Date: September 14, 2018

Genres: Action, Adventure, Horror

Rated R for strong bloody violence, language throughout, and crude sexual references

Runtime: 1h 47min

Review:

The Predators is an odd film that can never figure out what it ultimately wants to be.  Shane Black directs this 6^th screen appearance of the Predator and gives it a strange infusion of comedy.  The violent space hunters face off vs. a ragtag group of misfits who have a quip for every occasion.  The comedy is enjoyable but it feels out of place in the Predator franchise with long sequences veering incredibly close to self parody.  The actors are all fine even though some seems to be hamming it up, like Sterling K. Brown, while others are playing it straight like Boyd Holbrook. It makes for a choppy tone which makes the film just feel off.  It’s a shame because the film has potential particularly if they’d focused on the band of misfits.  The characters are all interesting enough but the film just doesn’t spend much time with them.  Instead we get Oliva Munn who just doesn’t fit in the film; it’s particularly glaring since the film also has Yvonne Strahovski but decides to use her in a throwaway role.  The Predator isn’t the return to form most fans were hoping and with the level of talent assembled you’d be remiss to think if it’s even possible at this point.

C