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Showing posts with label THE PREDATOR. Show all posts
Showing posts with label THE PREDATOR. Show all posts

Sunday, September 16, 2018

Cindy Prascik's Reviews of The Predator & White Boy Rick


 
 
Dearest Blog: After a two-week hiatus, yesterday it was off to Marquee Cinemas for The Predator and White Boy Rick.
 
Spoiler level here will be mild, nothing you wouldn't know from the trailers.
 
First on my agenda: The Predator.
 
They're baaa-aaack...
 
I have sometimes been accused of using too many words, so today I'm going to tell you in not very many words, dear readers, that this movie is very stupid and I didn't like it. I love the original Predator. It is the only film in cinema history that has ever actually scared me. The latest entry in the series features hokey effects, lame dialogue, and action sequences that are frequently too dark to see much of anything. The tone feels wrong from the outset, with crass, unfunny stabs at humor. I fell for the entire cast quickly and against expectations, which was enough to provide the occasional briefly-entertaining interlude, but it was far too little to redeem the whole.
 
The Predator runs 107 minutes and is rated R for "strong bloody violence, language throughout, and crude sexual references."
 
The Predator exploits a popular franchise for a cash grab, an all-too-familiar Hollywood tale. Of a possible nine Weasleys, The Predator gets four.
 
Next on the docket, White Boy Rick.
 
In the Just Say No era, a young man from a troubled family says yes.
 
White Boy Rick is the disturbing true story of Rick Wershe, Jr., a Detroit-area teen who, seeing no other escape from his family's dismal existence, begins dealing drugs and ends up an FBI informant. The grimy reality of 1980s Detroit is the perfect backdrop for this depressing tale. It's difficult to watch, but outstanding work by the cast makes it worth your effort. There were some spots where I felt the film moved too quickly (such as explaining Rick's initial acceptance by his gang), but it's a petty quibble with a well-done picture that you'll be thinking about long after you leave the theater.
White Boy Rick clocks in at 110 minutes and is rated R for "language throughout, drug content, violence, some sexual references, and brief nudity."
 
White Boy Rick is a dark tale buoyed by superb performances across the board. 
 
Of a possible nine Weasleys, White Boy Rick gets seven.
 
Until next time...

Saturday, September 15, 2018

MOVIE REVIEW: THE PREDATOR




From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe's most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.

Director: Shane Black

Cast: Boyd Holbrook, Trevante Rhodes, Jacob Tremblay, Keegan-Michael Key, Olivia Munn, Thomas Jane, Alfie Allen, Sterling K. Brown

Release Date: September 14, 2018

Genres: Action, Adventure, Horror

Rated R for strong bloody violence, language throughout, and crude sexual references

Runtime: 1h 47min

Review:


The Predators is an odd film that can never figure out what it ultimately wants to be.  Shane Black directs this 6th screen appearance of the Predator and gives it a strange infusion of comedy.  The violent space hunters face off vs. a ragtag group of misfits who have a quip for every occasion.  The comedy is enjoyable but it feels out of place in the Predator franchise with long sequences veering incredibly close to self parody.  The actors are all fine even though some seems to be hamming it up, like Sterling K. Brown, while others are playing it straight like Boyd Holbrook. It makes for a choppy tone which makes the film just feel off.  It’s a shame because the film has potential particularly if they’d focused on the band of misfits.  The characters are all interesting enough but the film just doesn’t spend much time with them.  Instead we get Oliva Munn who just doesn’t fit in the film; it’s particularly glaring since the film also has Yvonne Strahovski but decides to use her in a throwaway role.  The Predator isn’t the return to form most fans were hoping and with the level of talent assembled you’d be remiss to think if it’s even possible at this point.

C
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