Cindy Prascik's Reviews of Life & Power Rangers

Dearest Blog: Yesterday it was off to Marquee Cinemas with the throngs who apparently haven't left their homes since Christmas. Ahhhh...springtime. On the docket: Life and Power Rangers.

 

Spoiler level here will be mild, nothing plot-related that you wouldn't know from the trailers.

 

First up: sci-fi thriller Life.

Deadpool, Donnie Darko, and the chick from the last Mission Impossible discover an alien life form. 

 

Humanity weeps.

 

As I was suffering through Life, I was prepared to declare it the worst thing I've ever seen. In hindsight, there's no way it's that (screams Ghost Ship from my DVD collection), but it IS a gruesome, derivative waste of a pretty solid cast. The dialogue ranges from trite to cringe-worthy, and the tired old story drags on like a drum solo at an 80s arena-rock show, cut-rate sci-fi that occasionally knocks you over the head with clumsy attempts at poignancy. Sadly, even the creature effects are lame. Then, after two hours of taking itself way too seriously, the end credits kick off with a perky rendition of Spirit in the Sky. Whatever the filmmakers thought they were doing with that, it was a less-fitting finish than La La Land (which is saying something). The one thing Life has going for it is a terrific score by Jon Ekstrand, but, even in tandem with my best boyfriend Jake Gyllenhaal, it can't save the day.

 

Life clocks in at an interminable 103 minutes and is rated R for "language throughout, some sci-fi violence and terror."

 

Life is dead on arrival. Of a possible nine Weasleys, Life gets one.

 

Next up, the most recent take on Saban's Power Rangers.

 

Five ordinary high-schoolers are chosen to be the next Power Rangers, and are tasked with saving the world from the evil Rita Repulsa.

 

Well, dear reader(s), in the interest of full and fair disclosure, I'll admit that Power Rangers would have had to work very hard to earn a thumbs-down from this blog, but I'm pleased to report it's even better than I'd hoped. This new crew of Rangers is a diverse, likable, good-looking bunch that seems a solid fit, both as a group and individually. Special shoutout (with just a wee bit of personal bias) to Ludi Lin, who does a great job as Zack, the Black Ranger. RJ Cyler is also terrific, portraying Billy, the Blue Ranger, as a young man on the autism spectrum. There's plenty of well-paced action, but it doesn't drag on or overwhelm the whole. Effects are just as huge as you'd expect. Suits and Zords have been updated for a new age, looking slick and impressive. The film's humor is hardly cutting edge, but the movie's funny when it means to be, and the dialogue among the kids feels natural and not over-scripted. Elizabeth Banks gleefully chews the scenery as Rita Replusa, not my favorite take on the character, but definitely entertaining. Power Rangers have always been corny, and this outing is no exception. The movie runs a little long, and Bill Hader is supremely annoying as the voice of Alpha 5, but, overall, Power Rangers is good fun, and my theater gave it the loudest, longest ovation I've ever experienced at the movies. Stick around for a mid-credits scene. It's no great revelation, but it'll still be welcome "news" for most fans.

 

Power Rangers runs 124 minutes and is rated PG13 for "sequences of sci-fi action, violence, and destruction, language, and for some crude humor."

 

2017's Power Rangers pointedly takes aim at a new generation, but still manages to indulge old fans' nostalgia. Of a possible nine Weasleys, Power Rangers gets seven and a half.

 

Fangirl points: There is a Social Distortion song in this movie. I repeat: There is a Social Distortion song in this movie. This is not a drill.

 

Until next time... 

 

MOVIE REVIEW: BEAUTY AND THE BEAST

Bill Condon (Dreamgirls) directed this live-action retelling of the Disney animated classic from 1991. As before, this fairy tale centers on a young woman named Belle (Emma Watson), who is forced to live in an enchanted castle with a prince who is cursed to look like a hideous Beast (Dan Stevens). In time, the pair fall in love as Belle learns to see the good man hiding behind the Beast's monstrous exterior. The film co-stars Luke Evans as Gaston, Ewan McGregor as Lumière, Emma Thompson as Mrs. Potts, Ian McKellen as Cosgworth, Kevin Kline as Belle's father, and Josh Gad as Gaston's sidekick LeFou. ~ Jack Rodgers, Rovi

Director: Bill Condon

Cast: Emma Watson, Dan Stevens, Luke Evans, Josh Gad, Ewan McGregor

Release Date: Mar 17, 2017

Rated PG for Peril, Frightening Images and Some Action Violence

Runtime: 2 hr. 9 min.

Genres: Family, Music/Performing Arts, Romance, Sci-Fi/Fantasy

Review:

The live action Beauty and The Beast hits all the right notes both figuratively and literally but it still feels like it’s missing something.  Bill Condon does a fine job of directing the film delivering lavish musical numbers and a cornucopia of visual treats.  His cast is excellent with Emma Watson sliding into the Belle role with great easy.  Her voice isn’t quiet as strong as the role needs it to be but she’s still a great choice for the role.  Dan Stevens is solid if uninspired as the Beast which is a shame considering he’s a strong actor.  It doesn’t help that the CGI on the Beast is thoroughly unconvincing.  The rest of the CGI characters are well done which makes the misstep on one of the main characters all the more puzzling.  Ewan McGregor stands our as Lumière as does Emma Thompson.  As for the rest of the live action cast, Luke Evans and Josh Gad make for a great duo which is helped by the fact that they are clearly have a great time.  All in all, the live action version of the film is strong across the board even though it could have used a bit of a trim here there.  Unfortunately, it never really finds itself and it really makes you want to revisit the original animated film.

B-

Cindy Prascik's Review of Beauty and the Beast

Dearest Blog: Today it was off to Marquee Cinemas for the live-action remake of Disney's classic, Beauty and the Beast.

 

Spoiler level here will be...oh, who am I kidding? Everybody knows how this turns out.

 

A selfish prince is turned into a hideous beast by a curse that can only be lifted by his learning to love and be loved.

 

Dear Reader(s), other than Pirates of the Caribbean and that awesome old Robin Hood cartoon, I'm not really a Disney super-fan. If you want to know how the current imagining of Beauty and the Beast stacks up against the much-loved animated version (which I failed to revisit, despite my best intentions), you're going to have to look elsewhere. That out of the way...

 

The new Beauty and the Beast gets just about everything right. Emma Watson is a delight in the lead. She hasn't got the strongest singing voice, but she's gifted with numbers that aren't much beyond your average shower performer, getting by on her natural charm, beauty, and ever-growing acting chops. As for the Beast, well, casting a handsome devil like Dan Stevens in a role where you hardly see his face has to be a black mark on a film's permanent record, but Stevens' charisma is never hidden by his beastly facade. The cast's true gems are in its supporting players. Luke Evans, Josh Gad, and the divine Audra McDonald use their musical theater cred to steal the show, and the number "Gaston" (featuring Evans and Gad) is easily the highlight of the picture. Some interior scenes are a bit too dark (a by-product of seeing a 3D product in 2D), but the movie's glorious sets are otherwise on full, stunning display. Costumes are also top notch. Seeing Emma in that iconic yellow dress tugged at even my Grinch-sized heart. For my money, the movie's only serious flaws are bland tunes (I daresay most don't share that opinion) and the fact it could use about a 20-minute trim, but a good--if predictable--story, fun action, and solid humor more than compensate for these minor quibbles.

 

Disney's Beauty and the Beast runs 129 minutes and is rated PG for "some action violence, peril, and frightening images."

 

The live-action remake of Beauty and the Beast is magic for old and new fans alike. 

 

Of a possible nine Weasleys, Beauty and the Beast gets seven and a half.

 

Fangirl points: The Goddess Audra! My beloved Luke Evans!

 

Until next time... 

 

MOVIE REVIEW: KONG: SKULL ISLAND

A secret government organization mounts an expedition to Skull Island, an uncharted territory in the Pacific. Led by an explorer (John Goodman) and a lieutenant colonel (Samuel L. Jackson), the group recruit a disillusioned soldier (Tom Hiddleston) and a photojournalist (Brie Larson) to investigate the island's peculiar seismic activity. But once there, they discover that Skull Island is home to a gigantic ape called King Kong, and find themselves caught up in an ongoing war between the beast and the area's indigenous predators. Jordan Vogt-Roberts directed this reboot of the classic monster franchise. ~ Daniel Gelb, Rovi

Director: Jordan Vogt-Roberts

Cast: Tom Hiddleston, Samuel L. Jackson, John Goodman, Brie Larson, John Ortiz.

Release Date: Mar 10, 2017    

Rated PG-13 for Intense Sci-Fi Violence/Action and Brief Strong Language    

Runtime: 1 hr. 58 min.    

Genres: Action/Adventure, Sci-Fi/Fantasy    

Review:

Kong: Skull Island is a bit of a throwback in multiple ways.  Bringing back the cinematic beast with a 90’s style blockbuster bombast provides some good fun even if the film’s human characters suffer.  Kong and his fellow island beast all look great and are appropriately menacing during the huge set pieces that make up the better part of the film.  The action itself is well directed and fun with the helicopter sequence being the biggest standout.  There are a few drawbacks that keep the film from being great.  First off, there are way too many characters in the film with none of them really getting any sort of depth.  There’s a bevy recognizable faces on display but the director Jordan Vogt-Roberts doesn’t seem all that interested in using them for anything other than eye candy.  As a result, strong actors like Tom Hiddleston, Brie Larson, John Goodman and Sam Jackson (channeling Ahab vs. Kong via Apocalypse Now) are short changed by the script which leaves them spinning their wheels.  John C. Reilly is fairly great as the downed WW2 pilot.  He brings a ton of energy and fun to the film as soon as he hits the screen in the third act helping keep the momentum going for the finale.  Kong: Skull Island implies a much larger monsterverse at play, which cough cough includes Godzilla, so future entries can improve on some of the faults in this entry. 

B-

Cindy Prascik's Review of Kong: Skull Island

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Dearest Blog: Yesterday I took a trip through uncharted territory (well...Marquee Cinemas) to Kong: Skull Island.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

A team of scientists and its military escort investigate a mysterious island in the Pacific.

 

Ladies and gentlemen: the third month of 2017 has presented us with what might end up being its best summer-style blockbuster.

 

The success of any movie featuring a character as iconic and oft-portrayed as Kong depends a great deal on how well it handles its icon. I am more than a little pleased to report that Skull Island's Kong is every bit as majestic and intimidating as he should be. See this movie in 3D on the biggest screen you can find; you'll deliver yourself straight into the jaws of the great gorilla himself. The other creature effects are pretty terrific, but, when it's down to nuts and bolts, Kong is definitely king. Skull Island's human cast--including Tom Hiddleston, Brie Larson, Samuel L. Jackson, John Goodman, and John C. Reilly--is an impressively-decorated lot, elevating the outlandish premise and predictable dialogue. Skull Island boasts awesome locations and sets, terrifying battles, and fantastic disaster effects. It's funny when it wants to be, pointed when it needs to be, and thrilling from beginning to end. A rousing score by Henry Jackman, peppered with some great 70s tunes, perfectly underscores the movie's tone, and a fun post-credits scene makes sitting through 15 minutes of compositors' names worthwhile.

 

Kong: Skull Island clocks in at an even 120 minutes and is rated PG13 for "intense sequences of sci-fi violence and action, and for brief strong language."

 

Kong: Skull Island is a terrific popcorn feature, about as much fun as two hours at the cinema could be. Of a possible nine Weasleys, Kong: Skull Island gets eight.

 

Fangirl points: Toby Kebbell! Shea Whigham! (A man who improves any project fortunate enough to have him.) Also, for the record, Hiddles has never looked hotter!

 

Until next time... 

 

MOVIE REVIEW: LOGAN

In a hideout near the U.S./Mexico border, an aging Logan (Hugh Jackman) cares for the ailing Professor X (Patrick Stewart). However, their sheltered existence comes to a sudden end when a young mutant girl (Dafne Keen) arrives and needs their help to stay safe. James Mangold directed this film, the third Wolverine-based spin-off of the X-Men franchise. ~ Daniel Gelb, Rovi

Director: James Mangold

Cast: Hugh Jackman, Patrick Stewart, Stephen Merchant, Richard E. Grant, Eriq La Salle

Release Date: Mar 03, 2017

Rated R for Language Throughout, Brief Nudity and Strong Brutal Violence

Runtime: 2 hr. 15 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

Logan is one of the rare comic book movies that works on multiple levels.  James Mangold and Huge Jackman had a big task ahead of them trying to give fans the kind of send off that the character deserves.  Both seemed to have a great affinity for the character and it shows onscreen.  Mangold delivers a somber dour film that’s as exciting as it’s moving.  There’s an added depth to the character that gives Jackman more to work with than he’s had in previous solo films.  As such, it’s a meatier more well rounded performance even though the basic story of child and guardian is well worn.  Patrick Stewart also delivers an excellent performance as aged Professor X.  Stewart is clearly having a grand time in the role since the script gives him something different to do than just sit in the wheelchair and look stately.  Dafne Keen is a revelation as X-23.  Keen is able to deliver an impressive performance even though it’s mostly done with limited dialogue.  It’s a pivotal character and if the child actor wasn’t as strong, the film wouldn’t have been as good as it ended up being.  Logan is a strong film but it does drag in a few spots.  Certain sections feel like they could have been cut all together making the film a sleeker and better film.  Even with those issues, Logan finally nails the heart of the character which is a perfect way to end Jackman’s tenure in the role.

B+