[Trailer] The World’s End

The trailer for The World’s End is out and I personally can’t wait to see the end of The Three Flavors Cornetto trilogy.

I personally love the first 2 films with a giddy abandon, not to mention Spaced created by the same team. Needless to say I’ve been looking forward to this trailer and while it doesn’t give away much it does give you a glimpse at what we’ll be in store for, synopsis below;

Five lifelong friends reunite to complete a historic pub crawl from their youth, and find that reaching the fabled World's End tavern will be no simple undertaking while they also fight for the future of all mankind. Twenty years ago, Gary King (Simon Pegg) and his pals embarked on the ultimate drinking marathon. But the beer got the best of them, and they failed to drink their final pint at The World's End pub. Now, as die-hard rebel Gary approaches middle age, he summons his old friends back to their hometown for another round. With each pint down, Gary and the gang take another step toward reconciling the past. Meanwhile, just when it starts to look like their goal is in sight, the stammering pals realizes that a much larger struggle is currently taking place, and that the future is looking particularly grim -- not only for them, but for the entire human race as well. Nick Frost, Paddy Considine, Martin Freeman, Eddie Marsan, and Rosamund Pike co-star in the final chapter of Edgar Wright's "Three Flavors Cornetto Trilogy," which began with 2004's Shaun of the Dead and continued in 2007's Hot Fuzz. ~ Jason Buchanan, Rovi

Cindy Prascik’s Review of Iron Man 3

Dearest Blog, yesterday I braved the fanboy throngs for Iron Man 3's opening weekend.
Spoiler level here will be mild, nothing you haven't seen in the trailers.

When billionaire Tony Stark's world is torn apart by a terrorist, he sets out to save "the one thing (he) can't live without"...and, you know, maybe the rest of us too.

If one of those realistic movie description sites took on Iron Man 3, its tagline would undoubtedly be "Go big or go home." The movie is in constant competition with itself to be bigger and bigger and BIGGER, to the point it sometimes feels like nothing more than a series of ever-growing explosions. Regular reader(s) will know that's a concept I firmly support, but the runtime's pretty bloated for so much filler.

Robert Downey, Jr. is, as always, magnificent in a role tailor-made for him. The brilliant Don Cheadle is underused 'til the movie's last act, and Guy Pearce is marginally less ridiculous than he was in Lawless. (That's meant as more of a compliment than it sounds.) Gwyneth Paltrow is her usual pasty, unbearable self--why can't all films take a cue from Contagion and kill her off right away??--but my beautiful girl Rebecca Hall more than makes up for it. Oscar winner Ben Kingsley does what he can with what I'll call a curious role.

As mentioned, the action and destruction in Iron Man 3 are HUGE; the digital surround-sound on this one almost necessitates earplugs. The effects are pretty terrific, though, and I daresay the bigger the screen, the better they look. I'm not invested in Iron Man lore, so any affronts to the core fandom would have gone straight over my head. The story's nothing to write home about, but some of the dialogue is amusing enough to showcase Downey's comedic talent. Overall it's pretty entertaining, but the film definitely over-labors some points and would have been a lot better with a half-hour edited out.

Iron Man 3 runs a very unnecessary 135 minutes and is rated PG13 for "sequences of intense sci-fi action and violence throughout, and brief suggestive content. Of a possible nine Weasleys, Iron Man 3 earns six.

Until next time...




Well, hellooooooo Iron Man!

MOVIE REVIEW: MANIAC

Elijah Wood steps into the role made iconic by Joe Spinell in this reboot of the 1980 cult classic featuring an artistic style that takes you into the killer's POV. When a mannequin store owner (Wood) meets an attractive artist (Megan Duffy), his psychotic impulses are awakened and soon he starts a murderous rampage across L.A. Piranha 3D's screenwriting duo of Alexandre Aja and Gregory Levasseur provide the script, with P2's Franck Khalfoun handling directing duties. ~ Jeremy Wheeler, Rovi

Director: Franck Khalfoun

Cast: Elijah Wood, Nora Arnezeder, Megan Duffy

Runtime: 89 min

Rating: Not Rated

Release Date: Jun 21, 2013

Genres: Horror

Review:

The original Maniac is one of those grindhouse nasties that really captured New York in the late 70’s early 80’s. It had a tangible sense of the grime and nastiness wrapped in its cheap yet disturbing dissection of a serial killer. I’d never say it’s a classic but it’s one of the better grindhouse films from that era. The remake, stylishly directed by Frank Khalfoun, is mesmerizing unsettling walk into the mind of a self loathing killer. Khalfoun’s decision to shoot the film from the killers POV works incredibly well. We hear his thoughts yet rarely see his face as he tracks his victims; the voyeuristic nature of it all is terribly unsettling. The kills themselves are incredibly gory and not for the squeamish at all. Elijah Wood is fully committed to the role even if it amounts to narration for the better part of the film. The film has a strong bit of polish but it does borrow heavily from horror classic but beats the mommy issues into the ground with its heavy handed approach. Some subtly would have worked in the film’s favor. Still it’s probably the most disturbing serial killer film I’ve seen since Henry: Portrait of a Serial Killer.

B

MOVIE REVIEW: IRON MAN 3

Tony Stark (Robert Downey, Jr.) wrestles with inner demons while contending with monsters of his own creation in this sequel from writer\director Shane Black. The story in Iron Man 3 picks up shortly after the events of The Avengers. Having previously entered another dimension in order to save New York City, Tony remains deeply haunted by the experience. Tony has only started to appreciate the gravity of his problems when an enigmatic terrorist named the Mandarin (Ben Kingsley) hijacks the airwaves and threatens to bring America to its knees with a painful series of "lessons". ~ Rovi

Director: Shane Black

Cast: Robert Downey, Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall

Release Date: May 03, 2013

Rated PG-13 for sequences of intense sci-fi action and violence throughout, and brief suggestive content

Runtime: 2 hr. 20 min.

Genres: Action/Adventure

Review:

Picking up after the Avengers was going to be a bit of a task, thankfully Iron Man 3 handles it fairly well lead by new director Shane Black. A slightly more focused, albeit kind of silly, plot than the overstuffed 2nd entry breathes life back into the franchise. Black and Robert Downey Jr. have a tangible chemistry together. Black is capable of keeping RDJ from going into cruise control and the script forces him to explore the effects of the events in The Avengers. It’s a solid logical choice, it would have been terribly easy to just breeze past it and keep him feeling invincible. There are still plenty of laughs and tons of massive summer movie level action set pieces that are thrillingly staged such as the attack on Starks home and a mid air multi-person rescue. That being said there are a few blemishes on the film. It’s not as overstuffed as Iron Man 2, which was too busy serving as a sequel to Iron Man and prequel to The Avengers, but it’s still too busy. The villains are a bit too cartoonish with Ben Kingsley going a bit too overboard (with good reason though). Sadly, Guy Pierce’s character never feels like a complete creation, simply functioning as a plot mechanism. Paltrow and Cheadle are given some extra bits of characterization but nothing earth shattering. As the film, wraps the film starts to feel like it’s tying things up in case RDJ decides to retire from the superhero business (this films marks the last film on his contract with Marvel). While a bit of streamlining and trimming would have made this more efficient summer film, it still manages to trill and excite so maybe it’s not time to throw this franchise on the scrap heap just yet.

B

Cindy Prascik’s Review of Pain & Gain

Dearest Blog, hot on the heels of a great concert, the movies seemed like a poor substitute for the thing I really love. Still, it's Saturday, so off to the cinema I went to see Pain & Gain.

Three muscle-bound meatheads hatch a risky plot to relieve a Miami mogul of his considerable wealth.
Spoiler level here will be mild.

There's really no reason Pain & Gain should be a funny story. Three idiots ruin their own lives and several others, just because they think life owes them more than they've got. However, the sheer stupidity of our terrible trio--brilliantly played by Mark Wahlberg, Anthony Mackie, and Dwayne Johnson--makes this the funniest movie I've seen in at least a year.

I've never held with people who believe dramatic acting is more credible than comedy. Wahlberg, Mackie, and Johnson are absolutely fantastic in Pain & Gain, and Ed Harris nearly steals the show when he turns up to take on the bumbling criminals. It's to both writers' and actors' credit that the leads are enjoyable, yet it's
always clear they're bad guys, and you won't feel sorry for them if things go sideways.

Pain & Gain is loaded with brutal violence, bad language, and drug use, with some boobies thrown in for good measure...pretty much offensive across the board. If you're sensitive about such things, this isn't the movie for you. If, for whatever reason, you can get a laugh out of some horrible and inappropriate scenarios, well...you're in the right place! My only complaint is that the movie's somewhat longer than it needs to be.

Pain & Gain clocks in at 130 minutes and is rated R for "bloody violence, crude sexual content, nudity, language throughout, and drug use." I thoroughly enjoyed it, laughing out loud for most of the two hours. Of a possible nine Weaselys, Pain & Gain gets seven and a half.
Until next


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Time….

Uhhh...get well soon?

MOVIE REVIEW: PAIN & GAIN

Daniel Lugo (Mark Wahlberg) is a regular bodybuilder who works at the Sun Gym along with his friend Adrian Doorbal (Anthony Mackie). Sick of living the poor life, Lugo concocts a plan to kidnap Victor Kershaw (Tony Shalhoub), a regular at the gym and a rich, spoiled businessman, and extort money from him by means of torture. With the help of recently released criminal Paul Doyle (Dwayne Johnson), the "Sun Gym Gang" successfully gets Kershaw to sign over all his finances. But when Kershaw survives an attempted murder by the gang, he hires private investigator Ed Du Bois (Ed Harris) to catch the criminals after the Miami Police Department fails to do so.

Director: Michael Bay

Cast: Mark Wahlberg, Dwayne Johnson, Anthony Mackie, Tony Shalhoub, Ed Harris

Release Date: Apr 26, 2013

Rated R for crude Sexual Content, Bloody Violence, Drug Use, Language Throughout and Nudity

Runtime: 2 hr. 9 min.

Genres: Action/Adventure, Comedy

Review:

I’ve been a bit of a Michael Bay apologist over the years. Not because I believe he’s a mad genius but because I think he’s actually a solid action director whose becoming a whipping boy admittedly due to some of his really bad films. He creates the type of bombastic popcorn movies that are easily digestible and would rot your teeth if you consumed them regularly. Like all indulgences it should be done in moderation which is ironic since Bay doesn’t know anything about moderation. Pain & Gain is a bulging muscle flexing with veins popping out everywhere. Its first act is the type of caffeinated movie going experience that feels like somebody’s poured cocaine into your eyeballs. A bulging Mark Wahlberg is focused and dedicated to his role. He’s clearly enjoying himself throughout and keeps a bug eyed energy alive through the better part of the film. Equally game Dwayne Johnson, looking bigger than I’ve ever seen him, and Anthony Mackie match him throughout. Their interplay is great comedy especially as things get more ridiculous and out of control. Having the story change from point of during the story allows us to get into these morons minds and see what’s leading them down the incredibly slippery slope towards disaster. Tony Shalhoub delivers an extra salty performance in a limited role. Sadly Ed Harris and Rebel Wilson are mostly marginalized in thankless roles. Pain and Gain’s major faults are really a reflection of Bay’s. The characters, all of them, are caricatures of people; none of them feel real in anyway. They’re Bay mutated version of what real people are. Additionally, Bay never knows too much of a good thing. The first 2 acts are crisp and energetic but the last act drags on. It’s not terrible but it could have been streamlined. Bay would have been better served if he remembered its ok not to flex all the time.

B