IN THEATERS
TOTAL RECALL
Originally adapted by director Paul Verhoeven in 1990, author Philip K. Dick's classic sci-fi short story We Can Remember It for You Wholesale returns to the big screen in this remake starring Colin Farrell, Bryan Cranston, and Kate Beckinsale, and directed by Underworld's Len Wiseman. The planet has been decimated by nuclear war in the late 21st century, leaving only two nations -- the United Federation of Britain and the Colony. Douglas Quaid (Farrell) is a factory worker with a stable job and a loving wife (Beckinsale), but upon learning that a company named Rekall could grant him the memory of the ultimate espionage adventure, he decides that a virtual vacation is better than no vacation at all. But in the midst of having the new memories implanted, something goes haywire. Still strapped to the chair as the system breaks down, he's branded a spy as the authorities close in, and quickly flees for his life. Later, Quaid discovers that he has a secret identity, and he joins forces with rebel soldier Melina (Jessica Biel) on a mission to track down Matthias (Bill Nighy), the head of a fierce resistance movement that's been labeled a terrorist organization by the tyrannical Chancellor Cohaagen (Bryan Cranston). Cohaagen seeks to control the entire free world, and now the harder Quaid fights to defeat him, the clearer it becomes that his memory had been altered long before he walked into Rekall. ~ Jason Buchanan, Rovi
Director: Len Wiseman
Cast: Colin Farrell, Kate Beckinsale, Jessica Biel, Bryan Cranston, Bokeem Woodbine
Release Date: Aug 03, 2012
Rated PG-13 for intense sequences of sci-fi violence and action, some sexual content, brief nudity and language
Runtime: 1 hr. 49 min.
Genres: Action/Adventure
Review:
The 1990 Total Recall was one of the few Arnold Schwarzenegger films I’ve always had a real affection for, the other being Predator. With Paul Verhoeven inspired direction it was on of those classic 90’s sci-fi films that just worked on so many levels. To say that this remake is pointless and ultimately soulless kind undersells the point. Les Wiseman has made a career of “borrowing” styles from other better films and for this he seems to have just lifted entire visual styles from other directors and films (Minority Report, Blade Runner & J.J. Abrams wonderful lens flare amongst the most obvious). His film has a polish but it’s about as hacky as it gets. The plot is roughly the same from the 1990 film except Mars and air have been replaced with Blade Runner-esque Australia and invasion. Outside of that the plot hits the basic bullet points and even replicates some of the scenes with the shiny new veneer except everything feels rushed, lacking any depth. Colin Farrell is in cruise control for the better part of the film and honestly he isn’t asked to do much, ditto for Jessica Biel whose character is about as one dimensional as they come. Kate Bekinsale works her badass chick routine while looking steely the entire time. Considering her character was the combination of 2 characters from the 1990 film, you’d think there’d be more depth to her but like everybody else in the move she’s just asked to follow the threadbare script and look good posing for the camera. On the bright side, you can make a great drinking game out of the number of time she’s got her mouth slightly open while eye banging the camera. Bryan Cranston’s Cohaagen barely registers, wasting the wonderful talents of a fine actor. Bill Nighy appears and disappears from the screen so quickly you’d barely notice him. There are some visually fun action sequences here but nothing close enough to justify the remake. Occasionally remakes surprise you, other times they remind you that just because it’s new doesn’t mean its better.
D+
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Saturday, August 4, 2012
Thursday, August 2, 2012
[Trailer] Paranormal Activity 4
The 3rd installment expanded the mythology of the story by going back to the past and now this one comes back to the present.
From the trailer it looks like we’ll follow a new family with a teenage girl who’ll play the entry point for the audience. This might sound funny but this trailer feels terribly cheap without the authentic feel of the previous films. We’ll see what happens when it hits theaters….
Tuesday, July 31, 2012
[Trailers] Skyfall 007 James Bond
Saturday, July 21, 2012
MOVIE REVIEW: THE DARK KNIGHT RISES [Spoiler Free]
IN THEATERS
THE DARK KNIGHT RISES
Christopher Nolan's Batman trilogy concludes with this Warner Brothers release that finds The Dark Knight pitted against Bane, an unstoppable foe possessed of tremendous physical and intellectual strength. Nearly a decade after taking the fall for Harvey Dent's death and disappearing into the darkness, a fugitive Batman (Christian Bale) watches from the shadows as the Dent Act keeps the streets of Gotham City free of crime. Meanwhile, an elusive cat burglar seizes the chance to strike, and a masked anarchist plots a devastating series of attacks designed to lure Bruce Wayne out of the shadows. Determined not to abandon the people who he once risked his life to protect, The Dark Knight emerges from his self-imposed exile ready to fight. But Bane (Tom Hardy) is ready, too, and once Batman is within his grasp, he will do everything in his power to break Gotham City's shadowy savior. Oscar-winner Michael Caine and Gary Oldman return in a sequel also starring Anne Hathaway, Marion Cotillard, and Joseph Gordon-Levitt. ~ Jason Buchanan, Rovi
Director: Christopher Nolan
Cast: Christian Bale, Anne Hathaway, Tom Hardy, Marion Cotillard, Joseph Gordon-
Levitt, Michael Caine , Gary Oldman, Morgan Freeman
Release Date: Jul 20, 2012
Rated PG-13 Intense Sequences of Violence, Intense Sequences of Action, Language and some Sensuality
Runtime: 2 hr. 45 min.
Genres: Action/Adventure, Suspense/Thriller
Review:
In a summer of movies where one anticipated film is followed by another, there was only one that truly and deeply had me waiting desperately and impatiently. After having digested The Dark Knight Rises twice now, I can say that Christopher Nolan has created one of the best trilogies of all time for one of the seminal character in pop culture. With TDKR Nolan has made the Avengers look quaint in comparison. Incredibly satisfying and emotionally impactful, this finale ends the series with a real bang. Borrowing pieces from graphic novels like The Dark Knight Returns, No Man’s Land, a sampling of Batman Beyond and even a bad Batman The Animated Series episode, TDKR is a cornucopia of delights for Batfans like me. Little winks and nods of fan service are peppered into the film making me about gleeful as an unsupervised child in a candy store. The story meshes incredibly well with the overall arch of the first 2 films especially Batman Begins. Bale is given the spotlight here, rightfully so, and he’s incredible. Bale portrays Wayne, Batman himself is actually only in about a third of the overall film, as a man dealing with the after effects of the 2nd film’s finale. He displays Bruce’s struggle to find meaning and direction in his life with textured nuance. Tom Hardy, who looks like Brian Urlacher dressed for an S&M party, is quiet impressive as the primary villain here. Sounding like a cross between Darth Vader and Sean Connery, his Bane is a shark to Heath Ledger’s wild dog Joker. Bane is menacing and intimating, brimming with confidence in every scene which is impressive considering Hardy only has his hands and eyes to act with because of the face mask. Equally impressive and perhaps more surprising is Anne Hathaway’s Catwoman. Hathaway just nails the character’s essence and persona right from the start. This is a more traditional Catwoman than the S&M Burton version. As such it feels more in keeping with her character from the comic and animated sources, a real delight. Joseph Gordon-Levitt & Marion Cotillard both do solid work in roles that are vital to the story arch. With all the new faces in this entry some of the series standby take a bit of a back seat but still leave their mark such as Oldman perfect pitch Gordon which is always a joy, as is Morgan Freeman’s Lucius Fox. Michael Caine though deserves special recognition as Alfred even though he’s in this film a lot less than previous entries. Caine has a few scenes that deliver potent emotional punches in his roles as Bruce’s paternal figure. Together this cast creates a lush and vivid Gotham that’s alive and earned through the other film’s set up. The film rolls towards it’s final act which itself is an impressive piece of directing by Nolan since it’s pretty much a very well orchestrated version of the 1966 Batman finale where Adam West was running around with a bomb over his head. Of course that’s an exaggeration but it’s a testament to the strength of the film that it works so well as a thrilling finale giving me many a goose bumps throughout. If there are a few nitpicks they are very minor. Some of the dialogue feels clunkier that the previous entries and some character’s like Matthew Modine’s Assistant Chief serve little to no purpose. Minor issues but apparent. Regardless, you’ll leave the theater wondering how that nearly 3 hour run time passed by so fast and when you can see it again.
A
THE DARK KNIGHT RISES
Christopher Nolan's Batman trilogy concludes with this Warner Brothers release that finds The Dark Knight pitted against Bane, an unstoppable foe possessed of tremendous physical and intellectual strength. Nearly a decade after taking the fall for Harvey Dent's death and disappearing into the darkness, a fugitive Batman (Christian Bale) watches from the shadows as the Dent Act keeps the streets of Gotham City free of crime. Meanwhile, an elusive cat burglar seizes the chance to strike, and a masked anarchist plots a devastating series of attacks designed to lure Bruce Wayne out of the shadows. Determined not to abandon the people who he once risked his life to protect, The Dark Knight emerges from his self-imposed exile ready to fight. But Bane (Tom Hardy) is ready, too, and once Batman is within his grasp, he will do everything in his power to break Gotham City's shadowy savior. Oscar-winner Michael Caine and Gary Oldman return in a sequel also starring Anne Hathaway, Marion Cotillard, and Joseph Gordon-Levitt. ~ Jason Buchanan, Rovi
Director: Christopher Nolan
Cast: Christian Bale, Anne Hathaway, Tom Hardy, Marion Cotillard, Joseph Gordon-
Levitt, Michael Caine , Gary Oldman, Morgan Freeman
Release Date: Jul 20, 2012
Rated PG-13 Intense Sequences of Violence, Intense Sequences of Action, Language and some Sensuality
Runtime: 2 hr. 45 min.
Genres: Action/Adventure, Suspense/Thriller
Review:
In a summer of movies where one anticipated film is followed by another, there was only one that truly and deeply had me waiting desperately and impatiently. After having digested The Dark Knight Rises twice now, I can say that Christopher Nolan has created one of the best trilogies of all time for one of the seminal character in pop culture. With TDKR Nolan has made the Avengers look quaint in comparison. Incredibly satisfying and emotionally impactful, this finale ends the series with a real bang. Borrowing pieces from graphic novels like The Dark Knight Returns, No Man’s Land, a sampling of Batman Beyond and even a bad Batman The Animated Series episode, TDKR is a cornucopia of delights for Batfans like me. Little winks and nods of fan service are peppered into the film making me about gleeful as an unsupervised child in a candy store. The story meshes incredibly well with the overall arch of the first 2 films especially Batman Begins. Bale is given the spotlight here, rightfully so, and he’s incredible. Bale portrays Wayne, Batman himself is actually only in about a third of the overall film, as a man dealing with the after effects of the 2nd film’s finale. He displays Bruce’s struggle to find meaning and direction in his life with textured nuance. Tom Hardy, who looks like Brian Urlacher dressed for an S&M party, is quiet impressive as the primary villain here. Sounding like a cross between Darth Vader and Sean Connery, his Bane is a shark to Heath Ledger’s wild dog Joker. Bane is menacing and intimating, brimming with confidence in every scene which is impressive considering Hardy only has his hands and eyes to act with because of the face mask. Equally impressive and perhaps more surprising is Anne Hathaway’s Catwoman. Hathaway just nails the character’s essence and persona right from the start. This is a more traditional Catwoman than the S&M Burton version. As such it feels more in keeping with her character from the comic and animated sources, a real delight. Joseph Gordon-Levitt & Marion Cotillard both do solid work in roles that are vital to the story arch. With all the new faces in this entry some of the series standby take a bit of a back seat but still leave their mark such as Oldman perfect pitch Gordon which is always a joy, as is Morgan Freeman’s Lucius Fox. Michael Caine though deserves special recognition as Alfred even though he’s in this film a lot less than previous entries. Caine has a few scenes that deliver potent emotional punches in his roles as Bruce’s paternal figure. Together this cast creates a lush and vivid Gotham that’s alive and earned through the other film’s set up. The film rolls towards it’s final act which itself is an impressive piece of directing by Nolan since it’s pretty much a very well orchestrated version of the 1966 Batman finale where Adam West was running around with a bomb over his head. Of course that’s an exaggeration but it’s a testament to the strength of the film that it works so well as a thrilling finale giving me many a goose bumps throughout. If there are a few nitpicks they are very minor. Some of the dialogue feels clunkier that the previous entries and some character’s like Matthew Modine’s Assistant Chief serve little to no purpose. Minor issues but apparent. Regardless, you’ll leave the theater wondering how that nearly 3 hour run time passed by so fast and when you can see it again.
A
Sunday, July 15, 2012
MOVIE REVIEW: MOONRISE KINGDOM
IN THEATERS
MOONRISE KINGDOM
Director/co-writer Wes Anderson teams with screenwriter Roman Coppola for this period comedy-drama set in the 1960s, in which a pair of young lovers (Jared Gilman and Kara Hayward) from an island off the New England coast head for the hills and throw their small town into a frenzy. Bruce Willis co-stars with Bill Murray, Edward Norton, and Frances McDormand. ~ Jason Buchanan, Rovi
Director: Wes Anderson
Cast: Jared Gilman, Kara Hayward, Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton, Jason Schwartzman
Release Date: May 25, 2012
Rated PG-13 for Sexual Content and Smoking
Runtime: 1 hr. 34 min.
Genres: Drama, Romance
Review:
I was a strange child, a fact my parents love reminding me of. There are certain movies that really tap into a portion of the childhood experience; Moonrise Kingdom is one of those films. Wes Anderson’s newest film maybe his best. A touching tribute to love, childhood innocence and those moments you wish you could hold on to forever. Anderson wonderfully crafted shots create an almost ethereal texture to the film. The cast from top to bottom brings there A game. Anderson has a talent of bringing out special performances from his actors and this film is no different. Each of the cast members brings a certain level of sincerity and quirkiness to their roles. Jared Gilman and Kara Hayward in particular make an impressive tandem with each actor bringing so much to both sides of the story. The story is purposely lighthearted and easily digestible making it a film that’s easy to revisit over and over again. Something a film like this requires in order to truly appreciate every bit of nuance and detail, savor it and digest.
A
MOONRISE KINGDOM
Director/co-writer Wes Anderson teams with screenwriter Roman Coppola for this period comedy-drama set in the 1960s, in which a pair of young lovers (Jared Gilman and Kara Hayward) from an island off the New England coast head for the hills and throw their small town into a frenzy. Bruce Willis co-stars with Bill Murray, Edward Norton, and Frances McDormand. ~ Jason Buchanan, Rovi
Director: Wes Anderson
Cast: Jared Gilman, Kara Hayward, Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton, Jason Schwartzman
Release Date: May 25, 2012
Rated PG-13 for Sexual Content and Smoking
Runtime: 1 hr. 34 min.
Genres: Drama, Romance
Review:
I was a strange child, a fact my parents love reminding me of. There are certain movies that really tap into a portion of the childhood experience; Moonrise Kingdom is one of those films. Wes Anderson’s newest film maybe his best. A touching tribute to love, childhood innocence and those moments you wish you could hold on to forever. Anderson wonderfully crafted shots create an almost ethereal texture to the film. The cast from top to bottom brings there A game. Anderson has a talent of bringing out special performances from his actors and this film is no different. Each of the cast members brings a certain level of sincerity and quirkiness to their roles. Jared Gilman and Kara Hayward in particular make an impressive tandem with each actor bringing so much to both sides of the story. The story is purposely lighthearted and easily digestible making it a film that’s easy to revisit over and over again. Something a film like this requires in order to truly appreciate every bit of nuance and detail, savor it and digest.
A
Friday, July 13, 2012
[Trailer] V/H/S
Late to the party as usual, I just found out about this film and have to say it looks devilishly good. I’ve been a fan of found footage films since Blair Witch, even if they’ve become kind of passé now. I’ve also been a fan of compilation horror films, which seem to have fallen off the face of the cinematic Earth (save for the wonderful Trick R Treat from a few years back.)
This trailer has me excited to see more…..
This trailer has me excited to see more…..
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