MOVIE REVIEW: X-MEN FIRST CLASS

IN THEATERS

X-MEN FIRST CLASS



Set in the era before Professor Charles Xavier and Erik Lehnsherr became mortal enemies as Professor X and Magneto, respectively, director Matthew Vaughn's X-Men: First Class follows the two former allies as they lead a powerful team of mutants on a mission to save the planet from nuclear annihilation. Charles (James McAvoy) and Erik (Michael Fassbender) were just young men when it began to appear as if the world was careening toward destruction. And as the Doomsday Clock ticks faster toward midnight, the time comes to take action. In the process of saving humanity, however, Charles and Erik clash. In the years that followed, Professor X would lead the X-Men in the fight for good, as Magneto and the Brotherhood spread chaos and destruction throughout the land. Kevin Bacon, Caleb Landry Jones, Nicholas Hoult, January Jones, and Lucas Till star in a film directed by Matthew Vaughn and adapted from a story by Bryan Singer. ~ Jason Buchanan, Rovi

Director: Matthew Vaughn

Cast: James McAvoy, Michael Fassbender, Kevin Bacon, Rose Byrne, Jennifer Lawrence

Release Date: Jun 03, 2011

Rated PG-13 for Intense sequences of action and violence, some sexual content including brief partial nudity and language

Runtime: 2 hr. 20 min.

Genres: Action/Adventure, Drama, Sci-Fi/Fantasy

Review:

X-Men First Class is a movie that I had serious skepticism about from inception. Matthew Vaughn being given the directing reigns quelled some of those fears but not all. Any fan of the franchise would be hard pressed to have any sort of hope after X-Men The Last Stand and the criminally atrocious Wolverine X-men Origins film. This prequel faced plenty of challenges and somehow someway it overcame them all. Vaughn delivered one of the best superhero movies ever, just shy of The Dark Knight. A stellar cast working from a strong script brings a thoroughly engaging experience that rarely drags. Michael Fassbender leads the cast with a performance that brings all the rare and pain that his character suffers. Fassbender’s matched by a spot of James McAvoy who’s performance as Charles Xavier is respectful of Patrick Stewart’s original run yet singular in of itself. Jennifer Lawrence taking up the reigns as Mystique is a more than capable and its always good to see certain characters get fleshed out a bit more, ditto for Beast. Kevin Bacon is appropriately sinister and nefarious as the villain. January Jones, who can’t seem to stretch beyond the stepford wife persona, has perfected the art of acting via blinking and cleavage. Vaughn stages the action in epic fashion and even with a few questionable musical choices they never cease to impress. The scale and scope of the story are huge and impressive, A perfect way to restart the series.

A

PostScript

How I paid 90 dollars to see X-men First Class

In case if wasn’t terribly obvious I’m a bit of a nerd. So in perfect nerdish fashion I looked for the first showing of First Class in Las Vegas where I’d be for the week. Nothing says Vegas more than checking out the latest superhero movie afterall. Through a series of missteps and google confusion thing became terribly confused and expensive. I boarded a taxi and handed the cabby the directions. I should have been worried that he wasn’t familiar with the address but not enough to do anything about it. The cabby punched the address into his phone and headed off, still unsure of where he was taking me. Down the strip and on to the freeway, he rushed to try and make my 10am deadline. The more he drove the more I became worried there might have been a slight mistake. 20 minutes later and 40 bucks later he dropped me off at the theater quite literally in the middle of nowhere, later in the weekend I would walk by about 4 theaters that were pretty close to Caesars which we were staying at. Watched the movie which was a first showing so that saved a little cash because I like being thrifty when possible. Once the film ended, I had to ask the manager for a taxi cab number which he happily gave and waited a good 20 minutes for and then paid another 40 dollars to get back to The Strip. One the bright side I did get to see a lot of the Rocky Mountains in my extended trip around the outer reaches of Vegas…..

[Trailer] The Girl with the Dragon Tattoo Remake

The first trailer, bootleg of the overseas Red Band version, the David Fincher directed remake of The Girl with The Dragon Tattoo is out and the shots look fairly familiar but intriguing at the same time. Fincher at the helm makes me feel better but Rooney Mara’s got some serious shoes to fill, Noomi Rapace just owned the role in the original trilogy. It appears to keep the tone and spirit of the original films which will work in its favor. This is purely a tease but a good one of the “Feel bad movie of Christmas.”



6-1-11

International Poster and Official trailer added as Sony has pulled down there Redband Traier.

MOVIE REVIEW: THE HANGOVER PART 2

IN THEATERS

THE HANGOVER PART 2



A modest bachelor brunch devolves into a wild weekend in Bangkok when the gang travels to Thailand to see Stu get married. Still traumatized by memories of the Las Vegas fiasco, Stu (Ed Helms) vows to keep his pre-wedding partying to the bare minimum. But when Phil (Bradley Cooper), Doug (Justin Bartha), and Alan (Zach Galifianakis) show up, Stu's low-key brunch makes their previous Vegas fiasco look like a family trip to Disneyland. ~ Jason Buchanan, Rovi

Director: Todd Phillips

Cast: Bradley Cooper, Ed Helms, Zach Galifianakis, Justin Bartha, Ken Jeong

Release Date: May 26, 2011

Rated R for pervasive language, strong sexual content including graphic nudity, drug use and brief violent images

Genres: Comedy

Review:

“Classic Stu.” That statement should tell you everything you need to know about this sequel. Todd Phillips doesn’t raise his game in this sequel, instead he just changes the background and changes a few things. Déjà vu all over again. I’ll admit I laughed during a parts of films, there are a few high points that reach a manic level but it never sustains it, but my overall enjoyment of the film was hindered by the fact that this is about as lazy a follow up as you can imagine. The writing team seems to have literally taken the original script and just changed names and places. Galifianakis is grating this go around and just feels like he’s trying too hard. Ed Helms is given more to do and his comedic talents are given more room this go around. Bradley Cooper is just as douche baggy as he was the first time and doesn’t do more than he needs too. Ken Jeong is fun but the expanded role makes his one note character more obvious. Cameos and scenes don’t surprise because you are just waiting for them because Phillips telegraphs them to such an extent only a simpleton would be waiting for them. Hangovers suck especially when you recount the same night over and over again.

C-

MOVIE REVIEW: PIRATES OF THE CARIBBEAN: ON STRANGER TIDES

IN THEATERS

PIRATES OF THE CARIBBEAN: ON STRANGER TIDES

Flamboyant seafarer Jack Sparrow (Johnny Depp) lands himself in a bit of a bind after being lured onto Blackbeard's (Ian McShane) ship by enigmatic siren Angelica (Penélope Cruz), and forced to seek out the Fountain of Youth. Trapped on the Queen Anne's Revenge with the most nefarious pirate in history, Captain Jack reflects on his past with the elusive Angelica while embarking on his wildest adventure to date. With shambling zombies on deck and gorgeous mermaids beckoning sailors into the icy waters below, this time Jack Sparrow has his work cut out for him. ~ Jason Buchanan, Rovi

Director: Rob Marshall

Cast: Johnny Depp, Penélope Cruz, Geoffrey Rush, Ian McShane, Stephen Graham

Release Date: May 20, 2011

Rated PG-13 for Intense sequences of action/adventure violence, some frightening images, sensuality and innuendo

Genres: Action/Adventure, Comedy

Review:

I remember watching the first Pirates of The Caribbean, enjoying it mostly, but wondering why it was so bloody long. The sequels all followed suit but they were fun, convoluted for sure, and propped up with strong performances from all involved with Geoffrey Rush and Johnny Deep being my personal favorites. A trilogy is typically a good stopping point, by the third turn it’s usually a fair bet the characters and story have been expend and there’s very little left to show the audience. In lieu of a massive reinvention there’s really no point for another entry. On Stranger Tides should have been called the Quest for Treasure, yours. This entry is lifeless boring and overlong. A massive list of characters and storylines over powers the film while adding very little to the actual story. The story itself is straightforward but terribly convoluted at the same time. It’s a jumble of mythos, mermaids and zombies. None of which add any semblance of meat to the film. Instead we are given action set piece 1, 2, 3, interlude, 4, 5….rinse and repeat. Director Rob Marshall does his best but he’s entirely out of his element and it shows. To his credit most of the action sequences are impressively staged and occasionally epic but shocking lacking in any actual fun. I can say I chuckled once or twice throughout the entire film. The cast seems equally disinterested in the film and their roles, aside from the usual stalwarts. Johnny Depp is front and center, he does an admirable job but there are occasions were you can tell he’s just phoning it end. Geoffrey Rush is always fun in this role and he chews every scene with great vigor. Ian McShane turns in a decent performance which isn’t a surprise since the role is just an extension his Deadwood character on a boat. A terribly pregnant Penélope Cruz stays out of the way for the most part since she saddled with on of the many pointless subplots. The main crux of this film is finding the Fountain of Youth something which I doubt this franchise as a whole can ever find.

D

MOVIE REVIEW: THE MECHANIC

THE MECHANIC



Seasoned hitman Arthur Bishop (Jason Statham) sets out to avenge the brutal murder of his mentor, Harry (Donald Sutherland), and finds himself joined by Harry's vengeful son (Ben Foster), who is eager to follow in his late father's footsteps, in this remake of the 1972 action thriller starring Charles Bronson and Jan-Michael Vincent. Harry taught Arthur how to be a detached killer who always hits his mark. Now Harry is gone, and for the first time in Arthur's career it's about to get personal. As lone-wolf assassin Arthur prepares to hunt down Harry's killers, he is approached by his fallen mentor's vengeful son, Steve, who is eager to take up the lethal tools of his father's trade. Unadept at working with a partner yet compelled to help Steve carry on the family tradition, Arthur agrees to take him on as a protégé. Later, the duo begins to methodically eliminate their targets, forging a partnership born of blood with each new hit. The closer Arthur and Steve get to the name at the top of their list, however, the more apparent it becomes that his job will be anything but business as usual. ~ Jason Buchanan, Rovi

Director: Simon West

Cast: Jason Statham, Ben Foster, Tony Goldwyn, Donald Sutherland, Jeff Chase

Release Date: Jan 28, 2011

Rated R for strong brutal violence throughout, language, some sexual content and nudity

Runtime: 1 hr. 40 min.

Genres: Action/Adventure, Suspense/Thriller

Review:

To say this film feels familiar is a tad of an understatement, not just because it’s a remake of the 70’s Charles Bronson film of the same name. Jason Statham has made a career of churning out mindless action flicks. The quality of these films varies wildly but Statham is consistent and seems more than happy to stick to the formula. The Mechanic, directed by Michael Bay Jr., Simon West, is a hollow superficial ride which never tries to be more than it sets out to be. It’s bloody occasionally gory sprinkled with nudity and sex. Ultimately it’s easily digestible and enjoyable for the most part. At times it feels like this would have been perfectly at home in the 80’s which a plot that feel like nothing more than excuse to propel the action. There’s a tad bit of pathos there enough to make it feel like they could go deeper into these characters but nobody involved, outside of Ben Foster, seems terribly interested in doing so. Jason Statham delivers his usual tough guy persona, gravelly voiced with the perfect amount of stubble. By this point Statham can play this type of character in his sleep, so much so that it leaves you wondering if he ever gets confused as to which movie he’s actually shooting at anyone time. Ben Foster brings a bit more depth to his character. Foster gives his character greater depth, showcasing the simmering tortured persona of his character. That being said it’s never explored to great depth, along with the fact that the character becomes a master hitman in the span of a few days. These aren’t the kind of films that are terribly interested in that kind of stuff and that’s alright as long as they deliver enjoyable action set pieces. The Mechanic has plenty to like with inventive settings and impressive looking locals. If there is one nitpick it’s that the last big action piece leaves you feeling a tad disappointed since the film seems to be building to a nice action crescendo.

C+

MOVIE REVIEW: THE RITE

THE RITE


Inspired by author Matt Baglio's nonfiction book of the same name, director Mikael Håfström's supernatural thriller traces the experiences of a young seminary student who discovers the true power of faith after being drafted into the Vatican's Exorcism School and confronted by the forces of darkness. ~ Jason Buchanan, Rovi

Director: Mikael Håfström

Cast: Anthony Hopkins, Colin O'Donoghue, Alice Braga, Ciarán Hinds, Toby Jones, Rutger Hauer

Release Date: Jan 28, 2011

Rated PG-13 for Disturbing thematic material, sexual references, language, frightening images and violence

Runtime: 1 hr. 52 min.

Genres: Drama

Review:

Anthony Hopkins’ character asks, early on in this insipid and horribly clichéd film, “What were you expecting? Spinning heads and pea soup?” At that point in the film, that’s exactly what I wasn’t hoping for and with such a garish dismissal of the usual exorcist genre tropes it leaves you wondering if perhaps we’ll see something new and fresh. Sadly, it doesn’t take The Rite long to fall into an all too familiar pattern. A young priest lacking faith, an elder priest who’s been battling the devil for his entire life, standard contortions and demonic sounding voices, etc, etc…. Throw in some shoddy and thoroughly unnecessary CGI just for good measure. So if we don’t get a fresh take on this genre then at the very least the film should frighten us. Even here it fails, using the cheapest of scares while never getting within shouting distance of any sort of tension. The character’s barely register and carry all the emotional weight of a paper bag. Colin O'Donoghue doesn’t bring much to the table and is instantly forgettable. Alice Braga is thoroughly self serious throughout while being given very little to do. Anthony Hopkins seems to sleep walk through most of his scenes only to pull out a faux version of his Lecter character in the final act which borders on parody. Strangely the only actor who brings any level of creepiness is Rutger Hauer who’s in the film for a total of 5 minutes. Director Mikael Håfström tries to dress this all up as much as possible but in the end it’s like putting make up on a hog.

D-