MOVIE REVIEW: FROZEN 2

Elsa the Snow Queen and her sister Anna embark on an adventure far away from the kingdom of Arendelle. They are joined by friends, Kristoff, Olaf, and Sven.

Director: Jennifer Lee, Chris Buck

Cast: Idina Menzel, Kristen Bell, Jonathan Groff, Josh Gad, Ciarán Hinds, Sterling K. Brown, Evan Rachel Wood, Alfred Molina, Martha Plimpton, Jason Ritter, Rachel Matthews, Jeremy Sisto

Release Date: November 22, 2019

Genres: Animation, Adventure, Comedy

Rated PG for action/peril and some thematic elements

Runtime: 1h 43min

Review:

The original Frozen was a film I ignored as long as I possibly could.  Once I finally succumbed to the weight of its cultural impact and finally watched the film, I was left shrugging my shoulders.  The film itself is perfectly fine but it reminded me a lot of older Disney films which never really did much for me.  The songs were catchy enough to make the whole thing watchable.  The sequel has a very similar feel with a story that’s adequate if uninspired.  Honestly, the music is the center piece of this animated musical.  The songs are all solid enough but sadly none are nearly as memorable as “Let It Go” from the original.  As such, it’s easier to dissect the fairly routine story that doesn’t hold any sort of tension for anyone over the age of 10.  Pixar has raised the bar so high for children’s films that it’s almost quaint to run into a film that’s perfectly fine just catering to its core audience while leaving very little for the adults in the audience.  It’s a shame the story isn’t a bit more dense because the cast is all impressive with Idina Menzel and Kristen Bell carrying the film with great ease.  Josh Gad’s Olaf still fluctuates between amusing to annoying and his character is given a bigger role in this sequel.  Ultimately, this sequel checks all the boxes to keep the younger kids entertained but I doubt anyone will look back on this entry with sort of great fondness or affection. 

B-

MOVIE REVIEW: THE IRISHMAN

In the 1950s, truck driver Frank Sheeran gets involved with Russell Bufalino and his Pennsylvania crime family. As Sheeran climbs the ranks to become a top hit man, he also goes to work for Jimmy Hoffa -- a powerful Teamster tied to organized crime.

Director: Martin Scorsese

Cast: Robert De Niro, Al Pacino, and Joe Pesci, Ray Romano, Bobby Cannavale, Anna Paquin, Stephen Graham, Stephanie Kurtzuba, Jesse Plemons, Harvey Keitel

Release Date: November 27, 2019

Genres: Biography, Crime, Drama

Rated R for pervasive language and strong violence.

Runtime: 3h 29min

Review:

The Irishman might be best described as a Martin Scorsese supreme.  This magnum opus seems to encapsulate everything from his gangster golden age populated by all his favorite actors from that era.  In lesser hands, this might come off as superfluous or passé but Scorsese feels refreshed and rejuvenated.  His direction is sharp, crisp and engaging throughout.  You get moments, sequences and shots that recall some of his classic films like Good Fellas and Raging Bull.  However, this isn’t simply retreading old tropes because you can get a sense of a more pensive and reflective director behind the camera.  Similarly, his cast delivers their best work in years with the added depth of age.  The much talked about deaging works for the most part even though it’s a bit jarring in the early sequences.  Thankfully, that wears down over time allowing you to appreciate the performances.  Watching Robert De Niro and Joe Pesci together on screen really helps highlight how well they work off each other resulting in stellar performances from both.  Joe Pesci, after his long layoff, shows that’s never lost his touch for these types of characters with his age aiding his performance.  De Niro looks more engaging that he has in years.  His performance is both frightening and sympathetic at the same time even though his character is a moral wasteland.  Al Pacino though decides to go full Pacino as Hoffa.  His performance is like a mix of Scarface and The Devils Advocate’s Devil, its full decibel from the get go.  The interesting thing is that after the initial shock, it actually works well for the character.  The supporting cast is populated with Scorsese regulars both new and old plus an added bonus of giving Anna Paquin her best performance by making her nearly mute throughout with one solitary line.  These types of decisions are true signs of a auteur still at the top of game as he creates another classic.

A

MOVIE REVIEW: KNIVES OUT

A detective and a trooper travel to a lush estate to interview the quirky relatives of a patriarch who died during his 85th birthday celebration.

Director: Rian Johnson

Cast: Daniel Craig, Chris Evans, Ana de Armas, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, Lakeith Stanfield, Katherine Langford, Jaeden Martell, Christopher Plummer

Release Date: November 27, 2019

Rated PG-13 for thematic elements including brief violence, some strong language, sexual references, and drug material

Runtime: 2 hr. 10 min.

Genres: Comedy, Crime, Drama

Review:

Rian Johnson’s Knives Out is a refreshing throwback to those old school ensemble films based on Agatha Christie books.  Johnson’s plot bears a lot of resemblances to those types of films and he stacks his film with a wonderful motley crew of possible culprits.  His direction moves the film at a brisk pace with only a few dead spots in the final reel.  The crisp direction keeps your eyes peeled to every detail as you start trying to piece together the truth.  Some of these types of film tend to cheat the story by using unbelievable twist; thankfully this story is a bit more honest.  If there’s one drawback to that approach it’s that the central mystery isn’t all that complex and pretty easy to figure out before it’s all laid out on screen.  It’s not a major drawback but those looking for a strong mystery will be left wanting.  The film’s biggest asset is its stellar cast who each seem to be having a ball in each of their roles.  Daniel Craig’s turn as a Foghorn Leghorn sounding detective is just incredibly fun and you sort of wonder why the story didn’t use him as the central point of the film.  Instead he’s on the boundaries of the story playing a larger part in its finale.  Instead it’s Ana de Armas character who is the focal point of the story and she delivers a solid performance in the midst of bigger names.  Sadly, the supporting players like Toni Collette, Jamie Lee Curtis and Michael Shannon are left with precious slivers of screen time to shine.  Still they all make the most of it and deliver a fun film across the board that feels like a lesser version of the movie Clue.

B

MOVIE REVIEW: IT’S A BEAUTIFUL DAY IN THE NEIGHBORHOOD

A journalist's life is enriched by friendship when he takes on an assignment profiling Fred Rogers. Based on the real-life friendship between journalist Tom Junod and television star Fred Rogers.

Director: Marielle Heller

Cast: Tom Hanks, Matthew Rhys, Susan Kelechi Watson, Chris Cooper

Release Date: November 15, 2019

Genres: Biography, Drama

Rated PG for some strong thematic material, a brief fight, and some mild language

Runtime: 1h 48min

Review:

It’s a Beautiful Day in the Neighborhood isn’t the Fred Rodgers biopic you might expect.  His character is mostly a secondary player but the film does a solid job of capturing the epitome of his spirit.  Marielle Heller’s film is a subtle but a well crafted tale that uses some wonderful visual and framing devices to really capture the feel of a Mr. Rodgers episode.  At the center of the film is Matthew Rhys who delivers a fine performance.  Rhys carries the air of a broken man from the beginning of the film.  Ultimately, this movie is about his story and how his interactions with Rodgers helped him identify his personal pain and grow into a better person.  There’s nary a question that nobody could play Mr. Rodgers except Tom Hanks.  Hanks brings his own inherent likeability to the role and it would have been easy to just coast through his performance based off of just that.  Thankfully Hanks doesn’t do that and the film is so much better for it.  It’s a showcase of subtly as he uses vocal inflections and mannerisms to channel Rodgers.  It shouldn’t come as a surprise that the film perks up every time he shows up on screen.  It’s wonderful performance that leaves you wishing he’d been a bigger focus of the film as a whole.

B+