My Favorite Films from 2019

Welcome to my list of favorite films from 2019.  Some are critical darlings while others are more standard crowd pleasers but ultimately, they’re all films that left an impression on me.  

First up are films that I'd classify as pleasant surprises but not quite top 10 worthy;

READY OR NOT – I’m always happy when a fun, well-made horror movie comes out of nowhere.  This film is fun on multiple levels and you’ll need to keep your eye on Samara Weaving in the future.



BOOKSMART – Olivia Wilde’s directorial debut is incredibly polished but more so, its incredibly funny and heartfelt.



LAST CHRISTMAS – Sure it looks like a paint by the numbers Rom-Com but it’s something fresh and unexpected with a charming lead.



DOCTOR SLEEP – Mike Flanagan successfully pulled off making a sequel to Stanley Kubrick’s The Shining which was respectful of that film and solid enough to stand on it’s own two feet.



GOOD BOYS – A preteen Super Bad probably sounds like a risky idea but this movie made it work on so many levels.



JOKER – I’m not nearly as high on this film as most but I can still appreciate it even if it mines Martin Scorsese’s catalog and successfully graphed it on a comic book character.



TOY STORY 4 – A fourth entry wasn’t necessary in this series and there is no reason for it to be as good as it is, an impressive epilogue.



DOLEMITE IS MY NAME – Eddie Murphy’s return to R rated fare, reminds you why he was such a big deal back in the 80s.



AD ASTRA – A high concept mash up of 2001 and Apocalypse Now that nearly pulls off something impressive.



JUDY - Renée Zellweger proving she’s worthy of her first Oscar by delivering another award’s worthy performance.



MARRIAGE STORY – Sure the topic and themes are well worn in Hollywood, but this newest entry is propped up by a pair of the best performances of the year.



THE IRISHMAN – If you ever wanted to watch all of Martin Scorsese’s films but didn’t want to watch multiple films, may I present to you The Irishman.

Now onto my 10 favorite films of 2019

10) YESTERDAY – Yesterday is an understated Rom-Com fantasy with a big heart, it’s earnest and thoughtful and sure to leave you with a smile on your face.




9)  KNIVES OUT – A throwback to the classic Agatha Christie films, a sharp script and an A list cast make this one of the more enjoyable films of the year.



8) ALITA: BATTLE ANGEL – It took over a decade for James Cameron passion project  to finally hit the screen, the result is one of the better sci-fi films of the last few years and probably one of Robert Rodriguez's most polished films.



7)  FORD V FERRARI – A classically styled prestige film that takes a real-life tale and makes it’s an engaging dramedy carried by two movie stars.



6) 1917 – Sam Mendes war epic is a technical marvel even with a bare bones story that's been told multiple times before, it deserves to be seen on the big screen. 



5) JOJO RABBIT – A weird concept that ends up being something that’s funny, meaningful and incredibly endearing.




4) ROCKETMAN – Rocketman is an example of how you shake up the musical biopic genre with something original, appropriate and appreciative of the central artist.



3) PARASITE – Bong Joon-ho's newest film is a success on a multiple levels.  Unlike many arthouse films, this is easily accessible and even easier to love.  It's funny, timely and tragic.



2) ONCE UPON A TIME IN HOLLYWOOD – Quentin Tarantino’s love letter to 70’s Hollywood seems to stream directly out of the director’s brain onto the screen.  Throw in a pair of excellent turns by Leonardo Dicaprio and Brad Pitt and a fanciful story that’s Tarantino through and through even though its surprisingly bloodless for the most part.



1) MIDSOMMAR – Ari Aster made two films and each of them have left a lasting impression.  Midsommar though reflects an incredible leap in craftsmanship and overall quality.  Midsommar is a film that needs to be viewed multiple times to appreciate the nuance of skill at work.

Cindy Prascik's Review of The Irishman

Dearest reader(s), Monday I spent nearly half of my day off trying to digest Martin Scorsese's The Irishman.

Spoiler level here will be mild, nothing you wouldn't know from the trailer.

An aging mob hitman recounts his past and his relationship with infamous union leader Jimmy Hoffa.
Let it be noted I've already taken much heat for suggesting this film might not be the second coming of Christ...or at least the second coming of the Godfather. Take me to task if you will, but I've probably already heard it. That being said: I didn't hate this movie. I think it's being classed a masterpiece by default, because the individual pieces *should* add up to something spectacular. In my mind they don't, BUT...I didn't hate it.

Let's start with the obvious: the Irishman is too long to be as slow as it is, or too slow to be as long as it is. There are plenty of moving pieces, but it's not half complicated enough to justify such a bloated runtime. Robert DeNiro is, of course, more than alright in the lead; it's a role he could sleepwalk to awards glory. His by-the-numbers assassin isn't particularly sympathetic, but, portrayed as a normal person ravaged by age and a few pangs of regret, he appears to be the good guy...or maybe the least bad guy? Al Pacino's Jimmy Hoffa is an ice-cream loving buffoon, so convinced of his own untouchable status that he almost seems an easy mark. It's a convincing performance, but not a particularly noteworthy item on the Pacino CV. The supporting cast is a who's who of "that guy who was in that mob movie": Joe Pesci, Bobby Cannavale, Harvey Keitel, Stephen Graham, Ray Romano. Everyone is capable; no one is remarkable. The film does feature a pretty terrific soundtrack of old 50s and 60s nuggets, with Marty Robbins' "A White Sport Coat (and a Pink Carnation)" bringing particular joy to this old 60s nugget. The Irishman is an interesting enough story that, unfortunately, isn’t particularly well told, although the movie did prove a marginally better sleep aid than the most recent Avengers flick, so there ya go, Scorsese: you got one over on Marvel.

The Irishman runs an interminable 209 minutes and is rated R for "pervasive language and strong violence."

The Irishman is a deliberately-paced tale of violence and betrayal.

While its individual ingredients taste of past brilliance, the finished recipe is more Monday night leftovers than Christmas dinner. Of a possible nine Weasleys, the Irishman gets five.
Fangirl points: Jack Huston!

Until next time...

MOVIE REVIEW: THE IRISHMAN

In the 1950s, truck driver Frank Sheeran gets involved with Russell Bufalino and his Pennsylvania crime family. As Sheeran climbs the ranks to become a top hit man, he also goes to work for Jimmy Hoffa -- a powerful Teamster tied to organized crime.

Director: Martin Scorsese

Cast: Robert De Niro, Al Pacino, and Joe Pesci, Ray Romano, Bobby Cannavale, Anna Paquin, Stephen Graham, Stephanie Kurtzuba, Jesse Plemons, Harvey Keitel

Release Date: November 27, 2019

Genres: Biography, Crime, Drama

Rated R for pervasive language and strong violence.

Runtime: 3h 29min

Review:

The Irishman might be best described as a Martin Scorsese supreme.  This magnum opus seems to encapsulate everything from his gangster golden age populated by all his favorite actors from that era.  In lesser hands, this might come off as superfluous or passé but Scorsese feels refreshed and rejuvenated.  His direction is sharp, crisp and engaging throughout.  You get moments, sequences and shots that recall some of his classic films like Good Fellas and Raging Bull.  However, this isn’t simply retreading old tropes because you can get a sense of a more pensive and reflective director behind the camera.  Similarly, his cast delivers their best work in years with the added depth of age.  The much talked about deaging works for the most part even though it’s a bit jarring in the early sequences.  Thankfully, that wears down over time allowing you to appreciate the performances.  Watching Robert De Niro and Joe Pesci together on screen really helps highlight how well they work off each other resulting in stellar performances from both.  Joe Pesci, after his long layoff, shows that’s never lost his touch for these types of characters with his age aiding his performance.  De Niro looks more engaging that he has in years.  His performance is both frightening and sympathetic at the same time even though his character is a moral wasteland.  Al Pacino though decides to go full Pacino as Hoffa.  His performance is like a mix of Scarface and The Devils Advocate’s Devil, its full decibel from the get go.  The interesting thing is that after the initial shock, it actually works well for the character.  The supporting cast is populated with Scorsese regulars both new and old plus an added bonus of giving Anna Paquin her best performance by making her nearly mute throughout with one solitary line.  These types of decisions are true signs of a auteur still at the top of game as he creates another classic.

A