MOVIE REVIEW: APARTMENT 7A

 

An ambitious young dancer, Terry Gionoffrio, dreams of fame and fortune in New York City. But, after suffering a devastating injury, an older, wealthy couple welcomes her into their home in the luxury apartment building, the Bramford. 

Director: Natalie Erika James

Cast: Julia Garner, Dianne Wiest, Jim Sturgess, Kevin McNally

Release Date: September 27, 2024

Genre: Horror, Thriller

Rated R for some violent content and drug use.

Runtime: 1h 42m

Review:

Apartment 7A works better than it should as a companion piece to Rosemary's Baby, albeit unnecessary, thanks to competent and efficient direction and a strong turn from Julia Garner.  Natalie Erika James does her best to recreate the creepiness of the original while avoiding outright mimicry of Roman Polanski's original with a few fascinating flourishes that stand on their own.  She would have been better served to pave her own path more often throughout the film's brisk runtime in order for this entry to stand on its own.  There are just too many checkbox moments where the original's events or people are referenced even if it doesn't serve this particular story.   The set up is different enough to give this story a different angle but it never takes full advantage of it before it starts down its final, predetermined path.  It feels like a missed opportunity especially since the cast is more than up to the task.  Julia Garner brings a level of ambitious paired with trepidation to her character that makes her performance incredibly watchable throughout.  Garner's talent is on full display as her character goes through subtle, emotional turns as her plight gets more precarious.  It’s a solid performance that mostly avoids any Mia Farrow imitations outside of a late stage moment that the film could have done without.  Kevin McNally and Dianne Wiest turn in their best impressions of Sidney Blackmer and Ruth Gordon as the Castevets.  McNally does a great job of capturing Blackmer's appearance and intonation in his line delivery.  Likewise, Wiest captures the distinctive voice from Ruth Gordon's Oscar winning turn as Minnie while giving her performance more of an outright menacing quality.  They'll never measure up to the original performance, but they are competent enough to work within the context of this film.  The same could be said for the film as whole since it’s well crafted and acted but never does enough to make it required viewing.

C+

MOVIE REVIEW: THE MULE

Broke, alone and facing foreclosure on his business, Earl Stone takes a job as a drug courier for a Mexican cartel. His immediate success leads to easy money and a larger shipment that soon draws the attention of hard-charging DEA agent Colin Bates. When Earl's past mistakes start to weigh heavily on his conscience, he must decide whether to right those wrongs before law enforcement and cartel thugs catch up to him.

Director: Clint Eastwood

Cast: Bradley Cooper, Laurence Fishburne, Michael Peña, Dianne Wiest, Andy García

Release Date: December 14, 2018

Genres: Crime, Drama, Mystery

Rated R for language throughout and brief sexuality/nudity

Runtime: 1h 56 min

Review:

The Mule is surprisingly funny, occasionally reflective entry into Clint Eastwood’s resume.  Eastwood’s film is impressive for its measured approach at making an unlikable character incredibly likeable.  Eastwood can be credited for this since he’s the star and director.  His performance is heavy on grandpa-ism which makes Earl Stone easy to like.  There are a few odd moments in the film where you get the feeling that Eastwood is trying to say something about race but he never really commits to that thread.  As a self reflective film, you get the sense that this subject matter hits close to home for him.  So much so that he beats you over the head with the “family is what matters” message.  Still the film offers a bevy of strong performances from Eastwood and his supporting cast even if the story itself is a bit simplistic.  

B-