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Sunday, December 29, 2013

Cindy Prascik's Reviews of Grudge Match, The Secret Life of Walter Mitty & The Wolf of Wall Street



Dearest Blog, the holiday movie glut necessitated a cinema triple feature yesterday, consisting of Grudge Match, The Secret Life of Walter Mitty, and The Wolf of Wall Street.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

The schedule dictated that my likely favorite of the three, Grudge Match, be my opener.

Two aging boxing champions, whose only professional losses were to each other, face off in an unlikely rubber match 30 years after their last battle.

Grudge Match isn't out to cash in on any awards season notoriety; it's meant to be a good time at the cinema, and that's exactly what it is.

Sylvester Stallone and Robert De Niro are perfect foils, trading verbal and physical jabs throughout. Kevin Hart and Alan Arkin are hilarious as the fight promoter and trainer, respectively, and each scores several laugh-out-loud moments in the film. The main cast is rounded out by Kim Basinger and Jon Berenthal (that guy is everywhere these days!), both of whom are fine for as much as they're needed.

Grudge Match never veers far from its main course, and is smart enough not to overstay its welcome. There's a subplot for some depth, but the film focuses mostly on the big match. I'm not sure how well the humor would go over well with a younger crowd, but for the target older audience, this one is a bullseye.

Grudge Match runs 113 minutes and is rated PG13 for "sports action violence, sexual content, and language."

If you're exhausted from all the awards season fare and just looking for a fun day at the movies, Grudge Match is the perfect cure for what ails ya. Of a possible nine Weasleys, Grudge Match gets seven and a half.

Next on yesterday's agenda was The Secret Life of Walter Mitty.

After misplacing an important item, a daydreamer with a humdrum life sets out on a series of adventures to try and recover it.

I'm entirely unfamiliar with the 1947 Walter Mitty, so this review is based only on the current version and not how it stacks up against the original. Though I make a point of avoiding others' reviews until I've written my own, I understand this isn't getting great notices, and, in its first week, it's already in the smallest room at my cinema, so I gather it's not setting the box office on fire, either. I can understand both, though I'm not necessarily on board with either.

At first glance, Walter Mitty looked to me a bit like Cloud Atlas, that is, something that seemed like sure awards bait, but somehow misstepped in the execution. To a degree that's true, mostly due to Ben Stiller's failings as a leading man. I've learned to give the guy credit where credit is due (Tropic Thunder is my funniest movie of all time!), but, from an acting standpoint, asking him to carry a film on his own shoulders is still a stretch. He's just not good or likable enough. That aside, the film has one of those absurdly inspiring storylines the Academy usually eats right up, and it's beautifully shot. Throw in critical darling Sean Penn in a small role and, well, it's sort of understandable why this might have been considered a contender in a weaker year at the cinema. For my money, I found it entertaining and--if I wasn't wildly excited by it--I wasn't bored either.

The Secret Life of Walter Mitty clocks in at 114 minutes and is rated PG for "some crude comments, language, and action violence."

The Secret Life of Walter Mitty is uplifting holiday fare set to some truly glorious scenery, definitely worth seeing on a big screen. Of a possible nine Weasleys, The Secret Life of Walter Mitty gets six and a half.

Finally, the closer on yesterday's slate was the Martin Scorsese film The Wolf of Wall Street.

The Wolf of Wall Street is based on (I'd guess more "inspired by" from all the disclaimers) the true story of the rise and fall of Wall Street hotshot Jordan Belfort.

Prior to seeing it, I heard a lot about the controversies surrounding The Wolf of Wall Street, specifically that it glorifies the people at the center of these scandals, and that the sex and drug content had to be seriously pared to avoid an NC17 rating. I strongly disagree that this film glorifies its subjects, as their fall is as integral to the movie as their rise (if not as time consuming). As for the sex and drugs, well, I've worked and played closely with a band and a couple hockey teams, so there's no degree of debauchery that can shock or offend me; that content had no bearing on my opinion of the film. What does shock and offend me, apparently enough to influence my enjoyment of this movie, is unmitigated greed, in particular, this brand of greed where someone feels entitled to everything he can take, regardless of morality/legality and the cost to others. I was well aware of the subject matter, but trailers led me to believe the movie would be entertaining enough to get me past it. Sadly, it doesn't quite make it.

Leonardo DiCaprio is magnificent in the lead, as always, simply one of the most watchable stars Hollywood has to offer. There's a LOT of scenery-chewing going on here, but DiCaprio can dial it up or down as necessary, and I was riveted by his every second on screen. Jonah Hill appears to be shooting for another Oscar nom with his supporting performance, but he hardly seems worth mentioning in the same breath with the brilliant DiCaprio. Jon Berenthal turns up again in this one, and, for the second weekend running, Boardwalk Empire's Shea Whigham makes an appearance in the week's biggest opening (much to my delight!).

At almost an even three hours PLUS trailers, The Wolf of Wall Street is bloated, and it might have been easier to take at two and a half. No doubt there's a lot of story to tell, and it would be unfair to say the movie is ever slow; rather the whole thing feels as frenetic as its roomful of coked-up stockbrokers. I'm not suggesting it could or should be a two-hour shot, but three hours is just too much, and there are obvious places it could have been trimmed.

The Wolf of Wall Street runs 179 minutes (you heard me!) and is rated a HARD R for "sequences of strong sexual content, graphic nudity, drug use and language throughout, and for some violence."

The Wolf of Wall Street is a good, or maybe even a great, movie, and I was probably done in by my overly-high expectations as much as anything else. It's likely my being appalled by greed had less to do with my disappointment than the fact that I was a little bored through some of it. Of a possible nine Weasleys, The Wolf of Wall Street gets seven.

So, dear Blog, with two days left in 2013, I have three movies still at my cinema that I'd like to fit in (Frozen, Walking with Dinosaurs, and 47 Ronin), but none that are likely to affect my annual top ten...which is a work in progress as we communicate. A third Hobbit screening is top priority before my return to the real world on January 2nd, so we'll see if I can manage any or all of those other three. Stay tuned!!

Until next time...



All the awards, all the time, to you, sir!

MOVIE REVIEW: THE WOLF OF WALL STREET



Martin Scorsese reteams with Leonardo DiCaprio for this adaptation of Jordan Belfort's memoir about his exploits as a crooked banker. Terence Winter provides the screenplay. Jonah Hill and Oscar winner Jean Dujardin co-star. ~ Jeremy Wheeler, Rovi

Director: Martin Scorsese

Cast: Leonardo DiCaprio, Jonah Hill, Jean Dujardin, Matthew McConaughey, Kyle Chandler.

Release Date: Dec 25, 2013

Rated R for graphic Nudity, Drug Use, Language Throughout, Some Violence and Strong Sexual Content

Runtime: 2 hr. 59 min.

Genres: Drama

Review:

The Wolf of Wall Street is an extended journey into the depraved and debauched life of Jordan Belfort. It’s an electric film with an incredible turn by Leonardo DiCaprio which should earn him an Oscar nomination at the very least. Scorsese delivers his best film since Goodfellas while using a similar structure and energy throughout. The film clocks in at 3 hours but it’s a dizzying dive into the story which beats you into submission. DiCaprio perfectly encapsulates the sleazy charisma and charm of Belfort. The Steve Madden IPO speech is an instant classic which should have ended with a title card saying “For your Consideration.” Jonah Hill is just as impressive in a supporting role which is funny and unpredictable at the same time. The film as a whole is incredibly funny with the hilarity increasing as Belfort’s life crumbles more and more. The ending is rather interesting as it seems to point the finger back at the victims. It’s a rather interesting way to end the story but fitting at the same time.

B+

Wednesday, December 25, 2013

MOVIE REVIEW: GRUDGE MATCH



Two retired boxers (Sylvester Stallone and Robert De Niro) decide to settle a long-standing beef by heading back into the ring in this sports comedy from director Peter Segal. Back in the day, Billy "The Kid" McDonnen (De Niro) and Henry "Razor" Sharp (Stallone) were the two biggest bruisers in the Pittsburgh boxing scene. Their fierce rivalry drawing nationwide attention, Razor and The Kid were deadlocked for the title of overall champion when the former announced his retirement just before the decisive 1983 match that would have determined the supreme champion. Three decades later, enterprising boxing promoter Dante Slate Jr. (Kevin Hart) lures the aging pugilists back into the ring for the fight that everyone has been waiting for. Alan Arkin, Kim Basinger, and Jon Bernthal costar. ~ Jason Buchanan, Rovi

Director: Peter Segal

Cast: Sylvester Stallone, Robert De Niro, Kim Basinger, Alan Arkin, Kevin Hart, Jon Bernthal

Release Date: Dec 25, 2013

Rated PG-13 for sports action violence, sexual content and language

Runtime: 1 hr. 53 min.

Genres: Comedy

Review:

Grudge Match is those type of film’s that’s heavy on clichés and light on surprises. It’s about as harmless as a sleeping kitten. The plot borrows liberally Rocky and Raging Bull mixed with generic family drama (lost loves and children). There are old jokes by the barrel full with plenty of room left for the most obvious ones like Ben Gay and Geritol. It’s about as vanilla a film as they come with only one real surprise. Its watch able, occasionally lots of fun and surprisingly heartfelt in spots. You’d expect the cast to phone it in but most are surprisingly engaged with Stallone and De Niro giving the whole thing a pulse. Stallone in particular delivers his most authentic performance in years. De Niro seems to be having a ball perhaps reliving old glories. He and Bernthal, who does look like he’s related to De Niro, have a nice father long lost son chemistry on screen. Alan Arkin and Kevin Hart provide harmless comedic relief which never veers into anything close to dangerous territory. Kim Basinger meanwhile seems to have thought that it was a good idea to whisper all her lines regardless of the situation. The movie moves along at a nice pace rarely lingering and almost making its 2 hour runtime seem worthwhile. Along the way you’ll get the expected training montages, reunions leading up to the big fight. The climatic fight is impressively edited, making the whole thing seem as real as possible, even if boxers in movies never seem to defend themselves but I digress. It ends on a feel good moment which feels earned even in the most generic of all films.

B-

Sunday, December 22, 2013

Cindy Prascik's Reviews of Saving Mr. Banks & American Hustle



Dearest Blog, yesterday I braved the holiday throngs for a couple movies I hoped would prove worth it, Saving Mr. Banks and American Hustle.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my agenda was Saving Mr. Banks, the story behind the story of Mary Poppins, and of Walt Disney's struggle to bring the beloved classic to the big screen.

If ever one of my reviews required a disclaimer, it's this one, so here it is: I HATE Mary Poppins. I hate the character, I hate the story, and if you start singing one of those stupid songs within my earshot, I will pull out your vocal cords through your eye sockets. I was recently scarred by an attempt to watch I'm Not There despite the fact I despise Bob Dylan, so, if I feared my distaste for the subject matter might leave me unable to enjoy this film on its own merits, it's understandable. As it turns out, I needn't have worried.

Saving Mr. Banks is a glorious piece of filmmaking, carried squarely on the shoulders of its magnificent leads, Emma Thompson and Tom Hanks. The two so thoroughly embody P.L. Travers and Walt Disney that it's almost jarring when the old photos used in the end credits don't have their faces. Thompson makes Travers a sympathetic character, even at her stiffest and most difficult, and Hanks...well, if Mr. Disney and Captain Phillips land him two spots on the "Best Actor" lists come year end, that's fair. The supporting cast is also pretty special, with standout performances from Ruth Wilson, Colin Farrell, and Paul Giamatti.The story-within-the-story flows smoothly between flashbacks and present-day happenings, and the costumes and scenery effectively dictate the feel of each sequence and scene. "Nice" is so vanilla that it almost doesn't seem like a compliment even when it's meant as one, but Saving Mr. Banks is just a nice movie that I think pretty much anyone will enjoy. If the film is sentimental, it's in a good way, rather than the eye-rolling way of some of the unfortunate trailers running with it. I cried so much I had to sneak out the back door of the cinema because I was embarrassed to walk through the lobby! If it had that effect on someone so utterly UNsentimental about Mary Poppins, those who love the book and/or the movie had better bring a whole box of Kleenex with them!

Saving Mr. Banks runs 125 minutes and is rated PG13 for "thematic elements including some unsettling images."

Young or old, Mary Poppins fan or not, I don't think a person could help but enjoy this movie. Of a possible nine Weasleys, Saving Mr. Banks gets eight.

Next up was my birthday present from Hollywood, American Hustle.

When a pair of con-artists is busted, they're forced to work with the FBI in an attempt to hook some bigger fish.

It will come as no surprise to anyone when I say awards season movies aren't necessarily my cup of tea. That's not to say I don't often enjoy them, but my taste generally runs more summer blockbuster than Oscar bait. When I start seeing "Academy Award Nominee" and "Golden Globe Winner" before all the names in the trailers, that's exactly what I'm looking for in those movies, performances that knock my socks off. I am pleased to report American Hustle delivers more than a few of those in a fun, exciting ride that will hold your undivided attention from start to finish.

Christian Bale is terrific in the lead, the formerly cut Bruce Wayne barely recognizable as a paunchy fashion nightmare with a bad combover. Bale gained 40 pounds for the role, and, sadly, this movie makes more of a point of showing off his flabby bare belly than the last Batman did of his six pack. His performance is extraordinary, smart and subtle when it needs to be, over the top when it has to be, just all-around perfect. Bradley Cooper is terrific as the FBI agent slowly losing his grip as he tries to make his name on the case, as is my beloved Jeremy Renner as a politician trying to do the right thing in perhaps not quite the right way. On the ladies' side, Amy Adams is fantastic, but can't help be overshadowed by another stellar showing from Jennifer Lawrence. If you were harboring any inexplicable, lingering doubts as to whether Lawrence is actually the most perfect human being in existence, well, this should erase them for good. Finally, I was absolutely delighted to see two of my Boardwalk Empire favorites, Jack Huston and Shea Whigham, who are both great in smaller roles.

American Hustle begins with the warning: "Some of this actually happened." Like Pain & Gain, these people's behavior is sometimes too stupid to believe, and yet...there it is. The movie goes from serious as a heart attack to laugh-out-loud funny in the blink of an eye, the plot zigging and zagging to keep you on the edge of your seat, without getting muddled or confusing. The awesome 70s soundtrack is bound to bring back fond memories for those who remember the era, even if the hairstyles and fashions do not!

American Hustle clocks in at 138 minutes and is rated R for "pervasive language, some sexual content, and brief violence."

For all the time I spend at the cinema, I think I deserved a really great movie for my birthday and, with American Hustle, I got it. Of a possible nine Weasleys, American Hustle gets eight and a half.

So, dear Blog, that's all the news that's fit to print for now. If time and the listings cooperate, and if I can manage to make myself see something besides The Hobbit, I've got a half-dozen new releases to squeeze in over the next seven days before I can finalize my year-end top ten. Fingers crossed!

Until next time...



Would you believe me if I said these are three of Hollywood's hottest leading men??

Saturday, December 21, 2013

MOVIE REVIEW AMERICAN HUSTLE



Christian Bale, Bradley Cooper, and Amy Adams star in director David O. Russell's fictional period crime drama about a reckless FBI agent who recruits a con man and his alluring partner into a scheme to ensnare corrupt politicians and gangsters. Smooth-talking Irving Rosenfeld (Bale) is a hustler of the highest order. No mark is off limits for Rosenfeld, especially when his crafty partner Sydney Prosser (Adams) is by his side. When renegade FBI agent Richie DiMaso (Cooper) thrusts the deceptive duo into the treacherous world of New Jersey power players and underworld heavies, the thrill of the hunt grows too strong to resist. Meanwhile, New Jersey politician Carmine Polito (Jeremy Renner) gets caught in the middle, and Rosenfeld's capricious wife Rosalyn (Jennifer Lawrence) holds more power than anyone could imagine. Louis C.K. and Jack Huston costar. ~ Jason Buchanan, Rovi

Director: David O. Russell

Cast: Christian Bale, Bradley Cooper, Amy Adams, Jeremy Renner, Jennifer Lawrence.

Release Date: Dec 13, 2013

Rated R for pervasive language, some sexual content and brief violence

Runtime: 2 hr. 9 min.

Genres: Drama

Review:

Who said prestige films had to be a laborious task? American Hustle is wonderfully crafted and skillfully acted film that sizzles from the opening scene. David O. Russell has been on a hot streak as of late and American Hustle may be his best yet. I’d never have imagined that Russell would have become an actor’s director after all the fall out from I Heart Huckabees but some how he’s become a master at extracting some of the finest work from his performers. American Hustle’s cast is firing on all cylinders deliver performances that are fully realized and engaging throughout while being incredibly entertaining. It’s the kind of filmmaking high wire act that incredibly hard to pull off but the cast and crew deliver in all facets. Christian Bale continues to top himself with each performance and this might be his best. Bale’s performance is a virtuoso exhibition of varying shades of gray throughout while maintaining a real sense of the character’s heart. Amy Adams, whose becoming a much more interesting actress with each role, gives her character a fiery but broken heart. Adams has more than a few moments where she just commands the screen with emotion streaming out of her eyes. Bradley Cooper is perfectly manic and unstable as the FBI agent, showing again that Russell can get him to deliver his best work. Jennifer Lawrence is equally impressive in a smaller role. Lawrence may have a limited role but her screen time and character are incredibly memorable. Jeremy Renner also delivers some of his finest work as the good hearted but misguided mayor. American Hustle is one of those films that is so well done that the 2 hours just fly by with nary a dead spot. It’s one of the year’s best which is likely to rack up nominations come award season.

A

Friday, December 20, 2013

MOVIE REVIEW: ANCHORMAN 2: THE LEGEND CONTINUES



Will Ferrell returns to the role of Ron Burgundy in Anchorman 2: The Legend Continues, which finds the popular San Diego television newsman pulling up stakes with co-host Veronica (Christina Applegate), his intrepid reporter Brian (Paul Rudd), overenthusiastic sports reporter Champ (David Koechner), and imbecilic weatherman Brick (Steve Carell) in order to move to New York City and launch the first ever 24-hour news network. Adam McKay, who directed the original, returns as well to helm this comedy. ~ Perry Seibert, Rovi

Director: Adam McKay

Cast: Will Ferrell, Paul Rudd, Steve Carell, David Koechner, Christina Applegate

Release Date: Dec 18, 2013

Rated PG-13 for crude and sexual content, drug use, language
and comic violence

Runtime: 1 hr. 59 min.

Genres: Comedy

Review:

Let’s get this out of the way right from the start. Anchorman 2 isn’t as funny or consistent as the original. Sky high expectations from fans, like myself, left the sequel with the nearly impossible task of topping the first film. That being said, the sequel does have plenty of bright spots with certain sequences veering into outlandish hilarity especially a certain cameo filled sequence near the end. Will Ferrell loves this character, in case you didn’t notice his 5 month in character publicity tour, and I still think it’s his most complete creation. The returning cast is all fun even if some get less screen time while others get more with varying results. Kristen Wiig’s role isn’t as large as the trailers lead you to believe but she has good chemistry with Steve Carell. I do think their portions of the film will split people, some loving it and others finding it utterly stupid. Meagan Good is a solid addition to the cast and she shows off some real comedic chops throughout. The plot is fairly clever even though there are a handful of recycled sequences from the first film. The biggest issue is that the film overall is overlong. The original film was a lean hour and half comedy. The sequel clocks in at nearly 2 hours and it has too many dead spot to warrant that runtime. All in all, the sequel is like Ron Burgundy’s life, filled with hilarious peaks and so-so valleys.

B-
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