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Showing posts with label Ben Stiller. Show all posts
Showing posts with label Ben Stiller. Show all posts

Sunday, February 14, 2016

MOVIE REVIEW: ZOOLANDER 2







































Past-their-prime male models Derek Zoolander (Ben Stiller) and Hansel (Owen Wilson) are recruited by Interpol to investigate a conspiracy after a number of beautiful celebrities are assassinated while posing with Zoolander's signature "Blue Steel" look. Their probe uncovers an ingenious plot by fashion mogul Mugatu (Will Ferrell) to locate and harness the source of the legendary Fountain of Youth. Directed by Ben Stiller. Olivia Munn, Kristen Wiig, and Penélope Cruz co-star. ~ Tom Ciampoli, Rovi

Director: Justin Theroux, Ben Stiller

Cast: Ben Stiller, Owen Wilson, Will Ferrell, Penélope Cruz, Christine Taylor

Release Date: Feb 12, 2016

Rated R for crude and sexual content, a scene of exaggerated violence, and brief strong language.

Runtime: 1 hr. 42 min.

Genres: Comedy

Review:

Zoolander 2 isn’t nearly as terrible as some of the reviews suggest but it’s not nearly good enough to warrant its existence.  Once the nostalgia of seeing Zoolander and Hansel passes, we’re left with a fairly routine comedy that’s never quite as funny as the original.  Ben Stiller and Owen Wilson slip back into their roles easily and they do have some funny bits but its never consistent overall.  There are plenty of dead spots along the way with the film perking up substantially once Will Ferrell’s Mugatu reemerges.   Penélope Cruz is game as the biggest new addition to the cast but it leaves you asking why the film isn’t funnier with all the talent assembled. 

C+

Sunday, December 29, 2013

Cindy Prascik's Reviews of Grudge Match, The Secret Life of Walter Mitty & The Wolf of Wall Street



Dearest Blog, the holiday movie glut necessitated a cinema triple feature yesterday, consisting of Grudge Match, The Secret Life of Walter Mitty, and The Wolf of Wall Street.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

The schedule dictated that my likely favorite of the three, Grudge Match, be my opener.

Two aging boxing champions, whose only professional losses were to each other, face off in an unlikely rubber match 30 years after their last battle.

Grudge Match isn't out to cash in on any awards season notoriety; it's meant to be a good time at the cinema, and that's exactly what it is.

Sylvester Stallone and Robert De Niro are perfect foils, trading verbal and physical jabs throughout. Kevin Hart and Alan Arkin are hilarious as the fight promoter and trainer, respectively, and each scores several laugh-out-loud moments in the film. The main cast is rounded out by Kim Basinger and Jon Berenthal (that guy is everywhere these days!), both of whom are fine for as much as they're needed.

Grudge Match never veers far from its main course, and is smart enough not to overstay its welcome. There's a subplot for some depth, but the film focuses mostly on the big match. I'm not sure how well the humor would go over well with a younger crowd, but for the target older audience, this one is a bullseye.

Grudge Match runs 113 minutes and is rated PG13 for "sports action violence, sexual content, and language."

If you're exhausted from all the awards season fare and just looking for a fun day at the movies, Grudge Match is the perfect cure for what ails ya. Of a possible nine Weasleys, Grudge Match gets seven and a half.

Next on yesterday's agenda was The Secret Life of Walter Mitty.

After misplacing an important item, a daydreamer with a humdrum life sets out on a series of adventures to try and recover it.

I'm entirely unfamiliar with the 1947 Walter Mitty, so this review is based only on the current version and not how it stacks up against the original. Though I make a point of avoiding others' reviews until I've written my own, I understand this isn't getting great notices, and, in its first week, it's already in the smallest room at my cinema, so I gather it's not setting the box office on fire, either. I can understand both, though I'm not necessarily on board with either.

At first glance, Walter Mitty looked to me a bit like Cloud Atlas, that is, something that seemed like sure awards bait, but somehow misstepped in the execution. To a degree that's true, mostly due to Ben Stiller's failings as a leading man. I've learned to give the guy credit where credit is due (Tropic Thunder is my funniest movie of all time!), but, from an acting standpoint, asking him to carry a film on his own shoulders is still a stretch. He's just not good or likable enough. That aside, the film has one of those absurdly inspiring storylines the Academy usually eats right up, and it's beautifully shot. Throw in critical darling Sean Penn in a small role and, well, it's sort of understandable why this might have been considered a contender in a weaker year at the cinema. For my money, I found it entertaining and--if I wasn't wildly excited by it--I wasn't bored either.

The Secret Life of Walter Mitty clocks in at 114 minutes and is rated PG for "some crude comments, language, and action violence."

The Secret Life of Walter Mitty is uplifting holiday fare set to some truly glorious scenery, definitely worth seeing on a big screen. Of a possible nine Weasleys, The Secret Life of Walter Mitty gets six and a half.

Finally, the closer on yesterday's slate was the Martin Scorsese film The Wolf of Wall Street.

The Wolf of Wall Street is based on (I'd guess more "inspired by" from all the disclaimers) the true story of the rise and fall of Wall Street hotshot Jordan Belfort.

Prior to seeing it, I heard a lot about the controversies surrounding The Wolf of Wall Street, specifically that it glorifies the people at the center of these scandals, and that the sex and drug content had to be seriously pared to avoid an NC17 rating. I strongly disagree that this film glorifies its subjects, as their fall is as integral to the movie as their rise (if not as time consuming). As for the sex and drugs, well, I've worked and played closely with a band and a couple hockey teams, so there's no degree of debauchery that can shock or offend me; that content had no bearing on my opinion of the film. What does shock and offend me, apparently enough to influence my enjoyment of this movie, is unmitigated greed, in particular, this brand of greed where someone feels entitled to everything he can take, regardless of morality/legality and the cost to others. I was well aware of the subject matter, but trailers led me to believe the movie would be entertaining enough to get me past it. Sadly, it doesn't quite make it.

Leonardo DiCaprio is magnificent in the lead, as always, simply one of the most watchable stars Hollywood has to offer. There's a LOT of scenery-chewing going on here, but DiCaprio can dial it up or down as necessary, and I was riveted by his every second on screen. Jonah Hill appears to be shooting for another Oscar nom with his supporting performance, but he hardly seems worth mentioning in the same breath with the brilliant DiCaprio. Jon Berenthal turns up again in this one, and, for the second weekend running, Boardwalk Empire's Shea Whigham makes an appearance in the week's biggest opening (much to my delight!).

At almost an even three hours PLUS trailers, The Wolf of Wall Street is bloated, and it might have been easier to take at two and a half. No doubt there's a lot of story to tell, and it would be unfair to say the movie is ever slow; rather the whole thing feels as frenetic as its roomful of coked-up stockbrokers. I'm not suggesting it could or should be a two-hour shot, but three hours is just too much, and there are obvious places it could have been trimmed.

The Wolf of Wall Street runs 179 minutes (you heard me!) and is rated a HARD R for "sequences of strong sexual content, graphic nudity, drug use and language throughout, and for some violence."

The Wolf of Wall Street is a good, or maybe even a great, movie, and I was probably done in by my overly-high expectations as much as anything else. It's likely my being appalled by greed had less to do with my disappointment than the fact that I was a little bored through some of it. Of a possible nine Weasleys, The Wolf of Wall Street gets seven.

So, dear Blog, with two days left in 2013, I have three movies still at my cinema that I'd like to fit in (Frozen, Walking with Dinosaurs, and 47 Ronin), but none that are likely to affect my annual top ten...which is a work in progress as we communicate. A third Hobbit screening is top priority before my return to the real world on January 2nd, so we'll see if I can manage any or all of those other three. Stay tuned!!

Until next time...



All the awards, all the time, to you, sir!

Thursday, April 29, 2010

Movie Reviews: RAMBO, THE HEARTBREAK KID & SAW IV

Sunday, January 27, 2008
Movie Reviews: RAMBO, THE HEARTBREAK KID & SAW IV
IN THEATHERS




RAMBO
Thinking his days of war and bloodshed are behind him, John Rambo (Sylvester Stallone) lives a peaceful life in the jungles of Thailand. Even when Christian aid workers ask the former warrior to take them up the Salween River into Burma to deliver medical supplies, he refuses because he knows how dangerous a trip like that can be. The missionaries go anyway, and when they don't come back, Rambo crosses the border himself and dispatches Burmese soldiers with his traditional gusto to save the kidnapped innocents.

Cast Sylvester Stallone, Julie Benz, Matthew Marsden, Graham McTavish, Rey Gallegos, Jake LaBotz (more)


Director(s) Sylvester Stallone


Writer(s) Sylvester Stallone


Status In theaters (wide)

Genre(s) Action/Adventure

Release Date Jan. 25, 2008

Running Time 93 minutes

MPAA Rating R - for strong graphic bloody violence, sexual assaults, grisly images

and language

Review:

Sylvester Stallone's Rambo is a gory mixed bag of a mess of a movie that doesn't deliver enough message or action to make it worthwhile. Not as bad a vanity project as Rocky Balbola, Rambo just feels odd throughout, unsurprisingly dated and uneven. Stallone wears pretty much one expression throughout the film and delivers lines without any conviction. The rest of the cast is as forgettable as they are nameless. Mostly they just serve as bystanders during some of the more action oriented sequences. This isn't entirely unexpected as the main draw in a Rambo movie is going to be the gory bloody action. Some sequences do provide some exciting action but are filled with surprisingly bad CG effects being used for gory effects thus rendering the effect meaningless and mute. Stallone seemed to be going for Saving Private Ryan but instead ended up with Pearl Harbor, the extended edition, styled battle. Stallone's script is equally lacking. The characters are given some just god awful dialogue and characters are written with the just slightest of depth, never becoming more than one dimensional. The villain lacks even more depth and isn't really given anything to do than be plain evil. Strangely, Stallone did have some material there that could have made a statement about war and injustices in lawless sections of the world but he misses the point and sends a very mixed message. Let's hope this ends Stallone's walk down memory lane as it's becoming readily apparent that these once beloved characters can't make the leap from the 80's to today.

D-

ON DVD

THE HEARTBREAK KID

Eddie Cantrow (Ben Stiller) is the last single man he knows. But he finally meets a beautiful woman, Lila (Malin Akerman), who seems like she's his perfect match. But after taking the plunge into marriage, Lila immediately starts acting like the wife from Hell on the honeymoon, where a disillusioned Eddie meets another gal, Miranda (Michelle Monaghan) who might actually be his true soulmate.

Cast Ben Stiller, Michelle Monaghan, Malin Akerman, Jerry Stiller, Rob Corddry, Carlos Mencia (more)

Director(s) Peter Farrelly, Bobby Farrelly

Writer(s) Scot Armstrong, Leslie Dixon, Bobby Farrelly, Peter Farrelly, Kevin Barnett

Status On DVD

Genre(s) Comedy

Release Date Oct. 5, 2007

DVD Release Date Dec. 26, 2007

Running Time 115 minutes

MPAA Rating R - for strong sexual content, crude humor, language, and a scene of

drug use involving a minor

Review:

The Farrelly brothers are 10 years detached from their last superior outing, There's Something About Mary, and it's starting to seem that their time may have passed. They've created a series of increasingly bad movies in recent years and The Heartbreak Kid doesn't fare any better. Going into a Farrelly movie you know more or less know what to expect, gross out sight gags the main character being put through the ringer time and again but he ultimately gets the girl. The Heartbreak Kid follows the typical game plan more or less throughout. Here though it just feels flat and lacks any life, mainly because the characters are all mostly unlikable and never make realistic human decisions. Ben Stiller turns in his typical performance providing his character with very little charm or likeability. Jerry Stiller as Eddie's vulgar father is just odd and doesn't achieve the intended comedic effect. Rob Corddry's supporting role is one of the few brightspots as his scenes provide some of the few laughs in the listless comedy. Aside from Corddry, most of the gags miss the mark badly and a group of running jokes are just silly but not in a particularly funny way. It's a shame that it's been so long since the Farrelly brother have hit the sweet spot comedy wise but if they continue to dole out movies like The Heartbreak Kid they may find that their fan base has moved on to greener pastures.

D-

SAW IV

Jigsaw (Tobin Bell) the serial torturer is dead, and two FBI profilers have arrived to help clean up the mess left in his wake. However, not all of Jigsaw's traps have been sprung, and a SWAT commander (Costas Mandylor) gets caught up in another deadly game.

Cast Tobin Bell, Scott Patterson, Betsy Russell, Costas Mandylor, Lyriq Bent, Justin Louis (more)

Director(s) Darren Lynn Bousman

Writer(s) Patrick Melton, Marcus Dunstan

Status On DVD

Genre(s) Horror

Release Date Oct. 26, 2007

DVD Release Date Jan. 22, 2008

Running Time 108 minutes

MPAA Rating R - for sequences of grisly bloody violence and torture throughout, and for language

Saw IV is a mildly better installment than the third turn but it's hardly a classic either. Bloody gory and still trying to convey Jigsaw, history's most prepared horror villain, message Saw IV does give us a more well rounded view of Jigsaw's psyche and motivations. Darren Lynn Bousman does have a fun sense of style in shooting his film, except when he decides to go with the super hyper editing with are series mainstays. Tobin Bell, in flashbacks, gets to open up his performance as we see a pre Jigsaw version of his character and he's fairly solid in giving more life to his ironically dead character. Like the previous entries this movie plays a game with the audience's expectations and delivers a twist at the end. The main problem is that this twist and the gory trek to arrive at it feels vaguely familiar, lacking the originality and effectiveness of the first film. It's been a similar problem with all the sequels to this "Seven light" serial killer series. I've always felt it would have been best to leave the first movie as a stand alone as it progressively getting less and less enjoyable to watch this torture porn tell us the same story over and over again.

D

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