MOVIE REVIEW: GRUDGE MATCH

Two retired boxers (Sylvester Stallone and Robert De Niro) decide to settle a long-standing beef by heading back into the ring in this sports comedy from director Peter Segal. Back in the day, Billy "The Kid" McDonnen (De Niro) and Henry "Razor" Sharp (Stallone) were the two biggest bruisers in the Pittsburgh boxing scene. Their fierce rivalry drawing nationwide attention, Razor and The Kid were deadlocked for the title of overall champion when the former announced his retirement just before the decisive 1983 match that would have determined the supreme champion. Three decades later, enterprising boxing promoter Dante Slate Jr. (Kevin Hart) lures the aging pugilists back into the ring for the fight that everyone has been waiting for. Alan Arkin, Kim Basinger, and Jon Bernthal costar. ~ Jason Buchanan, Rovi

Director: Peter Segal

Cast: Sylvester Stallone, Robert De Niro, Kim Basinger, Alan Arkin, Kevin Hart, Jon Bernthal

Release Date: Dec 25, 2013

Rated PG-13 for sports action violence, sexual content and language

Runtime: 1 hr. 53 min.

Genres: Comedy

Review:

Grudge Match is those type of film’s that’s heavy on clichés and light on surprises. It’s about as harmless as a sleeping kitten. The plot borrows liberally Rocky and Raging Bull mixed with generic family drama (lost loves and children). There are old jokes by the barrel full with plenty of room left for the most obvious ones like Ben Gay and Geritol. It’s about as vanilla a film as they come with only one real surprise. Its watch able, occasionally lots of fun and surprisingly heartfelt in spots. You’d expect the cast to phone it in but most are surprisingly engaged with Stallone and De Niro giving the whole thing a pulse. Stallone in particular delivers his most authentic performance in years. De Niro seems to be having a ball perhaps reliving old glories. He and Bernthal, who does look like he’s related to De Niro, have a nice father long lost son chemistry on screen. Alan Arkin and Kevin Hart provide harmless comedic relief which never veers into anything close to dangerous territory. Kim Basinger meanwhile seems to have thought that it was a good idea to whisper all her lines regardless of the situation. The movie moves along at a nice pace rarely lingering and almost making its 2 hour runtime seem worthwhile. Along the way you’ll get the expected training montages, reunions leading up to the big fight. The climatic fight is impressively edited, making the whole thing seem as real as possible, even if boxers in movies never seem to defend themselves but I digress. It ends on a feel good moment which feels earned even in the most generic of all films.

B-

Cindy Prascik's Reviews of Saving Mr. Banks & American Hustle

Dearest Blog, yesterday I braved the holiday throngs for a couple movies I hoped would prove worth it, Saving Mr. Banks and American Hustle.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my agenda was Saving Mr. Banks, the story behind the story of Mary Poppins, and of Walt Disney's struggle to bring the beloved classic to the big screen.

If ever one of my reviews required a disclaimer, it's this one, so here it is: I HATE Mary Poppins. I hate the character, I hate the story, and if you start singing one of those stupid songs within my earshot, I will pull out your vocal cords through your eye sockets. I was recently scarred by an attempt to watch I'm Not There despite the fact I despise Bob Dylan, so, if I feared my distaste for the subject matter might leave me unable to enjoy this film on its own merits, it's understandable. As it turns out, I needn't have worried.

Saving Mr. Banks is a glorious piece of filmmaking, carried squarely on the shoulders of its magnificent leads, Emma Thompson and Tom Hanks. The two so thoroughly embody P.L. Travers and Walt Disney that it's almost jarring when the old photos used in the end credits don't have their faces. Thompson makes Travers a sympathetic character, even at her stiffest and most difficult, and Hanks...well, if Mr. Disney and Captain Phillips land him two spots on the "Best Actor" lists come year end, that's fair. The supporting cast is also pretty special, with standout performances from Ruth Wilson, Colin Farrell, and Paul Giamatti.The story-within-the-story flows smoothly between flashbacks and present-day happenings, and the costumes and scenery effectively dictate the feel of each sequence and scene. "Nice" is so vanilla that it almost doesn't seem like a compliment even when it's meant as one, but Saving Mr. Banks is just a nice movie that I think pretty much anyone will enjoy. If the film is sentimental, it's in a good way, rather than the eye-rolling way of some of the unfortunate trailers running with it. I cried so much I had to sneak out the back door of the cinema because I was embarrassed to walk through the lobby! If it had that effect on someone so utterly UNsentimental about Mary Poppins, those who love the book and/or the movie had better bring a whole box of Kleenex with them!

Saving Mr. Banks runs 125 minutes and is rated PG13 for "thematic elements including some unsettling images."

Young or old, Mary Poppins fan or not, I don't think a person could help but enjoy this movie. Of a possible nine Weasleys, Saving Mr. Banks gets eight.

Next up was my birthday present from Hollywood, American Hustle.

When a pair of con-artists is busted, they're forced to work with the FBI in an attempt to hook some bigger fish.

It will come as no surprise to anyone when I say awards season movies aren't necessarily my cup of tea. That's not to say I don't often enjoy them, but my taste generally runs more summer blockbuster than Oscar bait. When I start seeing "Academy Award Nominee" and "Golden Globe Winner" before all the names in the trailers, that's exactly what I'm looking for in those movies, performances that knock my socks off. I am pleased to report American Hustle delivers more than a few of those in a fun, exciting ride that will hold your undivided attention from start to finish.

Christian Bale is terrific in the lead, the formerly cut Bruce Wayne barely recognizable as a paunchy fashion nightmare with a bad combover. Bale gained 40 pounds for the role, and, sadly, this movie makes more of a point of showing off his flabby bare belly than the last Batman did of his six pack. His performance is extraordinary, smart and subtle when it needs to be, over the top when it has to be, just all-around perfect. Bradley Cooper is terrific as the FBI agent slowly losing his grip as he tries to make his name on the case, as is my beloved Jeremy Renner as a politician trying to do the right thing in perhaps not quite the right way. On the ladies' side, Amy Adams is fantastic, but can't help be overshadowed by another stellar showing from Jennifer Lawrence. If you were harboring any inexplicable, lingering doubts as to whether Lawrence is actually the most perfect human being in existence, well, this should erase them for good. Finally, I was absolutely delighted to see two of my Boardwalk Empire favorites, Jack Huston and Shea Whigham, who are both great in smaller roles.

American Hustle begins with the warning: "Some of this actually happened." Like Pain & Gain, these people's behavior is sometimes too stupid to believe, and yet...there it is. The movie goes from serious as a heart attack to laugh-out-loud funny in the blink of an eye, the plot zigging and zagging to keep you on the edge of your seat, without getting muddled or confusing. The awesome 70s soundtrack is bound to bring back fond memories for those who remember the era, even if the hairstyles and fashions do not!

American Hustle clocks in at 138 minutes and is rated R for "pervasive language, some sexual content, and brief violence."

For all the time I spend at the cinema, I think I deserved a really great movie for my birthday and, with American Hustle, I got it. Of a possible nine Weasleys, American Hustle gets eight and a half.

So, dear Blog, that's all the news that's fit to print for now. If time and the listings cooperate, and if I can manage to make myself see something besides The Hobbit, I've got a half-dozen new releases to squeeze in over the next seven days before I can finalize my year-end top ten. Fingers crossed!

Until next time...



Would you believe me if I said these are three of Hollywood's hottest leading men??

MOVIE REVIEW AMERICAN HUSTLE

Christian Bale, Bradley Cooper, and Amy Adams star in director David O. Russell's fictional period crime drama about a reckless FBI agent who recruits a con man and his alluring partner into a scheme to ensnare corrupt politicians and gangsters. Smooth-talking Irving Rosenfeld (Bale) is a hustler of the highest order. No mark is off limits for Rosenfeld, especially when his crafty partner Sydney Prosser (Adams) is by his side. When renegade FBI agent Richie DiMaso (Cooper) thrusts the deceptive duo into the treacherous world of New Jersey power players and underworld heavies, the thrill of the hunt grows too strong to resist. Meanwhile, New Jersey politician Carmine Polito (Jeremy Renner) gets caught in the middle, and Rosenfeld's capricious wife Rosalyn (Jennifer Lawrence) holds more power than anyone could imagine. Louis C.K. and Jack Huston costar. ~ Jason Buchanan, Rovi

Director: David O. Russell

Cast: Christian Bale, Bradley Cooper, Amy Adams, Jeremy Renner, Jennifer Lawrence.

Release Date: Dec 13, 2013

Rated R for pervasive language, some sexual content and brief violence

Runtime: 2 hr. 9 min.

Genres: Drama

Review:

Who said prestige films had to be a laborious task? American Hustle is wonderfully crafted and skillfully acted film that sizzles from the opening scene. David O. Russell has been on a hot streak as of late and American Hustle may be his best yet. I’d never have imagined that Russell would have become an actor’s director after all the fall out from I Heart Huckabees but some how he’s become a master at extracting some of the finest work from his performers. American Hustle’s cast is firing on all cylinders deliver performances that are fully realized and engaging throughout while being incredibly entertaining. It’s the kind of filmmaking high wire act that incredibly hard to pull off but the cast and crew deliver in all facets. Christian Bale continues to top himself with each performance and this might be his best. Bale’s performance is a virtuoso exhibition of varying shades of gray throughout while maintaining a real sense of the character’s heart. Amy Adams, whose becoming a much more interesting actress with each role, gives her character a fiery but broken heart. Adams has more than a few moments where she just commands the screen with emotion streaming out of her eyes. Bradley Cooper is perfectly manic and unstable as the FBI agent, showing again that Russell can get him to deliver his best work. Jennifer Lawrence is equally impressive in a smaller role. Lawrence may have a limited role but her screen time and character are incredibly memorable. Jeremy Renner also delivers some of his finest work as the good hearted but misguided mayor. American Hustle is one of those films that is so well done that the 2 hours just fly by with nary a dead spot. It’s one of the year’s best which is likely to rack up nominations come award season.

A

MOVIE REVIEW: ANCHORMAN 2: THE LEGEND CONTINUES

Will Ferrell returns to the role of Ron Burgundy in Anchorman 2: The Legend Continues, which finds the popular San Diego television newsman pulling up stakes with co-host Veronica (Christina Applegate), his intrepid reporter Brian (Paul Rudd), overenthusiastic sports reporter Champ (David Koechner), and imbecilic weatherman Brick (Steve Carell) in order to move to New York City and launch the first ever 24-hour news network. Adam McKay, who directed the original, returns as well to helm this comedy. ~ Perry Seibert, Rovi

Director: Adam McKay

Cast: Will Ferrell, Paul Rudd, Steve Carell, David Koechner, Christina Applegate

Release Date: Dec 18, 2013

Rated PG-13 for crude and sexual content, drug use, language
and comic violence

Runtime: 1 hr. 59 min.

Genres: Comedy

Review:

Let’s get this out of the way right from the start. Anchorman 2 isn’t as funny or consistent as the original. Sky high expectations from fans, like myself, left the sequel with the nearly impossible task of topping the first film. That being said, the sequel does have plenty of bright spots with certain sequences veering into outlandish hilarity especially a certain cameo filled sequence near the end. Will Ferrell loves this character, in case you didn’t notice his 5 month in character publicity tour, and I still think it’s his most complete creation. The returning cast is all fun even if some get less screen time while others get more with varying results. Kristen Wiig’s role isn’t as large as the trailers lead you to believe but she has good chemistry with Steve Carell. I do think their portions of the film will split people, some loving it and others finding it utterly stupid. Meagan Good is a solid addition to the cast and she shows off some real comedic chops throughout. The plot is fairly clever even though there are a handful of recycled sequences from the first film. The biggest issue is that the film overall is overlong. The original film was a lean hour and half comedy. The sequel clocks in at nearly 2 hours and it has too many dead spot to warrant that runtime. All in all, the sequel is like Ron Burgundy’s life, filled with hilarious peaks and so-so valleys.

B-

Cindy Prascik's Review of The Hobbit: The Desolation of Smaug

Dearest Blog, if ya ever want to test your mettle at the cinema, try sitting through the same three-hour movie twice in 12 hours. Yesterday I did just that with The Hobbit: The Desolation of Smaug.

Spoiler level here will be mild-ish, nothing you wouldn't know or have guessed from the trailers. Also, I took some notes on the second go-round, but from the darkened theatre to the light of day I can't read them all, so...DKGHSKYIEKSHELDKEIX might be exactly what I think of this film!

The company of Thorin Oakenshield continues its quest to reclaim the kingdom of Erebor from the great dragon Smaug.

My first remark following the midnight screening of Smaug was that I hated it almost as much as I loved it. That wasn't really fair, as the only thing I really hated about it was that I couldn't love it with the unbridled enthusiasm I've always had for the franchise.

I'm the type of gal who likes to get her bad news out of the way first, so here goes.

Clocking in at a mammoth two hours and 41 minutes, Desolation of Smaug is too damn long. Jackson was pushing his luck stretching this little book into two normal-sized movies, and three three-hour movies is just plain stupid. Theatrical cuts of the original LOTR trilogy pressed three hours each (with director's cuts craning towards four), but I wouldn't have changed a thing. Smaug, like An Unexpected Journey before it, is the worst example of Hollywood forgetting how to edit. There are numerous, repetitive action and fight sequences that, if they'd each been trimmed by only a few minutes, could have brought this in at a much more manageable two-fifteen or so.

There's some inexcusably bad CGI, particularly in fight scenes involving Elves.

While most of the actors turn in fine performances in large and small roles, Lee Pace is cringe-worthy. Evangeline Lilly is also kinda awful, but I wasn't sure whether to blame her or the character. The only other thing in which I've ever seen Evangeline Lilly is Real Steel, and she was out-acted by the robot...but, in fairness, so was just about everyone else. Anyway, on that note...

Let's talk about Tauriel. Peter Jackson is noted for fiddling with his source material, to the point it's almost a punch line, but if I don't love his changes they generally don't bother me too much, either; unfortunately, the way this insipid woman is shoehorned into the story is obvious and jarring. Bad enough they added an unnecessary character, but, really, this warrior, this general in the guard, instantly becomes a blushing, eyelash-batting idiot when addressed by a person she might half-fancy?? In the grand scheme of an almost-three-hour film, it's a tiny thing, but I'll be damned if it didn't almost ruin it for me.

In happier news, I still love Middle Earth, and, for the most part, Peter Jackson's vision of it.

Pace and Lilly aside, there's some great acting underneath all the wigs and prosthetic noses. Particularly moving are Richard Armitage and Ken Stott, as Thorin and Balin, when the company first lays eyes on Erebor. If it's taken you 'til now to notice how good Martin Freeman is, well, you can't pretend you don't notice anymore. James Nesbitt, the hidden gem among this company, is under-used but still has some good moments. Of course I would be remiss if I didn't make special mention two of my favorite people, Luke Evans and Aidan Turner, sharing a screen for the first (and hopefully not the last) time. Evans is featured as Bard, and, now that he's getting better films, you can see what I've been telling you all along: the guy is good! Though Turner is mostly exploited for his obscenely-good looks, he has a bit more individual screen time in Smaug, which does my little black heart good.

In the runup to this movie, fans' chief concern seemed to be that the dragon not disappoint, and I am pleased to say that Smaug is magnificent. This dragon is stunning to see and chilling to hear (thanks to some terrific voice work by Benedict Cumberbatch), the undoubted highlight of the film. The movie's 3D is mostly immaterial, but it's worth the upcharge to have this glorious beast right up in your face. However else this movie pleases or disappoints, casual and die-hard fans alike are bound to be awed by Smaug.

The Hobbit: The Desolation of Smaug runs 161 minutes and is rated PG13 for "extended sequences of intense fantasy action violence, and frightening images."

In the long run, I'm sure I will grow to love Desolation of Smaug as an important part of something that truly matters to me. After all, The Two Towers remains the weakest link of the original series, but a strong finish to this trilogy will similarly erase the negativity I'm now feeling. Still, for the moment, I'm not sure this is going to need that spot I've been saving in my year-end top ten.

Of a possible nine Weasleys, The Hobbit: The Desolation of Smaug gets seven.

Until next time...



'Member, kids...I saw him first! ;-)

MOVIE REVIEW: THE HOBBIT: THE DESOLATION OF SMAUG

Thorin Oakenshield (Richard Armitage), his mighty band of dwarves, Bilbo Baggins (Martin Freeman), and wise wizard Gandalf (Ian McKellen) embark on a crusade to reclaim Erebor from the vicious dragon Smaug (voiced by Benedict Cumberbatch) in this sweeping fantasy adventure that picks up where the events of The Hobbit: An Unexpected Journey left off. Peter Jackson (The Lord of the Rings trilogy) once again directs from a screenplay by Fran Walsh, Philippa Boyens, and Guillermo del Toro. ~ Jason Buchanan, Rovi

Director: Peter Jackson

Cast: Ian McKellen, Martin Freeman, Richard Armitage, Benedict Cumberbatch, Evangeline Lilly.

Release Date: Dec 13, 2013 RealD 3D

Rated PG-13: Frightening Images and Fantasy Action Violence

Runtime: 2 hr. 40 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

The Hobbit: The Desolation of Smaug is a well made film through and through. It’s wonderfully shot and acted with a fanciful story that’s engaging with characters that we’ve come to know and root for. There are massive action set pieces like the barrel escape which is a visual feast which is just as fun as it’s thrilling. All this makes for an excellent film except for the most glaring issue at play, it’s unnecessarily bloated. It’s someth I was worried about since the film was already stretched from 2 movies into 3 and here it shows. The much talked about addition, Tauriel, feels about as tacked on as possible throughout. Her character and Evangeline Lilly’s performance aren’t terrible but they are rather pointless. There are plenty of scenes that feel stretched out throughout as if Jackson has a running bet that he’ll never make Middle Earth film that’s under 2 and half hours. The cast is all solid with the new additions and returning players from LOTR series slipping easily into their roles again. The supporting dwarfs are still a tad undeveloped; fleshing them out probably would have been a better way to use the screen time. Smaug is masterful CGI creation which really needs to be seen in IMAX 3D to fully appreciate. Benedict Cumberbatch’s voice work is stellar as expected even if I kept getting random flashback to the forgotten Dennis Quaid movie Dragonheart. When Smaug finally shows up he does pick up the pace a bit but by that point your butt numbness makes you wish there wasn’t another 40 minutes to go. Since this is the middle chapter of the series there’s not resolution to look forward to either so it leaves you hanging for the next 3 hour opus which will hit theaters next year and I’ll be there again.

B-