Cindy Prascik's Review of Don't Worry Darling

 

My dear reader(s), this week I was able to catch up with one of the year's most talked-about movies, Don't Worry Darling.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

A woman begins to suspect her perfect community is not all it seems.

Don't Worry Darling is a passable thriller victimized by a disastrous publicity campaign. The story is nothing very new or surprising, but the movie maintains tension well enough and is blessed with an eminently watchable cast, led by the always stellar Florence Pugh. Of course, It's Harry Styles who drew me to the film (not usually the sort of thing that would interest me) and yet again I'll give him credit for being good enough that I wasn't thinking of him as Harry Styles (TM) while watching. (To qualify this achievement: I'm *always* thinking of Harry Styles.) The rest of the supporting cast - featuring Gemma Chan, Nick Kroll, Kiki Layne, and director Olivia Wilde - is solid, with special mention to Chris Pine, who plays sinister exceedingly well for such a benignly handsome dude. Don't Worry Darling keeps a nice place, is creepy throughout (though not always in the way it means to be), and features a terrific soundtrack filled with some great oldies. If the last act feels a bit contrived, for the most part it's still an enjoyable but forgettable thriller.

Don't Worry Darling clocks in at 123 minutes and is rated R for "sexuality, violent content, and language."

Don't Worry Darling is a decent thriller that undoubtedly would have fared better had it kept its drama onscreen. Of a possible nine Weasleys, Don't Worry Darling gets five.

Don't Worry Darling is now playing on the HBO family of channels, and streaming on HBO Max.

Until next time...

MOVIE REVIEW: GLASS ONION: A KNIVES OUT MYSTERY

 

Tech billionaire Miles Bron invites his friends for a getaway on his private Greek island. When someone turns up dead, Detective Benoit Blanc is put on the case.

Director: Rian Johnson

Cast: Daniel Craig, Edward Norton, Janelle Monáe, Kathryn Hahn, Leslie Odom Jr., Jessica Henwick, Madelyn Cline, Kate Hudson, Dave Bautista

Release Date: November 23, 2022 

Genre: Comedy, Crime, Drama, Mystery, Thriller

Rated PG-13 for strong language, some violence, sexual material and drug content

Runtime: 2h 20m

Glass Onion: A Knives Out Mystery is the kind of film that pulsates with palatable energy from its cast and director that you can't help but be entranced in the murder mystery at play.  Rian Johnson delivers another sharp and playful mystery for his own Hercule Poirot, Detective Benoit Blanc.  Johnson and Daniel Craig clearly love the material and character with their energy gleefully seeping through the screen.  Craig clearly loves playing the character and his Foghorn Leghorn drawl with this entry finding him refining his persona making him more human even with the outsized attitudes.  He's graced with another solid ensemble cast who all bring their own sort of energy.  They, like Blanc, are all oversized personas representing certain kinds of people from eccentric billionaires like Ed Norton's Miles Bron or Kate Hudson's ditzy supermodel Birdie Jay.  Ethan Hawke shows up for a split second before disappearing entirely which leaves you wondering if a subplot was left on the cutting room floor.  Still, Johnson makes solid use of the rest of the supporting cast throughout the film which likes to play with scenes by telling them from different points of view as the story unfolds.  Each character has their own underlying agenda at play with Janelle Monáe's Cassandra Brand being the crux of the story.  In its final act the film feels reminiscent of the 1985's Clue, a game Blanc hates, with character's motivations being dissected.  The final reveal isn't much of a surprise but that doesn't make it any less fun when the cast in front of the camera and director behind it are clearly having so much fun.   

A-

MOVIE REVIEW: SHE SAID

 

The New York Times journalists Megan Twohey and Jodi Kantor publish a report that exposes sexual abuse allegations against powerful Hollywood producer Harvey Weinstein. The shocking story also serves as a launching pad for the #MeToo movement, shattering decades of silence around the subject of sexual assault and harassment.

Director: Maria Schrader

Cast: Carey Mulligan, Zoe Kazan, Patricia Clarkson, Andre Braugher, Jennifer Ehle, Samantha Morton, Ashley Judd

Release Date: November 18, 2022

Genre: Drama, History

Rated R for language and descriptions of sexual assault.

Runtime: 2h 15m 

She Said is a smartly written and well acted journalistic thriller joining the ranks of Spotlight, The Post and All The President's Men.  Maria Schrader's film has a focused immediacy to the proceedings which makes the film engaging even during some of it's dryer stretches.  Its subject matter is well known so there aren't many surprises in store but it smartly focuses on the individual women's stories as the two reporters peel back the layers of the abuse.  Carey Mulligan and Zoe Kazan carry the film with relative ease while giving their characters a solid amount of depth to make you care about their journey which becomes more personal as it goes along.  Mulligan is a strong and forceful while Kazan is more demure but no less determined and motivated with the film perking up noticeably when they share the screen.  Patricia Clarkson and Andre Braugher have small but important supporting roles as no nonsense editors.  Jennifer Ehle, Samantha Morton and Ashley Judd have impactful scenes as victims recounting their experiences.  Additionally, the film uses a real recording of Weinstein berating a victim to chilling effect.  She Said is the type of film that's built on a series of conversations and its ability make it engaging with a predetermined finale is truly impressive.

A

MOVIE REVIEW: THE MENU

 

A young couple travels to a remote island to eat at an exclusive restaurant where the chef has prepared a lavish menu, with some shocking surprises.

Director: Mark Mylod

Cast: Ralph Fiennes, Anya Taylor-Joy, Nicholas Hoult, Hong Chau, Janet McTeer, Judith Light, John Leguizamo

Release Date: November 18, 2022

Genre: Comedy, Horror, Thriller

Rated R for strong/disturbing violent content, language throughout and some sexual references.

Runtime: 1h 46m

The Menu is a glossy, sharply written satire that delivers some devilishly dark comedy that touches on themes of class warfare but never delves too deep into them.  Mark Mylod's film is directed with a steady hand as he sets up the setting on the island and high end restaurant.  The entire film has a slick modernist visual that echoes David Fincher's unappreciated The Game from the late 90s.  This film is never as subversive or surprising as Fincher's mind trip since it lays its cards out on the table fairly early on.  The script doesn't provide multilayered characters instead everyone is a type with only the smallest sprinkling of background details to flesh them out.  There's very little depth to them with the film relying on the performer’s talent and charisma.  Thankfully, the film is blessed with a excellent cast of actors who elevate the film with a fun, committed performances.  Ralph Fiennes serves as the film's lifeblood with his turn as the Chef who both measured and menacing at the same time.  In lesser hands, this character would have come off as some sort of cinematic Soup Nazi but Fiennes is able add so much more than what's on the page to make him far more fascinating.  Anya Taylor-Joy gets the lion share of the screen time and she's dependable as usual.  She gives the character a believable sense of self reliance and underlying toughness that's clearly out of place among the assorted upper crust.  The rest of the supporting cast all make the most of their limited screen time with Hong Chau, Judith Light and John Leguizamo making you wish their roles were just a bit larger and fleshed out.  The Menu is the kind of film that works in spite of itself, a credit to its cast and director but you get the sense it could have been something really special.  

B-

MOVIE REVIEW: BLACK PANTHER: WAKANDA FOREVER

 

Queen Ramonda, Shuri, M'Baku, Okoye and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T'Challa's death. As the Wakandans strive to embrace their next chapter, the heroes must band together with Nakia and Everett Ross to forge a new path for their beloved kingdom.

Director: Ryan Coogler

Cast:  Letitia Wright, Lupita Nyong'o, Danai Gurira, Winston Duke, Florence Kasumba, Dominique Thorne, Michaela Coel, Tenoch Huerta, Martin Freeman, Angela Basset

Release Date: November 11, 2022

Genre: Action, Adventure, Drama, Fantasy, Sci-FiThriller

Rated PG-13 for sequences of strong violence, action and some language.

Runtime: 2h 41m

Ryan Coogler's Black Panther: Wakanda Forever is an emotionally charged comic book movie wake that is trying to pay tribute to its fallen star while moving the franchise forward into a new era.  Mourning is the central theme throughout the entire film even amongst the usual comic book action that the film provides in spades.  The film handles it about as well as can be expected even though the film is overstuffed with required checkboxes to mark off for the ongoing Marvel franchise.  If anything, it gives the film a very different feel than most of Marvel's entry but its never entirely removed from it either.  The comic book side of the story is surprisingly straightforward with very little in the way of surprises since it follows a predictable path from start to finish.  The big introduction of Tenoch Huerta's Namor is one of the film's strongest and intriguing story thread by delivering an antagonist with a bit more depth than the usual baddie.  Huerta effectively conveys the character's deep-rooted desire to protect his people at any cost, serving a mirror to the Wakandans.  It’s an engaging performance from start to finish which makes him the most interesting performer whenever he's onscreen. Using the Mesoamerican imagery is a masterstroke to juxtapose both cultures who have been subjugated and create something different enough from DC's Aquaman to avoid comparisons.  Replacing Chadwick Boseman was always going to be a difficult task and we end up getting more of an ensemble than a central lead.  Letitia Wright, Angela Basset, Lupita Nyong'o and Danai Gurira all carry portions of the film which is understandable but it doesn't allow for the kind of depth you'd expect.  Letitia Wright gets a larger share of the focus but her character isn't that engaging or interesting with a late act reveal hinting a more nuanced take that might have been left on the cutting room floor.  Its shame since there's clearly some fertile ground that could have been explored as she deals with the death of her brother but the film is simply too big and busy to deliver that type of focus.  Basset, Nyong'o and Gurira all get moments to shine but the characters are surprisingly one note. Dominique Thorne's Riri Williams/Ironheart serves as fun comic relief with her introduction clearly setting up future appearances. It’s an example of the difficult tightrope that Black Panther: Wakanda Forever had to walk, eulogizes its fallen star while moving forward a gargantuan franchise.

B

Cindy Prascik's Review My Policeman

 

My dear reader(s), yesterday I finished up (maybe?) vacation with my most anticipated film of the year, My Policeman.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

In 1950s England, where homosexuality is illegal, a museum curator and a policeman fall in love.

My Policeman tells the story of forbidden love between Patrick (David Dawson/Rupert Everett) and Tom (Harry Styles/Linus Roche). The movie effortlessly flows among personal perspectives and time periods (the events of the 50s, and the individuals' lives and reflections some 40 years later). Every member of the cast is fantastic, with special kudos to Roche and Everett, who carry the heaviest bit of the emotional load. If you're wondering about Harry Styles, whose name is the one above the title, he's so good I didn't think of him as Harry at all while watching. (Harry Styles occupies approximately 95% of my brain, so kindly respect how terrific he had to be to achieve that.) The story is mature and deliberately paced, and the principals' influences and motivations are portrayed with painful nuance. There's no hint of sensationalism or of capitalizing on Styles' "other" career here. Rather, you get a feeling that all involved understood the weight they carried in telling this tale, and writing, performances, and even promotion show how seriously they took that responsibility. In these frightening times, when the world often seems to be moving backwards, My Policeman offers a somber and timely reminder of the cost of bigotry and hate.

My Policeman clocks in at 113 minutes and is rated R for sexual content.

My Policeman is a story of heartbreak and hope, well crafted and beautifully acted. Of a possible nine Weasleys, My Policeman gets eight and a half.

My Policeman continues to play in select theatres, and is now streaming worldwide on Amazon Prime.

Until next time...