MOVIE REVIEW: MALIGNANT

 

Paralyzed by fear from shocking visions, a woman's torment worsens as she discovers her waking dreams are terrifying realities.

Director: James Wan

Cast:  Annabelle Wallis, Maddie Hasson, George Young, and Michole Briana White

Release Date: September 10, 2021

Genre: Action, Adventure, Fantasy, Sci-Fi

Rated PG-13 for sequences of violence and action, and language

Runtime: 1h 50min

Review:

James Wan's return to the horror genre is a film destined to divide audiences.  Wan delves deep into cult horror history to deliver a film that so niche that I'm genuinely surprised it was greenlit. Needless to say the film is made for a specific audience who will appreciate how the look and dialogue are inspired by Italian Giallo horror classics like Suspiria and Deep Red.  It makes for a visually striking film especially in its first two acts where it plays more like a gory murder mystery than a horror film.  Those looking for more traditional scares will be left wanting since the film uses atmosphere more than cheap jump scares.  Annabelle Wallis leads the film with a performance that echoes Barbara Steele in Mario Bava's Black Sunday.  It's a fascinating which makes her the most interesting person on screen throughout. The film's third act's reveal will ultimately be what divides audiences.  While everything that preceded it was inspired by Italian horror masters, its final act is clearly pulling from cult horror film from the 80s that lived on the bottom shelves of video stores.  Regardless of whether the turn works or not you have to respect Wan for swinging for the fences and embracing what made him love the horror genre.  

B

MOVIE REVIEW: SHANG-CHI AND THE LEGEND OF THE TEN RINGS

 

Martial-arts master Shang-Chi confronts the past he thought he left behind when he's drawn into the web of the mysterious Ten Rings organization.

Director:  Destin Daniel Cretton

Cast: Simu Liu, Awkwafina, Meng'er Zhang, Fala Chen, Florian Munteanu, Benedict Wong, Michelle Yeoh, Ben Kingsley, Tony Leung

Release Date: September 3, 2021

Genre: Action, Adventure, Fantasy, Sci-Fi

Rated PG-13 for sequences of violence and action, and language

Runtime: 2h 12min

Review:

Shang-Chi and The Legend of the Ten Rings, much like Black Panther, expands Marvel's ethnic make by delivering a fun and colorful comic book exploration of heritage, destiny and legacy.  Director Destin Daniel Cretton film is a kinetic experience right from the start pausing only here and there for quieter character moments.  His action set pieces are wonderfully staged and choregraphed allowing you to see every bit of the impressive action.  Those moments, especially in the first two acts, are the highlights of the film.  Cretton uses inspiration from old school Kung Fu films while adding his own modern sensibilities.  Simu Liu leads the almost exclusively Asian cast with relative ease.  Liu is instantly likeable and magnetic even amongst the coordinated comic madness around him.  He and Awkwafina make for a fun onscreen duo since they share excellent comic chemistry.   Meng'er Zhang though is the scene stealer as Shang's sister, so much so that you wished the film spent a bit more time with her.  Asian acting legends Michelle Yeoh & Tony Leung add just the right amount of gravitas to the proceedings with each getting ample time to leave their mark on the film.  While the film works on visceral level the story does feel like it's lifted from the original Star Wars in that inside all the fantastical elements, it's ultimately a family drama between siblings and their father whose chosen the wrong path.  As such, there aren't a ton of surprises in store with each beat being fairly predictable.  Additionally, those who have complained about superhero films turning into CGI fest in their final acts will have the same issues here as this film turns heavily into fantasy action to the point of attrition.  Small complaints asides, Shang-Chi and The Legend of the Ten Rings is one of the more enjoyable cinematic entries in the Marvel monolith that actually brings something new to the table.  

B+

MOVIE REVIEW: CANDYMAN

 

In present day, a decade after the last of the Cabrini towers were torn down, Anthony and his partner move into a loft in the now gentrified Cabrini. A chance encounter with an old-timer exposes Anthony to the true story behind Candyman. Anxious to use these macabre details in his studio as fresh grist for paintings, he unknowingly opens a door to a complex past that unravels his own sanity and unleashes a terrifying wave of violence.

Director: Nia DaCosta

Cast: Yahya Abdul-Mateen II, Teyonah Parris, Nathan Stewart-Jarrett, and Colman Domingo. Vanessa Williams, Tony Todd, Virginia Madsen

Release Date: August 13, 2021

Genre: Horror, Thriller

Rated R for bloody horror violence, and language including some sexual references

Runtime: 1h 31min

Review:

Nia DaCosta’s spiritual sequel to the 90s cult favorite is visually impressive with a thematically timely message even if it’s overly didactic in its delivery.  The original film was the type of horror film that worked because its general premise was incredibly strong even if the actual execution was a lacking. This sequel has an art house feel to it which gives the overall story a stylish overhaul which makes for a beautiful film to look at.  The story itself suffers from its clunky social justice message and horror roots.  DaCosta is trying like crazy to make a stronger overall point by reworking the Candyman mythos but it doesn’t feel as organic as it should, instead there are multiple moments where the film feels the need to beat the message into your head.  At the same time she’s attempting to deliver a slasher film that leans on body horror a more than jump scares.  The cast is incredibly committed which makes the film an easy watch.   Yahya Abdul-Mateen II leads the film with relative ease even though his character commits every horror movie mistake you can think of.  He’s able to overcome the scripts deficiency and delivers a fascinating portrayal of a man decent into madness.   The supporting cast is just as strong with Teyonah Parris, Nathan Stewart-Jarrett and Colman Domingo all leaving a strong impression.  Tony Todd and Virginia Madsen both have roles in the film but your left thinking that the director and script could have made better use of Todd who is the embodiment of the character in the original films.  Even with its fault, Candyman delivers an entertaining refresh/reboot of the series that leaves the door open for future installments. 

B

Cindy Prascik's Review of Reminiscence, Woodstock 99 & Beckett

My dear reader(s), this weekend I had the opportunity to catch a triple feature without ever leaving home...a state of affairs that is as troubling as it is comforting. First on my agenda: Reminiscence.

A machine that allows people to relive their memories leads its operator to obsession.

With its fantastical premise and its core cast of Hugh Jackman, Thandiwe Newton, and Rebecca Ferguson, Reminiscence is the kind of movie I used to love seeing on the big screen. Sadly, hokey twists, broadly-drawn characters, and wooden performances make this one a real drag. The narration sets an awkward tone from the outset, and there's a weird undercurrent of climate-change warning that — no matter how essential — is a poor fit. The pace does pick up somewhat about the midway point, Ramin Djawadi's score is pretty nifty, and an unintentional (I guess?) homage to the great 80s comedy Top Secret! is actually quite funny, but there's just no saving this one.

Reminiscence clocks in at 116 minutes and is rated PG13 for "strong violence, drug material throughout, sexual content, and some strong language."

Reminiscence is a memory you won't care to revisit. Of a possible nine Weasleys, Reminiscence gets three.

Reminiscence is now playing in theaters worldwide, and streaming on HBO Max through mid-September.

Next on the docket: Woodstock 99: Peace, Love, and Rage.

A documentary showcasing the dark side of the third Woodstock festival.

Woodstock 99, the concert, booked talent that clearly indicated it wasn't aiming for the mellow hippie vibe of its predecessors. Woodstock 99, the film, wants you to believe only one outcome ever was possible, and it doesn't mind throwing a little shade at Woodstock 69 and Woodstock 94 along the way. Horror stories abound: Rioting, sexual assaults, even deaths. Attendees are generalized as angry white fratboys, and organizers come across as woefully out of touch. A testosterone-fueled lineup, featuring acts such as Metallica, Rage Against the Machine, Red Hot Chili Peppers, Korn, and Limp Bizkit, is rightfully painted as aggressive, with the only three women on the bill — Jewel, Sheryl Crow, and Alanis Morissette — portrayed as all sunshine and lollipops. Morissette, in particular, writes some pretty angry music, but here she's featured simpering her way through the idiotic "Ironic." While there's no denying some very bad things happened at this festival — some due to poor planning and others due to uncontrollable factors like the weather — I daresay there are thousands who enjoyed themselves and remember the event fondly. This film is interested only in tales of terror.

Woodstock 99: Peace, Love, and Rage runs 110 minutes and is rated TVMA for pervasive language, nudity, violence, and alcohol and drug use.

Woodstock 99: Peace, Love, and Rage is a riveting watch, even if it presents just half the story. Of a possible nine Weasleys, Woodstock 99 gets seven.

Woodstock 99: Peace, Love, and Rage is now streaming on HBO Max.

The final picture on my weekend agenda was Beckett.

Following a deadly car crash, an American tourist in Greece finds himself on the run from dangerous and powerful people.

Beckett is one of those films that probably seemed like a good idea on paper, but the execution is so poor it's hard to imagine anyone ever thought so. This movie is so slow and dull it almost stopped me calling Reminiscence slow and dull. The plot is both jumbled and eye-rollingly predictable, with its sole constant being, "How much can we physically abuse our lead?" John David Washington and Alicia Vikander are the most annoying on-screen couple in recent memory. They're among the top actors of their generation, but they've got zero chemistry and they've phoned it in here. Someone, somewhere, determined it wasn't necessary to caption the Greek dialogue, but there's enough that it's a little too easy to zone out a little too often. Mostly, though, poorly written characters and bland performances make it impossible to invest in anyone. The end seems a long time coming, and by the time you get there, you won't care what happens to any of them.

Beckett clocks in at 110 minutes (feels like about six hours) and is rated TVMA for moderate violence, profanity, and frightening/intense scenes. And because I haven't written anything nearly this funny, here's my favorite user-posted content warning from IMDB, totally more entertaining than the film itself: "Film starts off with a prolonged sex scene with limited thrusting." Kindly beware the "limited thrusting."

I desperately wanted to like Beckett. I didn't. Of a possible nine Weasleys, Beckett gets two.

Beckett is now streaming on Netflix.

Until next time...

MOVIE REVIEW: REMINISCENCE

 

A scientist discovers a way to relive your past and uses the technology to search for his long lost love. Whilst a private investigator uncovers a conspiracy while helping his clients recover lost memories.

Director: Lisa Joy

Cast: Hugh Jackman, Rebecca Ferguson, Thandiwe Newton, Cliff Curtis, Marina de Tavira, Daniel Wu

Rated PG-13 for strong violence, drug material throughout, sexual content and some strong language

Release Date: August 20, 2021

Genres: Mystery, Romance, Sci-Fi, Thriller

Runtime: 1h 56min

Review:

Writer, director Lisa Joy's Reminiscence is a sci-fi noir thriller that's sweeping and ambitious with a A List cast.  The strange thing about the entire affair is that during it's ambitious world building it forgot to create a story that's as engaging as the concepts presented.  Joy's visuals evoke memories of Blade Runner and dashes of Alex Proyas' Dark City if you bought them from a dollar store.  Hugh Jackman leads the film with relative ease even though he feels miscast for the role and doesn't ask much from him outside of acting sad and angry. Jackman is typically a magnetic performer but this role just doesn't seem to fit him the way it should, the odd voiceover throughout the film doesn't help.  Likewise, Rebecca Ferguson is usually an engaging performer but in this film she's stiff and bland throughout.  Cliff Curtis is the primary villain who pops up in the third act and he chews up his screen time with weird out of place monologues that scream of overkill.  Thandiwe Newton is the lone bright spot who comes out unscathed with a strong performance which the film doesn't take full advantage of.  Reminiscence ends up feeling like a missed opportunity with ideas that needed more time to marinate and mature.  As is, it ends up being another forgettable sci-fi film that feels more like a middle of the road tv show than a big budget film. 

C

MOVIE REVIEW: THE NIGHT HOUSE

 

Reeling from the unexpected death of her husband, Beth (Rebecca Hall) is left alone in the lakeside home he built for her. She tries as best she can to keep together-but then the dreams come. Disturbing visions of a presence in the house call to her, beckoning with a ghostly allure. But the harsh light of day washes away any proof of a haunting. Against the advice of her friends, she begins digging into his belongings, yearning for answers.

Director: David Bruckner

Cast: Rebecca Hall, Sarah Goldberg, Evan Jonigkeit, Stacy Martin, Vondie Curtis-Hall

Rated R for some violence/disturbing images, and language including some sexual references

Release Date: August 20, 2021

Genres: Horror, Thriller

Runtime: 1h 48min

Review:

David Bruckner's The Night House is the best type of psychological horror because it works both as a straightforward horror film and on a deep more emotional level.  Bruckner's film is visually impressive and impactful throughout as he builds an unsettling atmospheric tension which only lets up with well time dark humor.  He sets the stage wonderfully to showcase the endless talents of Rebecca Hall.  Hall is a master of playing damaged women, see the criminally underseen 2016 film Christine, dealing with trauma.  This film gives her a perfect showcase to display her acting prowess.  She has an incredible ability to subtly move her emotions from mournful to a simmer rage without breaking a sweat.  The film's heady script is bendy but a serious approach on how we deal with the trauma of loss.  It's an adults horror film that doesn't rely on cheap scares instead it uses atmosphere and tension to great effect.  The plot isn't straightforward and it may leave some people scratching their head especially those expecting a paint by the numbers ghost story.  This is the type of film that will stay with you after you leave the theater much like the other great horror film of 2021 Saint Maude.  

A-