MOVIE REVIEW: TOM AND JERRY

 

A legendary rivalry reemerges when Jerry moves into New York City's finest hotel on the eve of the wedding of the century, forcing the desperate event planner to hire Tom to get rid of him. As mayhem ensues, the escalating cat-and-mouse battle soon threatens to destroy her career, the wedding, and possibly the hotel itself.

Director: Tim Story

Cast: Chloë Grace Moretz, Michael Peña, Colin Jost, Rob Delaney, and Ken Jeong, Nicky Jam, Bobby Cannavale,  Lil Rel Howery, William Hanna, Mel Blanc, June Foray, Frank Welker

Release Date: February 26, 2021

Genre: Animation, Adventure, Comedy

Rated PG for cartoon violence, rude humor and brief language

Runtime: 1 h 41 min

Review:

Tom and Jerry is very much a throwback on multiple levels.  The titular pair are some of the most iconic characters in the history of animation with this being the second outing on the big screen.  It’s not the mess that the 1992 film but still scattershot and uneven for its runtime.  The live action hybrid works fairly well even though there are multiple times that you can tell the cast is reacting to air or placeholders.  Its still a very impressive feat on a technical level and the animations looks wonderfully fluid.  It’s hard to watch this without getting some Who Framed Roger Rabbit vibes in spots with a more family friendly approach.  The story and direction are harmlessly broad for the most part but there are bits of edge, some of which works well while others fall flat.  Tom and Jerry mostly stay true to their classic iterations which is a win for people who remember the classic shorts.  The human cast is solid if bland with Chloë Grace Moretz carrying the larger portion of the film, Moretz is a talented actress but her delivery here feels a little wooden and uninspired.  Her character never really connects as a fully formed entity but just a vessel to move the story along.  Michael Peña likewise doesn’t feel as naturalistic as he usually does which leads me to be believe that there might be a disconnect between the live actors and their animated counter parts.  As such, we are left with an overlong film that works in spots but lulls in others.  Tim Story’s film would have benefited from trimming but overall it’s a solid mindless family film that’ll keep most kids entertained. 

C+

MOVIE REVIEW: NOMADLAND

 

A woman embarks on a journey through the American West after losing everything during the recession.

Director: Chloé Zhao

Cast: Frances McDormand, David Strathairn, Linda May, Swankie, Bob Wells

Release Date: February 19, 2021

Genre: Drama

Rated R for some full nudity.

Runtime: 1 h 48 min

Review:

Chloé Zhao’s Nomadland is a dreamlike portrait of grief and self realization.  Her film is methodically paced travelogue through the country through the eyes of a forgotten population.  At the center of the entire film is Frances McDormand who delivers an understated multilayered performance that anchors the film.  McDormand’s ability to channel an authentic everywoman is on par with Tom Hanks.  It’s a talent that fits this role perfectly and she delivers one of the most authentic and grounded performances of her career.  She emotes an immense amount of emotional information with gestures or looks with the script keeping dialogue at a minimum.  The supporting cast is a mixture of non actors and familiar character actors like David Strathairn.  Strathairn is equally understated as the love interest in the thickest story thread in the film.  McDormand’s work with non actors Linda May, Swankie and Bob Wells feels improvised giving portions of the film an almost documentary feel.  The story introspective journey is deeply personal but universal at the same time which gives the film its emotional impact.

A

Cindy Prascik's Review of Judas and the Black Messiah

 

My dear reader(s), the long Presidents' Day weekend provided me an opportunity to catch up with what's sure to be one of 2021's best and most important movies: Judas and the Black Messiah.

Spoiler level here will be mild, nothing you wouldn't know from the trailers or from actual events.

The FBI pressgangs a small-time criminal into infiltrating the Black Panthers.

Judas and the Black Messiah is an explosive story propelled by powerhouse performances. LaKeith Stanfield and Daniel Kaluuya will garner the bulk of the glory - and rightly so - but in truth the whole cast is magnificent. Viewers may well know the outcome of this tale due to its being based on actual events, but the movie does an excellent job of sustaining tension and never feels less than edge-of-your-seat. The curse of ongiong racial injustice makes Judas and the Black Messiah a difficult watch, but a necessary one.

Judas and the Black Messiah clocks in at 126 minutes and is rated R for "violence and pervasive language."

Judas and the Black Messiah sets a high bar for films in 2021. Of a possible nine Weasleys, Judas and the Black Messiah gets eight.

Judas and the Black Messiah is now playing in cinemas and streaming on HBO Max.

Until next time...

MOVIE REVIEW: MUSIC

Zu is newly sober when she receives news that she is to become the sole guardian of her half-sister named Music, a young girl on the autism spectrum. The film explores two of Sia's favourite themes finding your voice and creating family.

Director: Sia

Cast: Kate Hudson, Maddie Ziegler, Leslie Odom Jr., Héctor Elizondo, Ben Schwartz, Beto Calvillo

Release Date: February 10, 2021

Genre: Drama, Musical

Rated PG-13 for thematic content, drug material, brief violence and strong language

Runtime: 1 h 47 min

Review:

Sia’s directorial debut has garnered a massive amount of press before its release mainly for all the wrong reasons.  Sia’s intentions and heart seem to be in the right place but the finished product falls into a strange hybrid of a visual album and an autistic melodrama.  The musical numbers are very much on brand with Sia’s previous works and performances.  They are candy colored fantasy’s that pop right off the screen with booming vocals that’s sure to please fans of the singer.  The drama portion is anchored by strong performances from Kate Hudson and Leslie Odom Jr. who elevate the script which feels like a relic from the past.  It unapologetically pulls on every heartstring possible which makes film’s like 1985’s Mask or 1976’s The Boy in the Bubble seem subtle by comparison.  Maddie Ziegler casting as the titular Music has caused the biggest uproar since she’s a neurotypical actress playing an autistic character.  The issue is ultimately a bigger issue that needs to be addressed but in terms of this film, Ziegler’s performance is decidedly broad and overstated.  Music is ultimately the type of vanity project that’s probably suffered from being created in a bubble which resulted in tunnel vision to its detriment.

C

MOVIE REVIEW: JUDAS AND THE BLACK MESSIAH

 

Offered a plea deal by the FBI, William O'Neal infiltrates the Illinois chapter of the Black Panther Party to gather intelligence on Chairman Fred Hampton.

Director: Shaka King

Cast: Daniel Kaluuya, Lakeith Stanfield, Jesse Plemons, Dominique Fishback, Ashton Sanders, Darrell Britt-Gibson, Lil Rel Howery, Algee Smith, Martin Sheen

Release Date: February 12, 2021

Genre: Biography, Drama, History

Rated R for violence and pervasive language

Runtime: 2 h 6 min

Review:

Judas and The Black Messiah is heart wrenching look into our past that holds the mirror up and reflects it back to us in the present day.  Shaka King’s debut feature film is visually affecting while being intimate in its examination of its two primary characters.  The story itself is cinematically familiar as it treads on similar beats to something like Donnie Brasco.  Daniel Kaluuya and Lakeith Stanfield are the heart and soul of the movie.  Both just inhabit the skins of their characters with impressive ease and heartbreaking authenticity.  Kaluuya has amassed an impressive resume of performances improving on each with his turn as Fred Hampton marking another high point.  He’s thoroughly engaging and charismatic as Hampton which makes the entire film work, you sense his desire and passion through the big moment and smaller ones as well.  Lakeith Stanfield, meanwhile, has proven himself a chameleon who can transform himself into pretty much anything.  He nails the duplicitous self serving nature of his real life character while still imbuing him with enough pathos to make the audience feel his conflicted nature.  The supporting cast is made up of recognizable faces that add to the overall quality of the film.  Judas and The Black Messiah is a film that’s filled with tension and pain but it feels terribly necessary at this point in history to remember how much process still needs to be made all these years later while still remembering those trailblazers who paved the way.   

A-

MOVIE REVIEW: SAINT MAUD

 

Maud is a reclusive young nurse whose impressionable demeanour causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation, whatever the cost.

Director: Rose Glass

Cast: Morfydd Clark, Jennifer Ehle, Lily Knight, Lily Frazer, Turlough Convery

Rated R for disturbing and violent content, sexual content and language

Release Date: January 29, 2021

Genres: Drama, Horror, Mystery

Runtime: 1h 24 min

Review:

Saint Maud is one of the most impressive debut films from a horror director since Ari Aster’s Hereditary.  Writer director Rose Glass delivers a self assured, prestige horror film which echoes classic like Possession, Rosemary’s Baby and Don't Look Now.  There’s a sense of uneasiness and dread from the opening frame of the film.  It’s a slow burn of a film but you can sense something off kilter from the start.  There’s something unsettling and pervasive while never being over the top, it’s definitely a film that uses mood over gore.  Welsh actress Morfydd Clark carries the majority of the film and does so with impressive subtly and bite.  Clark’s performance is the driving force of the film as we follow her religious/psychotic journey down the rabbit hole.  Jennifer Ehle is the primary supporting player with Clark and the pair shares an interesting type of chemistry that pays off in the long with horrific results.  Once the film kicks into its final act, Glass lets the sparks fly with impressive creativity and maximum impact.  Saint Maud is the type of horror film the burrows into you mind leaving a lasting impact long after it’s over.

A