Cindy Prascik's Reviews of Spider-Man: Far from Home

Yesterday I took an (involuntary) break from back-to-back Rocketman screenings to check in with my friendly neighborhood Spider-Man.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

To no one's surprise, Peter Parker's plan to participate in a school trip like any normal teen goes awry.

Like almost all Marvel product, Spider-Man: Far from Home trades heavily on the capital of its star's charisma and real-life personality. Tom Holland is an absolute jackpot in this regard, having proved as charming off-screen as on, and--while Andrew Garfield remains my perfect Spidey--the more age-appropriate Holland carries a big franchise film with the ease of someone far more experienced. His supporting cast is fleshed out this time with the always-wonderful Jake Gyllenhaal, as well as recurring turns by Marisa Tomei, Zendaya, Samuel L. Jackson, and Coby Smoulders. The movie's got flaws, but not a single member of this cast is among them.

Far from Home represents a sort-of torch-passing, following the events of Avengers: Endgame. The film features spectacular disaster and creature effects, yet somehow Spidey himself looks weirdly CGI-ed even when it's probably a live actor or stunt person performing. The movie is never boring, precisely, but it's too long before it even gets out of its first hour. There's a big "twist" that manages to serve its purpose while probably not being much of a surprise to most fans. Some great action sequences, an engaging cast, and spot-on humor make Far from Home a fun movie, but, ultimately, it's nothing special.

Spider-Man: Far from Home clocks in at an excessive 129 minutes and is rated PG13 for "sci-fi action violence, some language, and brief suggestive comments."

Far from Home is another fun-but-unremarkable outing from Marvel that you'll forget before the next fun-but-unremarkable outing from Marvel. Of a possible nine Weasleys, Spider-Man: Far from Home gets seven.

Fangirl points: My best boyfriend Jake (obvs.)! Martin Starr! The Ramones!

MOVIE REVIEW: SPIDER-MAN: FAR FROM HOME

Following the events of Avengers: Endgame, Spider-Man must step up to take on new threats in a world that has changed forever.

Director: Jon Watts

Cast: Tom Holland, Samuel L. Jackson, Zendaya, Cobie Smulders, Jon Favreau, J. B. Smoove, Jacob Batalon, Martin Starr, Marisa Tomei, Jake Gyllenhaal

Release Date: July 2, 2019

Genre: Action, Adventure, Sci-Fi

Rated PG-13 for sci-fi action violence, some language and brief suggestive comments

Runtime: 2 h 9 min

Review:

Spider-Man: Far from Home has the simple task of tidying up the events of Avengers: Endgame while also moving forward Spider-Man character’s story.  It’s a hefty task and the film’s only partially able to pull it off, even though it’s at the cost of other elements.  Jon Watts’ film is a light and breezy affair with nary an air of heft or weight to it. They’re never any moments where you wonder if the hero is in any real danger, which is a common occurrence is these single character films but here it feels even more obvious.  That’s not say to there isn’t plenty of superhero action to go around along with some impressively staged sequences, particularly in the third act.  Tom Holland is still excellent as Parker/Spider-Man but while he gives more angst teen drama this entry, it feels more inorganic and stilted than it did in Homecoming.  Zendaya is relegated to a more standard love interest role than she did before and no amount of snark can hide it.  Jake Gyllenhaal is an interesting addition to the film but he’s a retconned villain from Spider-man villain who could just wear a sign around his neck stating “Don’t Trust Me” during the first half.  His reveal is interesting and it’s hard not to see the screenwriters taking swipes at a certain someone in the current political zeitgeist with the villain’s primary motivation.  It’s an interesting take and something that would have been more interesting if it’d been explored more but as is it’s a solid film.  Ultimately, it does close out this “phase” of the Marvel universe but does so in a workman like function.  That being said there are 2 post credit sequences that actually have bearing on the film you’ve finished watching so it’s worth staying all the way through the credits in this one.   

B

MOVIE REVIEW: YESTERDAY

Jack Malik is a struggling singer-songwriter in an English seaside town whose dreams of fame are rapidly fading, despite the fierce devotion and support of his childhood best friend, Ellie. After a freak bus accident during a mysterious global blackout, Jack wakes up to discover that The Beatles have never existed. Performing songs by the greatest band in history to a world that has never heard them, Jack becomes on overnight sensation with a little help from his agent.

Director: Danny Boyle

Cast: Himesh Patel, Lily James, Ed Sheeran, Kate McKinnon

Release Date: June 28, 2019

Biography, Comedy, Fantasy, Music

Rated PG-13 for suggestive content and language

Runtime: 1 h 56 min

Review:

Yesterday is an uplifting musical fantasy grafted onto a romantic comedy.  Danny Boyle’s film is energetically directed resulting in a film with a strong pulse beating throughout.  Himesh Patel is pitch perfect in the central role, carrying the film with impressive ease.  He’s likable throughout the entirety of the film but is greatly helped by being paired with Lily James.  The film works best when they are on screen together because of the strength of their onscreen chemistry.  James hasn’t ever really left much of an impression beforehand but here she’s just perfect playing the part of a lovelorn love interest.  Patel has an impressive singing voice which makes his renditions of a bevy of Beatles classics infinitely more toe tappingly good.  If there are a few drawbacks it’s the story itself outside of the initial premise is a fairly straight forward romantic comedy, thankfully the two leads make you invest emotionally into their story arches.  Kate McKinnon, who I usually enjoy, is just terribly miscast and just sticks out in all the wrong ways.  Also, there is a late act reveal that’s sure to be divisive amongst fans.  It’s a strong impactful moment that’s probably one of the bolder decisions in an otherwise safe film.  Even with a few drawbacks Yesterday is one those rare films that will have you leaving the theater with a smile on your face.  


B

MOVIE REVIEW: CHILD’S PLAY

After moving to a new city, young Andy Barclay receives a special present from his mother -- a seemingly innocent Buddi doll that becomes his best friend. When the doll suddenly takes on a life of its own, Andy unites with other neighborhood children to stop the sinister toy from wreaking bloody havoc.

Director: Simon Kinberg

Cast: Gabriel Bateman, Aubrey Plaza, Brian Tyree Henry, Mark Hamill

Rated R for bloody horror violence, and language throughout

Release Date: June 21, 2019

Genres: Horror

Runtime: 1h 30 min

Review:

The remake of Child’s Play bears only passing resemblance to 80s original which isn’t a terrible thing.  Sure purist will complain about it but this new version does feel a bit cleaner and more straightforward which is a good and bad.  The film itself it fairly lean and moves at a decent pace although it does feel a tad rushed in spots.  Gabriel Bateman who plays Andy is solid if unimpressive in the lead role while Aubrey Plaza feels miscast and under utilized at the same time.  Brian Tyree Henry sparks up the film when he’s on screen but much like Plaza, the film doesn’t take advantage of their talents.  Mark Hamill’s voice as Chucky is distinctive enough from Brad Dourif’s work in the previous films to leave an impression.  Still, Dourif’s work is so iconic at this point that it’s hard to believe that anyone would choose this new iteration as their favorite.  Simon Kinberg directs the film with an odd sense of humor but it’s never all that edgy or scary.  Even the violence feels somewhat sanitized and bland, not to mention the general silliness of the whole thing.  Still it wasn’t as if the original films where any bastion of high end writing so perhaps the remake is still in line with the older films.

C+

Cindy Prascik's Review of Yesterday

Last night I was fortunate to catch an an early screening of Danny Boyle's Yesterday.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

During a freakish worldwide blackout, a young musician is hit by a bus and wakes to find no one else remembers the Beatles.

Dear Reader(s), a disclaimer: Yesterday is not a science fiction film. It does not get into the hows and whys of the blackout or the items subsequently missing from memory. The story simply moves forward on the premise that it happened, and it expects viewers to do the same.

Yesterday presents an interesting quandary: What if you were the only person who remembered something as previously well-known and well-loved as the music of the Beatles? What if you could return to the world a wonderful thing it was suddenly missing? What if you stood to gain from doing so? These questions weigh heavily on Jack Malik, portrayed with humble charm by Himesh Patel, and his struggle gives anchor to what otherwise might seem a flighty premise. Lily James is endearing as Jack's stalwart manager/number-one fan, and Ed Sheeran is terrific playing Ed Sheeran With a Bigger Ego. Ed gets full marks for being a good sport here, and as a fan I am excited that what I expected to be a cameo is actually a significant role, complete with a new song! Kate McKinnon is a little too much (as she often is) as the brash Big Deal Music Manager, but she's a small misstep in what's otherwise a pretty perfect movie.

Yesterday tells its unique tale in flawless fashion, with nary an instant where your attention might stray. The Beatles' music is as magical as ever, and Patel sings their songs as if he were born for it. The film's humor is self-deprecating and well placed, offering laugh-out-loud moments as well as sympathetic chuckles. If you are a Beatles fan, there's a gut-punch in the final act that hurts like hell, but, objectively speaking, it adds yet another layer to an already well-crafted story and the movie is better for it.

Yesterday clocks in at 116 minutes and is rated PG13 for "suggestive content and language."

Yesterday takes a horrifying idea--a world without the Beatles--and turns it into an uplifting story about the power of music, truth, and love.

Of a possible nine Weasleys, Yesterday gets nine. Fangirl points: I mean, Ed, obviously.

Also great to see Sanjeev Bhaskar and Sarah Lancashire!

Until next time, as Sir Ringo would say, "Peace and love!"

MOVIE REVIEW: TOY STORY 4

Woody, Buzz Lightyear and the rest of the gang embark on a road trip with Bonnie and a new toy named Forky. The adventurous journey turns into an unexpected reunion as Woody's slight detour leads him to his long-lost friend Bo Peep. As Woody and Bo discuss the old days, they soon start to realize that they're worlds apart when it comes to what they want from life as a toy.Director: Dexter Fletcher

Cast: Tom Hanks, Tim Allen, Annie Potts, Tony Hale, Keegan-Michael Key, Jordan Peele, Madeleine McGraw, Christina Hendricks, Keanu Reeves

Release Date: June 20, 2019

Biography, Animation, Adventure, Comedy

Rated G

Runtime: 1 h 40 min

Review:

Toy Story 3 really felt like a proper and fitting send off for the venerable franchise while leaving fans an emotional wreck.  This fourth entry had some work to do to explain its reason for existing besides an obvious money grab.  Thankful this fourth entry is a fitting epilogue to the franchise that ties up storylines while maintaining the high level of layered storytelling that’s always been a calling card of the franchise.  The story isn’t going to level your emotions the way part 3 did but it’s still got a solid bit of bite in spots particularly in the final frames.  Thematically it’s got some heady issues at play, particularly finding your personal worth and self actualization which is hefty stuff for a kid’s movie.  That’s not to say kids won’t enjoy it because they will, it’s probably one of the most vibrantly animated entries in the series.  The setting like the antique shop and carnival are visual cornucopias of colors and details that you’re liable to need a few views to see everything they put in.  The cast delivers across the board like they always do even though some of the characters are regulated to the 2^nd or 3^rd tier.  The new additions of Christina Hendricks, Keanu Reeves, Tony Hale, Keegan-Michael Key and Jordan Peele make that easier to deal with but I would have liked a bit more of a spotlight on some of the established characters. Tom Hanks’ Woody is the primary focus here with most of the story serving his character arch.  Adding Annie Pott’s Bo Peep back into the mix as a strong self realized female character makes for an interesting dynamic that really adds to the overall impact of the story.  If this truly is the end of the series, it’s a fitting bittersweet send off. 


A-