MOVIE REVIEW: LOGAN

In a hideout near the U.S./Mexico border, an aging Logan (Hugh Jackman) cares for the ailing Professor X (Patrick Stewart). However, their sheltered existence comes to a sudden end when a young mutant girl (Dafne Keen) arrives and needs their help to stay safe. James Mangold directed this film, the third Wolverine-based spin-off of the X-Men franchise. ~ Daniel Gelb, Rovi

Director: James Mangold

Cast: Hugh Jackman, Patrick Stewart, Stephen Merchant, Richard E. Grant, Eriq La Salle

Release Date: Mar 03, 2017

Rated R for Language Throughout, Brief Nudity and Strong Brutal Violence

Runtime: 2 hr. 15 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

Logan is one of the rare comic book movies that works on multiple levels.  James Mangold and Huge Jackman had a big task ahead of them trying to give fans the kind of send off that the character deserves.  Both seemed to have a great affinity for the character and it shows onscreen.  Mangold delivers a somber dour film that’s as exciting as it’s moving.  There’s an added depth to the character that gives Jackman more to work with than he’s had in previous solo films.  As such, it’s a meatier more well rounded performance even though the basic story of child and guardian is well worn.  Patrick Stewart also delivers an excellent performance as aged Professor X.  Stewart is clearly having a grand time in the role since the script gives him something different to do than just sit in the wheelchair and look stately.  Dafne Keen is a revelation as X-23.  Keen is able to deliver an impressive performance even though it’s mostly done with limited dialogue.  It’s a pivotal character and if the child actor wasn’t as strong, the film wouldn’t have been as good as it ended up being.  Logan is a strong film but it does drag in a few spots.  Certain sections feel like they could have been cut all together making the film a sleeker and better film.  Even with those issues, Logan finally nails the heart of the character which is a perfect way to end Jackman’s tenure in the role.

B+

Cindy Prascik's Review of Logan

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Dearest Blog: Yesterday it was off to Marquee Cinemas for Hugh Jackman's final turn with the super sideburns, Logan.

 

Spoiler level here will be mild, mostly nothing you wouldn't get from trailers and clips.

 

A jaded, aging Logan is drawn from hiding to help a young mutant being pursued by some nasty characters.

 

Logan is a somber affair whose tone reflects its tired hero. This Logan isn't interested in saving the world, he's just trying to get by and get out. Action is plentiful, well-choreographed, and brutal, with decapitations and dismemberments aplenty. Do take that "R" rating seriously and leave the kids at home; graphic violence and bad language are pervasive. Hugh Jackman, Patrick Stewart, and newcomer Dafne Keen turn in lovely performances that would not seem out of place on 2017's awards circuit, though timing and genre will probably leave them forgotten. The film suffers from its bloated runtime and tends to drag here and there. A trim would have worked in its favor, but otherwise, Logan is a superhero movie that's more than good enough to get away with taking itself so seriously. 

 

Logan clocks in at 137 minutes and is rated R for "strong brutal violence and language throughout, and for brief nudity."

 

It's not quite The Dark Knight or Captain America: The Winter Soldier, but Logan is definitely one for the ages. Of a possible nine Weasleys, Logan gets eight.

 

Fangirl points: Stephen Merchant! Richard E. Grant!

 

Until next time...

MOVIE REVIEW: JOHN WICK: CHAPTER 2

Legendary hitman John Wick (Keanu Reeves) is once again called out of retirement, this time by a former colleague (Riccardo Scamarcio) who wants him to repay a debt by killing an Italian crime lord (Claudia Gerini). But when the attempted assassination goes awry, Wick finds himself hunted by an international cabal of killers, and his only hope for survival might be a shadowy figure known as the Bowery King (Laurence Fishburne). Director Chad Stahelski and screenwriter Derek Kolstad return for this sequel to their 2014 cult action hit. Ian McShane, Ruby Rose, John Leguizamo, Common, Lance Reddick, and Bridget Moynahan co-star. ~ Daniel Gelb, Rovi

Director: Chad Stahelski

Cast: Keanu Reeves, Common, John Leguizamo, Bridget Moynahan, Laurence Fishburne

Release Date: Feb 10, 2017

Rated R for Strong Violence Throughout, Some Language and Brief Nudity

Runtime: 2 hr. 2 min.

Genres: Action/Adventure, Suspense/Thriller

John Wick: Chapter 2 does everything a sequel should do by upping the action and expanding the world from the first film.  Chad Stahelski seems to have a firm understanding of what worked from the first film.  As such, we are treated to a virtual ballet of bullets during some impressively choreographed sequences.  The story opens up the network of hitmen and support system which is fun even though it’s ludicrous anyway you cut it.  Still, it’s a fun bit of world building that gives the story a neat frame work which introduces us to a wide variety of characters.  Keanu Reeves does his best work during the action sequences which is hardly a surprise.  Reeves has never been an acting powerhouse so it’s the film benefit that he’s got limited requirements as Wick.  The supporting players like Ian McShane, Common and Laurence Fishburne give the film a bit more body than it probably deserves.  The biggest stretch for the film is Ruby Rose who never really fits in.  It might have something to do with the fact that she looks more like a female Justin Bieber than any sort of menacing badass.  It’s not a major drawback because there are so many people trying to kill John Wick, it’s easy to get lost in the shuffle especially since nearly 90% of the population of New York is trained hitmen.  At certain points, the film does begin to suffer from attrition simply because there’s so much going on in the final act.  John Wick: Chapter 2 sets up the 3^rd entry nicely which should make for a fun capper to the series.  

B

MOVIE REVIEW: GET OUT

A young African-American photographer (Daniel Kaluuya) is nervous at the thought of meeting his white girlfriend's parents (Catherine Keener and Bradley Whitford) for the first time during a trip to the latter's country estate. However, his anxiety soon turns into outright terror when he discovers that the family's seemingly idyllic community is hiding a sinister conspiracy, one that involves the disappearance of several black people in the area. Jordan Peele, one half of the comedic duo Jordan Peele, makes his directorial debut with this horror thriller. Allison Williams, LaKeith Stanfield, and Caleb Landry Jones co-star. ~ Jack Rodgers, Rovi

Director: Jordan Peele

Cast: Daniel Kaluuya, Bradley Whitford, Caleb Landry Jones, Stephen Root, LaKeith Stanfield, 

Allison Williams

Release Date: Feb 24, 2017

Rated R for Language, Bloody Images, Sexual References and Violence

Runtime: 1 hr. 44 min.

Genres: Horror, Suspense/Thriller

Review:

Get Out is a fine debut for Jordan Peele even if it isn’t a landmark horror benchmark some have made it out to be.  Get Out plays more like a comedic satire of classic horror movie tropes with a racial slant.  As it plays out, it’s clear that Jordan Peele is a fan of classic films like Invasion of the Body Snatchers and The Stepford Wives.  On the downside there are few surprises for anyone who’s watched any of these films, resulting in a few jump scares but very little in the way of tension.  Thankfully, there’s a fair amount of laughs as the increasingly uncomfortable weekend unfurls for our protagonist.  Daniel Kaluuya is solid as the lead even if he isn’t given much to do outside of act uncomfortable and mildly terrified.  Allison Williams, and her dead eyes, is perfect for what the role calls for, which is very little.  Bradley Whitford and Catherine Keener are given fun roles, which they clearly relish, but there is practically mustache twirling unsettling from the get go.  As a result, there is a very little surprise about where any of these characters end up.  LaKeith Stanfield is given the best role in the film as Chris friend who spends the majority of the film telling him there’s something seriously off about the situation.  It’s a credit to Jordan Peele’s talent that he can make you overlook these short coming and deliver an enjoyable film.  Get Out isn’t a hallmark in horror filmmaking, the majority of hardcore horror buffs may walk out disappointed, but it’s a solid debut.

B+

MOVIE REVIEW: FIST FIGHT

On the last day before summer vacation at a rough-and-tumble high school, mild-mannered teacher Andy Campbell (Charlie Day) accidentally causes his fearsome colleague Ron Strickland (Ice Cube) to be fired. When Strickland then challenges him to a fist fight after school, Campbell must find a way to avoid a vicious beating. Tracy Morgan, Jillian Bell, Christina Hendricks, Dean Norris, and Dennis Haysbert co-star in this comedy directed by Richie Keen. ~ Jack Rodgers, Rovi

 Director: Richie Keen

Cast: Ice Cube, Charlie Day, Tracy Morgan, Jillian Bell, Dean Norris

Release Date: Feb 17, 2017

Rated R for language Throughout, Drug Material and Sexual Content/Nudity

Runtime: 1 hr. 31 min.

Genres: Comedy

Fist Fight is a silly comedy that moves at a frantic pace the moment it starts.  Boasting an excellent comedic cast led by Charlie Day, it’s a mindless comedy that never takes itself overly seriously.  Charlie Day is put front and center and fans of his style of manic comedy will find plenty to like.  Richie Keen does a serviceable job of directing the comedy even though there are plenty of missed opportunities.  The most glaring issue is that the film doesn’t take full advantage of its cast with excellent actors like Christina Hendricks and Dean Norris showing up in glorified cameos more than actual roles.  Both roles feel like they could have been expanded a bit to flesh out the nightmare facility.  Luckily Keen keeps Ice Cube relegated to playing a scowling hothead, leaving the comedy to the pros.  It’s a good choice that pays off in the end, leaving the audience with a perfectly zany R rated comedy.

B-

Cindy Prascik's Review of The Great Wall

 

 

Dearest Blog: Today it was off to Marquee Cinemas for oddball blockbuster The Great Wall. Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

A pair of mercenaries is conscripted into battle to save a Chinese city from hordes of terrifying creatures.

 

Dear reader(s): Thanks to a painful trailer, my best hope for The Great Wall was that it would be hilariously bad and not just bad. I am pleased to report that, while it's not winning any awards anytime soon, The Great Wall IS actually a pretty enjoyable way to pass a couple hours.

 

Liberally seasoned from the cliche jar, the Great Wall is deeply, deeply idiotic. Jarringly modern phrasing and Matt Damon's weirdly stilted diction are no help with the clunky script. The most pointed attempts at humor often miss the mark, but a light tone works strongly in the movie's favor. The Great Wall boasts some lovely scenery, spectacular costumes, excellent precision battle choreography, and solid creature effects. I didn't see the movie in 3D, but there are a few dizzying scenes that I expect would make it worth the upcharge and glasses headache. Wall-to-wall (see what I did there?) action never comes at the story's expense, and is perfectly accompanied by Ramin Djawadi's rousing score.

 

The Great Wall clocks in at 103 minutes and is rated PG13 for "sequences of fantasy action violence."

 

The story and the acting are nothing to write home about, but The Great Wall is a fun outing that's more than worth seeing on the big screen for it's extraordinary production values. Of a possible nine Weasleys, The Great Wall gets five.

 

Until next time...