Cindy Prascik's Review of Spotlight & The Danish Girl

 

 

Dearest Blog: Yesterday I had the opportunity to catch a couple of awards darlings before they're chased out of town by Adam Sandler or Transformers 47: The Search for Shia LeBeouf. On the docket: Spotlight and The Danish Girl. Spoiler level here will be mild, nothing you wouldn't know from the trailers. 

 

First up: Spotlight. The Boston Globe exposes the cover-up of a horrifying pattern of sexual abuse by Catholic priests. Spotlight is simultaneously one of the most brilliant and one of the most difficult-to-watch movies I've ever seen. 

 

The events depicted in the film turned my stomach more than any death-defying stunt or gratuitous gore, not just a systematic failure to protect the defenseless, but, worse, a conspiracy to hide and excuse (EXCUSE!) such abuse. 

 

Performances are top notch across the board, with Mark Ruffalo especially impressive in what amounts to the leading role among the strong ensemble. Liev Schreiber is outstanding as always in a smaller part, one of the top five actors in the world, for my money. 

 

The plot is gripping, as the reporters dig deeper and deeper into a plot that reaches higher and higher into the hierarchy of the Catholic Church. Despite a runtime that's well over two hours, I was riveted the entire time, even though I wanted to scream at the screen as family members, Church authorities, and legal officials made excuses and attempted to keep the story from getting out. 

 

As the end credits began to roll, and the film presented a list of the many, many communities impacted by this epidemic, I was overcome with grief, not only for what happened, but for how much could have been prevented. 

 

I cannot remember the last time a movie left me this angry and heartbroken. Spotlight runs 128 minutes and is rated R for "some language, including sexual references." 

 

This year's Oscar Best Picture race is a tight one, but Spotlight has won my heart and my vote. 

 

Of a possible nine Weasleys, Spotlight gets nine. 

 

Next on my agenda: The Danish Girl. Oscar winner Eddie Redmayne stars as transgender pioneer Lili Elbe. 

 

Whereas Spotlight is a captivating story featuring stunning acting, The Danish Girl is mostly noteworthy for the performances alone. 

 

The story itself *should* be fascinating, but, as told here, is just slow and somewhat dull. 

 

Though much decorated, I find Eddie Redmayne an awkward performer, almost painful to watch in this film. It's undeniably a brave performance, but I'm not sure it's a great one. 

 

Ben Whishaw, delightful in a smaller role, would have been far more effective in the lead, if you ask me. (And, if you're reading this, I guess you're asking me!) 

 

Alicia Vikander is stellar, really a co-lead even though she's been considered a "supporting" player for awards purposes, and Amber Heard provides some welcome light in what's overall a pretty angsty tale. 

 

The film boasts beautiful locations and a lovely score, and, though we may have a long way to go, it's a nice reminder of just how far the world has come on the issues faced by transgender individuals. 

 

The Danish Girl clocks in at 119 minutes and is rated R for "for some sexuality and full nudity." (And they really, really mean that last bit!) 

 

Though sluggishly paced, The Danish Girl is worth seeing for its solid performances and important subject matter. 

 

Of a possible nine Weasleys, The Danish Girl gets six. 

 

Until next time..

Cindy Prascik's Review of The Revenant

Dearest Blog: After suffering through The Hateful Eight on New Year's Day, a short-and-cheery flick would have been welcome this week. 

Alas, Oscar nominations drop Thursday, so instead I found myself at Marquee Cinemas for another marathon of misery, The Revenant. Spoiler level here will be mild, nothing you wouldn't know from the trailers. Survival and revenge are a long and painful road for a man who has lost everything. 

Dear reader(s): When I tell you The Revenant is miserable, I mean that happy is not in its dictionary. I do not mean I didn't like it; on the contrary, I absolutely loved it. 

Most news about The Revenant focuses on the physical difficulties of making the picture, no doubt to convince the Academy that Leonardo DiCaprio deserves that elusive Best Actor trophy. DiCaprio's Oscar desperation is so palpable the movie might as well have been called, "Please Let Me Win This Time." 

Luckily, his performance is mostly brilliant, dipping only the occasional toe into unintentional comedy with his overacting. (To clarify, Leo's deserved an Oscar since Gilbert Grape, but he definitely sells it a little too hard at times.) Tom Hardy, Domhnall Gleeson, and Will Poulter are equally fantastic, with far less histrionics. 

The story is fascinating, beautifully told, but full of deception and brutality. A lovely score underlines the film, taking a quiet backseat but for its powerful climax. The Revenant's real stars, however, are its stunning locations and the expertise with which they're filmed. Magnificent snowy mountains, icy rivers, and majestic forests are presented in such striking big-screen glory it takes your breath away. 

I'd ordinarily complain about a runtime so far in excess of two hours, but I happily could have watched two more hours of this beauty. The Revenant runs 156 minutes and is rated R for "strong frontier combat and violence, including gory images, a sexual assault, language, and brief nudity." The Revenant doesn't have many flaws, but, if we're being honest, I'd have forgiven it just about anything for its visual splendor alone. 

Of a possible nine Weasleys, The Revenant gets eight and a half. 

(Small bonus for having an actual Weasley!) Until next time... 

MOVIE REVIEW: THE REVENANT

In 1820s America, frontiersman and fur trapper Hugh Glass (Leonardo DiCaprio) joins a pelt-gathering expedition along with his teenage son Hawk (Forrest Goodluck). When attacks by Arikara Indians claim the lives of many of the men in the party, Glass leads a small group on a new path back to a U.S. fort. While attempting to hunt game on the journey, Glass is mauled by a grizzly bear and horribly wounded. Assumed he'll be dead soon, Glass is left under the care of roughneck John Fitzgerald (Tom Hardy), and the young and inexperienced Jim Bridger (Will Poulter) as Hawk watches on in horror. Fitzgerald betrays Glass and leaves him for dead, alone and unarmed. Glass nurses himself back to health and charts a course of revenge. Alejandro González Iñárritu directed this pulse-pounding epic. ~ Daniel Gelb, Rovi

Director: Alejandro González Iñárritu

Cast: Leonardo DiCaprio, Tom Hardy, Domhnall Gleeson, Will Poulter, Lukas Haas

Rated R for strong frontier combat and violence including gory images, a sexual assault, language 

and brief nudity

Runtime: 2 hr. 36 min.

Genres: Action/Adventure, Suspense/Thriller

Review:

Alejandro González Iñárritu’s follow up to last years Oscar winning Birdman is beautiful film which shows you a lot more than it ever tells you.  Iñárritu leans on symbolism and some quasi spiritual visions more than outright exposition throughout, leaving us with a soulful, if grittier, Jack London style story.  The bear attach scene and the opening attach sequence, which looks like it’s shot in a single take, will leave the biggest impression but at its base it’s a straightforward revenge tale with very little else going on.  Its bear bones approach might turn off some since it only gives us passing details of DiCaprio’s character but never goes into much detail about it.  DiCaprio’s performance is mostly based off grunts and screams intermixed with passing bits of dialogue.  He’s impressively committed to the roles especially through the adverse conditions he went through while filming the movie.  While, DiCaprio is excellent, I left the film more impressed by Tom Hardy’s performance.  Hardy is a given a slightly meatier role, so much so that sometimes he feels like the main character more so than DicCaprio’s.  It’s an interesting juxtaposition to watch, each succeeds, along with the film.  The Revenant falls just short of reaching the level of Birdman but still an impressive bit of film making none the less.

B

MOVIE REVIEW: THE HATEFUL EIGHT

The passengers, bounty hunter John Ruth and his fugitive Daisy Domergue, race towards the town of Red Rock where Ruth, known in these parts as “The Hangman,” will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren, a black former union soldier turned infamous bounty hunter, and Chris Mannix, a southern renegade who claims to be the town’s new Sheriff. Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie's Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s, they are greeted not by the proprietor but by four unfamiliar faces. Bob, who’s taking care of Minnie’s while she’s visiting her mother, is holed up with Oswaldo Mobray, the hangman of Red Rock, cow-puncher Joe Gage, and Confederate General Sanford Smithers . As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all…

Director: Quentin Tarantino    

Cast: Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Demián Bichir.

Release Date: Dec 25, 2015    

Rated R for Strong Bloody Violence, Some Graphic Nudity, Language and Violent Sexual Content.    

Runtime: 2 hr. 47 min.    

Genres: Action/Adventure, Suspense/Thriller    

Review:

The Hateful Eight will probably end up being one of Quentin Tarantino’s most divisive films of his careers.  Personally I found plenty to love here as he pulls from Sergio Leone with a healthy dose of Agatha Christie but it’s a slow burn sort of film.  It’s easy to see why many people could be turned off.  The film plays out like a cinematic stage play with a heavy focus on dialogue and characters.  As always Tarantino brings out the best in his actors, Jennifer Jason Leigh and Walton Goggins benefit the most here, even while they’re playing some fairly despicable characters.  Each character is a fascinating twisted sort that populates most of Tarantino’s films but with an old west slant.  Watching him sets them up in a twist version of Twelve Angry Men with a healthier dose of blood and carnage especially in the final act.  The final act does sort take a different tone as things get more extreme and violent which might turn off some people but it’s just Tarantino  being Tarantino, grindhouse will always be in his blood.

B+

Cindy Prascik's 2015: The Good, the Bad, and the Ugly!

Dearest Blog: I suppose it wouldn't be the New Year if I didn't weigh in--alongside, you know, everyone else in the world--with my thoughts on the best and worst of the year just ended. So, without further ado: my top ten pictures of 2015, along with a few also-rans, and, of course, the bottom of the barrel! 

 

10. "Desperate times. Desperate measures." Mission: Impossible - Rogue Nation The year's best thrill ride, with an action sequence for the ages, Rogue Nation is about the most fun you could expect to have at the movies. 

 

9. "I know you're probably feeling a lot of emotion right now, but please refrain from using the term 'thunderc**t!'" Spy Melissa McCarthy may be locked into a certain kind of character, but when a movie's this laugh-out-loud hilarious from start to finish, it's hard to argue with the formula. Throw in the year's funniest turn from Jason Statham, and Spy is easily 2015's best comedy. 

 

8. "Sports were, in a way, a kind of warfare." Red Army At a time when it's difficult to imagine the NHL without its Ovechkins and its Malkins, this documentary presents a compelling look at the Cold War glory days of the Soviet hockey machine, and the first Russian players to break into the National Hockey League. 

 

7. "Grizzly? Not particularly. Mind you, I haven't seen him in the mornings!" Paddington England's favorite bear tries to find himself a home in this joyful romp, a delight for all ages. 

 

6. "Chewie, we're home." Star Wars: The Force Awakens Advertising often makes bloated claims, but Star Wars: The Force Awakens truly is the movie event of a generation. This superb sequel met or exceeded nearly everyone's expectations, and has effectively redefined the word "blockbuster." 

 

5. "This man is obviously crazy." The Walk An achievement in both technical wizardry and great storytelling, the Walk is, at its heart, a love letter to the Twin Towers of the World Trade Center. A terrific narrative and a charming leading performance by Joseph Gordon-Levitt make this one of the year's best. 

 

4. "Speak a little truth, and people lose their minds." Straight Outta Compton Straight Outta Compton is a well written, brilliantly acted biopic of rap pioneers NWA that will leave you feeling like you can take on the world, one of my very favorite cinema experiences of 2015. 

 

3. "Musicians play their instruments. I play the orchestra." Steve Jobs A brilliant but incomplete portrait of the legendary founder of Apple, Steve Jobs features whiplash-inducing exchanges, penned by Aaron Sorkin and smartly delivered by Michael Fassbender, Kate Winslet, and an exemplary supporting cast. It is the very definition of "must see." 

 

2. "I've been fighting my whole life. It's not a choice for me." Creed Full of heart and peppered with hold-your-breath fight sequences, Creed is the sequel Rocky has always deserved. Michael B. Jordan admirably carries the leading mantle, and Sylvester Stallone delivers one of the year's best performances in a role that he could just as easily mail in by now. You'll want to see this one more than once, I guarantee it. 

 

1. "So hail Satan, and have a lovely afternoon, madam." Kingsman: The Secret Service Kingsman: The Secret Service is a perfect movie. It's action packed, smart, and funny, with a great cast, a handful of fantastic twists, and what just might be the greatest single scene ever to grace the big screen. Released all the way back in February, in the ten months that followed, it never faced a serious challenge for my top spot. Side notes: I have yet to gain access to Macbeth and Spotlight, two films that undoubtedly would be on this list (probably very near the top) had I seen them. 

 

Runners-Up: The Peanuts Movie. My sentimental favorite of the year. Spectre. Bond gave MI5 a good run for its money for that number-ten spot. I'd have liked a second go at both for a fresher perspective, but that didn't happen. And, yes...Pixels. Go on and roll your eyes, I see you! Pixels' worst crime was having Adam Sandler at the helm, so many decided it was terrible even before seeing it, but its effects were stunning and its pop-culture nods fun and funny. Critics be damned, if you're within ten years of my age either way, I promise you'll get a kick out of it. 

 

And, drumroll, please! 

 

My least favorites/biggest disappointments of 2015: 

 

Jupiter Ascending. Hot off an Oscar win and probably on his way to another, Eddie Redmayne turned in one of the most perplexingly awful performances of the year, in a picture that features a chase scene so long and boring I fell asleep three times and woke up while it was still going. An unmitigated disaster.  

Chappie. Two of my favorite people who make movies--Neil Blomkamp and Sharlto Copley--somehow managed to make the most irritating film of the year. Pan. A cluster of epic proportions, and a shameful waste of the multi-talented Hugh Jackman. 

 

Finally, ever shall it rank among my greatest regrets of 2015 that two of my very favorite actors--Johnny Depp and Jake Gyllenhaal--both turned in extraordinary performances in a year when the leading actor categories are just too stacked to offer them proper accolades. 

 

Kudos to Johnny and Jake for two of the year's most mesmerizing turns. Thank you to everyone who has taken the time to have a look at this blog over the past 12 months, and especially to my blog partner, Daniel, for all his hard work in getting our Very Important Writings out there. Remember, kids: everyone's entitled to our opinions! 

 

Happy 2016 to one and all! Until next time... 

 

Cindy Prascik's Review of The Hateful Eight

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Dearest Blog: If the truth of Awards Season is sacrifice, the truth of the holiday season seems to be haste. Hurry here, hurry there, never enough time to fit everything in. Thus, at the ungodly (movie) hour of 9:30 this morning, I found myself at "not my" cinema for a screening of Quentin Tarantino's The Hateful Eight. 

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers. 

 

Dear Reader(s), every December, I visit New York City. Every December, without fail, someone in my group gets 9:00 a.m. Rockettes tickets, so we have to set out at stupid o'clock to see they get to Radio City bright and early for all those peppermint-stick costumes and high kicks. 

 

A person can reasonably be expected to handle just so much of certain things at that hour of the day; the enforced chipperness of the Rockettes is one of those things, and Quentin Tarantino is most certainly another. I have never, ever understood 9:00 a.m. Rockettes tickets. 

 

I am neither a fan nor not-a-fan of Quentin Tarantino. I know what I'm always getting in a Tarantino flick: gratuitous violence and scenarios that shock for the sake of it. 

 

Sometimes that's just stray garbage scattered about a great picture, sometimes the entire movie belongs in the dumpster. 

 

Unfortunately for The Hateful Eight, it appears to be trash day. This muddled mess does nothing to earn or justify its over-three-hour runtime. 

 

Uniformly despicable characters prattle on endlessly, only a fraction of their willfully repulsive dialogue necessary to provide backstory or propel the film forward. The graphic, incessant brutality is no less abhorrent for being expected. 

 

The Hateful Eight has a handful of terrific moments, mostly courtesy of Walton Goggins, as well as a wonderful score and top-notch sound editing, but, generally speaking, this one's a dud. The Hateful Eight runs 167 minutes and is rated R for "strong, bloody violence, a scene of violent sexual content, language, and some graphic nudity." 

 

A bloated exercise in ego, The Hateful Eight neither enlightens nor entertains; it only bores and disgusts. 

 

Of a possible nine Weasleys, The Hateful Eight gets two. 

 

Until next time, I wish a happy New Year to anyone and everyone who ever takes a moment to read my ramblings. 

 

May 2016 be peaceful, healthy, and prosperous for you all. See you at the pictures!