MOVIE REVIEW: TAKEN 2

IN THEATERS

TAKEN 2



His family targeted by a vengeful crime boss in Istanbul, retired CIA agent Bryan Mills (Liam Neeson) must fight an army of killers to ensure their safe return in this action sequel from director Olivier Megaton (ransporter 3) and producer/co-writer Luc Besson (who penned the screenplay alongside Taken scribe Robert Mark Kamen). ~ Jason Buchanan, Rovi

Director: Olivier Megaton

Cast: Liam Neeson, Maggie Grace, Famke Janssen, Rade Sherbedgia, Luke Grimes

Release Date: Oct 05, 2012

Rated PG-13 for intense sequences of violence and action, and some sensuality

Runtime: 1 hr. 32 min.

Genres: Drama, Suspense/Thriller

Review:

A sequel to Taken seems like it’d write itself. The plot is everything you’d expect it to be. Liam Neeson is gravelly voiced and dead serious when talking on cell phones, even tiny ones. Director Oliver Megaton should just keep this in cruise control and let whoever is watching this get what they wanted which is watching the world’s most awesome overprotective dad use his special set of skills to kill anyone and everyone that attempts to interrupt him on vacation. Megaton does this for a decent chuck of the film but for some reason the screen writers decided it was a good idea to get Maggie Grace’s character more involved. This is about as terrible an idea as having a nearly 30 year old actress play a 16 year old. The character is shrill and annoying. All the while she can go from taking a driving test to driving like a stunt driver in about 20 minutes. It’s a serious misstep in a movie that should just be about 60 year Liam Neeson taking out track suit wearing tugs with a coffee cup. Neeson is focused and dedicated as usual. He does well in the action sequences making even the most ridiculous situations seem plausible. Famke Janseen has more screen time but she’s comatose for the better part of the film not as an actress per say but as written. Rade Serbedzija is still cashing paychecks as that guy who not from here again. Taken 2 should be mindless fun and there is some obvious effort to get into Mills fastidious mindset but a detour into his daughter taking the lead is a bad misstep.

C

MOVIE REVIEW: PITCH PERFECT

IN THEATERS

PITCH PERFECT




A feisty coed joins a collegiate a cappella group and upgrades their song selection for the 21st century during the run-up to a major competition in this melodic comedy from Tony-nominated Avenue Q director Jason Moore. Drifting past the various cliques after arriving at college, Beca (Anna Kendrick) pays more attention to the jams pumping in her headphones than the people she passes on her way to class. But all that changes the moment she stumbles into the one place where every misfit has a voice -- the campus a cappella group. Although the competition amongst the singers proves surprisingly fierce, there's just one aspect of the group Beca can't wrap her head around: All of the songs they perform are at least a decade old. Convinced that they can do better by adding some contemporary tunes into the mix, Beca whips up an exciting new set list that will set the group apart and leave their rivals in the dust. Brittany Snow, Anna Camp, and Rebel Wilson co-star. ~ Jason Buchanan, Rovi

Director: Jason Moore

Cast: Anna Kendrick, Skylar Astin, Brittany Snow, Anna Camp, Rebel Wilson.

Release Date: Sep 28, 2012

Rated PG-13 for sexual Material, Language and Drug References

Runtime: 1 hr. 52 min.

Genres: Comedy

Review:

It’d be easy to write off Pitch Perfect as a Glee inspired money grab. The truth is that it’s a fun almost tongue in cheek redux of Bring it On with singing instead of cheerleading. Director Jason Moore has a strong sense of what the film is. In doing so he never takes the proceedings very seriously, leaving everything as light and effervescent to make it as easily digestible and enjoyable. At its core the film maintains a steady flow and tenor, only rarely missing a few beats here and there. The script works in spite of tired tropes with some fun dialogue that moves the film through some of cheesier moments. Anna Kendrick, she of strong features, carries this film with lots of help from her strong supporting cast. Kendrick is strong and believable as the lead, even though the character is about as common as a cold, she even impresses with some nice vocals. Rebel Wilson though is scene stealer here, proving she’s got so much more in her talent tool box than just broad laughs. She’s got some strong singing chops and excellent comedic timing. Anna Camp and Brittany Snow fall into their mean girl roles quite well in supporting but important roles. Some fun bit players round out the cast. If the film suffers from a major flaw its it’s length. There’s really no reason for this film to be nearly 2 hours in length and there are plenty of scenes which could have been trimmed or cut all together to streamline the experience.

B-

[Trailer] Hitchcock

The first trailer of Sacha Gervasi's "Hitchcock" has gone online and it looks like it’ll be a fun film for fans of Hitchcock and film in general. The tone of the film looks much lighter than HBO’s upcoming Hitchcock based film The Girl.

Anthony Hopkins appears to be incredibly focused even if the make up might be a bit jarring. His onscreen pairing with Helen Mirren looks to be the highlight of the film rounded out with a strong supporting cast.

Personally, I can’t wait to see this….

MOVIE REVIEW: LOOPER

IN THEATERS

LOOPER



A hired gun from the future discovers that his greatest adversary is himself in this twisting sci-fi mindbender starring Bruce Willis and Joseph Gordon-Levitt, and directed by Rian Johnson (Brick, The Brothers Bloom). In the year 2047 time travel has yet to be invented. Thirty years later, however, it has. Though immediately outlawed, time-travel technology is quickly appropriated by the mob, and used to cleanly dispose of anyone deemed a threat. The process is simple: When the mob wants someone to disappear, they simply send them back to the year 2047, where an assassin known as a "looper" quickly carries out the hit, and disposes of the body. Joe Simmons (Gordon-Levitt) is one of the most respected loopers around. Each kill earns him a big payday, and he's got big plans to retire to France. Then, one day, as Joe patiently awaits the appearance of his next target near the edge of a remote corn field, he's shocked to come face-to-face with his future self (Bruce Willis). When the younger Joe hesitates, the older Joe makes a daring escape. Now, in order to avoid the wrath of his underworld boss (Jeff Daniels), young Joe must "close the loop" and kill his older counterpart. Meanwhile, the revelation that a powerful crime boss in the future has set the underworld ablaze pits the two Joes on a violent collision course, with the fate of a devoted mother (Emily Blunt) and her young son hanging in the balance. Paul Dano and Piper Perabo co-star. ~ Jason Buchanan, Rovi

Director: Rian Johnson

Cast: Bruce Willis, Joseph Gordon-Levitt, Emily Blunt, Paul Dano, Noah Segan

Release Date: Sep 28, 2012

Rated R for some Sexuality/Nudity, Language, Drug Content and Strong Violence

Runtime: 1 hr. 59 min.

Genres: Suspense/Thriller

Review:

Looper is the type of sci-fi film that makes a life long genre fan smile. Smart and well thought out, its world is brought to life with vibrant energy and depth that usually missing from most recent fare. Rian Johnson directs this mind bending film with a steady hand and keeps the action moving at a steady pace. He allows things to unfurl in an authentic manner; it’s a methodical process which settles you into the proceedings. In doing so, Johnson creates an atmosphere which lets you feel the grim and despair of this dystopian future. Joseph Gordon-Levitt performance here is a perfect match for this world. He does a fine job showcasing the characters soulless, aimless nature. The heavy prosthetics which are supposed to make him look like Bruce Willis are a tad distracting, sometimes more than others. Willis as the older version of the same character brings a world weariness to it that incredibly appropriate all while being on full vengeance mode. Emily Blunt’s role is kind of disorienting and against type but effective. Pierce Gagnon as her son is as creepy as he is mature for a child actor. Rian Johnson makes a wise decision in casting the impressive Jeff Daniels and Paul Dano in small supporting roles, rounding out his film. If there is small complaint is the film does start to drag a bit in the early part of the 3rd act. Additionally, it takes a somewhat unexpected turn which may turn off some people. Still as a whole is one of the more impressive films genre films in recent memory.

B

MOVIE REVIEW: THE CABIN IN THE WOODS

ON VIDEO

THE CABIN IN THE WOODS



Joss Whedon and Drew Goddard team up for this bloody horror satire that offers an inventive twist on the familiar stranded-in-the-woods sub-genre. ~ Rovi

Director: Drew Goddard

Cast: Kristen Connolly, Chris Hemsworth, Anna Hutchison, Fran Kranz, Richard Jenkins

Release Date: Apr 13, 2012

Rated R for strong bloody horror violence and gore, language, drug use and some
sexuality/nudity

Runtime: 1 hr. 45 min.

Genres: Horror, Suspense/Thriller

Runtime: 1 hr. 31 min.

Genres: Comedy

Review:

Cabin in the Woods is a Meta film on steroids. The characters as written are archetypes and played as such just like the usual tropes of any generic horror film. Joss Whedon’s film is full of clever twist and nods throughout even though it thinks it’s a lot cleverer than it actually is. As a film, it’s a mash up of the underrated sci-fi horror film Cube and Wes Craven’s A New Nightmare. It’s an interesting and fun little ride that takes itself less and less seriously as the film moves on. Director Drew Goddard gets what Whedon is going for and they both hit the marks they are looking for. Someone looking for a scary movie though won’t find it here, outside of a few jump scares, it’s never really unsettling. More than anything it’s a love letter to movie fans and horror fans in particular. In the process Whedon turns the mirror back on us as viewers of the horror genre, poking plenty of fun at it to, but pointing out all the tropes we’ve become so accustomed to over the years. It all works fairly well even if it’s not perfect or totally original.

B-

MOVIE REVIEW: THE MASTER

IN THEATERS

THE MASTER




Paul Thomas Anderson's The Master stars Joaquin Phoenix as a psychologically damaged war veteran who finds himself working for Lancaster Dodd (Philip Seymour Hoffman), a charismatic figure building his own religion. As the alcoholic, self-destructive former soldier becomes more deeply involved with the leader of this cult-like organization, his natural instincts keep him from embracing his new position as strongly as others in the group would hope. The Master screened at the 2012 Toronto International Film Festival. ~ Perry Seibert, Rovi

Director: Paul Thomas Anderson

Cast: Joaquin Phoenix, Philip Seymour Hoffman, Amy Adams, Laura Dern, Jesse Plemons

Release Date: Sep 14, 2012

Rated R for Graphic Nudity, Sexual Content and Language

Runtime: 2 hr. 16 min.

Genres: Drama

Review:

The Master is an appropriate title for the new Paul Thomas Anderson. His place as the second coming of Stanley Kubrick fully realized with this visually powerful and intense film. Anderson directs his film with such a pronounced definitiveness that I’d be hard pressed to find a flaw. Anderson’s ability to get the most out of his actors is readily evident. Joaquin Phoenix gives a seminal performance which may prove to be a high point in his career. Phoenix utterly dissolves into the character from the start. It’s impossible to tear your eyes away from his ferocious mental disturbed man. Phillip Seymour Hoffman is equally impressive as the charismatic and subtly fiery cult leader. Their scenes together are some of the film’s best each showcasing their impressive talents all at once. Amy Adams is strong in a supporting role, showing off a steely intensity that makes her almost as frightening as the male leads. The actors and Anderson have created a classic film, which should be all over the place on the Oscars list, that requires your attention from the start, it offers very little in the way of clear answers. The Master is the type of film that requires repeat viewing which is a cinematic treat for any film fan.

A