MOVIE REVIEWS: THE WOLFMAN

Sunday, February 14, 2010
MOVIE REVIEWS: THE WOLFMAN
IN THEATERS

 

THE WOLFMAN

Universal Studios resurrects the classic lycanthrope with this tale of a man who experiences an unsettling transformation after he returns to his ancestral home in Victorian-era Great Britain and gets attacked by a rampaging werewolf. When Ben Talbot (Simon Merrels) vanishes into this air, his brother Lawrence (Benicio Del Toro) returns to his family estate to investigate. Upon reuniting with his estranged father Sir John Talbot (Anthony Hopkins), however, he discovers a destiny far darker than his blackest nightmares. Ben is dead; the victim of a savage attack by a beast that keeps the superstitious locals cowering in fear every time the moon shines bright in the sky. Shortly after discovering his brother's true fate, Lawrence. swears to Ben's wife Gwen that he will bring her late husband's killer to justice. As a young boy, the untimely death of his mother caused Lawrence to grow up before his time. Though Lawrence had previously attempted to bury his pain in the past by leaving the quiet Victorian hamlet of Blackmoor behind, he discovers that you can't outrun fate when he's attacked by the very same nocturnal beast that claimed his brother. Not even recently arrived Scotland Yard inspector Aberline (Hugo Weaving) can dream up a rational explanation for the gruesome spell cast over Blackmoor, yet rumors of an ancient curse persist. According to legend, the afflicted will experience a horrific transformation by the light of the full moon. Now, the woman Talbot loves is in mortal danger, and in order to protect her he must venture into the moonlit woods and destroy the beast before it destroys her. But this isn't a typical hunt, because before the beast can be slain, a simple man will uncover a primal side of himself that he never knew existed. Screenwriter Andrew Kevin Walker pens a film directed by Joe Johnston and featuring creature effects by special-effects makeup legend Rick Baker. ~ Jason Buchanan, All Movie Guide

Cast: Benicio Del Toro, Anthony Hopkins, Emily Blunt, Hugo Weaving, Art Malik.

Director: Joe Johnston

Release Date: Feb 12, 2010.

Rated R for bloody horror, violence and gore

Runtime: 2 hr. 5 min.

Genres: Action, Horror

Review:

More often than not, films that are beset with long production problem are destined to roll out as terrible films. Occasionally, a film will some how come together and find its way even with a myriad of trials and tribulations, Tombstone being one of the more recent examples that pop to mind. The Wolfman isn’t one of those films. Less its original director and after reshoots and delays, The Wolfman comes to the screen an unfocused mess. Joe Johnston took over the reigns after Mark Romanek walked off over creative differences. Johnston working in gothic horror is like watching a porcupine playing with a balloon. Johnson has no talent at building suspense or establishing characters as a result he drags down what is a fairly impressive cast. Benicio Del Toro gives what maybe be the stiffest most uninteresting performance of his career. He’s neither brooding nor conflicted instead he walks through scenes in an almost catatonic state only occasionally showing a glimmer of life. Anthony Hopkins crews scenery as readily as the Wolfman chews off appendages. In certain films Hopkins can be effective in this type of role but the script here is just a horrid unfocused hodgepodge that provides zero characterization. Emily Blunt is simply asked to look dour and speak in her natural British accent, nothing more nothing less. Hugo Weaving, like Hopkins, makes as much of an impression as possible but his effectiveness is severely limited as a result of the films massive flaws. Besides a bulldozer approach at direction from Johnston, whose over use of gore makes it more comic than scary, the script is wrought with issues. As mentioned the characters are all underwritten, the audience never has any idea what these characters motivations or connections are. This makes a film that is just over 2 hours long seem rushed but tedious at the same time. A major twist that could have been saved for the finale is just haphazardly thrown out in the open way too early in the game. The finale lacks any emotional bite and features a final battle that is funnier than it is dramatic. Kudos to Rick Baker’s practical effects which echo the work done in the original, sadly the CGI is mostly ineffective. Coupled with the fact that most of the outdoor scenes feel cheap and distinctly soundstagey this mess of a movie is neither enjoyable or scary.

D-

MOVIE REVIEWS: A PERFECT GETAWAY

Tuesday, February 16, 2010
MOVIE REVIEWS: A PERFECT GETAWAY

ON DVD

A PERFECT GETAWAY

Honeymooning newlyweds Cliff (Steve Zahn) and Cydney (Milla Jovovich) are hiking an 11-mile trail in Hawaii when they cross paths will ex-military man Nick (Timothy Olyphant), who earns their trust by helping them navigate a particularly treacherous mountain cliff. A few yards later, the trio runs into a group of girls whose parents are begging them to return home following reports that a honeymooning couple has been murdered on one of the other islands. The suspects in the killings are a young white couple, and when Cliff and Cydney meet Nick's frees-spirited girlfriend, Gina (Kiele Sanchez), tensions start to rise. The further the foursome walks together, the more delicate the balance of trust and suspicion becomes. ~ Jason Buchanan, All Movie Guide


Cast: Timothy Olyphant, Steve Zahn, Milla Jovovich, Kiele Sanchez, Marley Shelton.


Director: David Twohy


Release Date: Aug 07, 2009


Rated R for graphic violence, language and some drug use.


Runtime: 1 hr. 38 min.


Genres: Action, Thriller


Review:

David Twohy returns to form after his lackluster follow up to Pitch Black, The Chronicles of Riddick, with a surprisingly effective thriller. Twohy serves as writer / director here as he usually does and what he creates with A Perfect Getaway is an intriguing if occasionally overly self aware yarn that’s far better than it deserves to be. Twohy doesn’t spend too much time with unnecessary build up or excessive fluff. He gets right into the meat of the story and lets it run in a very lean and well paced manner. He makes great use of the local and shoots some wonderful views of the vistas both as beautiful yet dangerous. The characters he creates are intentionally one dimensional at a glance but as the film proceeds they become more and more ambiguous, keeping the audience guessing. Performances from the cast are decent with most delivering what you’d expect. Steve Zahn and Milla Jovovich play it straight, for the better part of the film, as the naïve newlywed couple. Both have major character shifts in the films third act, something Jovovich handles better than Zahn who goes a little overboard. Timothy Olyphant is a ball of crazy eyed enthusiasm. Kiele Sanchez is plays it lower key and probably the most forgettable of the main cast. Twohy direction and script keep you off balance and when the major turn occurs in the final act he loses a bit of steam as he feels the need to over explain the situation. He over does it and the entire sequence feels like it could have been trimmed down significantly without losing effectiveness. Regardless, A Perfect Getaway is stronger than expected and delivers an intriguing thriller.


B-

Movie Reviews: MOON

Sunday, February 07, 2010
Movie Reviews: MOON
ON DVD

MOON

An astronaut miner extracting the precious moon gas that promises to reverse the Earth's energy crisis nears the end of his three-year contract, and makes an ominous discovery in this psychological sci-fi film starring Sam Rockwell and Kevin Spacey. For three long years, Sam Bell has dutifully harvested Helium 3 for Lunar, a company that claims it holds the key to solving humankind's energy crisis. As Sam's contract comes to an end, the lonely astronaut looks forward to returning to his wife and daughter down on Earth, where he will retire early and attempt to make up for lost time. His work on the Selene moon base has been enlightening -- the solitude helping him to reflect on the past and overcome some serious anger issues -- but the isolation is starting to make Sam uneasy. With only two weeks to go before he begins his journey back to Earth, Sam starts feeling strange: he's having inexplicable visions, and hearing impossible sounds. Then, when a routine extraction goes horribly awry, it becomes apparent that Lunar hasn't been entirely straightforward with Sam about their plans for replacing him. The new recruit seems strangely familiar, and before Sam returns to Earth, he will grapple with the realization that the life he has created may not be entirely his own. Up there, hundreds of thousands of miles from home, it appears that Sam's contract isn't the only thing about to expire. ~ Jason Buchanan, All Movie Guide


Cast: Sam Rockwell, Kaya Scodelario, Benedict Wong, Matt Berry, Malcolm Stewart.


Director: Duncan Jones


Release Date: ..Jun 12, 2009..


Rated R for language


Runtime: 1 hr. 37 min.


Genres: Drama, Thriller


Review:


Duncan Jones feature film debut is the type of film that makes life long science fiction fans feel all warm and fuzzy inside. Recalling Stanley Kubrick’s 2001 with its look and the ever present computer assistant, Jones creates an atmospheric and engaging film that is more about concepts and philosophical musing than the actions on screen. While 2001 is the first thing that comes to mind, its themes and ideas are closer to Solaris, the Soviet sci-fi classic. Jones eye and pacing are very measured and he allows the audience to get a sense of the silence and isolation the story’s main character is experiencing and feeling. Sam Rockwell is on full display here as the film is pretty much a stage for him to show off his entire range of talent. Rockwell is fascinating and intriguing throughout, playing the character at the start and end of his life is daunting challenge but he pulls it off with ease. Kevin Spacey provides the voice for Rockwell’s automated co star Gerty. Spacey’s monotone and disarming timber gives Gerty an artificial yet compassionate voice. That coupled with Gerty’s wide array of smileys that mimic the conversation make for an interesting counterpart to Rockwell’s character. Jones debut makes a strong impression but lacks tension or mystery throughout. The plot feels like it plays its hand a tad too early as there’s very little suspense in the final act. Personally I was left expecting a bit more from the actual story. Still its themes and questions are fascinating food for thought especially for life long science fiction fans who don’t need massive FX or invading aliens to intrigue the mind.


B+

Movie Reviews: WHITEOUT & THE INVENTION OF LYING

Tuesday, February 02, 2010
Movie Reviews: WHITEOUT & THE INVENTION OF LYING

ON DVD

WHITEOUT

A U.S. marshall tracking a vicious murderer through the Antarctic must locate the killer before the sun sets for six months, or risk being trapped in the dark with the madman for months on end in director Dominic Sena's adaptation of the graphic novel series by Greg Rucka. U.S. marshall Carrie Stetko (Kate Beckinsale) has been stationed at Antarctica's South Pole research base for two years, and now after turning in her resignation she's looking forward to finally going home. The last plane out leaves in just three days, and just after that ..Antarctica.. will not see the sun again for another 24 weeks. Then, just 72 hours before she is set to escape the coming darkness, a body is discovered in the ice -- prompting the first murder investigation ever to take place on the desolate Antarctic Circle continent. Little does Carrie realize that she's suddenly been thrust into a mystery over 60 years in the making, and that the killer is ready to strike again in order to protect a grim secret. Now, as the death toll starts to rise, loyalties shift, and a massive series of whiteouts blow bitter winds across the frozen landscape, the U.S. marshall who wanted nothing more than to escape the cold must work around the clock to catch a killer before the blinding white snow gives way to the deadly darkness of winter. ~ Jason Buchanan, All Movie Guide

Cast: Kate Beckinsale, Gabriel Macht, Tom Skerritt, Columbus Short, Alex O'Loughlin.

Director Dominic Sena

Release Date: Sept. 11, 2009

Rated R for violence, grisly images, brief strong language and some nudity.

Runtime: 1 hr. 41 min.

Genres: Action, Thriller

REVIEW:

It’s never a good thing when the peak of a movie is a gratuitously long shot of Beckinsale disrobing as she gets ready for a shower. After watching the film, I am left with the feeling that there was more effort put into figuring out how to get Kate Beckinsale to show some skin in a movie that takes place entirely, sans a few flashbacks, in the South Pole. Mission accomplished, I guess. As for the rest of the movie, Dominic Sena delivers a woefully paint by the number murder mystery that seems like it was scripted by a computer programmed to churn out low level CSI plots. Everything about the story is terribly hackneyed and there is zero tension as every twist or turn is about as obvious as a little league soft ball pitch. Sena’s direction here is equally generic as he brings very little to the table doing nothing with the locale outside of pointing out that it’s really cold and windy. Kate Beckinsale bored most of the time and is just going through the motions; it’s not a terrible performance but nothing special either. Gabriel Macht is as stoic and mysterious as the script allows but like everything else here his work like his character is generic with a capital G. Tom Skerritt has a supporting role but mostly he just looks like he wishes he was elsewhere the entire time. The rest of the cast are mainly fodder for the killer especially when they have something to say which might be important. Whiteout is one of the strongest works in cinematic banality I’ve seen in a long while. It’s the type of film that plays in the background and you don’t really feel like you missing anything.

D

THE INVENTION OF LYING

Ricky Gervais directs himself in The Invention of Lying, a comedy in which everyone in the world tells the truth except for one misfit in the film industry, who after discovering the act of lying, milks it to become the world's most phenomenal performer. Matthew Robinson will co-direct from his own script, which he and Gervais collaborated on. Jennifer Garner, Rob Lowe, Jonah Hill, and Louis C.K. co-star in the Media Rights Capital production, with John Hodgman, Tina Fey, Christopher Guest, and Jeffrey Tambor rounding out the rest of the cast. ~ Jeremy Wheeler, All Movie Guide


Cast: Ricky Gervais, Jennifer Garner, Louis C.K., Rob Lowe, Jonah Hill.

Director: Ricky Gervais

Release Date: Oct 02, 2009

Rated PG-13 for language including some sexual material and a drug reference

Runtime:1 hr. 39 min.

Genres: Comedy, Romance


REVIEW:



The Invention of Lying is the type of film that leaves you scratching your head once you’ve finished watching it. The cast is a collection of comedic heavyweights who could carry a film on their own. It’s directed and co written by its star Ricky Gervais whom I consider a comedic genius. The movie’s conceit is interesting and initially funny but as the film goes on it loses traction fairly quickly. Gervais has an interesting idea to work with and there are decent amounts of laughs to be had but some of the concepts just aren’t executed to the fullest extent. A secondary issue is that the tone of the film is unclear throughout as it changes frequently and as the film nears its end it decides to play a little too nice and safe which comes off as artificial and hollow. Gervais himself is in fine form in his role as he delivers plenty of laughs through well timed delivery of lines and he even gets a moment stretch his drama muscle in a pivotal scene with surprising effectiveness. Jennifer Garner isn’t really asked to do too much outside of stare blankly and recite lines like she’s a 4 year old. Rob Lowe is adequate as Gervais counterpoint but doesn’t really leave much of an impression. The rest of the cast such as Louis C.K., Jonah Hill and Tina Fey are terrible underused with Fey showing up for what amounts to a short cameo. It’s hard to not walk away from The Invention of Lying without the slightest ting of disappointment. It’s a solid film that’s entertaining and contains some fairly interesting ideas, one that will probably infuriate religious folks, but the execution is sporadic and uneven, a real shame as it could have been something special with all the talent assembled.




C+

Movie Reviews: THE HURT LOCKER

Wednesday, January 27, 2010
Movie Reviews: THE HURT LOCKER
ON DVD

THE HURT LOCKER



Based on the personal wartime experiences of journalist Mark Boal (who adapted his experiences with a bomb squad into a fact-based, yet fictional story), director Kathryn Bigelow's Iraq War-set action thriller The Hurt Locker presents the conflict in the Middle East from the perspective of those who witnessed the fighting firsthand -- the soldiers. As an elite Army Explosive Ordnance Disposal team tactfully navigates the streets of present-day Iraq, they face the constant threat of death from incoming bombs and sharp-shooting snipers. In Baghdad, roadside bombs are a common danger. The Army is working to make the city a safer place for Americans and Iraqis, so when it comes to dismantling IEDs (improvised explosive devices) the Explosive Ordnance Disposal (EOD) crew is always on their game. But protecting the public isn't easy when there's no room for error, and every second spent dismantling a bomb is another second spent flirting with death. Now, as three fearless bomb technicians take on the most dangerous job in Baghdad, it's only a matter of time before one of them gets sent to "the hurt locker."

Cast: Jeremy Renner, Anthony Mackie, Brian Geraghty, Guy Pearce, Ralph Fiennes.

Director: Kathryn Bigelow

Release Date: ..Jun 26, 2009..

Rated R for language and war violence

Runtime: 2 hr. 11 min.

Genres: Action, Drama, Thriller

Review:

Kathryn Bigelow’s tension filled The Hurt Locker is an excellently crafted film even if it becomes a war of attrition by the finale. From the opening sequence, Bigelow ratchets up the tension to 11 and, outside of a few scenes, never really lets up. It’s the type of film that never really lets you breathe as it’s a succession of high stress moments after another. Bigelow does a wonderful job of capturing the tension by framing and shooting scenes so that everything has a sense of immediacy. The film would be a failure if the cast didn’t come off as believable, luckily this cast, made up of working actors not stars, is more than up to the task. Jeremy Renner leaves a strong impression with his work here. Renner gives his character a definite sense of authenticity while never allowing his character to come off as clichéd, something the script falls into later in the film. Anthony Mackie and Brian Geraghty are equally strong in their performances. The film is almost entirely limited to these 3 men and they share a great chemistry throughout. Effective cameos from name actors such as Ralph Fiennes, Guy Pierce and David Morse add to the overall quality of the film and they keep the audience off balance with unexpected situations or resolutions. If there are a few miscues they limited to the script, as it heads towards its conclusions some situations and relationships start to come off as artificially generated and lack the authenticity of film. It’s nothing horrible but noticeable. The Hurt Locker avoids any political leanings and focuses almost primarily on the individuals that trudge through the Iraq conflict. It’s a film that feels every minute of its 2 hour plus run time and that’s not really a bad thing.

B+

Movie Reviews: THE IMAGINARIUM OF DOCTOR PARNASSUS

Sunday, January 10, 2010
Movie Reviews: THE IMAGINARIUM OF DOCTOR PARNASSUS
IN THEATERS

THE IMAGINARIUM OF DOCTOR PARNASSUS


Dr. Parnassus (Christopher Plummer), the leader of a traveling show, has a dark secret. Thousands of years ago he traded the soul of his daughter, Valentina, to the devil. Now the devil has come to collect his prize. To save her, ..Parnassus.. must make a final wager: Whoever collects five souls first will win Valentina. Tony (Heath Ledger), a man saved from hanging by ..Parnassus..' troupe, agrees to help collect them, with his eye on marrying Valentina.


Cast: Heath Ledger, Christopher Plummer, Tom Waits, Johnny Depp, Jude Law, Colin Farrell


Director: Terry Gilliam


Opened ..December 25, 2009..


Runtime: 2 hr. 2 min.


Rated PG-13 for language, violent images, some sensuality and smoking


Genres: Fantasy


Review:


The Imaginarium of Doctor Parnassus is more than Heath Ledger’s final performance. It’s a bit difficult to separate him and the film at the outset especially once Ledger makes his first appearance, hanging from a noose no less. Gilliam does the smart thing in this sometime choppy but very imaginative fantasy. He addresses Ledger’s passing and devotes a scene to eulogizing him in a surprising effective way that works well within the story. Gilliam’s creative eye and his distinctive style is very much on display and the fantasy element that occur inside the imaginarium are the real high points of the film where you can sense the energy coming from the screen. The film falters in the more mundane real world sequences which creates an uneven flow throughout even though the cast does it’s best to keep you interested. Christopher Plummer performance as the titular doctor is appropriately sagely yet he’s able to also show how deeply flawed the character is as well. Plummer is clearly having a good time playing this Faustian character. Heath Ledger does fine work as the amnesic Tony, giving him a nice dose of huckster charisma while keeping an air of enigma throughout. Johnny Depp, Jude Law and Colin Farrell do well as the different aspects of Tony’s psyche within the imaginarium all the while channeling Ledger in homage. Virtual newcomer Lily Cole provides a nice sense of innocence while looking like a Botticelli model. Tom Waits and Vern Troyer both have fun in broadly written caricatures. Andrew Garfield barely registers even when he’s front and center. Even though it’ll be remembered more as Ledger’s final act, Imaginarium is an impressive bit of creative filmmaking from a director who’s never been afraid to test limits of classical story telling. Gilliam’s film is far from perfect but you’d be hard pressed to deny it’s creative energy during it’s more inspired segments.


B-