MOVIE REVIEW: THE IRISHMAN

In the 1950s, truck driver Frank Sheeran gets involved with Russell Bufalino and his Pennsylvania crime family. As Sheeran climbs the ranks to become a top hit man, he also goes to work for Jimmy Hoffa -- a powerful Teamster tied to organized crime.

Director: Martin Scorsese

Cast: Robert De Niro, Al Pacino, and Joe Pesci, Ray Romano, Bobby Cannavale, Anna Paquin, Stephen Graham, Stephanie Kurtzuba, Jesse Plemons, Harvey Keitel

Release Date: November 27, 2019

Genres: Biography, Crime, Drama

Rated R for pervasive language and strong violence.

Runtime: 3h 29min

Review:

The Irishman might be best described as a Martin Scorsese supreme.  This magnum opus seems to encapsulate everything from his gangster golden age populated by all his favorite actors from that era.  In lesser hands, this might come off as superfluous or passé but Scorsese feels refreshed and rejuvenated.  His direction is sharp, crisp and engaging throughout.  You get moments, sequences and shots that recall some of his classic films like Good Fellas and Raging Bull.  However, this isn’t simply retreading old tropes because you can get a sense of a more pensive and reflective director behind the camera.  Similarly, his cast delivers their best work in years with the added depth of age.  The much talked about deaging works for the most part even though it’s a bit jarring in the early sequences.  Thankfully, that wears down over time allowing you to appreciate the performances.  Watching Robert De Niro and Joe Pesci together on screen really helps highlight how well they work off each other resulting in stellar performances from both.  Joe Pesci, after his long layoff, shows that’s never lost his touch for these types of characters with his age aiding his performance.  De Niro looks more engaging that he has in years.  His performance is both frightening and sympathetic at the same time even though his character is a moral wasteland.  Al Pacino though decides to go full Pacino as Hoffa.  His performance is like a mix of Scarface and The Devils Advocate’s Devil, its full decibel from the get go.  The interesting thing is that after the initial shock, it actually works well for the character.  The supporting cast is populated with Scorsese regulars both new and old plus an added bonus of giving Anna Paquin her best performance by making her nearly mute throughout with one solitary line.  These types of decisions are true signs of a auteur still at the top of game as he creates another classic.

A

MOVIE REVIEW: KNIVES OUT

A detective and a trooper travel to a lush estate to interview the quirky relatives of a patriarch who died during his 85th birthday celebration.

Director: Rian Johnson

Cast: Daniel Craig, Chris Evans, Ana de Armas, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, Lakeith Stanfield, Katherine Langford, Jaeden Martell, Christopher Plummer

Release Date: November 27, 2019

Rated PG-13 for thematic elements including brief violence, some strong language, sexual references, and drug material

Runtime: 2 hr. 10 min.

Genres: Comedy, Crime, Drama

Review:

Rian Johnson’s Knives Out is a refreshing throwback to those old school ensemble films based on Agatha Christie books.  Johnson’s plot bears a lot of resemblances to those types of films and he stacks his film with a wonderful motley crew of possible culprits.  His direction moves the film at a brisk pace with only a few dead spots in the final reel.  The crisp direction keeps your eyes peeled to every detail as you start trying to piece together the truth.  Some of these types of film tend to cheat the story by using unbelievable twist; thankfully this story is a bit more honest.  If there’s one drawback to that approach it’s that the central mystery isn’t all that complex and pretty easy to figure out before it’s all laid out on screen.  It’s not a major drawback but those looking for a strong mystery will be left wanting.  The film’s biggest asset is its stellar cast who each seem to be having a ball in each of their roles.  Daniel Craig’s turn as a Foghorn Leghorn sounding detective is just incredibly fun and you sort of wonder why the story didn’t use him as the central point of the film.  Instead he’s on the boundaries of the story playing a larger part in its finale.  Instead it’s Ana de Armas character who is the focal point of the story and she delivers a solid performance in the midst of bigger names.  Sadly, the supporting players like Toni Collette, Jamie Lee Curtis and Michael Shannon are left with precious slivers of screen time to shine.  Still they all make the most of it and deliver a fun film across the board that feels like a lesser version of the movie Clue.

B

MOVIE REVIEW: IT’S A BEAUTIFUL DAY IN THE NEIGHBORHOOD

A journalist's life is enriched by friendship when he takes on an assignment profiling Fred Rogers. Based on the real-life friendship between journalist Tom Junod and television star Fred Rogers.

Director: Marielle Heller

Cast: Tom Hanks, Matthew Rhys, Susan Kelechi Watson, Chris Cooper

Release Date: November 15, 2019

Genres: Biography, Drama

Rated PG for some strong thematic material, a brief fight, and some mild language

Runtime: 1h 48min

Review:

It’s a Beautiful Day in the Neighborhood isn’t the Fred Rodgers biopic you might expect.  His character is mostly a secondary player but the film does a solid job of capturing the epitome of his spirit.  Marielle Heller’s film is a subtle but a well crafted tale that uses some wonderful visual and framing devices to really capture the feel of a Mr. Rodgers episode.  At the center of the film is Matthew Rhys who delivers a fine performance.  Rhys carries the air of a broken man from the beginning of the film.  Ultimately, this movie is about his story and how his interactions with Rodgers helped him identify his personal pain and grow into a better person.  There’s nary a question that nobody could play Mr. Rodgers except Tom Hanks.  Hanks brings his own inherent likeability to the role and it would have been easy to just coast through his performance based off of just that.  Thankfully Hanks doesn’t do that and the film is so much better for it.  It’s a showcase of subtly as he uses vocal inflections and mannerisms to channel Rodgers.  It shouldn’t come as a surprise that the film perks up every time he shows up on screen.  It’s wonderful performance that leaves you wishing he’d been a bigger focus of the film as a whole.

B+

Cindy Prascik's Reviews of A Beautiful Day in the Neighborhood & 21 Bridges

This weekend I threw my hard-earned cash at two unfortunate films offered as sacrifices to the Frozen gods: A Beautiful Day in the Neighborhood and 21 Bridges.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First up: A Beautiful Day in the Neighborhood.

A jaded investigative journalist is assigned to write a profile of Mr. Rogers.

A Beautiful Day in the Neighborhood is about Mr. Rogers, but it isn't really *about* Mr. Rogers. So close on the heels of the documentary Won't You Be My Neighbor? maybe it doesn't need to be. A Beautiful Day in the Neighborhood is about Mr. Rogers' uncanny gift for teaching healthy coping mechanisms, and the exceptional kindness that always allowed him to see things from another person's point of view. In this "based on actual events" tale, Fred Rogers (Tom Hanks) forms an unlikely friendship with Lloyd Vogel (Matthew Rhys), a world-weary writer assigned to profile him for Esquire magazine. Struggling with changes in his home dynamic and estranged from his ill father, Vogel cynically wonders if the saintly Rogers could possibly be for real. The story is framed within a fictional episode of Rogers' legendary television show, which sounds interesting in concept but plays somewhat awkwardly in practice. Pacing is dicey enough that the film, which isn't all that long, sometimes feels very slow and very, very long. It's also heavy-handed with its lessons of kindness and understanding, which isn't unwarranted in these unkind times, but being beaten over the head with a movie's message never helps me enjoy it much. Negatives aside, where the film really shines is in its leading performances. Hanks and Rhys are brilliant individually and together, even if I did catch a bit of Forrest Gump peeking through Hanks' Fred Rogers here and there. Given that he's the world's most-loved actor, playing the world's most-loved person, best actor nods across the board seem a given for Hanks. (At risk of sounding like a broken record: Ceding nominations only. He may not have Taron's Oscar, either, even if he is Tom Hanks playing Mr. Rogers.) A Beautiful Day in the Neighborhood pulls at the heartstrings, but, ultimately, it still feels like the great Fred Rogers hasn't yet gotten the film he deserves.

A Beautiful Day in the Neighborhood runs 108 minutes and is rated PG for "some strong thematic material, a brief fight, and some mild language."

A Beautiful Day in the Neighborhood features great performances and some touching moments, but overall it's pretty forgettable. Of a possible nine Weasleys, A Beautiful Day in the Neighborhood gets six.

Fangirl points: An audible twitter rolled through my theater when the Incline turned up!

Next on my agenda: 21 Bridges.

A detective known for taking down cop killers catches a case where eight officers were killed...but can he peel back the layers to get to the heart of the crime?

21 Bridges is a 2019 movie with the gritty feel of a 1970s cop drama. The underlying story of police corruption in the dirty Big City further adds to the old-school vibe. Chadwick Boseman carries the picture with ease, and--while this doesn't require anything on par with his stunning work in 42 and Get On Up--he is eminently watchable. The supporting cast is as good as it needs to be in fairly limited use, with Taylor Kitsch and Stephan James being particularly noteworthy. Characters are broadly drawn and leave little to the imagination, which makes plot twists pretty easy to spot. The movie is fairly intense throughout, though first half does seem to drag a bit. The second half is more solidly paced, playing to a predictable but not unsatisfying finale.

21 Bridges clocks in at a tight 99 minutes and is rated R for "violence and language throughout."

21 Bridges is a serviceable cop drama that offers a nice respite from awards bait and sappy seasonal fare.

Of a possible nine Weasleys, 21 Bridges gets seven.

Until next time...