MOVIE REVIEW: THE HOBBIT: THE BATTLE OF THE FIVE ARMIES

Peter Jackson takes cues from the appendices of The Lord of the Rings to expand New Line Cinema's Hobbit adaptation with this third film completing the epic tale of Bilbo Baggins, as played by Martin Freeman. The story opens to find the vengeful dragon Smaug (voice of Benedict Cumberbatch) decimating the peaceful hamlet of Laketown as Bilbo, Thorin (Richard Armitage) and the rest of the dwarves lay claim to the Lonely Mountain. But their celebration is short-lived as Thorin grows obsessed with finding the Arkenstone. Meanwhile, Galadriel (Cate Blanchett) Elrond (Hugo Weaving) and Saruman (Christopher Lee) battle the Nazgul in an attempt to free Gandalf (Ian McKellen), and get some unexpected help from eccentric wizard Radagast (Sylvester McCoy). Unfortunately for all involved the struggle has only just begun, because as armies of dwarves, elves, orcs, humans and goblins converge at the base of the Lonely Mountain, the fight for the future of Middle Earth begins. ~ Jeremy Wheeler, Rovi

Director: Peter Jackson 

Cast: Martin Freeman, Ian McKellen, Richard Armitage, Luke Evans, Evangeline Lilly, Orlando Bloom

Release Date: Dec 17, 2014

Rated PG-13 for Intense Fantasy Action, Frightening Images and Intense Fantasy Violence

Runtime: 2 hr. 24 min.

Genres: Action/Adventure

Review:

The final entry in The Hobbit trilogy finally pays off all the set up from the sometimes laborious previous entries.  Jackson has proven time and again that he’s a master of marvelous mayhem on an epic scale. After wrapping up the storyline from the 2^nd film, which should have be the previous entries finale, the film moves judiciously through some plot points setting up the final battle(s).  This film is the leanest of all of Jackson’s Tolkien films with a steady sense of momentum throughout.  Once the film’s battle sequences begin, they don’t stop for nearly an hour and a half.  It’s a dizzying run through every sort of battle you’ve ever seen.  The finale set in the ice and snow is the most impressive of the entire film which also packs the biggest emotional punch.  The actors have all settled into their roles by this point and each delivers strong performances with Luke Evans and Martin Freeman being the biggest standouts.  Evangeline Lilly gets a rather large chuck of screen time which is baffling since the character is not in the books and she’s saddled with a clichéd love story.  Unlike the other trilogy capper, this one doesn’t wear on too much but that’s not to say it doesn’t overstay its welcome.  Battle fatigue, even when they wonderfully crafted, starts to set in after a while.  At the very least it’s not filled with endless false endings like Return of the King, instead we get a nice send off with an aged Bilbo taking us back to the start of the Lord of the Rings trilogy.

B

Cindy Prascik's Review of The Hobbit: The Battle of the Five Armies

Dearest Blog, with a couple screenings of the final installment of Peter Jackson's Hobbit trilogy now under my belt, I shall try to present some thoughts. Coherence not guaranteed. (But is it ever?)

Spoiler level here will be mild-ish, no biggies, but if you prefer to go in totally blind--if that's even possible with a story that's nearly 80 years old--kindly defer reading until you've seen it.

Having made their way home, the company of Thorin Crabbypants defends its Kingdom Under the Mountain, but there's more than gold on the line when the battle expands.

Where to start...where to start...

Beginning at the beginning, BOTFA kicks off where Desolation of Smaug ended, with an angry dragon descending on the panicked citizens of Lake-town. For such frantic circumstances, the start of the film seems quite slow. Then there is The Thing that happens so quickly I have to wonder why The Thing didn't happen in the last movie, as (in Director Cindy's opinion) it seems more fittingly part of that one, and would have provided a more logical breaking point between numbers two and three.

The Thing is a pretty major development, but dropping it so soon makes it seem almost an afterthought. Once the movie gets rolling, it's not hard to see why filmmakers changed the name from There and Back Again...this movie is not about a trip; this movie is about a fight. While I wouldn't quite agree that it amounts to no more than an extended battle scene, there's definitely a lot of battlin' going on.

At nearly two and a half hours, BOTFA is the most compact of Peter Jackson's six Middle Earth epics, and it honestly does not seem long. Having said that, there are plenty of places it could have been cropped to make a better film, battles among them. (I might also mention the attentive viewer needs just so many shots of a dive-bombing dragon to get what's going on there.) Some CGI is inexcusably poor for a movie that cost so much to make; as with DOS, it's mostly noticeable in the movement of the Elves.

The few lighter moments are hit or miss, with Martin Freeman's wonderful expressiveness getting credit for the hits, and a bunch of flat, obvious gags featuring Ryan Gage taking blame for the misses. The character Tauriel remains a pointless addition, and her simpering looks at Kili and Legolas and Thranduil and...well...pretty much everyone are almost too annoying to bear. Finally, there's simply too little of 12 of the 13 Dwarves we've come to love over the course of the series.

On to the positives...Ken Stott and Martin Freeman remain the heart of The Hobbit, through three movies turning in performances that are consistently genuine, funny, and moving. I'd be remiss in my fangirling if I didn't note that Aidan Turner and Luke Evans are also terrific; this franchise will deservedly make big stars of both, and I couldn't be happier or more proud.

The movie's backed by the usual glorious New Zealand scenery, and the usual glorious Howard Shore score.

Obviously, this is another Jacksonized version of Tolkien; by this point, I'm sure nobody walks into these things expecting a faithful adaptation of the books. (If it were about real people, I'd say it's more "inspired by true events" than "based on a true story.") In many ways, it's Jackson's final thank you to the fans who have loved his vision of Middle Earth, with characters from the other films being name-checked or turning up in cameos and small roles.

Even if the battle scenes run on a bit, there's no shortage of nice fight choreography, cool weapons, and badass hero moments. It would be less than honest to pretend the story isn't stretched pretty thin; this is no Return of the King, and it won't be received as such by fans or critics.

That may feel like going out with a whimper instead of a bang, but in the end it's immaterial to me. Buoyed by my strong affection for the franchise, I have no problem accepting this as a fitting goodbye, and, as with all the other movies in the series, I'm confident my love will only grow with repeat viewings.

The Hobbit: The Battle of the Five Armies runs 144 minutes and is rated PG13 for "extended sequences of intense fantasy action violence and frightening images."

I'm not sure this a great movie--and I'm not sure it's not--but I'm mostly happy with it.

Of a possible nine Weasleys, The Hobbit: The Battle of the Five Armies gets seven.

Now, if anyone needs me, I'll be petitioning the Tolkien estate to give PJ the Silmarillion.

Until next time...

Because...reasons