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Showing posts with label Mark Rylance. Show all posts
Showing posts with label Mark Rylance. Show all posts

Sunday, April 1, 2018

MOVIE REVIEW: READY PLAYER ONE







































From filmmaker Steven Spielberg comes the science fiction action adventure “Ready Player One,” based on Ernest Cline’s bestseller of the same name, which has become a worldwide phenomenon. The film is set in 2045, with the world on the brink of chaos and collapse. But the people have found salvation in the OASIS, an expansive virtual reality universe created by the brilliant and eccentric James Halliday (Mark Rylance). When Halliday dies, he leaves his immense fortune to the first person to find a digital Easter egg he has hidden somewhere in the OASIS, sparking a contest that grips the entire world. When an unlikely young hero named Wade Watts (Tye Sheridan) decides to join the contest, he is hurled into a breakneck, reality-bending treasure hunt through a fantastical universe of mystery, discovery and danger. Spielberg directed the film from a screenplay by Zak Penn and Ernest Cline. 

Director: Steven Spielberg

Cast: Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe, Simon Pegg, Mark Rylance

Release Date: March 29, 2018

Genres: Action, Adventure, Sci-Fi

Rated PG-13 for sequences of sci-fi action violence, bloody images, some suggestive material, partial nudity and language

Runtime: 2h 20min

Review:


Ready Player One is an interesting bit of cinematic alchemy where 80s pop culture becomes pop culture in a fun if hollow fable.  Steven Spielberg’s film is a rapid fire collection of gamer and 80’s references that hit you so quickly and consistently that’s it’s easy to get overwhelmed.  The plot isn’t much more than an updated take on Charlie and the Chocolate Factory and the characters aren’t terribly dense but it’s all fairly fun and energetic.  Spielberg does some solid world building in and out of the Oasis with both having a certain charm.  That being said it’s easy to be left with a ton more questions once you start thinking about the worlds being presented.  Tye Sheridan leads the film ably even if he rates closer on the bland side than anything.  Olivia Cooke is equally capable but provides a bit more spark than Sheridan.  Lena Waithe and T.J. Miller are solid supporting players that provide some of the films highlights even if we never see Miller in the flesh.  Mark Rylance is a tad over the top as the socially awkward creator but he does parse out some humanity and heart of him none the less.   Ready Player One is a love letter to multiple things and it delivers some truly engaging and frenetic set pieces, one in particular I won’t ruin, but it does fall a little bit in love with itself especially towards the end which starts to drag just a tad before it ends with one Spielberg’s more candy coated finales. 


B+

Cindy Prascik's Review of Ready Player One







































Dearest Blog: Thanks to the long holiday weekend, yesterday it was off to Marquee Cinemas for an early screening of Steven Spielberg's Ready Player One.
 
Spoiler level here will be mild, nothing you wouldn't know from the trailers.
 
The deceased creator of a virtual reality world called "The Oasis" leaves his followers a challenge: Find the hidden Easter egg, rule the Oasis, and win the fortune that goes with it.
 
From my first encounter with a Ready Player One trailer, I had a feeling something was off, a feeling that carried all the way through the finished product. The movie is not without its positives, but they're far too few to make it less than a torturous couple hours.
 
Ready Player One kicks off with the god-awfulest song in history, Van Halen's Jump, so it doesn't give a person much hope right...well...right from the jump. The main cast of youngsters ranges from a little wooden to pretty awful, so grownups Simon Pegg, Mark Rylance, and even the extraordinary Ben Mendelsohn can't do much to help. The movie's production design is impressive, but scenes inside the Oasis are curiously less so than those in the real world. In fact, the Oasis--a place where people can be anyone or anything they choose--is actually a little creepy and dark, not at all fanciful, and the film's hundreds of pop-culture references wear thin in their ubiquitousness. I had hoped for a great 80s soundtrack, and there are some terrific songs, but they're so muted and cropped as to be nearly invisible. Sadly, Ready Player One did nothing to exceed my middling expectations.
 
Ready Player One clocks in at 140 minutes and is rated PG13 for "sequences of sci-fi action violence, bloody images, some suggestive material, partial nudity, and language."
 
A few years back, Sylvester Stallone and Robert DeNiro did a movie called Grudge Match, about a pair of aging boxers coaxed out of retirement for one final match. It wasn't on anyone's awards shortlist, but, if you were of a certain age, plenty of it was pretty damn funny. When a teenage friend mentioned she didn't enjoy it, I told her it probably wasn't "for" her. I'm not a gamer, and there are no other versions of me running around in any VR worlds, so it's entirely possible that Ready Player One just isn't "for" me, BUT...a really great movie is somehow for everyone, regardless of their investment, and this isn't that, either. Of a possible nine Weasleys, Ready Player One gets three.
 
Until next time...

Sunday, July 23, 2017

MOVIE REVIEW: DUNKIRK








































Acclaimed auteur Christopher Nolan directs this World War II thriller about the evacuation of Allied troops from the French city of Dunkirk before Nazi forces can take hold. Tom Hardy, Kenneth Branagh and Mark Rylance co-star, with longtime Nolan collaborator Hans Zimmer providing the score. ~ Daniel Gelb, Rovi

Director: Christopher Nolan

Cast: Tom Hardy, Mark Rylance, Kenneth Branagh, Cillian Murphy, James D'Arcy

Release Date: Jul 21, 2017

Rated PG-13 for intense war experience and some language

Genres: Action/Adventure, Drama

Review:

Christopher Nolan’s Dunkirk is an impressive achievement, a sprawling war epic taken from multiple viewpoints.  After Interstellar, a rare misstep from Nolan, it’s good to see the director try something new.  What he delivers an interesting and engaging non liner story told from different viewpoints and perspectives.  As such it gives you a well rounded viewpoint, from the ground, air and sea, of the events as they unfold.  The characters are fairly simplistic but they serve the story well with Mark Rylance, Tom Hardy and Fionn Whitehead all deliver strong performances even though their scenes are about as bare bones as they come.  Nolan’s film is more about the event than the actual people so they’re not really a huge emphasis on unearned dramatics.  It’s a big sweeping film which shows off Nolan’s technical prowess throughout.  Is it the greatest war film ever made, probably not, it’s probably not Nolan’s best film, The Prestige still holds that honor, but it’s a impressive none the less.

B+

Sunday, March 22, 2015

Cindy Prascik's Reviews of The Gunman and Insurgent





Dearest Blog, yesterday it was off to the pictures for The Gunman and Insurgent, a pair of action-packed movies sure to get the blood moving. Or not.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First up: Sean Penn in The Gunman.

A former assassin's misdeeds come back to haunt him.

Dear reader(s), if we're being honest, my first reaction when The Gunman's credits started rolling was, "What the hell did I just watch??" Not that it was a bad movie, or even a terribly strange movie, it just wasn't what I expected from the trailer. I went back and re-watched the trailer and, in hindsight, I'm not sure why I didn't get it. Luckily, it's a pretty good movie anyway.

Pluses: Sean Penn is on point in the lead. For me, he's one of those guys (like Tom Cruise) who, when I hear his name I think, "I don't really care for that actor." Then I watch him in something and say to myself, "Self, what were you thinking? That guy is awesome!" Though he's crippled on occasion by awkward dialogue, Penn is solid here, which is a good thing, because it's mostly on him to carry this one. Idris Elba and Ray Winstone are very good with limited screen time, and the movie is noticeably better when they're around. The story is interesting, with plenty of action, and there's an angry sex scene that, while not especially long or graphic, is pretty hot. Finally, at just under two hours, the movie is smart enough not to wear out its welcome.

Minuses: Javier Bardem is a total clown...thinking his mugging may even upstage Captain Jack Sparrow in that new Pirates movie. As for the female lead, Jasmine Trinca, both the actress and the role are entirely forgettable; you could have plopped pretty much any woman of an appropriate age in that slot and she'd have been no better, no worse, and no more important to the movie. A bunch of obvious soap-opera glances in the opening scenes reveal the baddie long before you should have any idea; in fact, the whole thing, while entertaining, is extremely predictable. Finally, Idris Elba appears twice in a two-minute trailer and exactly the same number of times in a two-hour movie. I LOVE Elba, and was really hoping to see more of him.

Distractions: Penn's newfound buff-ness and Trinca's funky front teeth.

The Gunman runs 115 minutes and is rated R for "strong violence, language, and some sexuality."
As is kinda the norm for this time of year, it's a passably entertaining, but ultimately forgettable, afternoon at the cinema.

Of a possible nine Weasleys, The Gunman gets five and a half.

Up next was the second installment in the Divergent series, Insurgent.

Tris and Four continue fighting the good fight against Jeanine and the faction system.

I've said it before and I'll say it again, literally every single review I saw of Divergent, the first film in this series, contained some version of the sentiment, "Well, that was way better than I expected!" It is, perhaps, for that reason that Insurgent is something of a disappointment.

Though it runs about 20 minutes shorter than its predecessor, Insurgent seems slow and long. I was pretty bored with it for major chunks of time. The action is decent, but repetitive, and much of the dialogue just seems silly.

Shailene Woodley remains (for me) nothing more than a poor man's Jennifer Lawrence...now with new dopey haircut!! I still have a crush on Theo James (curse you, lady Mary, for your deadly bed!!), and I shallowly found the movie far more interesting whenever he was onscreen. Aside from Kate Winslet, who is always reliable, this series has one of the more boring supporting casts I've ever seen, with a bunch of interchangeable actors who could be swapped out with barely a ripple.

Even having said all that, my chief annoyances were a weirdly made-up and bejeweled Naomi Watts (is that really how you picture the leader of your revolution??) and the awkward giggles drawn from my teenage audience by the non-starter love scene and a single almost f-word. (Hardly the movie's fault, but it still set my teeth on edge.)

Insurgent clocks in at 119 minutes and is rated PG13 for "intense violence and action throughout, some sensuality, thematic elements, and brief language."

Sadly, the middle frame of the Divergent series is exactly what I expect of most Y.A. adaptations. Here's hoping next year's finale is more like part one.

Of a possible nine Weasleys, Insurgent gets five.

Until next time...
















 

Note to filmmakers: More Idris Elba is always better than less Idris Elba.
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