MOVIE REVIEW: JOKER

Forever alone in a crowd, failed comedian Arthur Fleck seeks connection as he walks the streets of Gotham City. Arthur wears two masks -- the one he paints for his day job as a clown, and the guise he projects in a futile attempt to feel like he's part of the world around him. Isolated, bullied and disregarded by society, Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as the Joker.
Director: Todd Phillips

Cast: Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy, Brett Cullen, Glenn Fleshler, Bill Camp, Shea Whigham, Marc Maron

Release Date: October 4, 2019

Genre: Crime, Drama, Thriller

Rated R for strong bloody violence, disturbing behavior, language and brief sexual images

Runtime: 2 h 2 min

Review:

After watching a bit of Todd Phillip’s Joker you get the strong feeling that Phillip’s really hopes that you’ve never seen Taxi Driver.  To say that he mines that particular film seems like a understatement since there are multiple direct references to it through out.  Needless to say, Phillip’s film isn’t as groundbreaking as it thinks it is.  The story of a disaffected loner pushed to the edge is story that’s been told multiple times particularly in Taxi Driver or the underappreciated Henry Portrait of a Serial Killer.  The film can stand on its own merit with some wonderfully composed shots that really leave you feeling grimy and dirty.  Ultimately though, the gas in this particular vehicle is Joaquin Phoenix who throws himself into the roles with such intensity that it’s hard to look away.  His performance elevates the material and makes the whole thing much more prestigious and watchable than it deserves to be.  As for the story, it’s an interesting take on this character but it’s hard to tell if Phillip’s wants us to root for character or despise him.  Nearing the finale you get a sense that Phillip’s is propping him up as a sort of hero of madness and chaos which is a strange message to send in a film like this even as some of the more ham fisted attempts at modern day relevancy fall flat.  It’s certainly a film that will draw plenty of discussion even though it’s really a shadow of better films.  


B-

MOVIE REVIEW: SUBURBICON

Suburbicon is a peaceful, idyllic, suburban community with affordable homes and manicured lawns -- the perfect place to raise a family, and in the summer of 1959, the Lodge family is doing just that. But the tranquil surface masks a disturbing reality, as husband and father Gardner Lodge must navigate the town's dark underbelly of betrayal, deceit and violence.

Director: George Clooney

Release Date: Oct 27, 2017

Cast: Matt Damon, Julianne Moore, Oscar Isaac, Glenn Fleshler, Michael Cohen

Rated R for violence, language and some sexuality

Runtime: 1 hr. 44 min.

Genres: Crime, Drama, Mystery

Review:

Suburbicon is an odd hodgepodge of a film from director George Clooney.  It’s a film that has multiple things going on but they never mesh into a coherent story thread.  The film’s script was a reworked from the Coen’s brother’s original draft and the film does seem to be at war with itself for the better part of its runtime.  On one hand you have the Matt Damon lead murder mystery which feels very much like a Coen’s creation with its high body count and black comedy seeping from its veins.  On the other hand there’s a thoroughly uncooked subplot about a black family dealing with increasingly hostile neighbors.  The entire subplot feels incredibly underdeveloped even though I think it’s a well intentioned effort to give the film some added weight and depth.  The issue is that the characters on display are never developed with barely a few lines of dialogue thrown their way.  Both these plots don’t really mesh well as the tone changes abruptly in a moments notice.  Oscar Issac is the most interesting thing in the whole film but sadly he comes and goes way too soon.  Suburbicon feels like it should be a much better film than it actually is.  Sadly, it just never jells into an enjoyable whole. 

C+