Cindy Prascik's Reviews of Creed II & Robin Hood 2018

Dearest Blog: The busy holiday weekend having left no time for the cinema (!!), yesterday it was off to Marquee Cinemas for a Monday-afternoon screening of Creed II and Robin Hood 2018.

Spoiler level here will be mild, nothing you wouldn't know or guess from the trailers.

First up: Creed II.

Apollo Creed's son looks to write a new ending to the Creed/Drago story.

The second Creed installment is another solid film that maybe follows the Rocky formula just a little too closely. I didn't love it less for playing out exactly as I expected, but getting there did seem a bit more tedious than last time.

Creed II's chief positive is its strong leads. Michael B. Jordan is brilliant in a title role that provides a perfect showcase for his talent. Sylvester Stallone wears Rocky Balboa like a comfortable old sweater, and his turn as the aging champ is once again sincere and a little bit heartbreaking. Creed II lays on the nostalgia, with heavy references and flashbacks to the tragic, three-decades-past match between the elder Creed and the elder Drago. There are the requisite training montages and brutal, well-choreographed boxing matches, with plenty of Agonizing Over Big Decisions for flexing those acting muscles. The movie doesn't hold many surprises, and--at two hours plus--it certainly could have used a trim, but none of that keeps it from being a great bit of feel-good holiday fare.

Creed II clocks in at 130 minutes and is rated PG13 for "sports action violence, language, and a scene of sensuality."

If Creed II is guilty of sticking too close to a formula, well, at least it's a good one.

Of a possible nine Weasleys, Creed II gets seven and a half.

Next on yesterday's agenda: Robin Hood 2018.

A new take on an old legend.

Dear reader(s), I'ma be straight with ya: Like the Three Musketeers, Robin Hood is a story that, no matter how often or how badly you tell it, I'm going to fall for it every time. Every. Damn. Time. I am delighted to report that the streak continues with Robin Hood 2018.

Now...that is not to say this movie is not idiotic, because--oh!--it most certainly is. Rather, it is so willfully idiotic that, sans unrealistic expectations, you can't help but enjoy it, so...let's get started with why.

How about Taron Edgerton? Edgerton is a solid actor and a magnetic leading man, an outstanding fit for the action-hero mold. He's young, he's great, and he's only going to get better. Punching well below his weight class, Ben Mendelsohn chews the scenery with relish. Jamie Foxx is mostly over the top as well, though he does get one terrific speech to remind you he's got an Oscar. Fellow Academy Award winner F. Murray Abraham, on the other hand, is sadly wasted. Action sequences are ridiculous, exciting, and well placed. The film doesn't slow down often, but it never feels like one endless fight either. Joseph Trapanese's score had me from note one. Like last year's King Arthur: Legend of the Sword and the most recent BBC television version of Robin Hood (not-so-affectionately dubbed "Robin Hoodie" by critics), Robin Hood 2018 makes no pretense of authenticity, instead it's all perky bosoms and perfect dental work. Accents are all over the place, inappropriately modern touches are everywhere (midriff top, anyone?), some of the dialogue is so pitiful it actually hurts to listen to it, annnnnnnd...none of that is a complaint. For two hours, I didn’t stop smiling.

Robin Hood 2018 runs 116 minutes and is rated PG13 for, "extended sequences of violence and action, and some suggestive references."

Robin Hood 2018 is striking out at the box office, but it's a home run for me!

Of a possible nine Weasleys, Robin Hood 2018 gets eight.

Fangirl points: Let's hear it for Jamie Dornan speaking with his real Irish accent! *swoon*

Until next time...

MOVIE REVIEW: CREED 2

In 1985, Russian boxer Ivan Drago killed former U.S. champion Apollo Creed in a tragic match that stunned the world. Against the wishes of trainer Rocky Balboa, Apollo's son Adonis Johnson accepts a challenge from Drago's son -- another dangerous fighter. Under guidance from Rocky, Adonis trains for the showdown of his life -- a date with destiny that soon becomes his obsession. Now, Johnson and Balboa must confront their shared legacy as the past comes back to haunt each man.

Director: Steven Caple Jr.

Cast: Michael B. Jordan, Sylvester Stallone, Tessa Thompson, Dolph Lundgren, Florian Munteanu, Wood Harris, Russell Hornsby, Andre Ward, Phylicia Rashad

Release Date: November 21, 2018

Genres: Drama, Sport

Rated PG-13 for sports action violence, language, and a scene of sensuality

Runtime: 2h 10 min

Review:

Creed 2 is a well acted and directed sequel that delivers what people expect from the Rocky films even though there’s a strict adherence to the tired and true tropes and beats.  Steven Caple Jr. does solid work stepping in for Ryan Coogler who brought the franchise back to life.  Caple Jr. gives his film enough artful touches to give it a distinctive feel which makes some of the more predictable moments easier to sit through.  The biggest thing this sequel has going for it is its cast lead by the incredibly charismatic Michael B. Jordan.  Jordan’s profile has risen quiet a bit since the first film came out and it’s well earned.  He feels much more comfortable in the roles and explores other aspects of the character’s psyche.  Tessa Thompson is just as comfortable this go around which leaves us with an incredibly watchable on screen couple.  The heart and soul of these films is still Sylvester Stallone this remains true here even though his role is limited.  Bringing back one of Rocky’s most iconic adversaries could have been a major misstep but luckily it’s handled nicely.  It’s an interesting turn that expands on what was, and still is, a cartoonish type of character.  Some of the Drago story threads still come off as a bit silly but the story really does an impressive job of adding some interesting depth to Drago.  Creed 2 isn’t quiet as impressive as Creed but it more than holds its own in the Rocky ring.

B

Cindy Prascik's Reviews of Fantastic Beasts: The Crimes of Grindelwald & Widows

 

Dearest Blog: Yesterday it was off to Marquee Cinemas for Fantastic Beasts: The Crimes of Grindelwald, and Widows.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

First on the docket, Fantastic Beasts: The Crimes of Grindelwald.

 

The magical world must pick a side when the dark wizard Grindelwald begins spreading a dangerous message.

 

Well, dear readers, in my house Harry Potter is gospel. It's unlikely I'll ever worship the Fantastic Beasts movies as I do the original series, but I'm happy enough to see the franchise continue and generally have no issues with its means of doing so. However...

 

Fantastic Beasts 2 has some problems. It's solid enough that I still enjoyed it, but the negatives are noteworthy.

 

The Harry Potter movies were always better than they had to be, largely due to the quality of the talent they attracted. Fantastic Beasts also has its share of great actors, but the missteps seem more pronounced. Katherine Waterston, in particular, is annoying to the point of distraction. On the flip side, an under-used Jude Law is wonderful as the young Dumbledore and--though it's unfashionable to say so--Johnny Depp is remarkable as Grindelwald. Law's characterization of Dumbledore skews more amiable-Richard-Harris than aggressively-kooky-Michael-Gambon, a wise choice that leaves plenty of room for development. Though his recent films do little to prove it, for my money Johnny Depp remains the most talented actor in the world. Fantastic Beasts lacks the gravitas of his best projects, but in his turn as Grindelwald there are flashes of the brilliance we once took for granted, particularly during a showcase speech towards the film's end.

 

Fantastic Beasts runs long and frequently feels like it's wasting time, yet there are no drawn-out action sequences or other obvious spots that could have used a trim. The movie fiddles with canon in ways both large and small, but before anyone gets their robes in a bunch, I'd suggest not everything is as it seems just now. Remember: Three more films are planned for this series. Nods and callbacks to the original series provide plenty of "awwww" moments for die-hards. Fantastic Beasts 2 boasts glorious visuals, with top-notch effects and lovely colors and textures in the costumes. James Newton Howard's always exceptional work in the music department effectively sets the mood from start to finish. It's an uneven but entertaining outing that leaves me excited for the next installment, and hopeful the filmmakers will sharpen their efforts to make a movie more worthy of carrying on this much-loved franchise.

 

Fantastic Beasts: The Crimes of Grindelwald clocks in at 134 minutes and is rated PG13 for "some sequences of fantasy action."

 

Fantastic Beasts 2 is an imperfect movie that's still magical enough to keep fans of the wizarding world wanting more. 

 

Of a possible nine Weasleys, Fantastic Beasts: The Crimes of Grindelwald gets seven.

 

Next on my agenda, Widows.

 

When their husbands are killed on a job gone wrong, a group of women attempts to pull off a heist the men had planned.

 

Widows is being touted by some Serious Film Critics as a potential best picture contender, so I suppose it's a pretty great movie, but the sad fact is I hated every minute of it.

 

For an action movie that presents as credible drama, Widows has too many suspiciously convenient turns, and a fair few other things I just couldn't swallow. Outlandish tricks work with light entertainment like Oceans 8, but not here. Viola Davis lately makes a career of playing troubled people for whom I just can't muster any sympathy, and her abrasive gang leader is no different. As one of the finest actresses of her generation, I did wonder that nobody could have taught her to hold a dog as if she'd actually *seen* a dog before, but other than that it's a strong performance as another brash, unlikable woman. If there's a more irritating actor than Zooey Deschanel working today, well, I guess her name is Elizabeth Debicki. (End of list.) Smokin' hotness can't save Michelle Rodriguez from being way out of her acting depth. A chilling turn by Daniel Kaluuya is easily the movie's the best work, and, fresh off a stellar performance in Bad Times at the El Royale, Cynthia Erivo manages to present Widows' one and only character with any appeal at all. (Not counting the dog, of course. The dog is always the best character in any movie.) Overall Widows is a drab, violent exercise that's way too implausible for as seriously as it takes itself.

 

Widows runs 128 minutes and is rated R for "violence, language throughout, and some sexuality/nudity."

 

The next time I see a movie that opens with Liam Neeson in a van talking about a plan, it better be a sequel to The A-Team. 

 

Of a possible nine Weasleys, Widows gets four.

 

Fangirl points: Garrett Dillahunt! Manuel Garcia-Rulfo! That oddly-placed WASP song!

 

Until next time!!

MOVIE REVIEW: FANTASTIC BEAST: THE CRIMES OF GRINDELWALD

In an effort to thwart Grindelwald's plans of raising pure-blood wizards to rule over all non-magical beings, Albus Dumbledore enlists his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.

Director: David Yates

Cast: Eddie Redmayne, Katherine Waterston, Dan Fogler, Alison Sudol, Ezra Miller, Zoë Kravitz, Callum Turner, Claudia Kim, William Nadylam, Kevin Guthrie, Jude Law, Johnny Depp

Release Date: November 16, 2018

Genres: Adventure , Family , Fantasy

Rated PG-13 for some sequences of fantasy action

Runtime: 2h 14 min

Review:

I’ll start with a disclaimer; I’ve never been a die hard Harry Potter fan.  It’s a series that I warmed up too as the stories got more mature but I’d be lying if I said I loved them.  I appreciate them on multiple levels but if I never saw another film in the universe I’d be ok.  I enjoyed the first Fantastic Beast film because it was an enjoyable jaunt with some likeable characters starting with Eddie Redmayne’s Newt Scamander.  In this entry, Redmayne has clearly nailed the character and he’s even more likeable this go around even though he’s not the primary focus.  A large cast of returning faces and new faces, like Johnny Depp’s titular Grindelwald and Jude Law’s Albus Dumbledore, make this film feel much larger and busier than the first entry.  The movie is never uninteresting but it does feel like there are multiple story lines jammed into this entry with a hefty amount of exposition setting up future entries.  David Yates film clearly suffers from being a middle entry in a much larger story which leaves this feeling incomplete by design.  Still there is a lot to like and fans of the series will find plenty to like.

B-

MOVIE REVIEW: THE GIRL IN THE SPIDER’S WEB

Fired from the National Security Agency, Frans Balder recruits hacker Lisbeth Salander to steal FireWall, a computer program that can access codes for nuclear weapons worldwide. The download soon draws attention from an NSA agent who traces the activity to Stockholm. Further problems arise when Russian thugs take Lisbeth's laptop and kidnap a math whiz who can make FireWall work. Now, Lisbeth and an unlikely ally must race against time to save the boy and recover the codes to avert disaster.

Director: Fede Álvarez

Cast: Claire Foy, Sverrir Gudnason, LaKeith Stanfield, Sylvia Hoeks, Stephen Merchant

Release Date: November 9, 2018

Rated PG-13 for thematic content, some drug and sexual references, and for language

Runtime: 1 hr. 42 min.

Genres: Crime, Drama, Thriller

Review:

The Girl in The Spider’s Web serves as a sort of reboot / continuation of Dragon Tattoo story with Clair Foy taking over the main role.  Claire Foy seems like she’s miscast at first glance but she’s actually more than capable to carry on the role from Noomi Rapace and Rooney Mara.  Foy has a quiet intensity that fits the character perfectly even if the character has been mainstreamed a bit to make her more easily digestible to the general public.  Still, Claire Foy is able to give this iteration of Lisbeth enough of an edge to keep the spirit of the character alive.  Not fairing as well is this films version of Mikael Blomkvist.  Sverrir Gudnason is decidedly bland as the stalwart journalist who mostly just blends in with the background.  LaKeith Stanfield does give the film a nice boost with his strong on screen presence even though I wish the film would have given us a bit more of him and Foy together.  Still, Fede Álvarez and his cast deliver an interesting and engaging entry into the franchise which still shows signs of life especially with Foy in the lead.

B

MOVIE REVIEW: OVERLORD

On the eve of D-Day, American paratroopers drop behind enemy lines to penetrate the walls of a fortified church and destroy a radio transmitter. As the soldiers approach their target, they soon begin to realize that there's more going on in the Nazi-occupied village than a simple military operation. Making their way to an underground lab, the outnumbered men stumble upon a sinister experiment that forces them into a vicious battle against an army of the undead.

Director: Julius Avery

Cast: Jovan Adepo, Wyatt Russell, Mathilde Ollivier, John Magaro, Gianny Taufer, Pilou Asbæk, Bokeem Woodbine.

Release Date: November 9, 2018

Genres: Action, Horror, Mystery

Rated R for strong bloody violence, disturbing images, language, and brief sexual content

Runtime: 1h 49 min

Review:

Overlord is a schlocky B movie that hits all the right notes.  Julius Avery directs the film with a steady hand.  The film opens with an amazing aerial sequence that will make some people think of the opening sequences in Saving Private Ryan.  As the film settles in, you get the feeling you are watching a well made World War 2 film as the film introduces us to classic war movie types.  These types could typically come off as clichéd but the performances from the cast makes them all interesting and engaging.  Avery and his cast establish an excellent sense of atmosphere and the feeling that something is just a tad bit off.  Once the film takes its right turn, which has been highlighted in the trailers, it turns into a full tilt horror film and does it quite well.  It calls to memory the reaction people had to From Dusk till Dawn, some people will go with it others will be turned off by where the film ends up.  Those that stick with it will find plenty to enjoy because as a horror film it’s an effective gory ride.  

B+