Cindy Prascik's Review of Baby Driver

Dearest Blog: Yesterday it was off to Marquee Cinemas for one of my most highly anticipated titles of 2017, Edgar Wright's Baby Driver.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

To repay an old debt, a young man is forced to use his extraordinary skills in service of a criminal mastermind.

 

Dear reader(s), in the interest of full and fair disclosure, I'll confess my firm conviction that Edgar Wright makes perfect movies, all the time. As writer or director, and especially as writer and director, the guy is a visionary. I keep an open enough mind that pretty much anything can surprise me (pleasantly or unpleasantly), but honor demands I admit there was very little chance I wouldn't love Baby Driver. That's the Cliff's Notes. Now, onto the meat and potatoes...

 

Edgar Wright's love and respect for music lend his films unparalleled attention to detail where it is concerned. Each and every song is selected, each and every note perfectly placed, to underline, energize, advance, or complete its moment, event, or scene. While that's the case with all of Wright's efforts, Baby Driver willfully and overtly makes music its star, the sun around which all the other moving pieces revolve. If you love music, you will feel this film from the roots of your hair to the soles of your shoes. That's not to say the picture's "other" stars are lightweights. Decorated names such as Kevin Spacey, Jon Hamm, and Jamie Foxx have ample opportunity to shine brightly in Baby Driver's galaxy. "It" girl Lily James charms her way through the movie like an old pro, and Ansel Elgort is a delight in what's sure to be a star-making turn.

 

Baby Driver is an action film, filled with thrilling chase scenes and beautifully choreographed stunt driving. Baby Driver is a comedy, its humor blooming organically from genuine performances and crazy scenarios. Baby Driver is a drama, boasting sincere moments among layered, engaging characters. Baby Driver is extraordinary filmmaking from an extraordinary filmmaker, everything you could want from a movie and more.

 

Baby Driver clocks in at 113 minutes and is rated R for violence and language.

Baby Driver is a beautiful, clever, unique cinema experience that should shut up the "Hollywood is out of ideas" crowd for at least the weekend. 

 

Of a possible nine Weasleys, I am pleased and unsurprised to give Baby Driver all nine.

 

Fangirl points: OHMYGOSH YOU GUYS THERE'S A DAMNED SONG IN THIS MOVIE!

 

Until next time...

Cindy Prascik's Review of Transformers: The Last Knight

Dearest Blog: Yesterday it was off to Marquee Cinemas for Transformers: The Last Knight.

 

Spoiler level here will be mild, nothing that hasn't been revealed already by trailers and clips.

 

Humans have set themselves against all Transformers, making outlaws of anyone who continues to be their allies, but Earthlings are forced to reconsider that position when the planet is threatened.

 

The latest Transformers movie is taking a critical beating, not unlike those that came before it. It's pretty much exactly as advertised, however, so anyone with reasonable expectations shouldn't be disappointed.

 

Since I actually liked the movie, let's get the negatives out of the way first, beginning with the obvious: a two-and-a-half hour runtime. Ninety minutes, an hour and forty-five at most, would have made The Last Knight a great summer popcorn flick, but even the biggest, best effects and action wear thin at two and a half hours, nevermind the muddled backstory does nothing to earn such an excessive runtime. Then there's the "humor." With only the genuinely amusing bits, the film would have been plenty light enough, but instead it constantly oversells juvenile, annoying one-liners. That's the bad news. The good news is there's actually a great deal of good news. Transformers is all about huge effects and, as such, is one of my very favorite franchises to revisit on the big screen. This outing is no exception, with visuals that are massive-times-ten and sound that shakes the floor. Cool action sequences never seem to drag on, despite the bloated whole, and when the jokes hit the mark, the movie is actually very funny. In what he's declared his final Transformers outing, Mark Wahlberg remains more watchable that Shia LeBeouf ever was, and Anthony Hopkins appears to be having the time of his life, never demeaning the material despite the fact it's clearly beneath him. For my money, it should be easy for anyone to have at least as much fun with this movie as Anthony Hopkins does.

Transformers: The Last Knight clocks in at a whopping 149 minutes and is rated PG13 for "violence and intense sequences of sci-fi action, language, and some innuendo."

 

Transformers: The Last Knight is big, dopey fun that fills a summer weekend quite nicely. Of a possible nine Weasleys, Transformers: The Last Knight gets six.

 

Fangirl points: Mitch Pileggi! Steve Buscemi! SANTIAGO CABRERA! *heart-eyes emoji* 

 

Until next time...

MOVIE REVIEW: TRANSFORMERS: THE LAST KNIGHT

Humans are at war with the Transformers, and Optimus Prime is gone. The key to saving the future lies buried in the secrets of the past and the hidden history of Transformers on Earth. Now, it's up to the unlikely alliance of Cade Yeager (Mark Wahlberg), Bumblebee, an English lord (Anthony Hopkins) and an Oxford professor (Laura Haddock) to save the world.
Director: Michael Bay
 
Cast: Mark Wahlberg, Anthony Hopkins, Josh Duhamel, Laura Haddock, Stanley Tucci

Release Date: Jun 21, 2017

Genres: Action/Adventure, Sci-Fi/Fantasy

Rated PG-13 for violence and intense sequences of sci-fi action, language, and some innuendo

Review:

I’ve always been forgiving of Michael Bay’s live action series because the cartoon will always be a fond part of my childhood.  I’ve always found plenty to like in movies even if they’ve been far from perfect.  I’d actually enjoyed the last installment because Bay finally seemed to figure out that it helps the series if you give the Transformers some personality and make them the center piece.  I’d hoped it was something that’d be continued in The Last Knight.  Sadly, Bay decides to put the Transformers in the background, Optimus Prime barely has 30 minutes of screentime, leaving us with Mark Wahlberg and Laura Haddock’s pillowly lips.  The plot is an overly complex mess that seems to find the most complicated way to do everything.  There are a bevy of new human characters including a plucky child, played by Isabela Moner, who’s introduced and forgotten for the majority of the film only to be reintroduced in the final act.  The saving grace of it all is Anthony Hopkins who’s clearly enjoying himself in the unrelenting madness going on around him.  Hopkins and his robot butler provide the majority of the laughs and enjoyment in the film.  The biggest issue is simply making a movie called Transformers and leaving the titular robots on the sideline while haphazardly throwing famous characters from Transformers lore around like undercooked pasta.  It’s a real shame because the series could be a fun sci-fi series if it could stay focused on its actual stars, the robots. 

D

MOVIE REVIEW: ROUGH NIGHT

Five best friends (Scarlett Johansson, Kate McKinnon, Jillian Bell, Ilana Glazer, Zoë Kravitz) from college reunite 10 years later for a wild bachelorette weekend in Miami. Their hard partying takes a hilariously dark turn when they accidentally kill a male stripper. Amid the craziness of trying to cover it up, they're ultimately brought closer together when it matters most.

Director: Lucia Aniello

Cast: Scarlett Johansson, Jillian Bell, Kate McKinnon, Zoe Kravitz, Ilana Glazer, Ty Burrell, 

Demi Moore

Release Date: Jun 09, 2017

R for crude sexual content, language throughout, drug use and brief bloody images

Runtime: 1 hr. 41 min.

Release Date: Jun 16, 2017

Genres: Comedy

Review:

Rough Night is a raucous comedy with a free and loose feel to it with a solid cast.  Writer director Lucia Aniello directs an efficient comedy with only a handful of noticeable dead spots.  The story isn’t ground breaking by stretch of the imagination but the cast keeps it fun for the better part of the film.  Scarlett Johansson, Jillian Bell, Ilana Glazer, Kate McKinnon and Zoe Kravitz make for a fun comedic combination.  Kate McKinnon creates another memorably weird character that steals most of the scenes she’s in.  Johansson is a tad bit under utilized as the “straight man” in the piece.  Ty Burrell and Demi Moore have fun supporting roles that probably could have been played for a few more laughs if the script had given them a little more to do.  Similarly, Paul W. Downs boyfriend character and his bachelor party seemed like it was ripe for more laughs even though his story thread provided some inspired sequences.  There are a few sequences near the end of the film that slow the story down.  They try to give the story a bit of emotional depth which ends up feeling tacked on.  The story doesn’t really need it, its mindless guilty fun that delivers what it set out to do.

B