Cindy Prascik's Review of Renfield

My dear reader(s), this weekend I had the opportunity to catch up with the Dracula-adjacent movie Renfield.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

The eternal sidekick embarks on a journey of self-improvement, putting him at odds with his dark master.

Renfield is a solid horror comedy that's heavy on gore and fairly light on lore. Laughs take the lead, with a beautifully over-the-top Nicolas Cage camping it up as the immortal Angel of Death, and Nicholas Hoult as his downtrodden sidekick. Awkwafina nearly steals the show as an incorruptible police officer whose own quest for vengeance intersects with Renfield's mission. The original premise is its own reward here, but the movie also benefits from nice special effects, well placed humor, and an efficient runtime.

Renfield clocks in at 93 minutes and is rated R for "bloody violence, some gore, language throughout, and some drug use."

If you can stomach a lot (a LOT) of blood and you're in the mood for a new take on an old tale, Renfield is the flick for you. Of a possible nine Weasleys, Renfield gets eight.

Renfield is now streaming on Peacock.

Until next time...

MOVIE REVIEW: ELEMENTAL

In a city where fire, water, land, and air residents live together, a fiery young woman and a go-with-the-flow guy discover something elemental: how much they actually have in common.

Director: Peter Sohn

Cast: Leah Lewis, Mamoudou Athie, Ronnie del Carmen, Shila Ommi, Wendi McLendon-Covey, Catherine O'Hara, Mason Wertheimer, Joe Pera, Matt Yang King

Release Date: June 16, 2023

Genre: Animation, Adventure, Comedy, Drama, Family, Fantasy, Sci-Fi

Rated PG for some peril, thematic elements and brief language

Runtime: 1h 42m

Elemental is a charming romantic comedy disguised as a children's movie which shows that Pixar can still deliver the kind of emotional resonance that makes their films special.  Peter Sohn delivers a beautifully animated journey into a fully realized world of anthropized elemental that's simply dazzling to look at.  The animation packs a mindboggling amount of detail into each frame that's its almost impossible to catch every bit of it in one showing.  The character designs themselves are wonderfully crafted with each elemental given a distinctive look and feel.  Story wise it does feel like it might lean a bit older since the central plot is a rather sweet romance pair with a not so subtle immigrant subplot which will likely go over younger kids heads.  Its a straightforward story done with believable and personal stakes that makes you invested in the story.  A major reason the story resonates is the voice work turned in by film's leads Leah Lewis and Mamoudou Athie.  Lewis and Athie make a believable and likable onscreen pair with both turning in strong vocal performances that really shine throughout.  Lewis, in particular, provides a nuanced level of emotional range that makes Ember all the more memorable.  Together they share a special kind of chemistry which works in the film's favor.  The subplot involving Ember's immigrant father and his wish to have her run his story is the film's secret weapon and sure to elicit a tear or two by the time the film ends thanks in large part to a heartfelt turn from Ronnie del Carmen.  Elemental may surprise people who haven't been impressed with some of Pixar's more recent offering because it delivers the kind of emotional heft that makes you forget your watching a kids movie.

A-

MOVIE REVIEW: THE FLASH

 

Worlds collide when the Flash uses his superpowers to travel back in time to change the events of the past. However, when his attempt to save his family inadvertently alters the future, he becomes trapped in a reality in which General Zod has returned, threatening annihilation. With no other superheroes to turn to, the Flash looks to coax a very different Batman out of retirement and rescue an imprisoned Kryptonian -- albeit not the one he's looking for.

Director: Andrés Muschietti

Cast: Ezra Miller, Sasha Calle, Michael Shannon, Ron Livingston, Maribel Verdú, Kiersey Clemons, Antje Traue, Michael Keaton

Release Date: June 16, 2023

Genre: Action, Adventure, Fantasy, Sci-Fi

Rated PG-13 for sequences of violence and action, some strong language and partial nudity

Runtime: 2h 24m

Andrés Muschietti's The Flash is cornucopia of superhero wackiness powered by a manic energy that makes the whole thing incredibly watchable.  Muschietti takes a kitchen sink approach by staging some inventive action set pieces which ranges from charmingly goofy early on like a "baby shower" rescue or a bit of mayhem that plays more like a circus parade before we move to the requisite superhero action.  The variety in these sequences keeps the entire thing from feeling stale since each sequence offers up it's own sort of energy.  These set pieces, as fun as they are, wouldn't work as well as it does if Ezra Miller didn't deliver a strong performance.  Miller's, legal issues aside, is a talented performer and this role allows him to really flex his acting muscles as he plays two different versions of the titular character at different stages in his life.  He balances the more mature, damaged central character with the more carefree and naïve iteration of himself with impressive ease.  In both cases, he brings a grounded, authentic emotional center to the characters even amongst the increasingly insane situations splashed on screen.  The character's arch through the multiverse differentiates itself from other film using the trope by centering it around the character's personal growth and acceptance, Star Trek: The Next Generation fans might get echoes of the episode Tapestry which used a similar approach.  Its a smart approach which centers the film even as a bevy of cameos and Easter eggs are thrown onscreen.  The most substantial of these is Michael Keaton donning the cape and cowl once again, something he does with his general ease as he brings back the same Burtonesque energy that's sure to thrill children of the 80's.  Once Keaton shows up on screen the film does lean heavily into fan service which will make a portion of the fandom very happy and will likely be lost on people under a certain age.  Sasha Calle joins the film roughly around the same time as she brings a quiet ferocity to her character that the film would have benefited from exploring.  Instead her character feels rushed and underserved which is a shame.  Michael Shannon returns as General Zod in what amounts to a thankless role since its little more than an extended cameo that there simply to set up Barry's internal conflict.  While it makes sense in terms of the story being told you can't help but think there had to be a better way to use both Calle and Shannon.  Its a minor quibble especially when you step back and look at the amount of juggling Muschietti is doing to make The Flash work as a fun and engaging superhero story centered around a personal journey about growth.  

B

MOVIE REVIEW: THE BLACKENING

 

Seven friends go away for the weekend, only to find themselves trapped in a cabin with a killer who has a vendetta. They must pit their street smarts and knowledge of horror movies against the murderer to stay alive.

Director: Tim Story

Cast: Grace Byers, Jermaine Fowler, Melvin Gregg, X Mayo, Dewayne Perkins, Antoinette Robertson, Sinqua Walls, Jay Pharoah, Yvonne Orji

Release Date: June 16, 2023

Genre: Comedy, Horror, Thriller

Rated R for pervasive language, violence and drug use

Runtime: 1h 36m

The Blackening is a funny and a surprisingly effective skewering of racial stereotypes and clichés from the horror genre.  Tim Story gives his film a playful tone that never goes into full parody even if it does lean dangerously close to it.  He uses beats from Scary Movie, Clue and Saw for the overall structure of the film which gives it a familiar feel especially for horror fans.  The script and director are clearly fans of the genre but they don't rely on self referential Easter eggs to carry the film.  The script is sharply written, providing plenty of solid laughs as most of the jokes land thanks in large part to an excellent cast. The ensemble cast has a natural chemistry together which makes the whole thing work.  Their characters are mostly written as types but the cast is clearly having such a great time playing them that their comedic energy shines  through the screen.  Each member is given plenty of screen time to show off their impressive comedic timing, X Mayo's Shanika is a real screen stealer, especially as they bounce off each other as the situations get more dire and silly at the same time.  The set ups and comedy is all well done even though looking for some surprises or actual scares might be a little disappointed.  The film loses a little steam in its final act with a predictable reveal that leaves you wishing they'd gone for something a bit more surprising.  Even though it stumbles a bit as it heads towards the finish line, The Blackening is the kind of horror comedy that's sure to be a cult classic in the coming years.

B+

MOVIE REVIEW: FLAMIN' HOT

 

Richard Montanez, the son of a Mexican immigrant, was a janitor at Frito Lay when he came up with the idea for Flamin' Hot Cheetos. His creation, inspired by the flavours of his community, revitalises Frito-Lay and disrupts the food industry.

Director: Eva Longoria

Cast: Jesse Garcia, Annie Gonzalez, Dennis Haysbert, Tony Shalhoub, Emilio Rivera, Matt Walsh

Release Date: June 9, 2023

Genre: Biography, Drama, History

Rated PG-13 for some strong language and brief drug material

Runtime: 1h 39m

Eva Longoria's directorial debut, Flamin' Hot, is engaging even as the story hits a lot of familiar beats from the underdog genre.  There's a hazy area as to how much is real and embellished but the film and story works onscreen due to some fun direction and likable performances from its central cast.  It works best as a fact based fable, similar to 1993's Rudy, where the true story isn't nearly as fun as the legend that's grown out of the myth.  Longoria manages to avoid some of more the clichéd pitfalls by delivering an efficient film that's easy to like because it manages to maintain an air of authenticity that grounds the entire thing.  Jesse Garcia does the lion's share of the heavy lifting with a performance that’s fun but surprisingly layered especially when the story explores his difficult upbringing and relationship with his wife played well by Annie Gonzalez.  Garcia and Gonzalez share a believable chemistry together which makes it easy to root for both of their characters.  The supporting cast is made up of strong character actors such as Dennis Haysbert, Tony Shalhoub, Matt Walsh and Emilio Rivera who each give their characters more depth than the script provides. It does feel like a missed opportunity not to give Shalhoub and Haysbert meatier roles but it’s a testament to their talent that they're able to leave their mark on the film.  Their characters function more as archetypes that fully formed characters and the film follows a predictable path but the cast and crew make Flamin' Hot far more enjoyable than it would have been in lesser hands.

B

Cindy Prascik's Marvel (Streaming) Double-Feature

My dear reader(s), last week I indulged in a rare Saturday in front of my television, allowing me to catch up on Black Panther: Wakanda Forever (2022) and Ant-Man: Quantumania (2023).

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my home-viewing docket: Black Panther: Wakanda Forever.

The people of Wakanda must face new threats even as they mourn the loss of their king.

Chadwick Boseman was a singular talent, and movie fans joined the fictional residents of Wakanda in mourning the man and his alter-ego. The funeral for King T'Challa is as devastating as if it were real, and this sequel suffers greatly for having lost an irreplaceable screen presence. The franchise still has its share of engaging talent in Winston Duke (M'Baku), Lupita Nyong'o (Nakia), and Danai Gurira (Okoye), but it chooses to shift focus to Letitia Wright (Shuri), whose tepid magnetism wilts under the weight of this tentpole.

Wakanda Forever retains many of the things that made the original Black Panther so special: a fantastic score, glorious costumes, and majestic sets/locations. Action sequences are well done, if overlong, and there's enough humor to keep the undercurrent of sadness from overwhelming the movie's mood. Some wonky CGI provides unintentional laughs. In the mix with Gurira, Nyong'o, and Duke, the reliably entertaining Julia Louis-Dreyfus and the magnificent Angela Bassett (chewing it up like mid-90s Gary Oldman) keep the movie mostly watchable, but ultimately it can't surmount a weak lead and an entirely insufferable run time.

Black Panther: Wakanda Forever clocks in at a bloated 161 minutes and is rated PG13 for "sequences of strong violence, action, and some language."

Overcoming the loss of Chadwick Boseman probably would be impossible for even a great movie, and Black Panther: Wakanda Forever is not a great movie. Of a possible nine Weasleys, Black Panther: Wakanda Forever gets four.

Next on last weekend's agenda: Ant Man and the Wasp: Quantumania. 

Scott Lang and company are dragged into the Quantum Realm, where they face a new super-villain.

Quantumania is the movie equivalent of when it's two days before payday and you have to try making a meal out of whatever's left in the 'fridge. It throws everything at the screen in hopes of making something worth consuming, but you really just wish you had something fresh. 

If Wakanda Forever suffers for the loss of Chadwick Boseman, Quantumania survives almost exclusively because it's impossible to dislike Paul Rudd. I never could imagine that many people were clamoring to bring Ant-Man to the big screen, but Rudd's charisma makes it easy to excuse the low-rent hero. Having Michael Douglas and Michelle Pfeiffer along for the ride doesn't hurt, either. Quantumania's story is a jumble, struggling with the same issue as all multi-verse/timeline stories: Why should anyone care what happens, when it's just going to UN-happen the minute it becomes inconvenient to the cinematic universe or detrimental to the studio's bottom line? Much like the Thor movies, the Ant-Man franchise is more like a comedy that's heavy on action than a super hero movie that's funny sometimes, and its humor is its salvation. Like all Marvel product, it fails to earn its runtime, but after Wakanda Forever it seems pretty doggone short. Given that the story's such a mess and the Quantum Realm looks like a high-school production of Star Wars, it's very little on which to hang one's super-hero helmet, but it'll have to do. 

Ant-Man and the Wasp: Quantumania runs 124 minutes and is rated PG13 for "violence/action and language."

Ant-Man and the Wasp: Quantumania is a car crash, watchable only thanks to a terrific lead who keeps things light and entertaining. Credit where credit is due, it also features the most inspirational line I've ever heard in a film: "It's never too late to stop being a dick." Of a possible nine Weasleys, Ant-Man and the Wasp: Quantumania gets five.

Until next time...