MOVIE REVIEW: MUSIC

Zu is newly sober when she receives news that she is to become the sole guardian of her half-sister named Music, a young girl on the autism spectrum. The film explores two of Sia's favourite themes finding your voice and creating family.

Director: Sia

Cast: Kate Hudson, Maddie Ziegler, Leslie Odom Jr., Héctor Elizondo, Ben Schwartz, Beto Calvillo

Release Date: February 10, 2021

Genre: Drama, Musical

Rated PG-13 for thematic content, drug material, brief violence and strong language

Runtime: 1 h 47 min

Review:

Sia’s directorial debut has garnered a massive amount of press before its release mainly for all the wrong reasons.  Sia’s intentions and heart seem to be in the right place but the finished product falls into a strange hybrid of a visual album and an autistic melodrama.  The musical numbers are very much on brand with Sia’s previous works and performances.  They are candy colored fantasy’s that pop right off the screen with booming vocals that’s sure to please fans of the singer.  The drama portion is anchored by strong performances from Kate Hudson and Leslie Odom Jr. who elevate the script which feels like a relic from the past.  It unapologetically pulls on every heartstring possible which makes film’s like 1985’s Mask or 1976’s The Boy in the Bubble seem subtle by comparison.  Maddie Ziegler casting as the titular Music has caused the biggest uproar since she’s a neurotypical actress playing an autistic character.  The issue is ultimately a bigger issue that needs to be addressed but in terms of this film, Ziegler’s performance is decidedly broad and overstated.  Music is ultimately the type of vanity project that’s probably suffered from being created in a bubble which resulted in tunnel vision to its detriment.

C

MOVIE REVIEW: JUDAS AND THE BLACK MESSIAH

 

Offered a plea deal by the FBI, William O'Neal infiltrates the Illinois chapter of the Black Panther Party to gather intelligence on Chairman Fred Hampton.

Director: Shaka King

Cast: Daniel Kaluuya, Lakeith Stanfield, Jesse Plemons, Dominique Fishback, Ashton Sanders, Darrell Britt-Gibson, Lil Rel Howery, Algee Smith, Martin Sheen

Release Date: February 12, 2021

Genre: Biography, Drama, History

Rated R for violence and pervasive language

Runtime: 2 h 6 min

Review:

Judas and The Black Messiah is heart wrenching look into our past that holds the mirror up and reflects it back to us in the present day.  Shaka King’s debut feature film is visually affecting while being intimate in its examination of its two primary characters.  The story itself is cinematically familiar as it treads on similar beats to something like Donnie Brasco.  Daniel Kaluuya and Lakeith Stanfield are the heart and soul of the movie.  Both just inhabit the skins of their characters with impressive ease and heartbreaking authenticity.  Kaluuya has amassed an impressive resume of performances improving on each with his turn as Fred Hampton marking another high point.  He’s thoroughly engaging and charismatic as Hampton which makes the entire film work, you sense his desire and passion through the big moment and smaller ones as well.  Lakeith Stanfield, meanwhile, has proven himself a chameleon who can transform himself into pretty much anything.  He nails the duplicitous self serving nature of his real life character while still imbuing him with enough pathos to make the audience feel his conflicted nature.  The supporting cast is made up of recognizable faces that add to the overall quality of the film.  Judas and The Black Messiah is a film that’s filled with tension and pain but it feels terribly necessary at this point in history to remember how much process still needs to be made all these years later while still remembering those trailblazers who paved the way.   

A-

MOVIE REVIEW: SAINT MAUD

 

Maud is a reclusive young nurse whose impressionable demeanour causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation, whatever the cost.

Director: Rose Glass

Cast: Morfydd Clark, Jennifer Ehle, Lily Knight, Lily Frazer, Turlough Convery

Rated R for disturbing and violent content, sexual content and language

Release Date: January 29, 2021

Genres: Drama, Horror, Mystery

Runtime: 1h 24 min

Review:

Saint Maud is one of the most impressive debut films from a horror director since Ari Aster’s Hereditary.  Writer director Rose Glass delivers a self assured, prestige horror film which echoes classic like Possession, Rosemary’s Baby and Don't Look Now.  There’s a sense of uneasiness and dread from the opening frame of the film.  It’s a slow burn of a film but you can sense something off kilter from the start.  There’s something unsettling and pervasive while never being over the top, it’s definitely a film that uses mood over gore.  Welsh actress Morfydd Clark carries the majority of the film and does so with impressive subtly and bite.  Clark’s performance is the driving force of the film as we follow her religious/psychotic journey down the rabbit hole.  Jennifer Ehle is the primary supporting player with Clark and the pair shares an interesting type of chemistry that pays off in the long with horrific results.  Once the film kicks into its final act, Glass lets the sparks fly with impressive creativity and maximum impact.  Saint Maud is the type of horror film the burrows into you mind leaving a lasting impact long after it’s over.

A

MOVIE REVIEW: THE LITTLE THINGS

Deputy Sheriff Joe "Deke" Deacon joins forces with Sgt. Jim Baxter to search for a serial killer who's terrorizing Los Angeles. As they track the culprit, Baxter is unaware that the investigation is dredging up echoes of Deke's past, uncovering disturbing secrets that could threaten more than his case.

Director: John Lee Hancock

Cast: Denzel Washington, Rami Malek, Jared Leto, Chris Bauer, Natalie Morales, Terry Kinney

Release Date: January 29, 2021

Genre: Crime, Drama, Thriller

Rated R for violent/disturbing images, language and full nudity

Runtime: 2 h 7 min

Review:

There’s plenty that will feel familiar about The Little Things, it’s a film that feels stuck in the past on multiple levels.  John Lee Hancock’s film is methodically paced and well filmed but all of it feels perfunctory and familiar.  The character’s all have specific quirks or demon’s they are dealing with but the story never gives us anything new or revelatory about these tortured men.  Instead its stellar cast is stuck making the best of this script which feels like it’s from another era, mainly because it is.  This script has been languishing in development since the 90’s and so much about it feels like it would have been fresh back then but now some of these tropes have been done multiple times over.  It’d be easy to get some Seven vibes here and there but its never as polished or refined as that film.  Denzel Washington leads the film ably and honestly he can play this type of character in his sleep so it’s not a challenging role for him.  That being said, he’s able make his character interesting enough to keep the proceedings engaging enough to keep you moving forward.   Rami Malek feels miscast as the young rising detective, something about Malek’s talents and this type of role just don’t mesh in a believable fashion.  Jared Leto’s performance here lacks any sort of subtly which takes you out of the film once he gets the spotlight.  The third act can be described as problematic without giving anything away.  The Little Things is saved from being a complete mess by top tier talent but even then it’s decidedly middle of the road.

C

Cindy Prascik's Review of The Little Things

My dear reader(s), this weekend the streaming services offered up a gift to the the homebound and weary: The Little Things, starring Academy Award (tm) winner Denzel Washington, Academy Award (tm) winner Rami Malek, and Academy Award (tm) winner Jared Leto. 

Spoiler level here will be...uh...mild, I guess. If you saw a trailer, there's not likely anything here you didn't see or guess from there. 

Two cops risk everything in the hunt down a serial killer. 

So, you got that the Little Things stars some ACADEMY AWARD (tm) winners, right?? All that hardware is the film's chief selling point, and, for my money, anything that has Denzel Washington's name at the top of the list is worth a look. I don't think the Little Things strains Denzel's exceptional skillset, but, as usual, he carries the picture with ease. I've fallen out of love with Rami Malek since his Oscar win, so if he's any better than serviceable here, it's lost on me. Jared Leto is laughably bad in a poorly-crafted role. I actively despised every minute he was onscreen, and I'm not normally a Leto-hater. I even liked his Joker. (Don't @ me.)

Outside of its acting heavyweights, the Little Things is a creepy but predictable procedural. The cops rough up persons of interest and deliver tone-deaf dialogue as reliably as if it were an old Starsky & Hutch episode. Everybody makes bad choices. You get a bad choice! You get a bad choice! And YOU get a bad choice! Where those choices lead may surprise you...or not...depending on how much of this sort of thing you watch. The Little Things looks, sounds, and feels suitably bleak, with muted colors and a grim score by Thomas Newman. Outside of Leto, it's a pretty well-crafted work that suffers only for feeling like it should be more, somehow. Maybe not worth subscribing to HBO Max, but if you're already a subscriber, definitely worth a look. 

The Little Things runs 127 minutes and is rated R for "violent/disturbing images, language, and full nudity." The Little Things is a passable yarn that features some nice work by Denzel Washington. In Covid times, we can't ask for much more...apparently. Of a possible nine Weasleys, the Little Things gets six and a half. 

The Little Things is now streaming on HBO Max. 

Until next time...

Cindy Prascik's Review of One Night in Miami

 

My dear reader(s): Last weekend I caught up with One Night in Miami, a fictionalized account of a gathering of luminaries: Malcolm X, Cassius Clay, Sam Cooke, and Jim Brown. 

I've been pushing my notes on this around for a week, and I think this may wind up more discussion than review, so expect some spoilers. Maybe. 

Since normally this *would* be a review, I will say, first, if you're on the fence about seeing One Night in Miami, please climb down and watch. The movie features stellar performances, important conversations, and a pretty polished bit of directing from Regina King, in her feature directorial debut. 

One Night in Miami feels like a pretty big deal, especially as we get accustomed to "cinema worthy" efforts hitting our TVs the same time as they hit big screens. That's largely due to Oscar winner King's star power, but, if I take an objective half-step back, I realize it's also because — if the names Kingsley Ben-Adir, Aldis Hodge, and Leslie Odom, Jr. aren't quite Hollywood A-List — they're definitely Cindy A-List. Kingsley Ben-Adir, in particular, is a favorite in my household, and seeing his name heading the cast of a film of this caliber made me pretty happy. Top to bottom, the cast turns in exceptional work with a talky script that asks a lot of them. 

For a picture without a beginning-middle-end type story, One Night in Miami is well paced and never seems to drag. Hair, costumes, and makeup are authentic to the time and characters, and overall the film looks good. Given the subject matter and time frame, I expected a contentious movie; however, like the Boys in the Band, surprisingly more conflict came from within than without. Also like the Boys in the Band, I found the characters' language and general treatment of one another jarring, and sometimes wondered why they called themselves friends at all, they were often so disdainful of one another. Arguments between Malcolm X and Sam Cooke, in particular, mirror those I continue to hear all these years later: If we're all working towards the same end, who has the right to tell someone else how best to achieve that end? It's a hard conversation with no firm answer, which makes it all the more exhausting. The fact that One Night in Miami is a worthwhile watch doesn't make it an easy one. 

One Night in Miami clocks in at 114 minutes and is rated R for "language throughout." 

One Night in Miami is an exceptional bit of filmmaking that sets the 2021 movie bar pretty high indeed. 

Of a possible nine Weasleys, One Night in Miami gets seven. 

Until next time...