Cindy Prascik's Review of Teenage Mutant Ninja Turtles: Out of the Shadows

Dearest Blog: Yesterday I donned my brand new Turtle shirt and headed out to Marquee Cinemas for Teenage Mutant Ninja Turtles: Out of the Shadows. Spoiler level here will be mild, nothing you wouldn't know from the trailers. Michelangelo, Donatello, Raphael, and Leonardo risk exposure to save their beloved New York from the evil Shredder's latest nefarious plot. 

 

Dear Reader(s) the best and most important thing I can tell you about Out of the Shadows is this: the movie is EXACTLY as advertised. If you pay your cinema dollars to see this because the trailers look like fun to you, you will have a great time. 

 

If you pay your cinema dollars just to complain that it isn't The King's Speech, well...I feel a little sorry for you. 

 

The movie opens on a beautiful aerial shot of New York City, and, throughout, the City serves as an important supporting character. Famous landmarks are prominently placed, and both the Knicks and Rangers enjoy a bit of Turtle PR. 

 

TMNT2 boasts some nice action sequences, with well-choreographed fights and exciting chases. The effects are solid, and the CGI looks good, in particular as regards the Turtles' facial movement and expressions, which are terrific. 

 

Of course the movie's principals are heard and not seen, but the supporting faces are notable: Megan Fox, Will Arnett, Laura Linney, Tyler Perry, and Dean Winters. 

 

Newcomer Stephen Amell brings an earnestness to Casey Jones that is notably lacking in his Oliver Queen. 

 

The film is quite funny, if often juvenile, and the soundtrack boasts some pretty cool tunes. Teenage Mutant Ninja Turtles: Out of the Shadows clocks in at 112 minutes and is rated PG13 for "sci-fi action/violence." If you saw TMNT2 and didn't enjoy it, I can only ask, in the words of another famous turtle: "Why don't you like fun?" 

 

Of a possible nine Weasleys, Teenage Mutant Ninja Turtles: Out of the Shadows gets seven. 

 

Until next time... 

 

MOVIE REVIEW: TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS

When the evil Shredder develops his own mutants, Bebop and Rocksteady, the Turtles must team up with April (Megan Fox), news reporter Vern Fenwick (Will Arnett), and their new vigilante friend Casey Jones (Stephen Amell) to defend New York City from destruction. Leonardo, Raphael, Michelangelo and Donatello also face an impending invasion from the deranged extraterrestrial Krang in this sequel to 2014's Teenage Mutant Ninja Turtles. Dave Green directed this action comedy, with Michael Bay serving as a producer. ~ Daniel Gelb, Rovi

Release Date: Jun 03, 2016

Rated: PG-13 for Sci-fi action violence.

Runtime: 1 hr. 48 min.

Genres: Action/Adventure

Director: Dave Green

Cast: Megan Fox, Will Arnett, Tyler Perry, Stephen Amell

Review:

The first film in the rebooted Teenage Mutant Ninja Turtles series wasn’t a perfect film but it did get primary characters down which has always been sorely missing from the Transformers franchise.  The sequel opens up the world bringing in a handful of classic characters.  The action sequences are bigger, well staged and pretty fun for the most part.  The voice talents for all the animated characters are all spot on with Noah Fisher getting all the best lines throughout.  Stephen Amell and Tyler Perry join the franchise with both proving a mixed bag.  Amell lacks any charisma and chemistry with Megan Fox so he’s just bland throughout.  On the other end of the spectrum is Tyler Perry who’s hamming it up every chance he gets.  The film’s plot is decidedly wacky but it kind of embraces its zaniness, even some of the laughs are decidedly broad. Still, it’s hard for children of the 90’s not to get nostalgic watching some of these characters pop up on screen.  

C+

Cindy Prascik's Reviews of Alice Through the Looking Glass & X-Men: Apocalypse

 

 

 

Dearest Blog: Yesterday it was off to Marquee Cinemas for the maligned pair of Alice Through the Looking Glass and X-Men: Apocalypse. Spoiler level here will be mild, nothing you wouldn't know from the trailers. 

 

Well, dear Reader(s), I was prepared to tell you neither of these pictures is as bad as you've probably heard, but last night I spent good money to watch How to Be Single, so, by comparison, now I guess I'm prepared to call them both Oscar worthy. 

 

First on the docket: Alice Through the Looking Glass. The further adventures of Ms. Kingsleigh and her whimsical Wonderland friends. It's probably fair to say that Through the Looking Glass is the sequel nobody who isn't collecting a paycheck from it ever wanted, but I'm pleased to report it's really not all that bad. 

 

On the positive side, the movie boasts enjoyable performances from Johnny Depp, Mia Wasikowska, and Helena Bonham Carter. Colleen Atwood's costumes are glorious, and Danny Elfman provides a magical score. 

 

The film kicks off with an exciting high-seas action sequence, sets and cinematography are beautiful throughout, and there's some nice CGI work. On the downside, there won't be much middle ground on Depp's Mad Hatter; if you don't love it, you're likely to hate it, as I did with that weird, fluttery thing Anne Hathaway kept doing with her hands. 

 

In one of his final roles, Alan Rickman has barely three lines. Finally, though the movie mostly keeps a good pace and isn't overlong, the final act slows to a snail's pace. Alice Through the Looking Glass runs 113 minutes and is rated PG for "fantasy action/peril and some language." 

 

It's hardly special, especially from a company that inspires the devotion that Disney does, but Alice Through the Looking Glass provides a couple hours of enjoyable escapism. 

 

Of a possible nine Weasleys, Alice Through the Looking Glass gets five. Fangirl points: Richard Armitage and Andrew Scott. 

 

Next on my agenda: X-Men: Apocalypse. When a godlike mutant threatens to destroy the world, the X-Men must band together to save it. X-Men: Apocalypse isn't a perfect film, but it's good fun and hardly deserves the critical beating it's taking. The movie has a fantastic cast and does a fine job of fairly distributing screen time, though, once again, its Evan Peters' Quicksilver who manages to steal the show. 

 

If a brief, crowd-pleasing appearance by a certain someone isn't precisely a surprise in this Internet age, it definitely retains its impact on the audience, if not really on the plot. Apocalypse runs overlong and is a bit convoluted, but the action is terrific and keeps things moving at a good pace. Some great effects and huge set pieces make the movie well worth seeing on a big screen. 

 

X-Men: Apocalypse clocks in at 144 minutes and is rated PG13 for "sequences of violence, action, and destruction, brief strong language, and some suggestive images." The weakest link in a pretty strong trilogy, X-Men: Apocalypse is still worth your movie dollar. Of a possible nine Weasleys, X-Men: Apocalypse gets six. Fangirl points: Zeljko Ivanek and a Duran Duran "Rio" poster on the wall! 

 

Until next time... 

 

 

MOVIE REVIEW: X-MEN: APOCALYPSE

Director: Bryan Singer 

Cast: James McAvoy, Michael Fassbender, Jennifer Lawrence, Oscar Isaac, Nicholas Hoult

Release Date: May 27, 2016

Rated: PG-13 for brief Strong Language, Action and Destruction, Sequences of Violence and Some Suggestive Images.

Runtime: 2 hr. 23 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

X-Men: Apocalypse isn’t the rousing success that Days of Future Past but it’s a fairly enjoyable X-Men adventure.  That’s not to say there aren’t issues.  The most glaring of which is the general waste of talent.   The cast is made up of excellent actors but none of them are really given anything substantial to do.  Oscar Isaac’s turn as the titular villain is decidedly underwhelming.  The character isn’t particularly interesting and his four horseman, three of which seem utterly useless, sound like a better idea than it actually is.  Michael Fassbender’s Magneto is still the most interesting character in the redux series but even his story feels a tad bit tacked on and inorganic.  Thankfully it’s a swift movie with it rarely muddling down or lingering too much on minutia.  The action is impressive all around especially Evan Peters rescue sequence which is more elaborate and impressive than the one in the Days of Future Past.  As a whole, the film has plenty to like but I can help but feel like it’s a missed opportunity.

B-

Cindy Prascik's Review of The Nice Guys

Dearest Blog: Yesterday it was off to Marquee Cinemas for one of 2016's best offerings thus far, The Nice Guys. Spoiler level here will be mild, nothing you wouldn't know from the trailers. 

 

When a mismatched pair of sleuths goes looking for a missing girl, they find something far, far bigger. Well, dear Reader(s), THIS is how it's done. The Nice Guys wraps a clever mystery in some great comic bits, and fleshes it out with outstanding performances throughout. 

 

Co-leads Russell Crowe and Ryan Gosling are terrific together, with Crowe reminding us why he's one of the world's best-regarded actors, and Gosling displaying some excellent comic chops. 

 

A particularly strong supporting cast includes 15-year-old Angourie Rice, who is precocious but not in the annoying way of so many child actors, and Matt Bomer, no less great for being somewhat under-used. 

 

The mystery at the heart of The Nice Guys will keep you guessing right to the end, and the film features some great action sequences as well. The humor ranges from subtle verbal exchanges to broad physical comedy. 

 

Gosling's bathroom-stall scene, partially featured in one of the trailers, is one of the funniest things you'll ever see, and not at all in a crass "bathroom humor" way. Set in 1977 (for the record, my favorite year of my favorite decade), The Nice Guys displays the music and fashion of the 70s in all their glorious disco majesty, a treat to behold. Finally, the picture is well paced and smart enough not to wear out its welcome, a true cinema home run. 

 

The Nice Guys clocks in at 116 minutes and is rated R for "violence, sexuality, nudity, language, and brief drug use." The Nice Guys is a smart, funny, all-around excellent picture. With Summer Blockbuster Season kicking in, it probably won't hang around long, so I strongly encourage you to get out and see it while you can. 

 

Of a possible nine Weasleys, The Nice Guys gets eight and a half. Until next time... 

 

 

MOVIE REVIEW: NEIGHBORS 2: SORORITY RISING

Two years after feuding with a rowdy frat that moved next door to them, young parents Mac (Seth Rogen) and Kelly (Rose Byrne) are about to have their second child and move to a new house. Unfortunately, their attempts to sell their current home hit a snag when a sorority led by a rebellious college student (Chloë Grace Moretz) become their new neighbors. Desperate to get rid of the hard-partying gals, the couple forge an alliance with Teddy (Zac Efron), the former fratboy who tormented them the last time around. Directed by Nicholas Stoller. ~ Jack Rodgers, Rovi

Director: Nicholas Stoller

Cast: Seth Rogen, Rose Byrne, Zac Efron, Chloe Moretz, Selena Gomez

Release Date: May 20, 2016

Rated: R for crude sexual content including brief graphic nudity, language throughout, drug use and teen partying.

Runtime: 1 hr. 32 min.

Genres: Comedy

Review:

Neighbors 2: Sorority Rising provides some hefty laughs here and there throughout it’s runtime but never really hits the level of consistency of the original.  There’s a haphazard attempt at feminism throughout the film which is about as subtle as a hammer.  It’s a weird mixture since it could have been an interesting slant if it’d been handled properly.  As is, this sequel is another raunchy ride through a recycled plot with characters which are never really fleshed out.  It’s a shame because Chloe Moretz seems like she would have done well with the comedy.  Rogen and Byrne ease back into their roles easily with their interplay being a highlight of the movie.  Byrne continues to impress in her comedic roles but she feels a little underused.  Sadly, Neighbors 2: Sorority Rising is another comedy sequel which will be easily overlooked and forgotten since it never reaches the level of the original.

C