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Saturday, August 3, 2013

MOVIE REVIEW: THE TO DO LIST



A high-school valedictorian makes a list of all of the sexual acts she wants to try before college, and seeks out the right partners to help expedite her sex education in this semiautobiographical comedy from writer/director Maggie Carey.

Director: Maggie Carey

Cast: Aubrey Plaza, Johnny Simmons, Bill Hader, Alia Shawkat, Sarah Steele, Rachel Bilson

Rated R pervasive strong crude and sexual content including graphic dialogue, drug and alcohol use, and language - all involving teens.

Runtime: 1 hr. 44 min.

Genres: Comedy

The To Do List has the makings of a comedy gem. A strong comedic female lead flanked by an equally impressive supporting cast with a funny premise. Unfortunately, it’s evident from the start that Aubrey Plaza is miscast as the valedictorian straight arrow trying to up her sexual IQ. Plaza’s greatest strength is her deadpan sarcastic delivery and this role doesn’t fit her strengths. As a result she never seems comfortable in the role. The script does her very little favors since it can’t help but make obvious jokes, some of which miss badly, and remind us endlessly that it’s set in the 90s. The supporting cast filled out their roles nicely but considering some of the talents they fell slightly underutilized especially Bill Hader and Connie Britton. Rachel Bilson and Plaza have a fun bit of sister chemistry which helps the film in some of the dead spot. There are a few inspired sections that provide some good laughs but they are few and far between unfortunately resulting in a ho-hum comedy that feels a lot longer than its runtime. It could have been Park and Recreation’s Leslie Knope The R Rated Teen Years meets American Pie instead it just misses the mark.

C

Cindy Prascik’s Review of 2 Guns

Dearest Blog, yesterday I took advantage of my employer's benevolence and used my afternoon off for an early screening of the Denzel Washington/Mark Wahlberg buddy action flick 2 Guns.

Spoiler level here will be mild, only things divulged by the trailers. I must call out the film on one specific scene, but I won't mention any details.

Nothing is what it seems in the fallout of two law enforcement agents' attempt to infiltrate a Mexican drug cartel.
If we're being honest, chances of my not liking 2 Guns were slim to none, as I knew from the first trailer that it's exactly my kind of movie: action heavy, with two great male leads and nary a chick in sight. Booyah! Fortunately, the movie does not disappoint.

Though 2 Guns is obviously not short on gun battles and explosions, it also tells a great story full of interesting twists. Denzel Washington and Mark Wahlberg have terrific chemistry, and Washington commands the screen as only he can. If he just stood there reading the TV Guide, it'd easily be worth the price of admission. The supporting cast boasts standouts Edward James Olmos, Bill Paxton, and Fred Ward, as well as the lovely Paula Patton and James Marsden.

2 Guns is a very violent film, including one unnecessary and inexcusable scene of animal cruelty early on, but it also has a fair bit of humor. I laughed out loud several times, was engaged from start to finish, and can happily say I loved it every bit as much as I expected to.

2 Guns clocks in at 109 minutes and is rated R for "violence throughout, language, and brief nudity." If not for the awful animal-abuse scene, it might well have had my first perfect rating of the year, but, even so, of a possible nine Weasleys, 2 Guns easily earns eight.

Until next time...




Denzel Washington, Mark Wahlberg, and it's raining money? Where do I sign up???

Friday, August 2, 2013

[Trailer 2] Machete Kills





The new trailer for Machete Kills gives you a better idea of the general plot in all its goofy glory. We also get our first glimpses of the cast and who they’ll be playing including Mel Gibson’s villain. I’m looking forward to this more and more with each passing day.



Sunday, July 28, 2013

Cindy Prascik's Reviews of Red 2 and The Wolverine




Dearest Blog, yesterday I trekked to the cinema to see two highly-anticipated (for me) releases: Red 2 and The Wolverine. If I'm guessing by the number of people with whom I shared the theatres, not everyone anticipated these films quite so highly.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my agenda was the middle-aged comic-book sequel Red 2.

Ex-CIA agent Frank Moses (Bruce Willis) has retired (again) to domestic bliss with Sarah (Mary Louise Parker), but the life he thinks he wants is re-interrupted when his crazy old pal Marvin (John Malkovich) drags him back into the world of international espionage.

I tend not to read many reviews before I write my own, but as much as I'm online, I can't help but see headlines. The headlines I saw about Red 2 led me to believe it's worth an eye-roll and no more, in keeping with the first one.

However, I loved Red, and I'm pleased to report I loved the sequel equally well.

Bruce Willis is Bruce Willisey in the lead. This is a compliment. He carries this sort of film about as well as anyone, and the wisecracking tough-guy routine has yet to wear thin with me. Helen Mirren is the coolest Dame on the planet...all the more so when she's armed and dangerous. John Malkovich has his kooky on and is enjoyable as always. Anthony Hopkins and Catherine Zeta-Jones kick up the star power of this cast, though I didn't entirely buy either in his/her role. Brian Cox is amusing in another brief appearance, and I was delighted to see David Thewlis. I'll cop to being absolutely fixated on Byung-hun Lee, whom I've only ever previously seen in the G.I. Joe movies, and wishing he had more screen time. I still hate Mary-Louise Parker, FYI.

Plot-wise Red 2 isn't trying to reinvent the wheel. It's action heavy, with the usual not-too-complicated (and somewhat holey) "save the world" storyline. Again, this is a compliment. It does slow down enough in some places that I wished they'd made it a bit shorter, but it's not bad enough to derail enjoyment of the whole.

Red 2 runs 116 minutes and is rated PG13 for "pervasive action and violence including frenetic gunplay, and for some language and drug material."

With its likable, familiar cast and likable, familiar storyline, Red 2 is much like an afternoon passed with good, old friends...except Mary-Louise Parker, who's that one person you don't actually like, but you have to put up with because one of your friends does.

Of a possible nine Weasleys, Red 2 gets seven.

Next up was the weekend's big new release, The Wolverine.

A meeting with an old acquaintance draws Logan into a conflict that is more than it seems, and forces him to confront his personal demons.

So...y'all hated X-Men Origins: Wolverine, yeah? See, I didn't. I liked it. A lot. I also liked this one. A lot.

Hugh Jackman is one of the more gifted and well-rounded leading men working in Hollywood these days, and it's to his credit he can do things like Wolverine and things like Les Miserables and be credible in both. He sings and dances on the Tonys and the Oscars, and he still embodies the macho superhero perfectly. The bulk of Wolverine's supporting cast is comprised of Asian actors with whom I'm only vaguely, if at all, familiar, but I thought they all did a fine job. I did pause to wonder whether Hollywood ever offers these actors any decent roles that have nothing at all to do with martial arts. I feel sure they've more to offer.

I am not invested in X-Men lore, so I can't comment on how well this film represents the comics, but the story is engaging, with (obviously) a good bit of action. It does run a bit too long (I ought to just copy and paste that line from review to review), and there were times, particularly some of the fight scenes, where I wished they'd just get on with it already.

Scheduling forced me to see this in 3D, and it was worse than useless; there wasn't a single scene where I thought it added anything. For the more shallow among us, Hugh Jackman is looking extremely fit, and there's plenty of gratuitous shirtlessness to be ogled.

The Wolverine clocks in at 126 minutes and is rated PG13 for "sequences of intense sci-fi action and violence, some sexuality, and language."

If you were waiting for that perfect superhero movie of the summer, well, you'll still be waiting, but the Wolverine is a solid couple hours of escapism that should please most fans of the genre.

Of a possible nine Weasleys, The Wolverine gets seven.

So, dear Blog, that closes the book on another Star Trek-less weekend; however, as the next four weekends are giving me 2 Guns, Elysium, MY BELOVED GARY OLDMAN in Paranoia, and The World's End, they should be filled with enough awesomeness to get me through.

Until next time...




Not gonna lie, I gave it six and a half Weasleys, looked at this, and changed it to seven.

Saturday, July 27, 2013

MOVIE REVIEW: THE WOLVERINE



Hugh Jackman returns as Wolverine in this sequel to the member of the X-Men's first solo outing. Mark Bomback and The Usual Suspects' Christopher McQuarrie penned the script, which takes its inspiration from the Chris Claremont/Frank Miller Marvel miniseries from the 1980s dealing with the character's adventures in Japan as he fights ninjas in the ceremonial garb of the samurai. Knight and Day's James Mangold directs. ~ Jeremy Wheeler, Rovi

Director: James Mangold

Cast: Hugh Jackman, Will Yun Lee, Hiroyuki Sanada, Brian Tee, Famke Janssen

Release Date: Jul 26, 2013 RealD 3D

Rated PG-13 For language, Intense Sci-Fi Action, Some Sexuality and Violence

Runtime: 2 hr. 6 min.

Genres: Action/Adventure

Review:

X-Men Origins: Wolverine was such a massive misfire that I excised the majority of the film from my memory as soon as the film ended. Needless to the say, I wasn’t terribly excited about The Wolverine especially after Darren Aronofsky dropped out. James Mangold is a solid if unimpressive director so I was still fairly leery of another solo entry for Wolverine. Thankfully The Wolverine is a solid piece of comic book filmmaking with a focused storyline with a pensive seriousness that pervades the better part of the film. Mangold delivers a well balanced film that provides enough action to keep your blood pumping, an impressive bullet train sequence stands out, and heart to keep it interesting. By this point in time the audience should be well versed in the general particulars of Logan’s story so the film doesn’t waste much time explaining rudimentary facts, instead it focuses on Logan after the envents of X-Men: The Last Stand. As a result Hugh Jackman is allowed to flesh out some of the turmoil at play in Logan’s mind. The result is a mixed bag with some of the attempts hitting home while most of the Jean Grey hallucinations come off a tad too heavy handed. Even with its flaws, its effect character building. It helps that the cast of supporting characters and villains has been trimmed to an economically small group. Rila Fukushima leaves a solid impression as Logan’s de facto sidekick. Tao Okamoto, the love interest, feels like she should leave a bigger impression but she’s decidedly bland. Fairing worse is Svetlana Khodchenkova’s vamping villainess, Viper, who is a ham fisted misfire especially in the final act. The final act itself forgoes all the seriousness for a goofy and ultimately anticlimactic end to the film. The Wolverine would have fared better if it’d had some tighter editing, especially in the flabby midsection, and delivered a thrilling finale but it still delivers a solid entry into the X-men cannon. An excellent post credit sequence will leave you waiting patiently or impatiently for the upcoming X-Men: Days of Future Past.

B-


Tuesday, July 23, 2013

Netflix Streaming Micro Reviews: House of the Devil, The Innkeepers, Session 9, Lovely Molly, Dead Girl




I’ve been on a bit of a horror kick on Netflix streaming so here are a few micro reviews;

House of the Devil – It has a cool little 80’s vibe to it but it takes way too long to get on with the story which is painfully predictable. - C

The Innkeepers – A fun little movie with a good sense of fun and good chemistry between the leads. It seems to remember it’s a horror movie in the last act resulting in an abrupt shift in tone. – B-

Session 9 – Really strong bit of atmosphere taking advantage of the locations but it kind of falls apart in the last act. – C+

Lovely Molly – A really impressive take on the haunted house tropes with a turn midway through the film that you’ll either love or hate, personally I thought it worked well. Strong performances throughout but in the final 10 minutes the film seems unsure about where it wants to go, committing to nothing and everything. B-

Dead Girl – I just couldn't make it through the whole thing. I quit watching it about a third of the way through it, too much raping for my taste – Incomplete
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