MOVIE REVIEW: WARM BODIES

WARM BODIES




A tormented zombie (Nicholas Hoult) experiences a profound transformation after entering into an unusual relationship with the daughter (Teresa Palmer) of a military leader charged with eradicating the walking dead. As the unlikely pair build a tenuous bridge between the living and the dead, those on both sides of the battle begin to sense that nothing in their world will ever be the same again. Warm Bodies is based on the novel by Isaac Marion. Rob Corddry and John Malkovich round out the starring cast. ~ Jason Buchanan, Rovi

Director: Jonathan Levine

Cast: Nicholas Hoult, Teresa Palmer, Rob Corddry, John Malkovich, Dave Franco

Release Date: Feb 01, 2013

Rated PG-13 for zombie violence and some language

Runtime: 1 hr. 38 min.

Genres: Comedy

Review:

Warm Bodies is a simple film which a bit of a statement for a zombie rom-com. Director Jonathan Levine keeps things as simple as possible while giving us a self aware version of Twilight with a much better sense of humor. Its light fare at it’s fluffiest. Its center is an incredibly fun, charming and ultimately engaging performance from Nicholas Hoult. From the moment we hear his internal monologue the audience is sucked into his plight and quest for zombie reinvention. R is pretty much Buddy from Day of the Dead with a romantic heart. Love truly conquers all, even rigor mortis. As mentioned the plot is thread bare and while it’ll keep you grinning throughout you can’t help but think it could have been streamlined or that it’s rather neutered to keep that sacred PG-13 rating. Teresa Palmer is rather bland but serviceable. Rob Corddry and a steady John Malkovich do solid work in limited roles. Warm Bodies is an almost sugary sweet zombie love story, it’s not perfect but who is.

B-

MOVIE REVIEW: END OF WATCH

END OF WATCH




David Ayer's End of Watch stars Michael Peña and Jake Gyllenhaal as a pair of L.A. cops and close friends who work to keep the streets safe. Shot in a found-footage style, the movie follows the duo as they make enemies with a major drug cartel and attempt to lead happy personal lives. ~ Perry Seibert, Rovi

Director: David Ayer

Cast: Jake Gyllenhaal, Michael Peña, Anna Kendrick, Frank Grillo, America Ferrera.

Release Date: Sep 21, 2012

Rated R for sexual References, Pervasive Language, Some Disturbing Images, Some Drug
Use and Strong Violence

Runtime: 1 hr. 49 min.

Genres: Drama

Review:

End of Watch is an aggressive film which feels like a cop version of into The Heart of Darkness. David Ayers uses a lot of filming techniques to get give his film a crazy kind of energy that makes the more mundane parts of the film seem less so. His style works for the most part but occasionally it’s more distracting than it needs to be, detracting from the quality of the story and excellent performances on display. Jake Gyllenhaal and Michael Peña have some of the best chemistry I’ve seen in ages in this type of film. Each works off each other extremely well. Their performances have a tangible and believable sense of authenticity throughout. It’s the best performance from both in a long while. They are the heart and soul of the film, creating an impressive connection with the audience even as the story gets more and more extreme, occasionally veering into implausibility. The supporting cast fills out the character’s world well, adding to the film’s overall quality and compounding the emotional punch the climax delivers.

B

MOVIE REVIEW: COMPLIANCE

Inspired by actual events, writer/director Craig Zobel's sophomore feature Compliance examines the complex hierarchy of authority through the experiences of a teenage fast-food restaurant clerk who falls victim to a twisted practical joke. ~ Jason Buchanan, Rovi

Director: Craig Zobel

Cast: Ann Dowd, Dreama Walker, Pat Healy, Bill Camp, Ashlie Atkinson

Release Date: Aug 17, 2012

Rated R for language and sexual content/nudity

Runtime: 1 hr. 30 min.

Genres: Suspense/Thriller

Review:

Compliance is the type of feel that really feels like its stretching credulity and good taste various times during its runtime. At certain points during the film, I couldn’t help but feel like there was something exploitative or embellished about the proceedings but sadly, the plot of the film following the real life events fairly closely. It’s a disturbing and frustrating experience which leaves you with plenty of questions, most of which aren’t answered in the film or in real life for that matter. Craig Zobel shows an impressive talent as a director bringing an immediacy and authenticity to the proceedings. Ann Dowd’s complex and layered turn as the manager adds to the sense of authenticity. Dowd is always the most interesting person the screen even though there are other strong performances. The film loses some of its power when she isn’t front and center which happens for the better part of the final act. Dreama Walker is just as impressive with a performance that leaves her character exposed on multiple levels, both literally and figuratively. It’s a thankless role in many ways but she commits fully and believably. Pat Healy is appropriately detached yet sinister as the caller. It’s not a showy role but effective. We don’t know much about his character or motivations outside of tidbits of information that we are shown throughout the film after he’s revealed. In fact there we don’t get very many answers about him or the other characters, only a quick wrap up of each finishing with an interview with Dowd’s character.

B+

MOVIE REVIEW: THE LAST STAND

A border-town sheriff pulls out the heavy artillery to prevent an escaped drug kingpin from blasting his way into Mexico in this sun-scorched action opus starring Arnold Schwarzenegger and directed by Kim Jee-Woon (I Saw the Devil, The Good, the Bad, and the Weird). Johnny Knoxville, Luis Guzman, and Rodrigo Santoro co-star. ~ Jason Buchanan, Rovi

Director: Kim Jee-Woon

Cast: Arnold Schwarzenegger, Peter Stormare, Forest Whitaker, Jaimie Alexander, Luis Guzman

Release Date: Jan 18, 2013

Rated R for strong Bloody Violence and Language

Runtime: 1 hr. 46 min.

Genres: Action/Adventure, Suspense/Thriller

Review:

The Last Stand is Arnold’s triumphant return to the big screen as a leading man. Its ludicrous plot sounds like the perfect fodder for a good old fashion Arnie blowout. My only question is why Kim Jee-Woon decided to waste so much time with pointless set up whiling trying to shoehorn in some seriousness into the plot. The first act of the film is incredibly choppy seemingly reluctant to embrace its own silliness. Once the ball actually starts rolling and the property damage increases it finally stops taking itself so serious and starts having fun. Arnold is rather flat which doesn’t come as a surprise as he works his way back into the acting game. The rest of cast give forgettable performances with Johnny Knoxville and Rodrigo Santoro battling for silliest and most of the top performance of the movie. As an action film its enjoyable fluff but the script doesn’t do it any favors serving up some incredibly hammy lines creating some groan inducing moments. Kim Jee-Woon would have been well served to reference Con Air, a movie with a similarly outlandish illogical plot, to get an idea about setting up a tone for his film. There’s plenty of fat which could have been cut to streamline the old school action which is what everybody was paying to see.

C+

MOVIE REVIEW: THE IMPOSSIBLE

Director Juan Antonio Bayona follows up his critically acclaimed feature debut The Orphanage with this drama set during the 2004 Thailand tsunami, detailing one family's incredible fight for survival. Inspired by actual events. Tom Hollander and Geraldine Chaplin co-star. ~ Jason Buchanan, Rovi

Director: Juan Antonio Bayona

Cast: Naomi Watts, Ewan McGregor, Tom Hollander, Marta Etura, Sönke Möhring, Geraldine Chaplin

Release Date: Dec 21, 2012

Rated R for intense realistic disaster sequence, disturbing injury images and brief
nudity

Runtime: 1 hr. 43 min.

Genres: Drama

Review:

The Impossible is the type of harrowing experience that has you watching the film through clenched teeth while grasping the arm rest during some of the more intense sequences. It’s a dramatization of a true story but it does an impressive job of giving you an approximation of the destruction that occurred during this tragic event. Bayona masterfully re-creates the tsunami’s impact with the visceral punch of a horrific amusement park ride. Naomi Watts and Tom Hollander do the majority of the heavy lifting on the emotional side. Watts and Hollander share a strong believable chemistry as mother and son. Personally, I can’t think of anybody better at playing emotionally beaten and frayed than Naomi Watts while keeping a quite strength behind her eyes. Watts delivers an unglamorous raw turn; it leaves a lasting impression even though she disappears for the better part of the last act. Hollander matches her every step of the way with one of the best performances I’ve seen by a child actor in years. Ewan McGregor and the 2 younger actors get some small moments to shine and each does impressive work with limited screen time. They get relegated to the background for the most part and the script seems content to use them for some of the more manufactured moments of heart string pulling such as a trifold set of near misses before the final reunion. It’s an issue that becomes more apparent as the film nears its finale. These moments feel out of place and forced even though the story didn’t need to beat you over the head with agony and could have relied on the organic moments of uplifting human drama.

B

MOVIE REVIEW: HOUSE AT THE END OF THE STREET

A teenager (Jennifer Lawrence) and her mother (Elisabeth Shue) move to a new town and make a gruesome discovery about the house next door in this tale of terror from Hush director Mark Tonderai. Shortly after learning that the neighboring house was recently the scene of a horrific double homicide, the curious teen forges a tender friendship with the boy who cheated death (Max Thieriot) on that fateful night. ~ Jason Buchanan, Rovi

Director: Mark Tonderai

Cast: Jennifer Lawrence, Elisabeth Shue, Max Thieriot, Gil Bellows, Nolan Funk.

Release Date: Sep 21, 2012

Rated PG-13 for Intense sequences of violence and terror, thematic elements, language, some teen partying and brief drug material

Runtime: 1 hr. 41 min.

Genres: Suspense/Thriller

Review:

It helps to know that Jennifer Lawrence filmed House at the End of the Street before Winter’s Bone was released and her star began it’s impressive rise. Knowing that explains why she’d be involved in such a terrible production. House at the End of the Street misfires on pretty much every level, it’s terribly scripted, flatly acted and clumsily directed. Director Mark Tonderai is more concerned with unnecessary camera movement such as using shaky cam during standard conversations and capturing Lawrence’s assets via a series of borderline gratuitous shots throughout. Worse of all he moves the story along at a terribly awkward pace, never building any suspense and forgetting to deliver any actual scares. This is all topped of with a liberal dose of clichéd horror movie logic along with a nonsensical plot and motivations. It leaves you disinterested and waiting the ending which doesn’t come quick enough.

F