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Sunday, March 27, 2011

MOVIE REVIEWS: PAUL

IN THEATERS

PAUL


Two average sci-fi geeks get caught up in the ultimate interplanetary adventure after picking up an extraterrestrial during a road trip to Area 51 and becoming the targets of a nationwide manhunt. Graeme (Simon Pegg) and Clive (Nick Frost) are two British sci-fi geeks on holiday in America. After a trip to Comic-Con to meet their favorite author, Adam Shadowchild (Jeffrey Tambor), Graeme and Clive load up their RV and hit the road for a tour of some of the most famous UFO hotspots in the American Southwest. They know we're not alone in the universe, but they won't be satisfied until they get a firsthand glimpse of the famed Area 51. However, somewhere deep in the Nevada desert, the two UFO enthusiasts narrowly avoid crashing into a speeding car when they happen across a most unlikely hitchhiker. Paul (voice of Seth Rogan) is a pint-sized alien who has spent the last 60 years in Area 51. He's been cooped up in the care of the U.S. Government for far too long, and he's starting to get a little homesick. Though Graeme and Clive are more than willing to help their wisecracking new friend get back to his mother ship, Special Agent Zoil (Jason Bateman) of the FBI is closing in fast. And he's not the only one; in their race to get their new friend home, Graeme and Clive have also become unwitting kidnappers, and the enraged father of their not-so-unwilling captive, Ruth (Kristen Wiig), is determined to rescue his daughter at all costs. Sigourney Weaver, Bill Hader, Blythe Danner, and David Koechner co-star. ~ Jason Buchanan, Rovi

Director: Greg Mottola

Cast: Simon Pegg, Nick Frost, Seth Rogen, Jason Bateman, Kristen Wiig

Release Date: Mar 18, 2011

Rated R for Language, including sexual references, and some drug use

Runtime: 1 hr. 44 min.

Genres: Comedy, Sci-Fi/Fantasy

Review:

Paul is kind of a difficult film to review, mainly because of Pegg & Frost previous cinematic gems. Their first outing without Edgar Wright in the director’s chair is still lots of fun filled with scifi allusions and nods and winks but it feels like it’s missing something. It’s strangely broad and unfocused, Pegg & Frost are allowed to fade into the background way too often. Director Greg Mottola seems unsure of how do deal with the script and actors so he just plays it safe for the most part. Simon Pegg and Nick Frost are always fun to watch on screen and this is no different. Seth Rogen does solid work as the voice of titular alien but in all honesty he’s pretty much playing a character we’ve seen him play countless times and it’s kind of hard not to think of Roger from American Dad! as you watch Paul’s antics. Jason Bateman mastered the art of playing the straight man and it’s a bit of a shame he’s not allowed to stretch his comedic legs a tad more. SNL players, Kristen Wiig and Bill Hader have a bit more to do and they’re both good fun in their roles. Paul isn’t quite up to Shaun of the Dead or Hot Fuzz standards but it’s still a fun and capable comedy.

B-


MOVIE REVIEWS: SUCKER PUNCH

IN THEATERS

SUCKER PUNCH



The story of Alice in Wonderland receives a hyper-violent makeover in Watchmen and 300 director Zack Snyder's fantastical tale of a young psychiatric patient who escapes into a vivid world of fantasy after being committed to a mental hospital by her abusive stepfather. Set in the 1950s, Sucker Punch takes viewers on an incredible journey into the mind of Babydoll (Emily Browning), who finds herself at the mercy of her malevolent stepfather after her mother passes away. With no remaining family and no friends to turn to, her stepfather has her committed to a bleak mental hospital, where she is scheduled to receive a lobotomy in five days. As the procedure draws near, Babydoll creates a phantasmagorical alternate reality in which she must seek out five items in order to secure her freedom. Should she fail, her mind isn't the only thing she stands to lose. Abbie Cornish, Vanessa Hudgens, Carla Gugino, and Jon Hamm co-star in a film co-written by Snyder and Steve Shibuya. ~ Jason Buchanan, Rovi

Director : Zack Snyder

Cast: Emily Browning, Abbie Cornish, Jena Malone, Vanessa Hudgens, Jamie Chung

Release Date: Mar 25, 2011

Rated PG-13 for Thematic material involving sexuality, violence and combat sequences, and for language

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

I have a serious confession to make. I’m a nerd. It’s something I’ve come to accept over the years and ultimately embrace. Using that old adage that it takes one to know one, it’s not a stretch to say that Zach Snyder is also a nerd. Sucker Punch is his masturbatory love letter to his 13 year old self. Barely coherent with just the slimmest shred of a plot he moves the show forward by showing us what has been knocking around in his head for years. By strapping the storyline with a faux female empowerment theme he forgives himself for the cosplay fetish videogame he puts on screen. At the very least, the action is well executed and fun to look at. In fact it’s so well done that you could skip the “real world” segments and not miss much. The ensemble cast is uniformly stiff probably because Snyder didn’t demand much out of them and mostly just wanted them to look sexy and cool during the endless “money shots” and upskirts he had planned. Personally, I’ve always been a fan of Snyder and thought his cinematic version of Watchmen was an underrated gem. The aptly named Sucker Punch is nothing more than Chicago meets Cosplay, nerd porn that will send launch leagues of teenage boys into puberty. For the rest of us, well there are better ways to spend 2 hours.

D

Monday, March 21, 2011

First Look at Adrianne Palicki in the New Wonder Woman costume

First official photo of Palicki in the redesigned Wonder Woman costume and at first glance I was a bit taken a back at how brightly colored it is.

I was expecting them to mute a lot of the colors with darker variations, esp. since it's supposed to be a non campy take, but after looking at it I kind of like it......



thoughts?

Sunday, March 13, 2011

MOVIE REVIEWS: BATTLE LOS ANGELES

IN THEATERS

BATTLE LOS ANGELES



A Marine platoon fights to prevent the city of Los Angeles from being overtaken by a race of highly advanced alien invaders in this epic sci-fi action thriller from director Jonathan Liebesman (The Texas Chainsaw Massacre: The Beginning) and producer Neal H. Moritz (I Am Legend, Fast & Furious). After decades of speculation about life on other planets, the people of Earth discover that extraterrestrials really do exist when destruction rains down from the stars on cities all across the globe. When the alien warships descend upon Los Angeles, however, the ferocious invaders discover that humankind won't go down without a fight as a gruff Marine staff sergeant (Aaron Eckhart) and his fearless troop of jarheads point their weapons skyward and make one last stand for the entire human race. ~ Jason Buchanan, Rovi

Director: Jonathan Liebesman

Cast: Aaron Eckhart, Michelle Rodriguez, Ramon Rodríguez, Bridget Moynahan, Ne-Yo

Release Date: Mar 11, 2011

Rated PG-13 for sustained and intense sequences of war violence and destruction, and for language

Runtime: 1 hr. 56 min.

Genres: Action/Adventure

Review:

Battle Los Angeles blast on the screen in an endless overlong barrage of explosions and firefights that seem intent on beating you into submission. Borrowing heavy doses from Black Hawk Down and War of the World, everything about this film is clichéd and unoriginal. The insane part is that Jonathan Liebesman seems to believe that if he gives you enough shakey shakey cam action you’ll forget about all that. Liebesman does his best Michael Bay impression whenever he’s not shooting near carbon copy scenes stolen from Black Hawk Down. Characters are incredibly generic and uninteresting. Aaron Eckhart’s square chin and grave voice tries his best give this story some heart and emotion but the script is so incredibly weak that there’s only so much he can do. Michelle Rodriguez and Bridget Moynahan show up to remind that this is a big budget movie but aren’t asked to anything more than shoot and look concerned. These type of films can be fun but even mindless fun needs some substance.

D


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