First Look At "X-Men: First Class" Cast

After sitting through the eye gouging bad X-men Origin Wolverine, I don’t know if I have any sort of hope for any future outings, even though Darren Aronofsky’s The Wolverine is intriguing, but this cast shot looks kind of fun….

Courtesy of DarkHorizons.com



The first photo from "X-Men: First Class", the 60's set prequel to the franchise, appeared on MSN today and has been confirmed. MSN later took it down at 20th Century Fox's request that the photo is unauthorized which suggests it's not a final version.

In the photo from L TO R: Michael Fassbender as Magneto, Rose Byrne as Moira MacTaggert, January Jones as Emma Frost (aka the White Queen), Jason Flemyng as Azazel (aka Nightcrawler's father), Nicholas Hoult as the Beast, Lucas Till as Havoc, Zoe Kravitz as Angel Salvadore, Jennifer Lawrence as Raven Darkholme (aka Mystique), and James McAvoy as Charles Xavier.Courtesy of DarkHorizons.com

[Trailer 3] Battle: Los Angeles

What originally looked like another Skyline mess is looking more and more impressive, hopefully it can back up the promise shown in the trailers, Jonathan Liebesman whose directing is hardly got an impressive resume, this one in particular looks very impressive....

MOVIE REVIEWS: THE KING’S SPEECH

IN THEATERS

THE KING’S SPEECH



Emmy Award-winning director Tom Hooper (John Adams) teams with screenwriter David Seidler (Tucker: A Man and His Dreams) to tell the story of King George VI. When his older brother abdicates the throne, nervous-mannered successor George "Bertie" VI (Colin Firth) reluctantly dons the crown. Though his stutter soon raises concerns about his leadership skills, King George VI eventually comes into his own with the help of unconventional speech therapist Lionel Logue (Geoffrey Rush). Before long the king and Lionel have forged an unlikely bond, a bond that proves to have real strength when the United Kingdom is forced to flex its international might. ~ Jason Buchanan, Rovi

Director: Tom Hooper

Cast: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce, Timothy Spall.

Release Date: Nov 26, 2010

Rated R for Language

Runtime: 1 hr. 51 min

Genres: Drama

Review:

The King’s Speech is the definition of an award’s/actor’s movie. It’s the type of film that allows actors to flex their considerable muscle. Colin Firth is front and center with a character that’s complex, distant and thoroughly conflicted. Firth is only half of what makes this film work. The always impressive Geoffrey Rush is stellar working with Firth. Their chemistry is what drives the film and while there are larger historical event that are addressed this friendship is central to the story. It’s wonderful relationship to watch and especially once Rush’s character starts to break down “Bertie’s” walls. Firth is most impressive during a one on one exchange with Rush after the death of King. Helena Bonham Carter is impressive in limited screen time as the supporting and loving queen. Director Tom Hooper doesn’t have much work to do but he still crafts an elegant film that lovely to watch and rarely drags. Hooper most impressive work is at the beginning and end of the film by making thing like a microphone and typed words seem incredibly terrifying. He allows the audience to feel every bit of trepidation and fear that the character feels as he struggles through each work. The finale is like watching a maestro direct an orchestra that has you hanging on each and every word.

A

MOVIE REVIEWS: CATFISH

ON DVD

CATFISH



Love and identity become twisted across the lines of the Internet in this documentary from filmmakers Henry Joost and Ariel Schulman. Nev Schulman is a photographer who one day received a surprising e-mail message -- Abby, an eight-year-old girl in Michigan, had seen his picture in a newspaper and wanted permission to paint a portrait from it. Nev gave his OK, and when he was given a copy of the painting, he was struck by how good it was, assuming that the girl was either a genius or a fraud. Nev tried to contact Abby's family, and somehow ended up in contact with Megan, Abby's sexy 19-year-old sister. As Nev fell into an increasingly complicated on-line relationship with Megan, he decided it was time to meet her in person, but when he traveled to Michigan and tracked her down, Nev learned that Abby and Megan's family were not at all what he expected them to be. Ariel Schulman, Nev's brother, began filming his brother's adventures from his first contact with Abby, and in Catfish he and Henry Joost tell this strange story from beginning to end. Catfish received its world premiere at the 2010 Sundance Film Festival. ~ Mark Deming, Rovi

Director: Ariel Schulman , Henry Joost

Cast: Nev Schulman, Angela Wesselman-Pierce, Ariel Schulman

Release Date: Sep 17, 2010

Rated PG-13 for some sexual references

Runtime: 1 hr. 34 min.

Genres: Documentary

Review:

Anyone whose spent any amount of time on the internet knows were Catfish is going within 15 minutes of the film’s runtime. The marketing campaign try to sell it as a thriller with a massive “shocking” reveal but the truth is far more mundane yet true to life. The authenticity of this documentary is an interesting topic because there are plenty points were you can feel the filmmakers are pushing towards a resolution they already knows exist. So is it a documentary if its creator’s force or encourage the situation at hand? That is up to each viewer to decide for themselves, along with whether this is a mean spirited ruse to capture something real via artificial means. What Catfish (the other Facebook movie as it’s been commonly called) is, is an on the ground sample of the times we live in, the networks we use that try to make our world so much smaller but also includes a vast chasm of unknown which can’t be breached without person to person contact. Once breached, our artificial avatar based lives tend to vary greatly in the light of actual sunlight. Catfish is fascinating in concept and intriguing throughout but there does seem to be a bit of an exploitative undertone, especially in the last act, where our main character appears to lack any empathy for what’s he’s discovered. Perhaps that in of itself is another, if unintended, statement about the times this film encapsulates.

B-

[Trailer] John Carpenter’s THE WARD

Carpenter's first film since the awful Ghost of Mars (2001), trailer doesn't fill me with a lot of hope as it looks fairly pedestrian and the January release date (known to be a dumping ground for studio’s crap) makes me more than a tad apprehensive.

Time will tell if Carpenter is able to capture any of that magic from the 70’s or 80’s…

QUICK HIT MOVIE REVIEWS: SPLICE & SURVIVAL OF THE DEAD

ON DVD



*Synopsis from www.rottentomatoes.com
Superstar genetic engineers Clive (Adrien Brody) and Elsa (Sarah Polley) specialize in splicing together DNA from different animals to create incredible new hybrids. Now they want to use human DNA in a hybrid that could revolutionize science and medicine. But when the pharmaceutical company that funds their research forbids it, Clive and Elsa secretly conduct their own experiments. The result is Dren, an amazing, strangely beautiful creature that exhibits uncommon intelligence and an array of unexpected physical developments. And though, at first, Dren exceeds their wildest dreams, she begins to grow and learn at an accelerated rate - and threatens to become their worst nightmare.

Rated: R

Running Time: 1 hr. 40 min.

Directed By: Vincenzo Natali

Genre: Science Fiction & Fantasy, Horror

Review:

Splice is a confounding movie in that it’s overly self serious tone would be fine if it’d just stuck to its smarts which permeate it’s first 2 acts. Instead it de-evolves in a hodgepodge of eye rolling moments and dialogue in it’s final act which makes you wonder whether you’d been taken for a ride by the director, who also helmed the wonderful cult favorite Cube. It’s a real shame because before the final act there is a plenty to like here, the acting, direction and plot are refreshing original even if the story is a modern Frankenstein tome.

C-




*Synopsis from www.rottentomatoes.com
Immediately following the events of "Diary of the Dead," "Survival of the Dead," is the 6th film from George A. Romero to look at a world where Humans... Immediately following the events of "Diary of the Dead," "Survival of the Dead," is the 6th film from George A. Romero to look at a world where Humans are in the minority and the zombies rule.Off the coast of Delaware sits the cozy Plum Island where two families are locked in a struggle for power, as it has been for generations. The O'Flynn's, headed by patriarch Patrick O'Flynn (Kenneth Welsh) approach the zombie plague with a shoot-to-kill attitude. The Muldoons, headed by Shamus Muldoon (Richard Fitzpatrick), feel that the zombies should be quarantined and kept 'alive,' in hopes that a solution will someday be found.The O'Flynn's, who are clearly outnumbered, are forced to exile Patrick by boat to the mainland, where he meets up with a band of soldiers, headed by Guardsman Sarge (Alan Van Sprang). They join forces and return to the island, to find that the zombie plague has fully gripped the divided community.As the battle between humans and zombies escalates, the master filmmaker continues to reinvent the modern horror genre with wicked humor and pointed social commentary.

Rated: R for strong zombie violence/gore, language and brief sexuality

Running Time: 1 hr. 30 min.

Distributor: Magnolia Pictures

Directed By: George A. Romero

Written By: George A. Romero

Genre: Horror


Review:

Survival of the Dead is a tonally odd film in Romero’s Dead series, especially after the impressive if didactic Diary of the Dead. It’s difficult to get a feel for it until you realize that Romero is making more of a horror comedy than a straight up horror film in his usual vein. You always have to respect Romero’s desire to do what he wants and while it’s an interesting if odd choice, personally I would have liked to have seen a sequel to Diary, in the end Survival of the Dead feel flat and unremarkable.

C