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Sunday, February 8, 2015

Cindy Prascik's Reviews of Jupiter Ascending & Paddington





Dearest Blog, with no Hobbit and nary a single decent-looking new release, there was really nothing to draw me to the cinema this weekend aside from the fact that I couldn't imagine sitting out two weekends in a row. Since I also lacked the wherewithal to sit through two stinkers in a row, I paired one of the weekend newbies with my sadly-neglected Paddington.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my agenda, the comically horrible Jupiter Ascending.

Mila Kunis stars as a seemingly-normal Earthling whose life is endangered when she discovers she's universal royalty.

Dear reader(s), I shan't insult your intelligence by trying to tell you Jupiter Ascending isn't a mess; in fact, it is the cinema equivalent of your family room after the Super Bowl party, the Mall on Black Friday, Morgantown after a big game. I spent a good portion of the movie trying to determine whether the acting is literally the worst in history, or if the dialogue is just so poorly written there was nothing the actors could do with it.

Come next week he'll likely be an Oscar winner, but Eddie Redmayne is an embarrassment, a strangely-sweaty version of Gary Oldman's most over-the-top mid-90s baddie. I adore Sean Bean and Mila Kunis, but I hope they both fired their agents for getting them into this! Curious that a guylinered Channing Tatum, hardly the most respected name among the cast, was pretty much the only one who didn't make me cringe.

The story is a jumbled disaster that sometimes drags worse than the slowest David Cronenberg slog. A chase scene at the beginning is so long and repetitive that I fell asleep twice and woke up while it was still going. Having said all that, Jupiter Ascending is still oddly entertaining at times.

The sets and effects aren't anything special, but they are often very pretty, as are some of the costumes. There are plenty of funny moments--intentional and not--and (at risk of sounding girly) Kunis and Tatum make an adorable couple; it's not hard to root for them.

Jupiter Ascending clocks in at 127 minutes and is rated PG13 for "some violence, sequences of sci-fi action, some suggestive content, and partial nudity."

Bad as it is, I didn't hate it. How's that for backhanded praise? Of a possible nine Weasleys, Jupiter Ascending gets four and a half.

Next up was Paddington.

A young bear from "darkest Peru" comes to London looking for a home.

I admit, for a movie about which I'd been pretty excited, I've been shamefully neglectful of Paddington.

Its schedule never seemed to work with other movies I wanted to see, and, after a couple weeks, I'd sort of resigned myself to waiting for DVD. I am so glad I didn't! My first thought upon seeing a Paddington trailer was, "Please don't mess this up." When Colin Firth jumped ship (to be replaced by my beloved Ben Whishaw) and the US release was pushed from a perfect holiday date to mid-January No Man's Land, I couldn't help but expect the worst. I am pleased to report that, whatever the reasons for those bumps in the road, Paddington is a pretty perfect movie.

The story is sweet, but never sugarey. The cast is top-notch, and Whishaw couldn't be more perfect as the voice of our beloved bear. There are many great laughs, for kids and adults alike, with enough action to keep things moving along at a good clip.

Finally, the movie manages to bring home an important message without beating viewers over the head with it.

Paddington runs 95 minutes and is rated PG for "mild action and rude humor."

Paddington is perfect for folks of any age, a genuinely terrific afternoon at the movies.

Of a possible nine Weasleys, Paddington gets eight.

Until next time...








































 
Well, there's always this...

MOVIE REVIEW: JUPITER ASCENDING







































Mila Kunis stars as Jupiter Jones, an everyday girl in the future whose life takes an unexpected turn when an ex-soldier (Channing Tatum) comes looking for her in hopes that she can live up to her destiny as the savior of the universe. Andy and Lana Wachowski once again dip their feet into sci-fi territory with this sprawling Warner Bros. epic. ~ Jeremy Wheeler, Rovi

Director: Andy Wachowski and Lana Wachowski

Cast: Channing Tatum, Mila Kunis, Sean Bean, Eddie Redmayne, Douglas Booth.

Release Date: Feb 06, 2015

Rated PG-13 for some Violence, Sequences of Sci-fi Action, Some Suggestive Content and Partial Nudity 

Runtime: 2 hr. 5 min. 

Genres: Action/Adventure, Sci-Fi/Fantasy 

Review:

Hybrid Wolf space hunter with space rollerblades.  If you can wrap your head around Channing Tatum’s character alone then you might find something to like in the Wachowski’s nearly incoherent and utterly ridiculous Jupiter Ascending.  The story is absurdly outlandish even though it feels incredibly familiar as well.  Thankfully the Wachowski’s bring this usual visual flair to the proceedings making for some truly impressive action sequences that keep you entertained once you’ve decided to turn your brain off completely.  If you accept Eddie Redmayne, acting with combustible collagen fueled lips, as a mad despot then you might find some enjoyment in the silliness.  Mila Kunis is ok as the titular Jupiter but she looks just as confused as we are, as a result she played her character like a gullible moron who’s only happy with her space hunter wolf hybrid and his space rollerblades.

C

Sunday, February 1, 2015

MOVIE REVIEW: A MOST VIOLENT YEAR







































An immigrant and his family strive to maintain their burgeoning business while contending with urban violence and corruption during a particularly harsh New York City winter in 1981. Jessica Chastain and Oscar Isaac star in this urban drama from writer/producer/director J.C. Chandor.

Director: J.C. Chandor 

Cast: Jessica Chastain, Oscar Isaac, Albert Brooks, David Oyelowo, Alessandro Nivola.

Release Date: Dec 31, 2014

Rated R for some Violence and Language

Runtime: 2 hr. 4 min.

Genres: Action/Adventure, Drama

Review:

A Most Violent Year is a slow burner of a film that’s a fascinating character study.  J.C. Chandor’s film is a morality tale at its heart as we watch a man fight to keep his principles in tact while trying desperately to succeed.  It’s the kind of film that’s light on action and heavy on dialogue which can turn off some people, especially since the film is sold as a crime drama which it is an and isn’t.  It’s very much in that vein but doesn’t follow the well worn path.  At the center of the film is Oscar Isaac who is incredibly engaging and captivating as the lead.  Isaac has a simmering intensity throughout which keeps the film engaging as its moves at a methodical pace.  Jessica Chastain nearly steals the show as his wife and the film is so much better when she’s on screen.  Chastain’s an actress whose impressed me more and more with each passing film and this maybe her best yet.  Throw in some strong, if understated, supporting turns from Albert Brooks and David Oyelowo and you have a wholly impressive drama which feels like a throwback to headier films from the 70s. 

A



MOVIE REVIEW: PROJECT ALMANAC



David Raskin (Jonny Weston) is a high-school science nerd who dreams of going to MIT. When he and his friends (Sam Lerner, Allen Evangelista) find a "temporal displacement device" built by his late father, David can't wait to start tinkering. When they finally get the device to work, the teenagers jump at the opportunity to manipulate time in their favor -- but their joy is short-lived when they begin to discover the consequences of their actions.

Director: Dean Israelite 

Cast: Sophia Black-D'Elia, Allen Evangelista, Ginny Gardner, Jonny Weston.

Release Date: Jan 30, 2015

Rated R for some Language and Sexual Content 

Runtime: 1 hr. 46 min. 

Genres: Sci-Fi/Fantasy, Suspense/Thriller 

Review:

Found footage films are well past the point of expiration, so if you’re watching one you’re probably one of those people who still enjoys the genre to a certain extent.   Project Almanac uses the conceit fairly well while mixing in the time travel into the mix.  Time travel stories have built in issues to begin with and the plot here doesn’t really do anything special and its solutions to some of the bigger logical issues is just to ignore them.  Luckily, the film’s cast is likable enough to make the film fairly enjoyable even though it’s a tad too long for its own good.  It’s a solid bit of mindless fun even though it takes a good while to get going and once it takes off the film’s over, leaving an endless amount of possibilities on the table unexplored

C+

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