MOVIE REVIEW: EQUALIZER 3

 

Since giving up his life as a government assassin, Robert McCall finds solace in serving justice on behalf of the oppressed. Now living in Southern Italy, he soon discovers his new friends are under the control of local crime bosses. As events turn deadly, McCall becomes their protector by taking on the mafia.

Director: Antoine Fuqua

Cast: Denzel Washington, Dakota Fanning, David Denman, Sonia Ammar, Remo Girone

Release Date: September 1, 2023

Genre: Action, Crime, Thriller

Rated R for strong bloody violence and some language.

Runtime: 1h 49m

The third and possibly final installment of the Equalizer franchise is a leaner, more focused entry which makes it the most effective of the three.  Antoine Fuqua's film is still as violent as ever, but he gives his main character a bit more time to breathe outside of his avenging angel persona.  There's a bit more nuance at play throughout which helps flesh out the character especially if you've followed his journey from the start.  Fuqua still delivers plenty of hero shots for his leading man with those visuals boarding between triumphant and menacing.  The action sequences are just as visceral and bloody as the past entries, but they are far less frequent than the first two entries leaning more on Washington's acting chops.  Denzel Washington has always been this series secret weapon as he pulls so much more out of the character than what's written on the page.  In this entry, he is given more room to explore moments of happiness and contentment before external forces bring him back to unleash his talents on a slew of faceless villains.  Washington does give the character a slightly different feel here, older more weathered and almost brutish in certain moments.  It makes those moments where his character unleashes his brand of justice interesting in that it could easily be flipped into a horror movie with little effort. Sadly, the supporting character are paper thin across the board, something that's been an issue with the three films.  Adding former Man on Fire costar, Dakota Fanning, should work better than it ultimately does with her character feeling more perfunctory than necessary.  Still the series as a whole is a testament to Washington's impressive talent and ability to make these films far more watchable than they would be in lesser hands.

B

MOVIE REVIEW: FORD V FERRARI

American automotive designer Carroll Shelby and fearless British race car driver Ken Miles battle corporate interference, the laws of physics and their own personal demons to build a revolutionary vehicle for the Ford Motor Co. Together, they plan to compete against the race cars of Enzo Ferrari at the 24 Hours of Le Mans in France in 1966.

Director: Jason Mangold

Cast: Matt Damon and Christian Bale, Jon Bernthal, Caitriona Balfe, Tracy Letts, Josh Lucas, Noah Jupe, Remo Girone, and Ray McKinnon

Release Date: November 15, 2019

Genres: Action, Biography, Drama

Rated PG-13 for some language and peril

Runtime: 2h 32min

Review:

Ford v Ferrari an interesting throwback film that’s got so much more going on besides racing.  James Mangold directs his film with a glossy veneer that just screams prestige picture.  A two and half hour film needs to be engaging to keep from becoming a slog.  Thankfully, the film’s story is thoroughly entertaining throughout, so much so that if rarely feels slow.  Having a cast of top level talents all delivering excellent performances.  Matt Damon gives his Carroll Shelby a good old boy charm and dogged determination which shines through an understated delivery.  Christian Bale delivers another physical transformation for this performance but beyond that he gives his character a likable stubbornness that provides the film its beating heart.  Together Damon and Bale make this bromance work and it’s incredibly watchable.  The supporting cast is equally strong with Tracy Letts, Jon Bernthal and Caitriona Balfe all leaving their mark in limited screen time.  On its surface, the film is about winning a car race but peeling back some of the layers reveal a beefier and headier story at work about creation, invention and innovation.

A