Needing money to cover his wife's medical bills, a decorated veteran teams up with his adoptive brother to steal $32 million from a Los Angeles bank. However, when their getaway goes spectacularly wrong, the desperate thieves hijack an ambulance that's carrying a severely wounded cop and an EMT worker. Caught in a high-speed chase, the two siblings must figure out a way to outrun the law while keeping their hostages alive.
Director: Michael Bay
Cast: Jake Gyllenhaal, Yahya Abdul-Mateen II, Eiza González, Garret Dillahunt, Keir O'Donnell
Release Date: April 8, 2022
Genre: Action,Crime, Drama, Thriller
Rated R for intense violence, bloody images and language throughout
Runtime: 2h 16m
Review:
Michael Bay is the kind of director whose better known for his cinematic excess more than the fact that he can create a fun big screen thrill ride. Glossy, frenetic and over the top can describe pretty much any movie on his resume. Ambulance sees Bay at his best and worst anchored by some fun performances from his central cast who are clearly having a blast playing in this wheelhouse. Bay directs this film with a coked out frenzy that starts immediately and rarely lets up during its overlong runtime. The film works best during it's opening act bank heist which suits Bay's talents perfectly. The camera flies around every scene like it can't stop or it'll die. The action is loud and glossy with random dips into stark violence which is jarring when it pops up. Still, its hard to ignore the insane cinematic energy on display especially when the cast is on the same page as the director. Jake Gyllenhaal channels 90s Nic Cage by going all in on the crazy energy that last for the entire film, it's an impressive display of stamina to say the least. Yahya Abdul-Mateen II is more subtle and measure, something rare for a Bay film, in his turn as he gives his character far more depth than the script does. Eiza González fares far better than most of the female characters in a Bay film. Sure she's the best looking EMT you've ever seen with make up that never smears regardless of what kind of madness she's gone through. Like everyone else, her character is more of a caricature than anything else but then again nobody ever goes into a Michael Bay film looking for a character study. Bayhem is in full effect once the movie hits the road with an assortment of car chases and crashes which are increasingly ludicrous as the film goes on. Bay is the type of director that just can't help himself with the final act displaying his directorial hubris. Ambulance works really well as cinematic junk food but its like watching fireworks for 2 hours, sometime less is more.
B-