MOVIE REVIEW: SCREAM

 

Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, Calif., a new killer dons the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town's deadly past.

Director: Matt Bettinelli-Olpin, Tyler Gillett

Cast: David Arquette, Neve Campbell, Courteney Cox, Melissa Barrera, Jenna Ortega, Jack Quaid, Dylan Minnette, Mason Gooding, Jasmin Savoy Brown, Mikey Madison, Sonia Ben Ammar, Marley Shelton, Skeet Ulrich, Heather Matarazzo, Roger L. Jackson

Release Date: January 14, 2022

Genre: Horror, Mystery, Thriller

Rated R for strong bloody violence, language throughout and some sexual references

Runtime: 1h 54m

Review:

Wes Craven's original Scream was a nice bit of self referential satire on slasher films.  It's the type of film that would have been better served if its subsequent sequels never existed.  It's heavy meta approach wasn't ever all that clever, Craven had done it before with his series send off for Freddy Krueger with New Nightmare.  As the film's have progressed the self reflection and satire has slowly devolved into self parody.  This fifth entry from directors Matt Bettinelli-Olpin and Tyler Gillett is unintentionally funny in parts and rarely if ever scary to any tangible degree.  The script riffs on elevated horror here and there while being a prime example of why most of the slasher genre is dead and buried.  They are clearly fans of the genre but they deliver some uninspired, bland and mildly boring bits of what can barely be called horror.  The kills are fairly rudimentary with them choosing brutally over creating any palpable sense of tension.  David Arquette, Neve Campbell and Courteney Cox all return with varying degrees of impact with even certain moments that should register emotionally falling flat.  Melissa Barrera, Jenna Ortega and Jack Quaid do the heavy lifting for the better part of the film with Quaid being the only who seems to be having a good time.  Barrera is surprisingly flat with her eyebrows leaving the biggest impression on the film.  The who done it at play here sadly isn't all the complex or terribly intriguing as it tries to make a point about toxic fandom.  This fifth entry feels like it should be the last in the series and probably for good reason.

D