Cindy Prascik's Review of King Arthur: Legend of the Sword

Dearest Blog: Yesterday it was off to Marquee Cinemas for the latest proof that Hollywood is out of new ideas: King Arthur: Legend of the Sword.

 

Spoiler level here will be mild, nothing you haven't seen in the trailers.

 

A young King Arthur is forced to reclaim his birthright from his traitorous uncle.

 

As I'm sure you've heard (and heard and heard), King Arthur: Legend of the Sword has many problems. In the interest of finishing strong, we'll get those out of the way first. The movie's biggest issue is that it isn't comfortable in its own skin. It desperately wants you to take it seriously, but offers you no real reason to do so. Modern language, clothing, and haircuts constantly belie its medieval setting...never mind some astonishingly white teeth! Charlie Hunnam--bless his beautiful, beautiful self--is just not that great a dramatic actor. Don't misunderstand me, dear reader(s), I love this guy and have seen and will continue to see everything he does, but he'd be better served by taking more interesting roles in smaller movies than by attempting to carry huge expectations on his strong, broad shoulders. Wait...what? Sorry, I was distracted by the thought of Charlie's shoulders. The supporting cast is reasonably solid, but only Jude Law seems to grasp the silliness of this retelling of the classic tale, delivering a baddie who's a mere moustache-twirl shy of cartoonish. That's the bad news, and I'm surprised and delighted to report none of it is fatal.

 

On the plus side, Legend of the Sword features some pretty nice creature and battle effects. A couple quick-cut narrative bits are hilarious--the movie's best parts, really--though they seem out of place with the intended tone. The film runs a hair long for what it is, but it never seems too long...which regular readers will know is quite a compliment coming from me! Daniel Pemberton's score is utterly magical. Do get out and buy or download or stream it or whatever you kids do with your music these days. Finally, SPOILER ALERT: Charlie Hunnam is shirtless. More than once. Feel like that's worth the price of admission any ol' day.

 

King Arthur: Legend of the Sword clocks in at 126 minutes and is rated PG13 for "sequences of violence and action, some suggestive content, and brief strong language." King Arthur: Legend of the Sword is less authentic legend than it is garden-variety action fantasy, but it's a surprisingly good time with some lovely eye candy. Of a possible nine Weasleys, King Arthur: Legend of the Sword gets six.

 

Fangirl points: Aidan Gillen (*swoon*)! Freddie Fox! Annabelle Wallis! 

 

Until next time...

MOVIE REVIEW: GUARDIANS OF THE GALAXY VOL. 2

While on the run following a botched heist, the Guardians of the Galaxy encounter a mysterious being known as Ego (Kurt Russell), who claims to be the long-lost father of team leader Peter Quill (Chris Pratt). As Quill learns more about his past, the Guardians battle foes old and new. James Gunn returns to write and direct this installment of the Marvel Cinematic Universe, which also stars Zoe Saldana, Dave Bautista, and Karen Gillan, and features the voices of Bradley Cooper and Vin Diesel. ~ Jack Rodgers, Rovi

Director: James Gunn

Cast: Chris Pratt, Bradley Cooper, Vin Diesel, Zoe Saldana, David Bautista

Release Date: May 05, 2017

Rated PG-13 for language, Brief Suggestive Content, Sequences of Sci-Fi Action and Violence

Runtime: 2 hr. 15 min.

Genres: Action/Adventure, Comedy, Sci-Fi/Fantasy

Review:

Guardians of the Galaxy Vol. 2 was always going to be a tough task since the first film was so unexpected and incredibly fun.  The sequel faces a Herculean task of expanding and continuing everything that worked in the original.  James Gunn’s follow up is a fun if overly bloated and scattered film.  The film’s plot, which has all the subtly of a sledgehammer, is an overly serious rumination on fatherhood, alienation and family drama.  As a result, some of the pop and chemistry of the original is missing.  There is still plenty to enjoy like the expanded roles for Michael Rooker’s Youdu and Karen Gilligan’s Nebula but its decision to split up the core cast zaps the film of the first film’s fantastic chemistry.  Kurt Russell’s casting seems like a perfect match but the character is strangely undercooked.  Using a living plant as the primary villain means that Russell is left on the sidelines for the better part of the final act which is to the film’s detriment, Elizabeth Debicki golden skinned Ayesha might have made a better villain.  Thankfully the emotional storyline pays off through an unexpected source which works well because it feels organic and earned.  It’s a shame everything doesn‘t feel as fluid and organic.  The sequel could of used some trimming which would have made the clunkiness less noticeable and the film more enjoyable overall. 

B-

Cindy Prascik's Review of Guardians of the Galaxy Vol. 2

Dearest Blog: Today it was off to Marquee Cinemas for Guardians of the Galaxy 2.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

Star Lord and company are back for more intergalactic action.

 

Dear reader(s), there's not much bad news about GOTG2, so we'll get what little there is out of the way first, beginning with the obvious: At the first film's release, GOTG was a mostly-unknown quantity that became a very pleasant surprise for genre and non-genre fans alike. Many hundreds of millions of dollars later, that missing element of surprise is bound to make the sequel feel less special than its predecessor; somehow "everything you expect" becomes both a blessing and a curse. Also, echoing a familiar complaint, the movie is too long for what it is. Not the popular opinion, but Marvel to me are the Masters of Bloat, and a 20-minute trim would have done GOTG2 a big favor. That out of the way, there's a lot to love here.

 

GOTG2 retains the humor of the original, though it's less consistently sharp. You won't laugh any less on the first go-round, but it's not going to hold up as well over time. The likable cast is expectedly reliable with the action and comedy bits, and, as with the first GOTG, Bradley Cooper's voice work on Rocket is really something special. It's important not to miss that amidst all the choreographed chaos and huge effects, which are end-to-end and admittedly stunning. Awesome Mix Vol. 2 is just as great as Awesome Mix Vol. 1; you'll be downloading it before you're even in the car. Finally, though Baby Groot is the film's highlight, much like the Minions before him, a more judicious use of his cuteness wouldn't be a bad idea. Definitely preferable to leave people wanting more, rather than risking "cute" becoming "annoying."

 

Guardians of the Galaxy 2 runs 136 minutes and is rated PG13 for "sequences of sci-fi action and violence, language, and brief suggestive content."

 

While some of the shine may have worn off Guardians of the Galaxy, you'd still be hard pressed to find more fun at the movies. Of a possible nine Weasleys, Guardians of the Galaxy 2 gets seven and a half.

 

Fangirl points: Tommy Freaking Flanagan! George Harrison is on Awesome Mix Vol. II!!

 

Until next time...

Cindy Prascik's Review of The Circle

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Dearest Blog: Yesterday it was off to Marquee Cinemas to join The Circle.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

A young woman takes a position with a tech juggernaut that appears to be a dream employer...but all is not as it seems at The Circle.

 

It was always fair to assume The Circle wouldn't be as smart as it thinks it is, but, from the trailers, it appeared it'd at least be a solid way to pass a couple hours. Sadly, appearances can be deceiving.

 

The Circle is a criminal waste of a really good cast, and it's important to note that the movie's failings are not on the actors. Tom Hanks and John Boyega are sadly underused, but Emma Watson does as well as can be expected carrying such sub-par material. Karen Gillan is also quite good, and, with limited screen time in what appears to be his final big-screen appearance, Bill Paxton turns in a nice performance. The Circle poses timely questions: How connected is too connected? How open is too open? In better hands, the movie might have been a chilling cautionary tale or an interesting take on personal freedom/privacy vs. the greater good. Instead, it's a plodding affair burdened with paper-doll characters, excruciating dialogue, and a "reveal" that's so ambiguous as to be pointless...a painful experience from start to finish.

 

The Circle clocks in at an interminable 110 minutes and is rated PG13 for "a sexual situation, brief strong language, and some thematic elements including drug use."

 

The Circle is a fitting closer for an underwhelming month at the movies, but, hey, at least we've got Guardians of the Galaxy next week! Of a possible nine Weasleys, The Circle gets two.

 

This blog is dedicated to my friend and fellow movie buff Melissa Bradley, who today lost a long and hard-fought battle with cancer. Rest well, Melissa.

 

Until next time...