Dearest Blog: Yesterday it was off to Marquee Cinemas for a pair of heist movies: Paddington 2 and Den of Thieves. (Find another review that makes *that* connection if you can!)
Spoiler level here will be mild, nothing you wouldn't know from the trailers.
First on my agenda: Paddington 2.
When dear Paddington is wrongly jailed for robbery, it's up to the Browns to find the real thief.
Paddington was a lovely surprise, a "children's" movie that turned out to be so much more. If there's any surprise to the greatness of Paddington 2, it's only that it's even better than the first.
Like its predecessor, much of Paddington 2's charm can be credited to its phenomenal cast. Hugh Bonneville, Sally Hawkins, Jim Broadbent, Julie Walters, and Brendan Gleeson are in top form, and Hugh Grant is an absolute delight as the film's narcissistic villain. The plot of Paddington 2 doesn't hold many twists, but it doesn't need them; its execution is so sweet and funny that predictability is easily forgiven. The movie is beautifully filmed, with a special nod to the animated pop-up book sequences, a true delight from start to finish. Stay tuned for a great musical number at the end!
Paddington 2 runs 104 minutes and is rated PG for "some action and mild rude humor."
In an increasingly ugly world, I'm grateful for the joyful beauty of Paddington.
Of a possible nine Weasleys, Paddington 2 gets all nine. (Yes, I'm throwing down a nine in January. 2018, you've got your work cut out for you.)
Fangirl points: Joanna Lumley! Ben Whishaw! Peter Capaldi! Ben Miller! Richard Ayoade!
Next on the docket: Den of Thieves.
LA's top cops face off with a legendary heist crew. Many shootings and f-words ensue.
Dear reader(s), my anticipation for Den of Thieves could not have been higher, and I want you to know from the bottom of my heart: I LOVE THIS MOVIE. It may not be the cleverest or the best from any technical standpoint, but, damn, it's everything I'd hoped it would be.
Den of Thieves wastes no time getting started with a fast and loud robbery and chase. From there, it quiets down surprisingly often, lending some time to backstory and...wait for it...planning. Like actual thinking. Yes, Den of Thieves is smarter than I expected. Understand the Smart Bar had been set very, VERY low, but still...I liked that it threw me a little curve, and in more ways than just Gerard Butler pondering his life choices. Den of Thieves weaves a tense tale, as the crafty robbers and no-rules cops attempt to out-fox each other. The bad-good guys are headed up by Butler, and his usual meathead act is quite perfect here. The bad-bad guys have Pablo Schreiber and O'Shea Jackson, Jr. turning in very nice performances with--dare I suggest it?--a fair bit of depth. Den of Thieves runs a hair too long and might have been better served by trimming some unnecessary subplot, but the movie takes a few turns I didn't expect and saves its best surprises for the finale.
Den of Thieves clocks in at 140 minutes and is rated R for "violence, language, and some sexuality/nudity."
Plopped squarely in the middle of all the pretentiousness of Awards Season, Den of Thieves is a sweary, testosterone-soaked action picture that is exactly what it means to be.
Of a possible nine Weasleys, Den of Thieves gets eight.
Dearest Blog: Today it was off to Marquee Cinemas for The Post and Proud Mary.
It was supposed to be The Post and Paddington 2, but the schedule wants what the schedule wants.
Spoiler level here will be mild, nothing you wouldn't have seen in a trailer or remember from the news.
First up: The Post.
The press goes head-to-head with the President.
The Post is one of those Awards Season pictures that's so awardsey they don't have to put "Academy Award Winner" and "Academy Award Nominee" above the names of the stars in the trailer. You don't need any hints to get it: This is a contender.
The Post tells a timely tale of the importance of a free press, with a healthy (and no less timely) undercurrent of girl power. A quick check of Wikipedia will tell you how the story ends if you don't remember, but that doesn't make getting there any less tense. Steven Spielberg masterfully uses framing and camera angles to leave the audience feeling as the principals must have felt, as if someone were creeping up behind them the entire time. While the story is big, the movie manages to make it personal as well, as the timing of these events coincides with the Washington Post's owner fretting over taking her family's legacy public. A quick-witted and wordy script is the perfect showcase for a superb cast, headed by the incomparable Meryl Streep and Tom Hanks. If The Post feels a bit preachy at times, it's only in service to its critical reminder of the ramifications of a press unable to hold the powerful to account. Without giving away THE ending to those who may not know it, I will say that the film's final stopping point sets it up as a literal prequel to All the President's Men, one of the finest films of all time, giving it even bigger shoes to fill.
The Post clocks in at 116 minutes and is rated PG13 for "language and brief war violence."
For all its pedigree, The Post feels a bit un-buzzy as awards season kicks into high gear. The blame for that likely can be laid squarely at the feet of a world that is exhausted by divisive and antagonistic politics. Trust me, dear reader(s), I'm right with anyone who just wants to tune out these days, but it's a shame if this extraordinary picture pays the price.
Of a possible nine Weasleys, The Post gets eight.
Fangirl points: Michael Stuhlbarg! Bruce Greenwood!
Next up: Proud Mary.
A hitwoman for a Boston organized crime family attempts to make amends for a past mistake.
A predictable but unrepentant action flick, Proud Mary has all the earmarks of those quick, cheap films TV stars make when they're on hiatus; it's basically a better-dressed and less-motorcycley Sons of Anarchy episode. Taraji P. Hensen, as glorious and gifted as any actress working today, elevates the material beyond what it deserves, but, ultimately, even she can only do so much to save something so unimaginative. The usually reliable Danny Glover is inexplicably awful, every line sounding like he's reading from a card he's only just seen for the first time. Sadly, Billy Brown remains clothed for the entire movie (spoiler alert!), and, with just a few minutes' screen time, the picture is a pitiful waste of the great Neal McDonough.
Proud Mary runs a quick 89 minutes and is rated R for violence.
Proud Mary is a by-the-numbers action flick that's redeemed mostly by the wattage of its star.
Of a possible nine Weasleys, Proud Mary gets five.
During the early days of World War II, the fate of Western Europe hangs
on the newly-appointed British Prime Minister Winston Churchill, who must
decide whether to negotiate with Hitler, or fight on against incredible odds. Director: Joe Wright Release Date: Nov 22, 2017 Cast: Gary Oldman, Lily James, Kristin Scott
Thomas, Ben Mendelsohn, Stephen Dillane Rated PG-13 for some thematic material Runtime: 2 hr. 5 min. Genres: Biography, Drama, History
Review:
Joe Wright’s Darkest Hour
is a perfectly solid historical drama that’s buoyed by an impressive turn by
Gary Oldman. Wright’s movie hits most of
the basic points of interest as he covers roughly a month of Winston
Churchill’s life as he ascends to the role of Prime Minster as Hilter’s forces
close in on Britain. As such, it makes for an
interesting companion pieces to Christopher Nolan’s Dunkirk. While that
film dealt the soldier’s point of view this film is far more concerned with the
political landscape that Churchill was dealing with as he took office. It’s catnip for history buffs even though
everyone knows how it ends. Still, it’s
a fascinating situation to examine considering how badly the odds where stacked
against the UK. Wright does a solid job of
providing a glossy accounting of darken close quarter rooms where major
decisions were being made in the face of impending doom. The film, though, wouldn’t work nearly as
well if it wasn’t for a stellar turn by the film’s star Gary Oldman who
disappears into make up and character. This
isn’t the first time Oldman has lost himself into characters behind make up,
most memorably in Dracula and an underrated and nearly forgotten turn in the
Silence of the Lamb sequel Hannibal. This film is clearly Oldman’s showcase, so much
so that some of sequences might as well have the words “For your Consideration”
emblazoned along the bottom of the screen.
Thankfully Oldman doesn’t disappoint as he delivers one of the best
performances of his career in a long while.
He’s had better roles in the past but this type of biopic seems ready
made for award season.
Dearest Blog: Yesterday it was off to Marquee Cinemas for a pair of true tales: Darkest Hour and Molly's Game.
Spoiler level here will be mild, nothing you wouldn't know from the trailers or, you know, a history book (or maybe a tabloid).
First up: Starting off the New Year right with my Gary in Darkest Hour.
Winston Churchill does not negotiate with Nazis.
Dear reader(s): By now you will have heard that Gary Oldman's transformation into Winston Churchill is nothing short of remarkable. I'm here to tell you, with all the impartiality a person who makes a homemade Gary Oldman calendar every year can muster, that you should believe the hype. Much has been made of the countless hours Gary spent in makeup and prosthetics in order to take on the portly prime minister's appearance--and it is well and truly amazing--but the quality of this performance is not about physical transformation; it's about how well he tends to the details of BEING Churchill: mannerisms, speech patterns, expressions. The look in his eyes at times is just extraordinary. We movie fans are so used to Gary disappearing into his roles that we may take it for granted, but this is a whole other level, a masterful performance for the ages. Darkest Hour's supporting cast is also stellar, with Kristin Scott Thomas, Lily James, Stephen Dillane, and the incomparable Ben Mendelsohn all holding their own opposite Oldman's tour de force turn.
Darkest Hour relates an oft-told story with an outcome well known to everyone, but it isn't handicapped by its familiarity; instead it feels like quite the nail-biter right down to the finish. Despite the somber subject matter, the picture steers well clear of misery and self pity; it is hopeful and actually quite funny at times, that rare awards-worthy bit of filmmaking that seems to care as much about entertaining as it does about accolades.
Darkest Hour clocks in at 125 minutes and is rated PG13 for "some thematic material."
Darkest Hour is a solid historical epic with an Oscar-caliber lead and a sadly-timely message about the dangers of placating tyrants.
Of a possible nine Weasleys, Darkest Hour gets nine.
Fangirl points: My Gary (duh)! Ben Mendelsohn! Joe Armstrong!!
Next on the docket: Molly's Game.
The rise and fall of Molly Bloom, a one-time Olympic contender who made and lost a fortune running an exclusive high-stakes poker game.
It won't be news to anyone who's seen so much as a single trailer that Molly's Game rises and falls on Jessica Chastain's outstanding turn in the lead. Chastain seems born to acclaimed writer (and first-time director) Aaron Sorkin's rapid-fire style, and she gets to glam it up as the high-class hostess to elite celebrities, athletes, and world leaders. You will not be able to take your eyes off of her. While the supporting cast is solid, there's not much room for anyone but Chastain as Bloom narrates her own story, with others popping in and out merely as grout to her tile. No disrespect to Chastain, who is entirely Oscar worthy, but I'd be remiss if I didn't take this opportunity to remind filmmakers that more Idris Elba is always better. (Please make a note of it.) Sorkin's direction weaves seamlessly between Bloom's present-day legal battles and her relating of the events leading to said battles. As is Sorkin's trademark, the dialogue is superb, even if the poker language might as well have been some alien tongue for all I understood it. Daniel Pemberton continues his win streak with another striking score. The film slows down just enough that a small trim might have made a more efficient whole, but that's a petty quibble with what is ultimately a couple great hours of cinema.
Molly's Game runs 140 minutes and is rated R for "language, drug content, and some violence."
Molly's Game is a fascinating story and a worthy showcase for one of the finest actresses of her generation.
Of a possible nine Weasleys, Molly's Game gets eight.
Fangirl points: Keep those eyes peeled for for about two seconds of Jose Bautista in newsreel footage at the start of the film.
An ice rink PA is playing George Harrison's son singing my favorite George Harrison song. Chris O'Dowd! Justin Kirk! Brian d'Arcy James!
Elisa is a mute, isolated woman who works as a cleaning lady in a
hidden, high-security government laboratory in 1962 Baltimore. Her life changes
forever when she discovers the lab's classified secret -- a mysterious, scaled
creature from South America that lives in a water tank. As Elisa develops a unique bond with her
new friend, she soon learns that its fate and very survival lies in the hands
of a hostile government agent and a marine biologist.
Director: Guillermo del Toro
Release Date: Dec 1, 2017 Cast: Sally Hawkins, Michael Shannon,
Richard Jenkins, Doug Jones, Michael Stuhlbarg, Octavia Spencer
Rated R for sexual content, graphic nudity,
violence and language
Runtime: 2 hr. 3 min.
Genres: Adventure, Drama, Fantasy
Review:
The Shape of Water is a lovely modern day fable
brought to life by Guillermo
del Toro.It’s a fascinating and elegant
film that’s got a hopeful sensibility running throughout its runtime.Guillermo del Toro’s film is visually
striking to look at and engaging throughout.The story paints in broad strokes with most of the characters feeling
more like types than actual people but the cast delivers strong enough
performances to make it work.Sally
Hawkins is front and center throughout and she delivers a magnetic
performance.Hawkins displays an
impressive ability to transmit emotions through looks and mannerisms which
allows the audience to follow her characters emotional journey.It helps that she and Doug Jones, who plays
the creature, share some tangible screen chemistry, all displayed non verbally
making it even more impressive.The
supporting cast is equally impressive with each leaving their signature on the
film.Richard Jenkins and Octavia
Spencer make for a likeable pair of friends for Elisa even though both could
have used a bit more depth.Michael
Stuhlbarg’s character is an interesting mixture of grey area where you don’t
quite know where he stands until near the end of the film.Michael Shannon makes for an impressive
villain for the piece.The character is
a solid blend of all the negative aspects of white males in post WW2 American
and as portrayed by Shannon he one of the most interesting characters in the
piece.Del toro doesn’t quite reach the heights he in did in
Pan’s Labyrinth with The Shape of Water but he does deliver another vividly
impressive live action fable.
Dearest Blog: Today we take a fond(ish) look back at 2017, grateful, at least, that it didn't fail us at the cinema as it did in so many other ways.
To start, the usual disclaimers:
1-a.) I live in a rinky-dink town, so most of the real awards heavyweights won't turn up here until they're nominated for Oscars, then they'll split four screens across two cinemas for one week and I'll need Hermione Granger's Time Turner to catch up with all of them.
1-b.) If we're being honest, most of said awards heavyweights wouldn't affect this list in the slightest, anyway. The Post would probably sneak on here, and maybe Molly's Game, but it's fair to say that the Academy and I do not share many common "best picture" criteria.
2.) A picture's original Weasley rating has little bearing on its end-of-year placement. Some movies wear well with repeat viewings, some not so much, and some I haven't had a chance to revisit since their cinema runs.
3.) This is gonna get long. If I can drop 1200 words on Batfleck, you can only imagine how many I'll need for ten winners, a handful of runners-up, a few disappointments, and other assorted miscellany.
So, without further ado, buckle up and let's get to it...
My Best of 2017
10. It
"We all float down here."
One of Stephen King's best works gets a worthy big-screen treatment. Sure, they screwed the pooch on Pennywise, whose CGI'd scares are too fake to freak, but the kids are extraordinary and the story is such a beautiful blend of nostalgia, hope, and melancholy that the film comes out a winner despite any petty quibbles.
9. Detroit
"It's a war zone out there."
Kathryn Bigelow's harrowing trip down memory lane to the 1967 Detroit race riots is terrifying, compelling, and sadly still timely in 2017. Brilliant performances highlight a picture so tense as to feel almost like living the horrific events in real time. Difficult as it is to stomach, Detroit is must-watch cinema.
8. John Wick, Chapter 2
"Somebody please get this man a gun."
If you think the John Wick movies are nothing more than a lot of shoot-'em-up machismo, you haven't been paying attention. What appears, on the surface, to be a big, dumb, action sequel is a wonderfully choreographed, strikingly filmed bit of movie magic that serves as the perfect vehicle for its limited-but-lovable star, Keanu Reeves. John Wick, Chapter 2, is that rare sequel that's even better than the original.
7. Goon: Last of the Enforcers
"I need to protect my team."
It was never likely Last of the Enforcers would duplicate the pleasant surprise of the original Goon. The sequel has fewer laugh-out-loud moments and lacks the feel-good underdog vibe of its predecessor, but Last of the Enforcers is blessed with a great cast and tons of heart, as well as writers who obviously cared enough to make the right choices for its much-loved characters. It was a story well worth continuing.
6. Kingsman: The Golden Circle
"I hope you're ready for what comes next."
The Golden Circle is another sequel that had no real hope of matching the surprising perfection of the original Kingsman, but it was still one of 2017's most fun and exciting cinema offerings. Throw in the year's best cameo by Sir Elton John and Mark Strong's heartfelt and hilarious performance of Country Roads, and you've got an epic actioner that's not to be missed.
5. Dunkirk
"We have a job to do."
Dunkirk is a big movie that manages to go small in its storytelling. Rather than relate the famous tale from a familiar grand standpoint, Christopher Nolan delivers intimate stories from ordinary folks who faced impossible circumstances. Gorgeous cinematography and stellar performances are the crowning glory of another Nolan masterpiece.
4. Coco
"There's something that makes me different."
Ladies and gentlemen, if there's one 2017 movie I would recommend to everyone, enthusiastically and without hesitation, it would be Disney/Pixar's glorious Coco. Coco is visually stunning, with a wonderful message underscoring its magical story. Delightful characters bring the celebration of Dia de los Muertos to life in warm, colorful, family-friendly fashion. Grab your friends, your family, and everyone else you can find and get out to see Coco on the big screen--as it's meant to be seen--while you can!
3. Justice League
"Dressed like a bat. I dig it."
Justice League brings DC's most notable heroes to the big screen together for the first time, while taking a much lighter tone than other recent DC offerings. It's a formula that works, thanks to excellent casting and mostly well-placed humor. Justice League's primary baddie is a bit underwhelming, but otherwise the movie boasts solid action and humor, terrific chemistry, iconic characters, and, for my money, the best live-action Batman/Bruce Wayne ever to have graced the screen, one of my favorite cinema experiences of 2017.
2. Pirates of the Caribbean: Dead Men Tell No Tales
"The dead have taken command of the sea."
Dead Men Tell No Tales earns a spot on this list as my favorite movie of 2017. It enjoys first-runner-up status thanks to its extraordinary rendering of the Silent Mary's ghost crew, the best thing to come out of the cinema all year long. Upon repeat viewings I found scenes that don't feature Captain Salazar and his men didn't hold up as well as those that do, but I remain overwhelmed by the exceptional effects, makeup, wardrobe and hairstyling, not to mention performances, that bring this cursed band of pirate hunters to life. Every viewing yields some new, remarkable detail, making Dead Men Tell No Tales a joy to watch again and again.
1. Baby Driver
"Your name's 'Baby?' B-A-B-Y, Baby?"
Writer/director Edgar Wright takes his striking use of music in movies to extraordinary new heights in this imaginative tale of a getaway driver who needs his tunes to get the job done. The result is exciting, clever, funny, totally unique proof that Hollywood is NOT out of good, original ideas, as so many complain. Baby Driver staked its claim to my number-one spot upon first viewing, and has had no serious competition since. Thank you, Edgar Wright, for always giving movie fans a real reason to get out to the cinema.
Widely Reviled/Ridiculed Movies that Tip-Toed Very Near My Top 10
King Arthur: Legend of the Sword. It should have been epic, and it could have been hilariously awful, but it's actually supremely entertaining and even surprisingly quick-witted at times, with nice-looking effects, cool action, and shirtless Charlie Hunnam. #winner
Transformers: The Last Knight. Yeah, you all hated it. I got that. Me, I go to the cinema for hugeness. Three Billboards loses nothing if I watch it on my TV or even on my phone, but Optimus Prime? I like seeing him transform in all the glory a 50-foot screen and mammoth surround-sound have to offer. The Last Knight boasts all the hugeness a hugeness fan like me could want, as well as some good laughs and a fair bit of screen time for one of my lesser-known favorites, Santiago Cabrera.
Power Rangers. Considered a flop in the US, its overseas box office may give this reboot a chance to grow into success. As a big fan of Power Rangers in any incarnation, I liked this story, loved the cast, and look forward to more. Plus, any year that gives me a Power Rangers or a Ninja Turtles movie is a win in my book!
The Great Wall. Ridiculous, but visually magnificent, I'd watch The Great Wall again and again just for the pleasure of looking at it.
Geostorm. A wildly improbable plot and ham-handed performances couldn't stop Geostorm from being the most fun movie outing of 2017. Terrific disaster effects didn't hurt, either. Can't wait to own this one when it becomes available for download!
Biggest Disappointments
Free Fire. Trailers led me to believe Free Fire would land near the top of my 2017 best-of list. Instead it's a clumsy waste of an extraordinary cast that was almost impossible to get through, despite its brief runtime.
Logan Lucky. Another movie whose trailers promised far more than it delivered. The caper is fun, but nothing new, and laughs are too sparse. Demerits for barely a hint of Sebastian Stan.
American Made. With the eminently-watchable Tom Cruise in the lead, this inspired-by-actual-events tale should have been edge-of-your-seat exciting; instead it's dull and overlong. It was still a nice rebound for Cruise after The Mummy, but nowhere near what it should have been.
Worst of 2017
Valerian and the City of a Thousand Planets. Every bit as painfully awful as the trailers promised/threatened. I can't remember the last time I suffered through something this horrible, and I have never in my life seen so many people walk out of a movie.
Flatliners/The Dark Tower. I almost put these two on the "Disappointments" list, but then it occurred to me that I'd have to have expected better for them to disappoint. I expected nothing of either, and they both delivered just that: nothing. A terrible waste of time, money, and in the case of The Dark Tower, the incredible Idris Elba.
Would Have Made My 2016 Top 10 If It Had Played Here In Time
Hidden Figures. An inspiring true story featuring lovely, sincere performances. Should be considered mandatory viewing.
2017's Individual Honors
Best Director: Edgar Wright.
Best Actor: Gary Oldman, Darkest Hour. (No, I haven't seen it yet, but there isn't nor will there be any other answer to this question.)
Best Actress: Michelle Williams, All the Money in the World. (Likely to be displaced by Jessica Chastain once I see Molly's Game.)
Best Supporting Actor: Gil Birmingham, Wind River.
Best Supporting Actress: Hong Chau, Downsizing.
Best Original Score:Daniel Pemberton, King Arthur: Legend of the Sword. (Along with POTC's
Silent Mary crew, this is the best thing the movies had to offer in 2017.)
So, dear reader(s), there it is, my take on the year that's ending. It's probably not much like anyone else's, but I guess if you wanted anyone else's you'd go read their lists instead. I remain grateful that you’re reading mine, and welcome civil discourse on our agreements and disagreements.
Happy New Year, and I'll see you at Marquee Cinemas in 2018!
