Cindy Prascik's Review of Despicable Me 3

Dearest Blog: Yesterday it was off to Marquee Cinemas with approximately eight million children for Despicable Me 3.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

Having failed to apprehend his arch-nemesis, Gru and his Minions turn back to villainy(ish).

 

Despicable Me is a "family" franchise that usually has plenty of laughs for fans of any age, and the third installment is no different. It boasts fun, funny characters who are easy to love. You'll have seen most of Gru's best bits in DM3 trailers, but there's plenty of cuteness from Margo, Edith, and Agnes to earn the price of a ticket. Judicious use of the Minions makes their appearances both entertaining and welcome; they are, as usual, the movie's highlight. Series newcomer Trey Parker is hilarious as this outing's stuck-in-the-80s super-villain. His musical choices and pop-culture references are clearly filmmakers throwing parents a bone for bringing their darling eight-year-olds to the show, but they are totally rad! Despicable Me 3 features bright, colorful art, constant-motion animation, and lively tunes sure to keep the kidlets engaged. I had a full house for my screening, and it didn't seem anyone in the room was much in agreement with the picture's mostly middling reviews; rather, kids and grownups alike were all laughing and having a great time.

 

Despicable Me 3 runs 90 minutes and is rated PG for "action and rude humor."

 

The Despicable Me franchise may have lost some of its magic along the way, but Despicable Me 3 is still a huge step up from 2015's standalone Minions movie (for whatever that's worth!). Of a possible nine Weasleys, Despicable Me 3 gets five and a half.

 

Until next time...

MOVIE REVIEW: BABY DRIVER

A partially deaf getaway driver (Ansel Elgort) gets caught up in a botched heist in this action comedy from writer/director Edgar Wright (Edgar Wright, Edgar Wright). Lily James, Kevin Spacey, Jamie Foxx, Jon Bernthal, Jon Hamm, and Sky Ferreira co-star. ~ Jack Rodgers, Rovi

Director: Edgar Wright

Cast: Jon Bernthal, Kevin Spacey, Ansel Elgort, Jon Hamm, Jamie Foxx

Release Date: Jun 28, 2017

Runtime: 1 hr. 53 min.

Genres: Action/Adventure, Comedy

Review:

Edgar Wright’s latest film, Baby Driver, is another strong entry into his catalogue.  He delivers a musical infused crime thriller that’s innovative even though the basic plot is well worn.  The film has an impressive rhythm from the opening car chase.  The impressively choreographed stunt driving is some of the best I’ve seen in a years.  It’s a testament to practical stunts that you feel every collision and rumble during any of the sequences.  The car chases are far better than any of the CGI infused trickery in another large car franchise.  The characters themselves are fun and interesting even if they never feel like actual people.  Ansel Elgort makes a fine lead, supplying the character with a healthy amount of innocence and charm though he’s outshined by the supporting characters.  Kevin Spacey, John Hamm and Jamie Foxx all deliver fun performances.  Spacey is totally in his element as the boss and Hamm and Foxx make for great villains at different points in the film.  Foxx is at full level crazy as the most despicable member of the crew.  Hamm’s role is tailor suited to his talents of being charming while looking like he’s suffering from a lifelong hangover.  Lily James makes for a cute love interest but doesn’t really register when compared to the rest of the cast.  Still, Baby Driver is one of the most fun films you’ll watch this year.

A- 

MOVIE REVIEW: THE HOUSE

Andrew J. Cohen directs this romp about a mother and father (Will Ferrell and Amy Poehler) who blow their daughter's college fund and start an illegal casino in their basement to recoup the losses. ~ Daniel Gelb, Rovi

Director: Andrew Jay Cohen

Cast: Will Ferrell, Amy Poehler, Allison Tolman, Rob Huebel, Michaela Watkins

Rated: R for language throughout, sexual references, drug use, some violence and brief 

nudity 

Genres: Comedy

Review:

The House is an unfortunate example of how getting an impressive collection of comedic talents together doesn’t guarantee a funny movie.  The premise sounds good and it should work but unfortunately the film just never finds its footing with most of the jokes and situations missing the mark.  There a few laughs to be had here and there probably birthed out of sheer will by Ferrell and Poehler but it’s not enough to save the film.  First time director Andrew Jay Cohen can’t seem to create any sort of energy for the cast which is a shame because it feels like there is a funny movie in there somewhere.

C-

Cindy Prascik's Review of Baby Driver

Dearest Blog: Yesterday it was off to Marquee Cinemas for one of my most highly anticipated titles of 2017, Edgar Wright's Baby Driver.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

To repay an old debt, a young man is forced to use his extraordinary skills in service of a criminal mastermind.

 

Dear reader(s), in the interest of full and fair disclosure, I'll confess my firm conviction that Edgar Wright makes perfect movies, all the time. As writer or director, and especially as writer and director, the guy is a visionary. I keep an open enough mind that pretty much anything can surprise me (pleasantly or unpleasantly), but honor demands I admit there was very little chance I wouldn't love Baby Driver. That's the Cliff's Notes. Now, onto the meat and potatoes...

 

Edgar Wright's love and respect for music lend his films unparalleled attention to detail where it is concerned. Each and every song is selected, each and every note perfectly placed, to underline, energize, advance, or complete its moment, event, or scene. While that's the case with all of Wright's efforts, Baby Driver willfully and overtly makes music its star, the sun around which all the other moving pieces revolve. If you love music, you will feel this film from the roots of your hair to the soles of your shoes. That's not to say the picture's "other" stars are lightweights. Decorated names such as Kevin Spacey, Jon Hamm, and Jamie Foxx have ample opportunity to shine brightly in Baby Driver's galaxy. "It" girl Lily James charms her way through the movie like an old pro, and Ansel Elgort is a delight in what's sure to be a star-making turn.

 

Baby Driver is an action film, filled with thrilling chase scenes and beautifully choreographed stunt driving. Baby Driver is a comedy, its humor blooming organically from genuine performances and crazy scenarios. Baby Driver is a drama, boasting sincere moments among layered, engaging characters. Baby Driver is extraordinary filmmaking from an extraordinary filmmaker, everything you could want from a movie and more.

 

Baby Driver clocks in at 113 minutes and is rated R for violence and language.

Baby Driver is a beautiful, clever, unique cinema experience that should shut up the "Hollywood is out of ideas" crowd for at least the weekend. 

 

Of a possible nine Weasleys, I am pleased and unsurprised to give Baby Driver all nine.

 

Fangirl points: OHMYGOSH YOU GUYS THERE'S A DAMNED SONG IN THIS MOVIE!

 

Until next time...

Cindy Prascik's Review of Transformers: The Last Knight

Dearest Blog: Yesterday it was off to Marquee Cinemas for Transformers: The Last Knight.

 

Spoiler level here will be mild, nothing that hasn't been revealed already by trailers and clips.

 

Humans have set themselves against all Transformers, making outlaws of anyone who continues to be their allies, but Earthlings are forced to reconsider that position when the planet is threatened.

 

The latest Transformers movie is taking a critical beating, not unlike those that came before it. It's pretty much exactly as advertised, however, so anyone with reasonable expectations shouldn't be disappointed.

 

Since I actually liked the movie, let's get the negatives out of the way first, beginning with the obvious: a two-and-a-half hour runtime. Ninety minutes, an hour and forty-five at most, would have made The Last Knight a great summer popcorn flick, but even the biggest, best effects and action wear thin at two and a half hours, nevermind the muddled backstory does nothing to earn such an excessive runtime. Then there's the "humor." With only the genuinely amusing bits, the film would have been plenty light enough, but instead it constantly oversells juvenile, annoying one-liners. That's the bad news. The good news is there's actually a great deal of good news. Transformers is all about huge effects and, as such, is one of my very favorite franchises to revisit on the big screen. This outing is no exception, with visuals that are massive-times-ten and sound that shakes the floor. Cool action sequences never seem to drag on, despite the bloated whole, and when the jokes hit the mark, the movie is actually very funny. In what he's declared his final Transformers outing, Mark Wahlberg remains more watchable that Shia LeBeouf ever was, and Anthony Hopkins appears to be having the time of his life, never demeaning the material despite the fact it's clearly beneath him. For my money, it should be easy for anyone to have at least as much fun with this movie as Anthony Hopkins does.

Transformers: The Last Knight clocks in at a whopping 149 minutes and is rated PG13 for "violence and intense sequences of sci-fi action, language, and some innuendo."

 

Transformers: The Last Knight is big, dopey fun that fills a summer weekend quite nicely. Of a possible nine Weasleys, Transformers: The Last Knight gets six.

 

Fangirl points: Mitch Pileggi! Steve Buscemi! SANTIAGO CABRERA! *heart-eyes emoji* 

 

Until next time...

MOVIE REVIEW: TRANSFORMERS: THE LAST KNIGHT

Humans are at war with the Transformers, and Optimus Prime is gone. The key to saving the future lies buried in the secrets of the past and the hidden history of Transformers on Earth. Now, it's up to the unlikely alliance of Cade Yeager (Mark Wahlberg), Bumblebee, an English lord (Anthony Hopkins) and an Oxford professor (Laura Haddock) to save the world.
Director: Michael Bay
 
Cast: Mark Wahlberg, Anthony Hopkins, Josh Duhamel, Laura Haddock, Stanley Tucci

Release Date: Jun 21, 2017

Genres: Action/Adventure, Sci-Fi/Fantasy

Rated PG-13 for violence and intense sequences of sci-fi action, language, and some innuendo

Review:

I’ve always been forgiving of Michael Bay’s live action series because the cartoon will always be a fond part of my childhood.  I’ve always found plenty to like in movies even if they’ve been far from perfect.  I’d actually enjoyed the last installment because Bay finally seemed to figure out that it helps the series if you give the Transformers some personality and make them the center piece.  I’d hoped it was something that’d be continued in The Last Knight.  Sadly, Bay decides to put the Transformers in the background, Optimus Prime barely has 30 minutes of screentime, leaving us with Mark Wahlberg and Laura Haddock’s pillowly lips.  The plot is an overly complex mess that seems to find the most complicated way to do everything.  There are a bevy of new human characters including a plucky child, played by Isabela Moner, who’s introduced and forgotten for the majority of the film only to be reintroduced in the final act.  The saving grace of it all is Anthony Hopkins who’s clearly enjoying himself in the unrelenting madness going on around him.  Hopkins and his robot butler provide the majority of the laughs and enjoyment in the film.  The biggest issue is simply making a movie called Transformers and leaving the titular robots on the sideline while haphazardly throwing famous characters from Transformers lore around like undercooked pasta.  It’s a real shame because the series could be a fun sci-fi series if it could stay focused on its actual stars, the robots. 

D