Cindy Prascik's Review of Wonder Woman

Dearest Blog, yesterday it was off to Marquee Cinemas to see Wonder Woman...with a side of Pirates of the Caribbean.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

If your world (or your franchise) needs saving...ask a woman.

 

Regular reader(s) will know I generally don't read reviews until I've written mine, though of course I've seen headlines, most of which run along the lines of "DC Finally Gets It Right!" I'm of the rare opinion that DC always gets it right (yes, even Green Lantern!), so, if this review seems somewhat less gushing than most, it's only because the awesomeness was entirely expected.

 

Beginning with the obvious, our Wonder Woman is, indeed, a wonder. Strong and stunning, charming and smart, Gal Gadot carries this picture like it's old hat; she is perfect in every way. And how about Chris Pine?? I mean, if you're only catching onto the fact that he's more than just blue eyes and a dreamy smile, well...shame on you!! He's always great, but this might be his finest performance yet. The supporting cast is extremely solid, although...does Danny Huston play Nazis weirdly often, or does he just look like someone who does? How great to see Robin Wright in a badass role like this! As Wonder Woman's super support team, Said Taghmaoui, Ewen Bremner (yay!), and Eugene Brave Rock are the picture's unsung heroes, thoroughly engaging. I'm not a huge fan of all the super-slo-mo, but otherwise Wonder Woman's action sequences are well choreographed and don't run on too much. Thanks to spot-on humor, the movie never feels too dark, despite the high stakes, and I think we can all agree Wonder Woman has the coolest theme of any superhero! If I had one small complaint outside the overuse of slow-motion, it's that the movie definitely would have benefited from at least a small trim. It also feels a bit preachy at times, a side effect of its resolutely hopeful tone. 

 

Wonder Woman clocks in at 141 minutes and is rated PG13 for "sequences of violence and action, and some suggestive content."

 

Wonder Woman (movie) often debates whether humanity deserves Wonder Woman (hero). I guess we probably don't, but I'm sure glad we got her anyway. 

 

Of a possible nine Weasleys, Wonder Woman gets eight.

 

Until next time...

MOVIE REVIEW: WONDER WOMAN

An Amazon princess (Gal Gadot) finds her idyllic life on an island occupied only by female warriors interrupted when a pilot (Chris Pine) crash-lands nearby. After rescuing him, she learns that World War I is engulfing the planet, and vows to use her superpowers to restore peace. Directed by Patty Jenkins (Patty Jenkins). ~ Violet LeVoit, Rovi

Director: Patty Jenkins

Cast: Gal Gadot, Chris Pine, Connie Nielsen, Robin Wright, David Thewlis

Release Date: Jun 02, 2017

Rated: Rated pg-13 Some Suggestive Content, Sequences of Violence and Action

Runtime: 2 hr. 21 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

I’ll start off by saying that I’m terribly biased when it comes to Wonder Woman thanks to reruns of Lynda Carter’s iteration from the 70’s which led to a lifelong fandom.  Wonder Woman has always been my favorite superhero and I’ve actually read a handful of comics and watched endless amounts of Bruce Timm produced animation.  Needless to say, I can understand why it’s so difficult to nail the character.  Patty Jenkins and Batman vs. Superman scene stealer Gal Gadot had a large task in front of them.  Thankfully they nailed it.  Wonder Woman’s first foray onto the big screen is a rousing success.  Patty Jenkins layers the film with a handful of themes but they are done subtly and organically throughout.  Most importantly, it’ll all feel right for long time fans of the character.  Wonder Woman is a tough blend since she’s a warrior but also incredibly compassionate and caring.  Gal Gadot is able convey all of this with relative ease throughout, all the while showing off glimpses of some fine comedic talent.  

Gadot has a magnetic energy about her that’s just incredibly infectious.  Moving the film’s setting to World War 1 is an incredibly smart move since it gives us and Gadot a chance to show off an innocence in Diana’s character as she explores man’s world for the first time.  Chris Pine comes off as a pleasant surprise, in what is easily my favorite performance from him.  Pine and Gadot have an undeniable and realistic chemistry that’s as playful as it’s heartfelt.  Once the action moves into the battlefield, Jenkins and her cast show off an excellent handle on how to do action sequences properly.  There are 2 sequences that are sure to give longtime fans goosebumps.  If there is a minor complaint, it’s a tab bit of overuse of slow mo.  The sequences would have been better served if they’d held back on that just a tad.  Some of the minor drawbacks are the villains, Danny Huston’s character is about as one note as they come and Dr. Maru aka Dr. Poison comes a bit too cartoony for my taste.  Additionally, the third act does fall into the big battle trope most superhero films use.  A tad bit of trimming could have helped it since it overstays its welcome by a few minutes.  Regardless, when the film is done you can’t help but be impressed by how fun, emotionally layered and loving crafted Wonder Woman is by all those involved.

A-

MOVIE REVIEW: PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES

Thrust into an all-new adventure, a down-on-his-luck Captain Jack Sparrow finds the winds of ill-fortune blowing even more strongly when deadly ghost pirates led by his old nemesis, the terrifying Captain Salazar (Bardem), escape from the Devil’s Triangle, determined to kill every pirate at sea…including him. Captain Jack’s only hope of survival lies in seeking out the legendary Trident of Poseidon, a powerful artifact that bestows upon its possessor total control over the seas.

Director: Espen Sandberg, Joachim Rønning

Cast: Johnny Depp, Javier Bardem, Orlando Bloom, Brenton Thwaites, Kaya Scodelario

Release Date: May 26, 2017

Rated: PG-13 for Some Suggestive Content and Adventure Violence

Runtime: 2 hr. 9 min.

Genres: Action/Adventure

Review:

Pirates of The Caribbean: Dead Men Tell No Tales, the 5^th entry in the series, is a fun bit of filmmaking but directors Espen Sandberg, Joachim Rønning can’t shake the feeling of familiarity.  A villain with a grud, a treasure and Jack Sparrow make for a decent enough time at the movies but this fifth installment never seems to find its sea legs.  With Orlando Bloom and Kiera Knightly sitting this entry out, for the most part, Johnny Depp is left with some unmagnetic replacements.  Neither Brenton Thwaites or Kaya Scodelario, who looks like a young Rebecca Hall, are interesting enough to make you care about them.  Javier Bardem is good fun as the villain in the piece even if the film doesn’t seem to know how to utilize him best.  The plot is straightforward enough to keep wandering minds entertained but once it’s all said and done, I doubt anyone will give it a second thought.

B-

Cindy Prascik's Review of Pirates of the Caribbean: Dead Men Tell No Tales

Dearest Blog: Yesterday (and the day before), it was off to Marquee Cinemas for the latest installment in Disney's Pirates of the Caribbean franchise, Dead Men Tell No Tales.

 

Spoiler level here will be mild, nothing of consequence that hasn't been revealed already by trailers and advertising.

 

Further misadventures ensue when Captain Jack Sparrow is enlisted for another magical mission.

 

Dear reader(s), so we're clear from the outset: The POTC franchise is my Bond, my Star Wars, my Avengers...all rolled into one. It's where Jack's compass would point if I held it in my hands. Any review is no more than one person's opinion, but my opinion of a POTC movie will never stray too far from a heart-eyes emoji and a bunch of exclamation points.

 

You may have heard that Dead Men Tell No Tales harkens back to the original POTC, the Curse of the Black Pearl, and in many ways this is true. Henry Turner (Brenton Thwaites) and Carina Smith (Kaya Scodelario) are a poor man's Will Turner and Elizabeth Swann on a parental quest; Thwaites even looks like a young Orlando Bloom at times. As a devoted fan of Johnny Depp, lately I've wished he'd steer clear of the "quirky guy in a funny hat" roles, but I'm powerless to resist Captain Jack. He lights up the screen like no one else can, and, if he can never duplicate that element of surprise that came with the first outing, it's clear he is an icon, still much loved by movie-goers...much like the POTC films themselves. Javier Bardem's Captain Salazar is the stuff of nightmares, and his ghost crew represents some of the most interesting CGI I've seen in many a moon, tops in a picture that's filled with plenty of huge, masterful effects. (Two words: ghost sharks.) Dead Men Tell No Tales continues the franchise's history of hilariously clever action sequences (another brush with the executioner is a highlight), and the movie keeps its secrets well enough for some nice reveals. Geoff Zanelli gets credit for POTC5's rousing score, though it features plenty of callbacks to Klaus Badelt's stunning Curse of the Black Pearl soundtrack, and one very special Will Turner cue from Hans Zimmer's work on At World's End. Fans of the franchise will be delighted to see such familiar old faces as Mr. Gibbs (Kevin McNally), Marty (Martin Klebba), Murtogg (Giles New), Mullroy (Agnes Barnett), and of course Captain Barbossa (the brilliant Geoffrey Rush). At this writing, I've seen POTC5 twice in 2D and once in 3D, and the only appreciable benefit to the 3D is that it lightens up some too-dark scenes; otherwise it’s not worth the upcharge and glasses headache. The movie is exciting enough that it doesn't seem overlong, but it does slow down juuuuust enough in the middle that a little trim might have been to its benefit. Finally, though this installment has been billed as "the final adventure," it clearly means "final adventure" in the same way the Rolling Stones mean "farewell tour." Dead Men Tell No Tales doesn't just leave a door open for more POTC movies; a great post-credits scene practically promises them.

 

Pirates of the Caribbean: Dead Men Tell No Tales runs 129 minutes and is rated PG13 for "sequences of adventure violence and some suggestive content."

 

POTC5 is is a rollicking adventure filled with fun characters, terrific effects, and plenty of laugh-out-loud humor, perfect for the first holiday weekend of summer blockbuster season. 

 

Of a possible nine Weasleys, Pirates of the Caribbean: Dead Men Tell No Tales gets all nine.

 

Fangirl points: All of it really, but how about those Middle Earth connections, David Wenham (Faramir) and Adam Brown (Ori), and of course...Sir Paul McCartney!!

 

Until next time...

MOVIE REVIEW: ALIEN: COVENANT

Bound for a remote planet on the far side of the galaxy, members (Katherine Waterston, Billy Crudup) of the colony ship Covenant discover what they think to be an uncharted paradise. While there, they meet David (Michael Fassbender), the synthetic survivor of the doomed Prometheus expedition. The mysterious world soon turns dark and dangerous when a hostile alien life-form forces the crew into a deadly fight for survival.

Director: Ridley Scott

Cast: Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Demián Bichir

Release Date: May 19, 2017

Rated R for sci-fi violence, bloody images, language and some sexuality/nudity

Runtime: 2 hr. 2 min.

Genres: Action, Adventure, Drama

Review:

Alien: Covenant is best described as Ridley Scott plays all the hits.  On Prometheus, Scott tried for some headier sci-fi, even if the human decision weren’t, but fans complained about its lack of outright Alien connections.  Publicly, Scott’s been on record as saying he’s heard these complaints and delivered Alien: Covenant.  Fans of the series will find plenty of call back to the original film all the while Scott continues threads from Prometheus.   The film itself looks beautiful, even if the scares never really come since the beats are so familiar.  Katherine Waterston is primed to be the heroine in this entry but she’s never magnetic enough to completely captivate your attention.  Michael Fassbender more than makes up for the slack while playing duel roles.  Fassbender is clearly having a ball throughout and its audience benefit as he’s the most interesting thing on screen during the entire film.  The supporting cast is made up of familiar faces but their clearly just cattle being lead to the slaughter with only Danny McBride leaving an actual impression.  Alien: Covenant is a solid entry into the prequel series that sure to leave plenty of fans happy while others will complain about certain story decision. 

B

Cindy Prascik's Review of Alien: Covenant

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Dearest Blog: Yesterday it was off to Marquee Cinemas for the latest installment in the Alien franchise, Alien: Covenant.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

Alien life forms are sometimes very dangerous. Who'da guessed??

 

Dear reader(s), in the interest of full and fair disclosure, I'll confide that I don't like the Alien movies...ANY of them. I keep giving them chances because people who like the things that I do seem to love and even revere at least some of them but...welp...let's just say this latest installment finally may have cured me of my need to figure out what I'm missing.

 

If I heeded that old adage, "If you can't say something nice, don't say anything at all," this review would be a blank page; however, since I paid the cost of admission expressly for the privilege of writing about the movie, I shall briefly disregard that sage advice to tell you Alien: Covenant sucks so hard. I might say it was worse than Prometheus, except I didn't fall asleep in this one. Maybe I just wasn't tired yesterday, but I'm gonna be generous and concede that point. Katherine Waterston is terrible, all teary eyes and quavering voice; in fact, for a team of scientists and explorers, the minute something goes a little sideways these people lose their s**t faster than the slutty girl in those teen horror flicks. Many of the choices they make are about as stupid, too. Cardinal rules: When in doubt, don't split up and don't have sex. Pretty simple, right? This crew is so dumb it's hard to invest in any of them...more fun to try guessing in what order they'll (deservedly) be picked off. The writing is so predictable I was finishing lines in my head like a movie I'd seen a hundred times. Covenant features some lovely locations and decent effects, but the "horror" is limited to gore and cheap jump scares that you'll see coming a mile out. There's a minor, but weird and unnecessary, reference to a character thinking he's considered untrustworthy for being "a person of faith." That probably got under my skin more than it should have, but it stuck out as one of the most offensively pointless spots on an almost-entirely pointless movie landscape.

 

Alien: Covenant clocks in at 122 minutes and is rated R for "sci-fi violence, bloody images, language, and some sexuality/nudity."

 

With a top-notch cast, mammoth effects, and spectacular sets, it's clear the makers of Alien: Covenant weren't shy about throwing money at the screen; however, in the immortal words of Butthead: "You can't polish a turd, Beavis." Or, as the lady behind me stage-whispered about the halfway point: "This movie stinks." Of a possible nine Weasleys, Alien: Covenant gets one.

 

Fangirl points: Billy Crudup! Country Roads! Dariusz Wolski!

 

Until next time...