Cindy Prascik's Review of Straight Outta Compton

Dearest Blog: This weekend my cinema has again left me spoiled for choice, with three brand spanking new releases for my viewing pleasure. Unlike last weekend, I had reason to believe seeing this week's offerings might actually BE a pleasure.

Since it's two-and-a-half bleeding hours long, Straight Outta Compton did not play nice as part of a double- or triple-bill, and I had to make a special trip to see it. I'm pleased to report it was well worth the effort.

Spoiler level here will be mild, nothing you wouldn't know from the trailers, or, you know, real life.
Rap group N.W.A. busts out of its rough California neighborhood and becomes a music industry game-changer.

Dear Reader(s), it would be fair to say that, as a music fan, I was not quick to come to the rap table. When N.W.A. hit the streets in 1986, I was so far up Styx' and R.E.O. Speedwagon's butts I would never have given N.W.A. the time of day. I mention that only to prove that my affection for this movie is not borne of sentiment; it really, really is a fantastic movie. (And, curiously, both Styx and R.E.O. Speedwagon are briefly referenced, so...yay!)

Straight Outta Compton is long. Entirely TOO long, if we're being honest, but it's so good it almost gets away with it. Everything about the movie feels natural, from dialogue to delivery to scene cuts and angles. The three principals have fairly limited experience, but their terrific performances make them look like old pros, and the supporting cast is also solid from top to bottom. The picture's mood flows easily from tense to funny to flat-out brutal and back, but it never misses a beat or feels awkward.

Whatever level of fame, success, or wealth, N.W.A. has achieved, the violent lifestyle has followed, but I would refute anyone who calls this story a glorification of that lifestyle. On the contrary, the movie--and the music--are a reflection of the artists' circumstances, and, while N.W.A. has had a great deal of success, they've paid a heavy toll as well. There's no denying the impact N.W.A. and their revolutionary sound have had on millions of people worldwide, and this version of their story is both moving and extremely entertaining.

Straight Outta Compton runs 147 minutes (are you even kidding me??) and is rated R for "language throughout, strong sexuality/nudity, violence, and drug use."

Pretty much every musical act that gets famous has a similar story: the humble beginnings, shady dealings, infighting, the corrupting influence of money and fame, and--if they're lucky--a chance at redemption.

A good or not-so-good movie is in the telling, and Straight Outta Compton tells the hell out of the N.W.A. story.

Of a possible nine Weasleys, Straight Outta Compton gets eight and three quarters. (I desperately want to award the full nine, but I just can't justify that runtime!)

Until next time...

MOVIE REVIEW: THE MAN FROM U.N.C.L.E.

At the height of the Cold War, a mysterious criminal organization plans to use nuclear weapons and technology to upset the fragile balance of power between the United States and Soviet Union. CIA agent Napoleon Solo (Henry Cavill) and KGB agent Illya Kuryakin (Armie Hammer) are forced to put aside their hostilities and work together to stop the evildoers in their tracks. The duo's only lead is the daughter of a missing German scientist, whom they must find soon to prevent a global catastrophe.

Release Date: Aug 14, 2015

Rated: PG-13 Action/Violence, Some Suggestive Content and Partial Nudity

Runtime: 1 hr. 56 min.

Genres: Action/Adventure

Director: Guy Ritchie  

Cast: Armie Hammer, Henry Cavill, Alicia Vikander, Hugh Grant, Jared Harris

Review:

The Man from U.N.C.L.E isn’t breaking any new ground and it borrows heavily from other better filmmakers but that doesn’t keep it from being a fun little romp.  Guy Ritchie’s film moves at a steady pace throwing 60’s fashion, good looking people and funny little quips throughout.  His trio of stars are all game and they all share great chemistry together.  Henry Cavill and Armie Hammer are clearly having a ball indulging in their characters.  Alicia Vikander is a perfect as the female lead.  Her and Hammer have plenty of fun scenes together while Cavill is filling out his tailor made suits elsewhere.  It’s never deep or thought provoking and it probably overstays it’s welcome by about 15 minutes but that doesn’t keep it from being fun.  

B

Cindy Prascik's Reviews of Ricki & the Flash and Fantastic 4

Dearest Blog: This weekend, my local cinema happened to get all four new wide-releases, so I had the unusual luxury of choosing among all of them.

The presence of Sebastian Stan made Ricki & the Flash my must-see, and the schedule dictated Fantastic Four wrap up the double-bill.

Spoiler level here will be mild, limited to trailer reveals.

Following a couple weekends that gave me a couple of my favorite guys (Jake Gyllenhaal and Jeremy Renner) in a couple of pretty great movies (Southpaw and Mission: Impossible - Rogue Nation), I suppose I was due for a letdown. Boy did I get it.

First on Saturday's agenda: Ricki & the Flash.

Having long ago left her family to follow dreams of rock stardom, a middle-aged woman returns home to comfort her newly-dumped daughter.

In the interest of full and fair disclosure, I'll admit I hate movies like Ricki & the Flash, and, were it not for Sebastian Stan's presence, I wouldn't have seen it for a million dollars. That being said, if it were a good movie, it would have won me over, and I'm sure my tone is already telling you, dear reader(s), it did not.

Ricki & the Flash is cliched and predictable. The characters are paper thin, not one has any depth or ever, once, does a single thing that isn't exactly what you'd have expected him/her to do. There are a few genuinely funny moments, but the "humor' is mostly awkward and occasionally vaguely racist in a way that's meant to flesh out a character but instead just left me mildly uncomfortable. Even the mostly-decent classic rock soundtrack is handicapped by ho-hum performances. Not being a "musical," per se, where the plot is actually advanced by the songs, the movie would have been better served by brief clips of the band onstage, rather than the excruciating full numbers to which we're repeatedly subjected.

Meryl Streep is a goddess, and if there's a movie fan out there who'll dispute that, well, it's not this one. She manages to bring *something* to Ricki, a character that's otherwise blandly unlikeable and uninteresting. She's especially effective portraying the depressing physical realities of middle age on a person who's mentally only ever going to be a teenager.

Once again, someone has grossly overestimated Streep's appeal as a singer, but her fantastic screen presence makes that easy enough to forgive. It's hard to watch Streep's real-life daughter Mamie Gummer wallow through the movie, and I couldn't honestly say whether the blame falls on actress or character, since Gummer is pretty hard to watch in everything.

The good news is the rest of the supporting cast is terrific, if underused. As Ricki's long-suffering guitarist and beau, Rick Springfield does well in the movie's most thankless role, though he strangely looks ready to burst into tears the entire time. Sebastian Stan is great in his two minutes of screen time, for the first time in his entire career, playing the NON-problematic son of a messed up family. Go Sebastian! Finally, Audra McDonald is as glorious as always as the woman who stepped in to clean up the mess Ricki left behind when she set off to become a rock star.

It has to be one of cinema's worst crimes against humanity to have McDonald, one of the world's greatest singers, appear in a movie about a singer, yet not sing a note. Even Stan and Gummer get to sing a few lines, for Pete's sake!!

Ricki & the Flash runs 101 minutes and is rated PG13 for "thematic material, brief drug content, sexuality, and language."

A shameful waste of a solid cast, of a possible nine Weasleys, Ricki & the Flash gets four.

Next on the docket, the most recent screen rendering of Fantastic 4.

In an experiment gone wrong, four young college students find themselves physically altered and must use their new powers to save the planet.

Sound familiar? I know, right?? If there's one thing I hope Hollywood has learned from Fantastic 4's dismal reception, it's that we, genre and general fans alike, are tired of origins stories. Everyone knows why Bruce Wayne and Peter Parker are so sad on Fathers' Day, JUST MOVE ON. While that's far from the only reason people aren't flocking to see this humdrum version of some fairly humdrum heroes, it's got to be one of them.

Dear reader(s), you may count me among those who didn't mind 2005's Fantastic 4, nor its 2007 sequel. They aren't special movies, but they're fun enough. The problem with the latest F4 is that it's no fun at all. It would be misleading to call the movie a slow starter, because that would imply that, at some point, it picks up. It is, in fact, a slow starter, a slow middler, and a slow finisher. The only way to mark the passage of time at all is to note the differences in Miles Teller's acne spots.

The movie is dark, not so much in tone as in appearance, and at times it's difficult to tell what's going on at all. Jamie Bell, a fine actor (for my money, the best of the principal cast) is completely wasted, and, of those who get decent screentime, only Michael B. Jordan manages to be even half-watchable. Teller and Kate Mara are phoning it in, clearly as bored with the proceedings as the few of us who have bothered seeing the movie this weekend. The CGI ranges from just okay to laughably bad, inexcusable for a would-be summer blockbuster. It's not hard to see why Hollywood left this one in the landfill of August releases.

Fantastic 4 clocks in at 100 minutes and is rated PG13 for "sci-fi action violence, and language."

Trust me when I tell you, "fantastic" is not the "F" word you'll be saying if you waste your hard-earned dollars on this.

Of a possible nine Weasleys, Fantastic 4 gets three.

Until next time..

 Rick Springfield: Four decades of being hot enough to make mediocre movies worth the price of admission!

MOVIE REVIEW: FANTASTIC FOUR

Brilliant scientist Reed Richards builds a device that allows users to teleport to an alternate dimension, but an experiment involving it goes wrong and leaves him and his three teammates with unusual superpowers. The quartet are then forced to work together to battle an enemy from their past. This reboot of the iconic Marvel superhero team stars Miles Teller as Richards (who becomes Mr. Fantastic, able to bend and stretch his body into impossible shapes), Michael B. Jordan as Johnny Storm (aka the Human Torch, whose body can erupt in flames), Kate Mara as Sue Storm (aka the Invisible Woman -- no explanation needed), and Jamie Bell as Ben Grimm (who is transformed into the rock monster known as The Thing). Directed by Josh Trank. ~ Jack Rodgers, Rovi

Director: Josh Trank

Cast: Michael B. Jordan, Miles Teller, Kate Mara, Jamie Bell, Toby Kebbell

Release Date: Aug 07, 2015

Rated PG-13 for Sci-Fi Action Violence and Language

Runtime: 1 hr. 40 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

There were two famously troubled productions hitting the screen this summer.  Antman ended up surprising mostly everyone including myself but the reboot of Fantastic Four fails in every way that film succeeded.  A morose joyless experience from start to finish, Josh Trank’s film hits all the typical origin story beats but never brings anything new to the table.  It’s ultimately a plodding mess of a film that never coalesces into anything nearing fun or entertaining.  It’s a shame because there’s a capable cast of actors on hand.  Unfortunately, they don’t share a shred of chemistry together.  Each of them delivers their lines with a robotic sense of inevitably and disinterest.  Perhaps if the script wasn’t a hackneyed retread of things we’ve all seen before they’d be more interested in their performances.  At a little over an hour and half, the film drags on to it’s inevitable conclusion which doesn’t deliver much satisfaction either since the villain is about as silly looking as they come.  Your mind might start to wander, even making wonder if those original FF4 films were really that bad right before you remember that The Incredibles is still the best FF4 film around.

D

MOVIE REVIEW: MISSION IMPOSSIBLE ROGUE NATION

Ethan Hunt (Tom Cruise) and his teammates reunite for this pulse-pounding sequel, in which they attempt to take down a secret international organization known as the Syndicate--highly skilled ex-IMF agents who are intent on bringing down their former outfit. Christopher McQuarrie directs this new entry in the Mission Impossible franchise, with Jeremy Renner, Alec Baldwin, and Simon Pegg co-staring. ~ Daniel Gelb, Rovi

Director: Christopher McQuarrie 

Cast: Tom Cruise, Jeremy Renner, Ving Rhames, Simon Pegg, Alec Baldwin.

Release Date: Jul 31, 2015

Rated PG-13 Sequences of Action & Violence and Brief Partial Nudity

Runtime: 2 hr. 11 min.

Genres: Action/Adventure, Family

Review:

Mission Impossible – Rogue Nation is probably the best action film of the summer.  It’s one of the most well round action films in recent memory.  Christopher McQuarrie ably directs set piece after set piece each larger and more extravagant than the last.  It’s quite a feat when the big set piece that’s been playing on all the trailers is just the start of the film.  At its center is Tom Cruise.  I constantly have to remind myself that Cruise is 53 years old because he’s just so impressive in his action films.  Say what you will about his personal life but the man makes for a perfect movie star in everyway imaginable.  He’s at his best here hitting all the right beats and even throwing in some comedic bits here and there.  The supporting cast is strong if under utilized.  Rebecca Ferguson makes for a surprisingly believable agent.  She’s able to go toe to toe with Cruise in the action department and her and Cruise have a solid rapport together.  Simon Pegg and Cruise have great chemistry together with Pegg nailing the comic relief portion of the film.  .  Jeremy Renner gets the short end of the stick though as he’s sidelined for the better part of the film.  Renner has a substantial role but it’s really just lots of standing around looking at screens or talking to people on the phone.  His action sequences are zero in this entry.  Ving Rhames is pretty much in the same boat but to a lesser extent.  The plot is a tad convoluted but never really that important to the proceedings since they made Sean Harris looks about as nefarious as humanly possible with the only thing missing being a shot of him punching kittens.  The film is a lot of fun all around but it could have been trimmed by a good ten or fifteen minutes at the very least.

A-

Cindy Prascik's Review of Mission: Impossible - Rogue Nation

Dearest Blog: Thanks to an early dismissal yesterday, I was able to get out to see Mission: Impossible - Rogue Nation on opening day.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

After the IMF is disbanded and its agents forced to report to the CIA, Ethan Hunt's crew has to go off-book to battle the evil Syndicate.

There are two things regular reader(s) already know I'm going to say about Mission: Impossible - Rouge Nation. Number one: it's a great movie you should go see right away, then go see it again and again. Number two: NOT ENOUGH JEREMY RENNER! There, that's that out of the way.

Rogue Nation kicks off with a spectacular action sequence that perfectly sets the tone for an edge-of-your-seat couple hours. Crazy stunts galore and great fight choreography are exciting to watch and keep the movie moving at a good pace. The plot is well-crafted, and beautiful locations compliment the story nicely. Tom Cruise is the very definition of A-List, a star who carries the movie without ever seeming to steal screen time from the rest of a pretty decent ensemble. Cruise again performed many of his own stunts, including that crazy plane thing you've undoubtedly seen in all the trailers and ads by now.

Not just the action hero, not just the handsome leading man, Cruise is also a pretty funny guy, though most comic-relief duties rightfully fall to the brilliant Simon Pegg. Now that it's clear Ethan Hunt isn't going anywhere, it seems the filmmakers aren't quite sure what to do with William Brant, so--though Jeremy Renner probably doesn't have any less screen time than the other supporting cast--he doesn't seem to have much to do. (Renner is in a similar, unfortunate situation with the Bourne franchise.) It's fair to say no movie was ever worse for having Sean Harris or Tom Hollander, either. If I had one teensy complaint about Rogue Nation, it's the usual: it would have been pretty simple to trim this to a two-hour runtime, and the movie would have been sharper and more enjoyable for it.

Mission: Impossible - Rogue Nation runs 131 minutes and is rated PG13 for "sequences of action and violence, and brief partial nudity."

A straight-up awesome blockbuster and easily the best movie of the summer, of a possible nine Weasleys, Mission: Impossible - Rouge Nation gets eight and a half.

(And you can bet that'd be nine if it only had more Renner!)

Until next time...

Dear Filmmakers: It is VERY important that you find more screentime for Jeremy Renner. Please and thank you.